Cyraxx Videos

[0:00 - 0:27] [Music]
[0:27 - 0:34] What is up? What is up? Good morning to all you beautiful, wonderful people out there. What is up, dude?
[0:34 - 0:42] I hope you guys are having a wonderful, WONDERFUL Wednesday, Thursday morning now.
[0:42 - 0:52] But, uh, how is everybody doing this morning? And I hope you guys are doing good.
[0:52 - 0:55] Hope you guys are staying at home, ready for your day.
[0:56 - 0:58] I know I am.
[0:58 - 1:03] But, uh, good morning to everyone.
[1:03 - 1:13] Throw these bad boys on right quick. Because we about to do some drifting and chilling, baby.
[1:13 - 1:23] How is everybody doing today? Shout out to the person watching. What is good? What is good? Put in the comments who you are. Say what's up.
[1:23 - 1:42] We are going to run a very unique car that I just got, that I have not spent much time with, uh, C-WISE. We are about to get that in.
[1:42 - 1:52] And it is actually, it's actually run by Pro Drifter, Von Gittin Jr. Shout out to Von now. What's good, bro?
[1:53 - 2:05] But, uh, we are about to run his brand new 2021 All Electric Mustang. And I know it's weird, an All Electric Mustang. It's weird, I know.
[2:05 - 2:09] But we are about to run that for today, man. See how it does.
[2:09 - 2:16] Let's dip it on some nice hot coffee and chillin', buddy.
[2:21 - 2:33] This is actually going to be a lot, a lot of fun, man. I'm super excited to just hang out with you guys, have a good time, chill out, relax, and rip some gears, man.
[2:33 - 2:48] Now, as you can see, we have already picked up the Ascari KZ1R. I'm not going to go for the Jaguar CX75 because I can easily pick that up in the auction house. That's not a big deal.
[2:48 - 2:55] Welcome back, Speed Demon.
[2:55 - 2:58] Thank you. Appreciate it, girl.
[2:58 - 3:07] So, let's head on over here and pick up this electric Mustang, which I know is weird, saying that, like, "Ugh."
[3:08 - 3:25] Hey, I hate saying it. I really do, because I love, like, I absolutely love to hear my engine freakin' rip, dude.
[3:26 - 3:37] I love to hear that rip with that engine, man. So, all electric, man. I don't know. We're about to see how she does in a drift event. We're about to see.
[3:37 - 3:42] It'll be interesting.
[3:44 - 3:54] I almost forgot to throw on my racehards, man. Shit. God damn, man. I almost forgot to throw on my racehards, bro.
[3:54 - 3:57] Then I forgot this thing will throw me around.
[3:57 - 4:06] Whoa. Hello.
[4:06 - 4:33] Okay, not bad. I'm actually very impressed. I'm not too big on the whining.
[4:33 - 4:47] I'm not a very big fan of the whining that you're hearing, but still, it's not bad. It actually handles really well.
[5:02 - 5:06] I'm actually very impressed.
[5:06 - 5:19] But, can't wait up to my expectations as a four-wheeler drift car.
[5:19 - 5:45] That is the question. Can this thing live up to being a drift event car? That is my question.
[5:45 - 5:55] Alright, so far we're doing just street drifting. It holds pretty well.
[5:55 - 6:21] It definitely has power to it, for sure.
[6:22 - 6:34] Whoa. It's definitely nimble.
[6:34 - 6:45] This thing is definitely nimble as hell.
[6:46 - 7:08] It's actually nimble.
[7:09 - 7:24] And now, if you guys are wondering what we want right now, I'm actually running the watchtakes, the G920, with gear, sugar, and clutch.
[7:24 - 7:35] Excuse me.
[7:36 - 7:40] Oh, my favorite spot right here, man. Let's go.
[7:40 - 7:45] About to test this thing on the Toge.
[7:55 - 8:12] This is where the true test will lie. This toge and its score is what's going to determine whether I use this for a drift event car, or if I just use this for whatever.
[8:12 - 8:29] So far it's holding pretty well.
[8:29 - 8:47] So far this thing is holding up pretty well.
[8:47 - 8:52] Alright, so here it comes, y'all.
[8:52 - 9:08] I'm sorry if you guys hear the rattling. That's because I got full speed back all the way up.
[9:08 - 9:18] Ooh, saved it. Not quite, but hey.
[9:19 - 9:22] Alright, I'm ready to go.
[9:22 - 9:46] I'm ready to go.
[9:47 - 9:58] Let's see if I can hit that 1 mil mark.
[9:58 - 10:08] Damn, this thing can actually get it, bro.
[10:08 - 10:13] I'm actually, so far, I'm thoroughly impressed.
[10:16 - 10:20] Oh yeah, I don't like the fact that it's electric, but hey, this thing does the job.
[10:20 - 10:41] Ooh, let's go then.
[10:44 - 10:46] We're at 400.
[10:47 - 10:48] Ooh.
[10:49 - 10:50] We've got to go one or two, man.
[10:50 - 10:52] This is actually pretty good.
[10:52 - 11:16] This is pretty good.
[11:17 - 11:18] This is for winter, man.
[11:18 - 11:20] This is actually how I spend every morning.
[11:20 - 11:28] I sit down and get about an hour or two of seat time in on here and just go from there.
[11:28 - 11:38] Let's go.
[11:45 - 11:50] All right, so I'm not the biggest fan of the Mustang being all electric.
[11:50 - 12:00] I'm really not, but as long as it does the job, that's what matters.
[12:00 - 12:10] I'm sure right now I'll send that 700.
[12:11 - 12:12] We're on the ground speaking to the new Supercharger like this.
[12:12 - 12:16] It's the last chance for Crystal remind us before the end of the season.
[12:16 - 12:20] We're on the ground speaking to the new Supercharger like this.
[12:20 - 12:24] It's the last chance for Crystal remind us before the end of the season.
[12:24 - 12:28] We're on the ground speaking to the new Supercharger like this.
[12:28 - 12:32] It's the last chance for Crystal remind us before the end of the season.
[12:32 - 12:36] We're on the ground speaking to the new Supercharger like this.
[12:36 - 12:38] It's still amazing.
[12:39 - 12:50] All right, so we may end up with 900 and something, but still it's not that.
[12:50 - 12:51] All right, so we're on the ground speaking to the new Supercharger like this.
[12:51 - 17:42] We're on the ground speaking to the new Supercharger like this.
[17:43 - 17:50] Ah, crap.
[17:51 - 19:49] We're on the ground speaking to the new Supercharger like this.
[19:50 - 19:58] I'm defensive about this like if it slides well, I'm not a fan of the battery style man.
[19:58 - 20:04] I mean I get that it's supposed to be energy efficient but, eh.
[20:04 - 20:15] I'm going around, I like it.
[20:15 - 20:17] I like the color scheme and how it handles.
[20:18 - 20:24] And the fact that you can switch from all wheel drive to rear wheel, that's actually pretty cool.
[20:24 - 20:27] Look, for real though, dude.
[20:27 - 20:56] [drilling]
[20:56 - 20:59] Look around this, thank you.
[20:59 - 21:07] Clutch kick through here, thank you.
[21:07 - 21:10] There we go, now we're moving.
[21:10 - 21:14] I don't know if we want to clutch kick that corner down there or not.
[21:14 - 21:17] Oh, never mind.
[21:17 - 21:19] That was a rock.
[21:24 - 21:26] Oh yeah, I'm still going to need a clutch kick through here.
[21:26 - 21:40] And that's why we're on the outside.
[21:50 - 21:56] Oh damn, dude, straight up, full backwards entry man.
[21:56 - 21:59] That was actually nice.
[21:59 - 22:07] We actually came out of that corner pretty cleanly dude, just fucking whipped her around and just dong.
[22:07 - 22:15] That was actually a lot of fun, I'm actually very impressed with this thing, holy shit.
[22:15 - 22:18] Ooh, and we got a wheel spin, let's go.
[22:19 - 22:22] Ooh, 15k, I'll take it.
[22:22 - 22:35] This car, my personal opinion, it's interesting.
[22:35 - 22:41] I won't say it's my favorite drift car, but it's still not bad.
[22:41 - 22:45] It actually holds up pretty damn well.
[22:46 - 22:48] [tapping]
[22:48 - 23:01] [drilling]
[23:01 - 23:19] Ooh, so we're running out of A-Class, okay.
[23:19 - 23:28] Oh, what should I get to try, one of my personal favorite ones, if I have it in here, hopefully I do.
[23:28 - 23:30] [drilling]
[23:30 - 23:39] Yo, let's go, I get to try out one of my personal favorite legendary cars, man.
[23:39 - 23:52] Oh, one of my personal favorite drift cars, that's actually a legendary car in Japan.
[23:52 - 24:12] [drilling]
[24:12 - 24:18] We got the Kaido House Dawson, man, let's go.
[24:18 - 24:21] Shout out to Kaido House, by the way, man.
[24:23 - 24:29] Fucking love Kaido House, if you guys have not checked out Kaido House on YouTube, check them out, man.
[24:29 - 24:35] They've always got amazing comments, or content, and they also have some dope comments from people too, but...
[24:35 - 24:37] Shout out to Kaido House, man.
[24:37 - 24:48] One of my personal favorite drift companies/channels, for sure.
[24:48 - 24:53] [drilling]
[24:53 - 25:09] Let's go.
[25:09 - 25:13] Ripping that second gear around this spot.
[25:13 - 25:22] [drilling]
[25:22 - 25:26] Woohoo, let's go, man.
[25:26 - 25:36] [drilling]
[25:43 - 25:50] I got the same on a pretty good set-up right now, so...
[25:50 - 25:54] Oh, damn.
[25:54 - 26:06] There we go, now we're hauling ass.
[26:06 - 26:12] [drilling]
[26:12 - 26:23] Dude, I got the perfect tune on this Kaido House Dawson, man.
[26:23 - 26:28] In case you guys are wondering, yes, I actually do have both Kaido House Dawson's.
[26:28 - 26:32] I actually need to tune the other one and get that one set up for events.
[26:32 - 26:38] [drilling]
[26:39 - 26:42] Ooh, excuse me, coming through.
[26:42 - 26:45] [drilling]
[26:45 - 26:54] Reverse entry downhill.
[26:54 - 27:09] [drilling]
[27:09 - 27:15] Dude, I freaking love this Kaido House Dawson, man. This thing is a monster.
[27:15 - 27:23] Go for it, dog. Hop on in, bro. Let me get through with this event, bro. We can rip it, dude.
[27:23 - 27:26] [drilling]
[27:26 - 27:30] I have zero issues with that, bro.
[27:30 - 27:35] Yo, dude, you already know you're always welcome to join up, dog.
[27:36 - 27:41] Y'all already know, bro, you're always welcome to hop into a drift set, for sure.
[27:41 - 27:47] Come on, dude, we've been brothers for how many years now? You already know you're more than welcome, bro.
[27:47 - 27:50] Ooh.
[27:50 - 27:57] Archimolich circuit. Not one of my personal favorite drift tracks, but still, it's fun.
[27:57 - 28:00] [drilling]
[28:05 - 28:08] Damn, smoke flying everywhere.
[28:08 - 28:11] [drilling]
[28:11 - 28:26] Oh, damn, okay, I see you with that drift missile, Sylvia, bro. I see you.
[28:26 - 28:35] [drilling]
[28:35 - 28:43] Yo, this Kaido House Dawson's actually not holding up too badly.
[28:43 - 28:46] [drilling]
[28:46 - 28:57] Oh, wall tap.
[28:57 - 29:00] [drilling]
[29:02 - 29:05] Oh, let's hit that wall.
[29:05 - 29:10] I'm actually very impressed. This is actually my first drift event.
[29:10 - 29:17] Or actually my first-ranked drift event with the Kaido House Dawson, and I'm actually thoroughly impressed.
[29:17 - 29:22] I tuned it for street drifting, but, bro, this thing holds up pretty damn well.
[29:22 - 29:50] [drilling]
[29:50 - 29:53] Dawson got fourth.
[29:53 - 29:56] [drilling]
[29:56 - 29:59] I'm launching it straight.
[29:59 - 30:01] [drilling]
[30:01 - 30:10] Oh, wall tap, but we're good. We actually saved it, man. We just wall tapped that thing, but we're good.
[30:10 - 30:13] [drilling]
[30:13 - 30:22] Damn, I'll tell it I can get that wall right up on there, but we're not doing too shabby.
[30:22 - 30:28] Right now we're holding up, which, hey, I gotta admit, it's better than last.
[30:28 - 30:30] [drilling]
[30:30 - 30:47] Oh, damn.
[30:52 - 31:01] Oh, it spun out right there, but that's fine. We're still in this. We ain't down it out just yet.
[31:01 - 31:06] [drilling]
[31:06 - 31:29] Oh, yeah, sorry about that. I'll pay for that, I promise.
[31:29 - 31:35] [drilling]
[31:35 - 31:37] Damn.
[31:37 - 31:40] [drilling]
[31:59 - 32:02] Oh, and we got the front-end drift.
[32:02 - 32:05] [drilling]
[32:05 - 32:07] We got that front-end drift view. That was sick.
[32:07 - 32:10] [drilling]
[32:10 - 32:16] That was in then for our first drift run with the Kaido Dawson.
[32:16 - 32:33] [drilling]
[32:33 - 32:40] That was not bad for our first run with the Kaido Haus Dawson. That was actually pretty decent.
[32:40 - 32:54] [drilling]
[32:55 - 32:58] And shout out to whoever else is watching, man.
[32:58 - 33:01] [drilling]
[33:01 - 33:14] And, yo, Devon, I definitely do have a deal for you, brother. I think you might like for your channel. So, hit me up whenever you can, bro.
[33:14 - 33:17] [drilling]
[33:17 - 33:24] Ooh, Estadio Circuit. Okay.
[33:25 - 33:28] One of my personal favorites, actually. I actually like Estadio Circuit.
[33:28 - 33:34] Estadio Circuit, I can pull out the lengthy slides, which I like.
[33:34 - 33:55] [drilling]
[33:55 - 34:02] And I've ran Estadio Circuit before, so this is another new thing.
[34:02 - 34:17] [drilling]
[34:17 - 34:20] It's been a while, but...
[34:21 - 34:23] Well, it's out.
[34:23 - 34:31] Out of the way, sir.
[34:31 - 34:35] Thank you.
[34:35 - 34:38] Ooh, let's go.
[34:38 - 34:41] [drilling]
[34:50 - 34:54] Yo, man, homeboy behind me is just battling for South right now.
[34:54 - 35:41] [drilling]
[35:41 - 35:45] I hate those corner hairpins, man. I don't think they're even going in.
[35:46 - 35:48] [drilling]
[35:48 - 36:03] Let's see if we can regain some points through here.
[36:03 - 36:06] Oh, alright.
[36:06 - 36:29] [drilling]
[36:29 - 36:34] Oh, almost hit that guard rail.
[36:34 - 37:13] [drilling]
[37:13 - 37:17] Dude, those dots actually feels really good.
[37:17 - 37:55] [drilling]
[37:55 - 37:58] Not a problem, dude.
[37:58 - 38:01] [drilling]
[38:01 - 38:05] Yo, those dots, man. I actually like the Kidal House dots, man, bro.
[38:06 - 38:10] Where am I sitting at? Oh, I'm sitting at seven.
[38:10 - 38:14] Let's see where I'm sitting at in place while it's full.
[38:14 - 38:17] Yes, we're hitting seven. Let's go.
[38:17 - 38:23] As long as I'm not at last, we are good because that still gives me a chance to climb up to the top.
[38:23 - 38:30] That still gives me a shot to get to where I need to be.
[38:30 - 38:40] [drilling]
[38:40 - 38:43] Damn!
[38:43 - 38:48] Ooh, let's go. I got the Clio RS200. Let's go.
[38:48 - 38:50] [drilling]
[38:50 - 38:53] I love my Clios now.
[38:53 - 38:56] [drilling]
[38:56 - 39:00] No things are actually very good track cars.
[39:01 - 39:07] They're not so much good for drifting, but they're good for track racing and other shit.
[39:07 - 39:14] Ooh, let's go. S1 this round. Okay. Now we're talking.
[39:14 - 39:20] Now we are talking my style.
[39:20 - 39:32] [drilling]
[39:32 - 39:42] Let's use Sean's Silvia from Tokyo Drift.
[39:42 - 39:48] Shout out to my boy Sean from Tokyo Driftman.
[39:48 - 39:51] [drilling]
[39:59 - 40:02] Let's go. I've got the Tokyo Drift Silvia, bro.
[40:02 - 40:05] Yeah.
[40:05 - 40:08] Y'all ain't threatening a bus, is it? How did you?
[40:08 - 40:18] [drilling]
[40:18 - 40:20] Yo, that gremlin looks fired.
[40:20 - 40:25] I fuck with that gremlin. That gremlin was sick.
[40:28 - 40:32] Shout out to Dex for rocking that AMC Gremlin, dawg.
[40:32 - 40:40] I'll fuck with that gremlin then, though. Don't look on that thing as sick, dude.
[40:40 - 40:43] [drilling]
[40:43 - 40:50] Round two. Here we go.
[40:50 - 41:16] [drilling]
[41:16 - 41:17] Ah, shit.
[41:17 - 41:31] [drilling]
[41:31 - 41:34] Save it.
[41:34 - 41:37] [drilling]
[41:37 - 41:42] Whoa, did I save that at the perfect time, dude?
[41:42 - 41:45] [drilling]
[41:45 - 41:52] I'm not getting eliminated.
[41:53 - 41:55] [drilling]
[41:55 - 42:05] See ya.
[42:05 - 42:51] [drilling]
[42:51 - 43:03] Oh, reverse strain freakin' entry. That was sick.
[43:03 - 43:06] That was beautiful.
[43:06 - 43:10] I don't think I can pull that one again.
[43:10 - 43:13] [drilling]
[43:16 - 43:18] Oh.
[43:18 - 43:25] Dude, that reverse entry was, ooh, that was something else, man.
[43:25 - 43:46] [drilling]
[43:46 - 43:48] Oh.
[43:48 - 43:57] [drilling]
[43:57 - 44:02] Shot of the Ripper RSA for giving me a shell.
[44:02 - 44:06] I don't know why I'm waiting, but we're good.
[44:06 - 44:21] [drilling]
[44:21 - 44:24] Ooh, alright.
[44:24 - 44:26] What's good?
[44:26 - 45:08] [drilling]
[45:08 - 45:10] Now's a hell of a run.
[45:11 - 45:22] [drilling]
[45:22 - 45:27] Yo, I need to find out what route that is and get that from my gremlin because that thing is sick.
[45:27 - 46:39] [drilling]
[46:39 - 46:41] Well, we'll make it work.
[46:41 - 47:29] [drilling]
[47:29 - 47:34] And this spot is why I hate this circuit.
[47:35 - 47:37] [drilling]
[47:37 - 47:39] Because I kind of have to swing it out.
[47:39 - 47:45] [drilling]
[47:45 - 47:48] Well, there's a lot of speed, and that usually tends to happen.
[47:48 - 47:51] [drilling]
[47:51 - 47:54] Well, I'm not a fan of that little circuit. I freaking hate that one spot.
[47:54 - 50:16] [drilling]
[50:16 - 50:19] Oh, shit!
[50:19 - 54:26] [drilling]
[54:26 - 54:31] Oh, shit. Yeah, we may not make this one, boys.
[54:32 - 54:34] [drilling]
[54:34 - 54:46] If y'all are wondering this is actually how I spend my mornings, hanging out with friends, getting my drift on, and then just chilling.
[54:46 - 55:12] [drilling]
[55:12 - 55:16] And that's why I hate hairpins.
[55:16 - 56:37] [drilling]
[56:37 - 56:40] Hey, two tips. Not bad.
[56:40 - 56:55] [drilling]
[56:55 - 56:58] Let's see where I sit.
[56:58 - 57:04] [drilling]
[57:04 - 57:11] Yo, we took third for the final fucking round, boy. Let's go. Yes.
[57:11 - 57:14] [drilling]
[57:14 - 57:17] And we're walking away with third.
[57:17 - 57:27] [drilling]
[57:27 - 57:29] Let's go.
[57:29 - 57:32] [drilling]
[57:32 - 57:37] Alright, that'll be it for the final round. Hopefully.
[57:37 - 58:31] [drilling]
[58:31 - 58:37] Alright, y'all. We took third. That was not bad at all, man. We did good.
[58:37 - 58:41] What, a new car to collection? What's the new car?
[58:41 - 58:44] What?
[58:45 - 58:47] Oh, the Clio, okay.
[58:47 - 58:54] [drilling]
[58:54 - 58:57] Now, let's pick up this shit.
[58:57 - 59:04] Let's see what we got here. Did I do all the car matches for the Silvia?
[59:04 - 59:07] Damn!
[59:07 - 59:09] Ah, 52.
[59:09 - 59:11] Not bad.
[59:12 - 59:17] Well, that will do it for this trip to Batman. Hopefully you guys have enjoyed it, man. I had a lot of fun.
[59:17 - 59:23] Just drifting, chilling, hanging out, having some fun with you guys.
[59:23 - 59:25] And, yeah.
[59:25 - 59:33] If you guys have not done so, man, be sure to go check out my company's page at Axe Kick Productions.
[59:33 - 59:39] And if you guys don't know what Axe Kick Productions is, the description will be over there on the page.
[59:40 - 59:45] I sell packs of two beats for ten bucks, and then if you guys want the stems that go with the beats,
[59:45 - 59:52] all together it will be between $30 and $50, depending on how many you want, what you want, and all that shit.
[59:52 - 59:54] So, yeah.
[59:54 - 59:59] If you guys would like to, be sure to hit me up if you guys would like to purchase, and we'll get some stuff going.
[59:59 - 60:01] And, yeah.
[60:01 - 60:05] I will catch you guys later, man. Love you guys. Peace.
[60:05 - 60:09] Oh, do all my drifters out there, man? Stay sideways, y'all.
[60:09 - 60:14] keep on working those gears and stay sideways man. Love y'all. Peace.

[0:00 - 0:24] What's good motherfuckers. I love how y'all talk shit. I love it for real. I absolutely
[0:24 - 0:34] love how all you little whiny bitches. I love how you guys talk shit on me. You
[0:34 - 0:44] wonder why cuz it gets my name. No, I love it. I love the haters and I got a
[0:44 - 0:48] little something for all y'all motherfuckers to start this shit off.
[0:48 - 0:55] Shout out to CrimpK. What's good brother? I think criminal agree with me man. The haters
[0:55 - 1:00] are the best cuz y'all are the ones that bring in the views man.
[1:00 - 1:26] They said my neck's too red, they said my neck's too red, they said my neck's too red.
[1:26 - 1:52] They said my trend was dead end, they said keep the mountain on trend, send my son won't ever get there, they said my neck was too red.
[1:52 - 1:57] There's a red, I'm on your neck, too, red.
[1:57 - 2:02] My neck's too red.
[2:02 - 2:06] I'm down nine percent white.
[2:06 - 2:08] Brain got my southern roots.
[2:08 - 2:10] Think I'm out too, 'cause I got the truth.
[2:10 - 2:12] This is all yours, this is what you do.
[2:12 - 2:14] This is what you do, this is what you do.
[2:14 - 2:15] We done weaned in one of the Harlem boys.
[2:15 - 2:17] But it's no, they done said it's gone.
[2:17 - 2:19] They said it's on the front porch.
[2:19 - 2:21] They ain't done, 'cause it's on torch.
[2:21 - 2:23] We ain't on those guys' torch.
[2:23 - 2:25] All we knew was the case of risk,
[2:25 - 2:27] case of fear, it's a race course.
[2:27 - 2:30] They done done, they been doin' how I do it.
[2:30 - 2:32] They done got a problem with my side tabs.
[2:32 - 2:34] No, we ain't finna butch for you.
[2:34 - 2:39] They said, my neck's too red.
[2:39 - 2:46] They said, my train was dead and.
[2:48 - 2:51] They said, keep an eye out me, don't train.
[2:51 - 2:56] Said my swing won't never get there.
[2:56 - 3:01] They said, my neck was too red.
[3:01 - 3:09] My neck's too red, my neck's too red.
[3:14 - 3:19] My neck's too red, I don't have to wait 'til I die.
[3:19 - 3:22] I done made it up too high.
[3:22 - 3:23] They didn't tell me 'til I won't comply.
[3:23 - 3:25] They didn't tell me 'til I was the whole time.
[3:25 - 3:28] They didn't tell me 'til they was gonna die.
[3:28 - 3:29] Them days I'm in a rat ride.
[3:29 - 3:31] The day I was born in music city is the day
[3:31 - 3:33] the mainstream got out of luck.
[3:33 - 3:36] The day I was late and said, I ain't never scared.
[3:36 - 3:41] Roll with me or without me, you know where I'm still at.
[3:41 - 3:42] They're still here.
[3:42 - 3:44] I've known all night, 10 years.
[3:44 - 3:46] Mother motherfucker church,
[3:46 - 3:48] so I'm gonna find 'til I'm outta here.
[3:48 - 3:53] They said, my neck's too red.
[3:53 - 4:00] They said, my train was dead and.
[4:00 - 4:05] They said, keep an eye out me, don't train.
[4:05 - 4:10] Said my swing won't never get there.
[4:10 - 4:15] They said, my neck was too red.
[4:15 - 4:25] Little red, my neck's too red.
[4:25 - 4:30] My neck's too red.
[4:30 - 4:37] (vocalizing)
[4:37 - 4:40] (guitar music)
[4:40 - 4:43] And that's facts, man.
[4:43 - 4:47] All y'all haters, y'all did say shit about me.
[4:47 - 4:50] But at the end of the day, look where I got to.
[4:50 - 4:54] I made a whole new genre of music back in 2018.
[4:54 - 4:59] All right, I got signed to a major motherfucking label
[4:59 - 5:03] that yes, I may have gotten later dropped from,
[5:03 - 5:06] but I still can flex on y'all with that shit.
[5:07 - 5:10] 'Cause see, y'all ain't puttin' the hard work
[5:10 - 5:13] like I put in, motherfucker.
[5:13 - 5:14] Crip K will tell you, bro.
[5:14 - 5:16] He seem to bust my ass, man.
[5:16 - 5:29] You can ask Crip K yourself, man.
[5:29 - 5:33] Them motherfuckers watched me do shit.
[5:33 - 5:36] Them motherfuckers sat down and watched me make history.
[5:36 - 5:41] While y'all sit there on your little cute-ass
[5:41 - 5:45] fuckin' $2 Barbie doll, we're gonna ask computers.
[5:45 - 5:46] I'm out here doing shit.
[5:46 - 5:48] I got a great job with a guy that I work for.
[5:48 - 5:52] I'm rockin' with one of my best friends
[5:52 - 5:55] in his guild on World of Warcraft
[5:55 - 5:57] that's been around since fuckin'
[5:57 - 5:59] for like the last 14 years,
[5:59 - 6:02] which is the number one guild on World of Warcraft
[6:02 - 6:04] and in the world, thank you very much.
[6:04 - 6:09] Shout out to my boy Chris
[6:09 - 6:10] and our guild leader, Harambe.
[6:10 - 6:11] What up, man?
[6:11 - 6:15] You know what I see, y'all, man?
[6:15 - 6:19] But for real, man, y'all out here talkin'
[6:19 - 6:21] all this shit, and it's funny.
[6:21 - 6:24] Y'all talk shit, but you ain't about that shit.
[6:24 - 6:27] That shit y'all talk about, you ain't about.
[6:31 - 6:33] And which is actually pretty damn funny.
[6:33 - 6:35] (footsteps)
[6:36 - 6:39] (whooshing)
[6:39 - 6:41] (footsteps)
[6:41 - 6:44] (insects chirping)
[6:44 - 6:46] (footsteps)
[6:46 - 7:22] (insects chirping)
[7:22 - 7:23] - This is all the fans.
[7:23 - 7:25] This is the little flex for all the fans, man.
[7:25 - 7:38] Yo, where's all my OG fans at?
[7:38 - 7:39] This is for y'all.
[7:50 - 7:57] Turn down for one.
[7:57 - 8:02] Number one.
[8:02 - 8:11] Turn down for one.
[8:11 - 8:16] (mumbling)
[8:16 - 8:26] Bop, bop.
[8:26 - 8:31] Tonight, we just don't kill the fox.
[8:31 - 8:35] You know we're always gonna do no good.
[8:35 - 8:37] (mumbling)
[8:37 - 8:39] You wish you could.
[8:39 - 8:45] (mumbling)
[8:45 - 8:55] Turn down for one.
[8:55 - 8:59] Number one.
[8:59 - 9:10] Turn down for one.
[9:10 - 9:12] (mumbling)
[9:12 - 9:14] Turn down for one time.
[9:14 - 9:25] (mumbling)
[9:25 - 9:28] Tonight, we just don't give a fuck.
[9:28 - 9:35] And that's facts, man.
[9:35 - 9:37] I don't give a fuck.
[9:37 - 9:41] All I got to say is this, man.
[9:42 - 9:45] If you don't like what the fuck I do,
[9:45 - 9:49] then the answer to that is simple, bro.
[9:49 - 9:52] You ain't got to watch or listen.
[10:09 - 10:11] Life's real.
[10:11 - 10:14] (mumbling)
[10:40 - 10:43] I'm coming my way for all you little cancel culture vultures
[10:43 - 10:45] that think you're gonna rob me again.
[10:45 - 10:47] You're sad with me, same, because guess what?
[10:47 - 10:49] I'm coming back for all that goddamn money
[10:49 - 10:51] that y'all jacked off me, man.
[10:51 - 10:57] Matter of fact, this is from not only myself,
[10:57 - 10:59] not only from my business partner,
[10:59 - 11:06] but this is also from my real fan base to y'all haters.
[11:09 - 11:11] This is what we fucking bringing to y'all.
[11:11 - 11:14] (mumbling)
[11:14 - 11:15] Watch it, right?
[11:15 - 11:17] You seem to drive you away, baby.
[11:17 - 11:21] Good morning.
[11:21 - 11:23] It's me.
[11:23 - 11:24] It's already me.
[11:24 - 11:26] (mumbling)
[11:26 - 11:46] Where's all that upon a burning body, fans?
[11:46 - 11:55] (mumbling)
[11:55 - 11:58] ? In the fires ?
[11:58 - 12:01] ? They'll learn the way ?
[12:01 - 12:06] ? In the fires ?
[12:06 - 12:11] ? We'll see the fires ?
[12:11 - 12:14] ? They'll learn the way ?
[12:14 - 12:17] ? In the world's power ?
[12:17 - 12:21] ? They'll burn us from the pain ?
[12:21 - 12:25] ? But it's barely so right ?
[12:25 - 12:28] ? To our darkest days ?
[12:28 - 12:31] ? So give me something to believe in ?
[12:31 - 12:35] ? And I'll print the right ?
[12:35 - 12:39] ? I don't need no yellow in the face ?
[12:39 - 12:43] ? 'Cause all my mother said is all a place ?
[12:43 - 12:45] ? It's not the face my fears ?
[12:45 - 12:46] ? The balance is yours ?
[12:46 - 12:50] ? Love's eternal new ?
[12:50 - 12:52] (mumbling)
[12:52 - 12:57] ? It's a standing air ?
[12:57 - 13:05] ? Looking for a man who will go to town ?
[13:05 - 13:10] ? I won't try to hide from raising hell ?
[13:10 - 13:14] ? Reusing the fires ?
[13:14 - 13:17] ? They'll learn the way ?
[13:17 - 13:20] ? In the world's power ?
[13:20 - 13:24] ? They'll burn us from the pain ?
[13:24 - 13:27] ? But it's barely so right ?
[13:27 - 13:31] ? To our darkest days ?
[13:31 - 13:34] ? So give me something to believe in ?
[13:34 - 13:37] ? And I'll print the right ?
[13:37 - 13:39] ? Reusing the flags ?
[13:39 - 13:40] ? Grab the engines ?
[13:40 - 13:44] ? Let's find something to believe in ?
[13:44 - 13:47] ? Reusing the flags ?
[13:47 - 13:51] ? Let's find something to believe in ?
[13:51 - 13:52] ? Reusing the flags ?
[13:52 - 13:54] ? Grab the engines ?
[13:54 - 13:58] ? We are something to believe in ?
[13:58 - 13:59] ? Reusing the flags ?
[13:59 - 14:03] ? Grab the engines ?
[14:03 - 14:06] ? So do ?
[14:06 - 14:13] ? I believe ?
[14:13 - 14:16] ? I'll print the right ?
[14:16 - 14:20] ? You'll print the right ?
[14:20 - 14:23] ? I believe ?
[14:23 - 14:27] ? Yeah, you better believe ?
[14:27 - 14:31] ? I'll print the right ?
[14:31 - 14:34] ? Print the right ?
[14:34 - 14:36] (birds chirping)
[14:36 - 15:00] ? The sandals ?
[15:00 - 15:12] ? Reusing the wires ?
[15:12 - 15:15] ? That light the world ?
[15:15 - 15:18] ? You'll know the bloods pool ?
[15:18 - 15:22] ? The bloods on the bed ?
[15:22 - 15:26] ? The blood that's found is only ?
[15:26 - 15:29] ? Two or target size ?
[15:29 - 15:32] ? So give me something to believe in ?
[15:32 - 15:35] ? And I'll print the right ?
[15:35 - 15:43] - See, I love you haters, man.
[15:43 - 15:44] I really do.
[15:44 - 15:49] Guys, while you guys trying to knock me down,
[15:49 - 15:56] I'm still standing right the fuck here.
[15:56 - 16:04] You guys ain't knocking me, not this time.
[16:04 - 16:07] That ain't fucking happening.
[16:07 - 16:11] You guys can push, you guys can shove,
[16:11 - 16:14] you guys can punch me, kick me, whatever you want.
[16:14 - 16:20] But the reality is I ain't going nowhere, motherfuckers.
[16:20 - 16:24] I ain't falling again, because this time,
[16:24 - 16:27] not only do I have a badass motherfucking fan base
[16:27 - 16:32] that rocks my shit, but I actually have a fucking backup
[16:32 - 16:36] and I'll be making money off y'all bitch asses.
[16:36 - 16:38] All y'all little trolls, I'll be making money
[16:38 - 16:41] off y'all's asses and you don't even fucking know it.
[16:49 - 16:52] No, I said will be, I'm not saying that I am yet,
[16:52 - 16:56] but I will be here very, very fucking soon.
[16:56 - 17:01] Shout out to my motherfucking teammates
[17:01 - 17:03] and my business partners over at Life Giant Films.
[17:03 - 17:04] Fucking love you guys.
[17:04 - 17:11] 'Cause let me tell you why I rock with Life Giant Films,
[17:11 - 17:15] man, the reason why I rock with Life Giant Films
[17:15 - 17:19] and why I run with them, because they did for me,
[17:19 - 17:22] like Redneck Nation did for Elk Church.
[17:22 - 17:24] They saw potential in me and decided
[17:24 - 17:26] to help me fucking run with it.
[17:26 - 17:32] They saw potential in what I could fucking do
[17:32 - 17:35] and they gave me that fucking chance
[17:35 - 17:37] and I'm proud of that.
[17:37 - 17:39] I'm grateful for that shit, man.
[17:39 - 17:43] When nobody else would give me a fucking chance,
[17:43 - 17:46] they stepped up and said nah, fuck these guys,
[17:46 - 17:49] I'm helping this dude out.
[17:49 - 17:50] Because they saw something in me
[17:50 - 17:55] that none of y'all motherfucking idiot trolls ever saw.
[17:55 - 17:57] They saw fucking greatness and guess what?
[17:57 - 17:59] I'm on my way to greatness.
[17:59 - 18:03] While you guys here in your beds at night sleeping,
[18:03 - 18:05] I'm out here putting in that fucking work.
[18:05 - 18:10] While you guys are out here running your mouths
[18:10 - 18:13] about me and shit, guess what?
[18:13 - 18:15] Guess what, I'm out hanging out with my family,
[18:15 - 18:19] getting ideas for a brand new fucking track.
[18:19 - 18:20] Every fucking time.
[18:20 - 18:24] While y'all are sitting here talking shit up on the internet,
[18:24 - 18:26] I'm putting in that good ass,
[18:26 - 18:29] trench busting, hard ass work.
[18:29 - 18:37] Not that y'all would know
[18:37 - 18:43] what hard work looks like, as half of y'all don't know.
[18:43 - 18:46] (footsteps)
[19:13 - 19:15] Matter of fact, where's all my OP fans?
[19:15 - 19:20] Where's my Lincoln Park family at?
[19:20 - 19:24] Where's my OP fam at, man?
[19:24 - 19:27] Put it in the comments, where y'all at?
[19:27 - 19:29] Where's my Lincoln Park family, man?
[19:29 - 19:31] 'Cause this one's for y'all.
[19:31 - 19:39] Let's go.
[19:39 - 19:41] (footsteps)
[19:41 - 19:48] Come on!
[19:48 - 20:04] ? I cannot take this anymore ?
[20:04 - 20:08] ? Saying everything I said before ?
[20:08 - 20:11] ? All this was and made no sense ?
[20:11 - 20:13] ? I'm finally sending no rent ?
[20:13 - 20:16] ? Unless I hear the less you say ?
[20:16 - 20:20] ? You'll find out all anyway ?
[20:20 - 20:23] ? Time before ?
[20:23 - 20:27] ? Everything you say to me ?
[20:27 - 20:28] ? Y'all mother pray ?
[20:28 - 20:32] ? I need a little room to pray ?
[20:32 - 20:33] ? Y'all mother pray ?
[20:33 - 20:38] ? I'm funny answers aren't so clear ?
[20:38 - 20:42] ? Wish I could find a way to disappear ?
[20:42 - 20:45] ? All these thoughts and made no sense ?
[20:45 - 20:47] ? I'm finally sending no rent ?
[20:47 - 20:50] ? 'Cause this is to go away ?
[20:50 - 20:55] ? Over and over again ?
[20:55 - 21:01] ? Everything you say to me ?
[21:01 - 21:02] ? Y'all mother pray ?
[21:02 - 21:06] ? I need a little room to pray ?
[21:06 - 21:07] ? Y'all mother pray ?
[21:07 - 21:11] ? Everything you say to me ?
[21:11 - 21:12] ? Y'all mother pray ?
[21:12 - 21:16] ? I need a little room to pray ?
[21:16 - 21:19] ? Y'all mother ?
[21:19 - 21:21] ? Prank ?
[21:21 - 21:25] - Shout out to all the fucking fans.
[21:25 - 21:27] You guys know what to do.
[21:27 - 21:29] ? Shut up when I'm talking to you ?
[21:29 - 21:37] ? Shut up ?
[21:37 - 21:39] ? Shut up when I'm talking to you ?
[21:39 - 21:49] ? Shut up ?
[21:49 - 21:50] ? Y'all mother pray ?
[21:50 - 21:54] ? Everything you say to me ?
[21:54 - 21:55] ? Y'all mother pray ?
[21:55 - 21:59] ? Y'all room to pray ?
[21:59 - 22:00] ? Y'all mother pray ?
[22:00 - 22:04] ? That you say to me ?
[22:04 - 22:05] ? Y'all mother pray ?
[22:05 - 22:09] ? That you know room to pray ?
[22:09 - 22:12] ? Y'all mother ?
[22:12 - 22:14] ? Prank ?
[22:14 - 22:25] ? The spread makes me feel like a war down the front line ?
[22:25 - 22:26] ? The don't happen ?
[22:26 - 22:28] ? It's the jury reporting the break down ?
[22:28 - 22:30] ? And it raises up to 99% of top reasons ?
[22:30 - 22:32] ? For a resident factor ?
[22:32 - 22:33] ? So you just brought that ?
[22:33 - 22:36] - Yo, shout out to Momo Rocks.
[22:36 - 22:37] What's up, man?
[22:37 - 22:39] Hey, Momo.
[22:39 - 22:40] I think you know what's about to happen.
[22:40 - 22:43] Hell, Crib knows what's about to happen, bro.
[22:43 - 22:47] Shout out to my boy, Crib's new band, bro.
[22:47 - 22:48] I fucking love y'all's work.
[22:48 - 22:50] Keep that motherfucking shit up, homie.
[22:50 - 22:51] Keep that shit up, bro.
[22:51 - 22:54] I fucking love the new music your band's popping off.
[22:54 - 22:56] I fucking love that shit.
[22:56 - 22:57] Keep that shit the fuck up.
[22:57 - 23:00] ? Prank ?
[23:00 - 23:23] - I think y'all know what's about to come.
[23:23 - 23:28] ? Prank ?
[23:28 - 23:37] - I say fuck the nation of fucking idiots.
[23:37 - 23:38] - Are you lost?
[23:38 - 23:42] - I think you are.
[23:42 - 23:46] ? You're lost ?
[23:46 - 23:48] ? You're nice ?
[23:48 - 23:50] ? Do you tell yourself ?
[23:50 - 23:53] ? I don't realize the Crusades ?
[23:53 - 23:55] ? A disguise ?
[23:55 - 23:57] ? You place freedom within ?
[23:57 - 23:59] ? You trade money for life ?
[23:59 - 24:04] ? I'm all aware of what you've done ?
[24:04 - 24:10] ? No, no more sorrow ?
[24:10 - 24:14] ? I paid for your mistakes ?
[24:14 - 24:18] ? Your time is borrowed ?
[24:18 - 24:20] ? Your time is yours to pay ?
[24:20 - 24:24] ? Right ?
[24:24 - 24:26] ? They made it ?
[24:26 - 24:27] ? I see lies and thieves ?
[24:27 - 24:30] ? Of his brains and dreams ?
[24:30 - 24:31] ? And now we agreed ?
[24:31 - 24:33] ? I had hope ?
[24:33 - 24:35] ? I believed ?
[24:35 - 24:37] ? Now I've gained the faith ?
[24:37 - 24:39] ? And I can't deceive ?
[24:39 - 24:42] ? You will pay ?
[24:42 - 24:46] ? For what you've done ?
[24:46 - 24:50] ? No, no more sorrow ?
[24:50 - 24:53] ? I've paid for your mistakes ?
[24:53 - 24:57] ? Your time is borrowed ?
[24:57 - 25:00] ? Your time is yours to pay ?
[25:00 - 25:06] ? Right ?
[25:06 - 25:08] (crowd murmuring)
[25:08 - 25:15] ? There's one hypocrite ?
[25:15 - 25:40] face and hear my cries. No, no more sorrow. I paid for your mistakes. Your time is borrowed. The time is gone. Don't pay. Right?
[25:40 - 25:58] No more sorrow. I paid for your mistakes. Your time is borrowed. The time is gone. Don't pay. Right?
[25:58 - 26:17] No more sorrow. The time is gone. Don't pay. Right? Yes, I was gone. Don't pay. Yes. Right?
[26:17 - 26:51] [Silence]
[26:51 - 26:55] All I gotta say on this one is, where's my motherfucking panheads at?
[26:55 - 26:56] Where you guys at?
[26:56 - 26:59] You guys know this one.
[26:59 - 27:04] I don't need to say never, y'all fucking know this one.
[27:04 - 27:08] It's a secret sign of me, I never let you see.
[27:08 - 27:12] I'm giving change, but I can't control that.
[27:12 - 27:15] So stay away from me, your pieces are ugly.
[27:15 - 27:19] I'll build a rage, and I just can't hold that.
[27:19 - 27:22] It's crashing on the walls, and the girls are in the halls.
[27:22 - 27:26] It comes awake and I can't control that.
[27:26 - 27:29] I need to know the pain in my body in my head.
[27:29 - 27:33] But won't somebody come and save me from this?
[27:33 - 27:35] Make it end.
[27:35 - 27:37] I'm feeling deep within.
[27:37 - 27:39] It just beneath the skin.
[27:39 - 27:42] I must give back then I feel like a monster.
[27:42 - 27:44] I will not be gone.
[27:44 - 27:46] Then I may just be gone.
[27:46 - 27:49] I must give back then I feel like a monster.
[27:49 - 27:56] I, I'm feeling like a monster.
[27:56 - 28:07] The secret sign of me, it's not the locking key.
[28:07 - 28:10] I keep it caged, but I can't control that.
[28:10 - 28:14] Cause if I'm there, no matter tell me or bring me down.
[28:14 - 28:17] But won't somebody come and save me from this?
[28:17 - 28:19] Make it end.
[28:19 - 28:21] I'm feeling deep within.
[28:21 - 28:23] It just beneath the skin.
[28:23 - 28:26] I must give back then I feel like a monster.
[28:26 - 28:28] I will not be gone.
[28:28 - 28:30] Then I may just be gone.
[28:30 - 28:33] I must give back then I feel like a monster.
[28:33 - 28:35] I'm feeling deep within.
[28:35 - 28:37] It just beneath the skin.
[28:37 - 28:41] I must give back then I feel like a monster.
[28:41 - 28:48] I, I'm feeling like a monster.
[28:48 - 28:50] It's only in the dark.
[28:50 - 28:52] It's in the razor shop.
[28:52 - 28:53] That no one's came from here.
[28:53 - 28:54] It was a soul.
[28:54 - 28:55] It was my heart.
[28:55 - 28:57] No one can hear me scream.
[28:57 - 28:58] Maybe it's just a dream.
[28:58 - 29:02] Maybe it's a sign of something monster.
[29:02 - 29:09] Feel like a monster.
[29:09 - 29:11] I will not be gone.
[29:11 - 29:13] Then I may just be gone.
[29:13 - 29:38] i feel like a monster, i feel like a monster, i feel like a monster, i feel like a monster,
[29:38 - 29:45] i feel like a monster, i feel like a monster!
[29:45 - 30:32] i feel like a monster, i feel like a monster, i feel like a monster, i feel like a monster,
[30:32 - 30:44] but this song right here is a song that basically tells you moronic trolls i wanna hate, this
[30:44 - 31:11] basically tells you what i'm not gonna do anymore, shout the pain what up man, i hope
[31:11 - 31:23] you guys are ready for this shit, let's go this is called not listenin, not listenin,
[31:23 - 31:45] not anymore, cuz you gotta be bigger, be faster, be stronger, if you're gonna survive then
[31:45 - 31:51] you don't care, it's the right time and better be the right time cuz your first time might
[31:51 - 32:00] be your last time, and i'm a failure, if i've got nothing to lose, no i'm not afraid to
[32:00 - 32:07] lose, i've got nothing to prove, i'm not listenin, not anymore, the more i learn the
[32:07 - 32:16] more i know, i'm not a listenin, not anymore, the more i handle, the more i know, more i
[32:16 - 32:25] know, cuz i lost my innocence and i was a stranger, i'm not a changer, i'm a man that's
[32:25 - 32:31] not a friend, danger, i want my own path, i'm gonna use my own trail, cuz i'm not afraid
[32:31 - 32:37] to derail, i won't stand in line, i'll be your middle man, so fuck you i'll make my
[32:37 - 32:45] own plans, and i've got respect, and i don't neglect the people that i really can to protect,
[32:45 - 32:55] and i ain't a failure, if i've got nothing to lose, no i'm not a failure, i've got something
[32:55 - 33:03] to prove, i'm not listenin, not anymore, the more i hear, the more i know, i'm not a listenin,
[33:03 - 33:11] not anymore, the more i hear, the more i know, i won't listen no more, i told you before,
[33:11 - 33:18] let's settle the score, i told you before, won't listen no more, i told you before, that's out of the
[33:18 - 33:43] score, if not me then who is not now then when, if not me then who is not now then when, i'm not
[33:43 - 33:51] listenin, not anymore, the more i learn, the more i know, i'm not a listenin, not anymore,
[33:51 - 33:58] the more i hear, the more i know, i told you before, won't listen no more, i told you before,
[33:58 - 34:05] let's settle the score, i told you before, won't listen no more, i told you before, that's out of the
[34:05 - 34:20] score, shut up right now, blow it up shut it up, blow it up shut it up, blow it up blow it up right now,
[34:20 - 34:41] so all i gotta say to you trolls that wanna try to shut me down, good fucking luck,
[34:41 - 34:53] cuz it ain't happening
[35:11 - 35:19] alright now with that being said i'm about to bounce i'm about to go eat i'm about to chill
[35:19 - 35:24] with my family and i'm about to live my fucking life but thanks for showing up y'all fucking
[35:24 - 35:29] love y'all man with that being said i'll catch you in my next stream i don't know when that'll be
[35:29 - 35:34] i really don't know could be tomorrow it could be a week from now who knows but when i do come
[35:34 - 35:40] back be prepared for some brand new shit dropping all over the world so be ready for that i got
[35:40 - 35:45] some new songs dropping i have a brand new album dropping very soon that i'm working on so be
[35:45 - 35:53] ready for some bomb ass new music so y'all gonna have your ears bleeding in a good fucking way
[35:53 - 35:57] you guys are gonna love the new shit that i'm working on i know i love it i know you guys are
[35:57 - 36:02] gonna love it too so be ready for some bomb ass motherfucking music dropping here very soon
[36:02 - 36:05] with that being said i'll catch y'all later man peace
[36:06 - 36:06] you

[0:00 - 0:14] Yo, hey Marty, you hear that missile coming? Well guess what? That's just me about to jump, and the time went by I'm on your little fucking Jewish ass
[0:14 - 0:20] All you ever wanna do is run your fucking mouth You just mad that you couldn't run off on me cause you know damn well
[0:20 - 0:26] In the motherfucking streets that I beat you motherfucking ass You better just get your ass back to fucking ass
[0:26 - 0:34] You just wanna something that you cannot have You want the greatness that I am All you ever wanna do is try to control who I am
[0:34 - 0:42] You wanna try to act like a narcissistic psychopath, a little bitch What's a man is stupid, that's faggot, you just mad cause I turned you down
[0:42 - 0:54] That in the old days on that motherfucking livestream All you ever wanna do is act like you're something that you motherfucking not
[0:54 - 1:02] I'm always gonna be everything that you're not All you ever do is make your camera the best that you know damn well that you cannot taste
[1:02 - 1:12] So you run to me actin' like that I'm gonna fucking help you but sorry to say you little faggot-ass stupid pronouns motherfucking but I ain't
[1:12 - 1:21] All I wanna do is see you fucking bleed out and watch you gargle choking for your last breath As I watch you laugh and make you fall right into your motherfucking grave
[1:21 - 1:31] It's the death of music, it's money for the motherfucking death of your motherfucking chain I'm the death of everything that you want, I'm so sick and tired of
[1:31 - 1:42] Singing yo' stupid ass, run your fucking banging ass Mark the bounty up on the internet All you ever do is act like everybody's in the way we'll get some stupid motherfucking hits
[1:42 - 1:50] A reality check, ain't nobody in, know what you're sayin' Ain't nobody via what you're sayin' Say yo' man ain't just set the fuck down
[1:50 - 1:58] Back to fuck off before I take your ass back because that's a show you wanted me to be a real motherfucking rapper
[1:58 - 2:04] Stupid bitch, you ain't in the music industry, you're a fake-ass bitch
[2:04 - 2:06] [Music]

[0:00 - 5:48] [MUSIC]

[0:00 - 0:08] What's up y'all? Just wanted to let y'all know that I have some brand new music dropping very soon, I'm super excited about it.
[0:08 - 0:14] So yeah, I just wanted to give you guys an update to let you all know how things are doing.
[0:14 - 0:23] Stuff in the studio is going good, I got some brand new upgrades and everything dropping in next week, so that'll be fire.
[0:23 - 0:29] So you guys are going to be able to see a whole brand new studio update, so that's happening.
[0:29 - 0:37] And yeah, just know that I have brand new music dropping real soon, I have some awesome people that I'm working alongside, so yeah.
[0:37 - 0:46] Just wanted to give you guys an update to let you all know what's up, let you guys know that I'll be dropping a brand new album here within the next month or so.
[0:46 - 0:56] So, I fucking love you guys, and I will catch you guys later. Peace.

[0:00 - 0:18] What's up everyone? First off, I'd like to say welcome to my channel. You guys all know who I am. My name is Cyraxx. I've been doing music for a little over a decade now, honing and crafting my skills.
[0:18 - 0:37] I just wanted to say welcome to my page. I do not only my own music, I also curate and do custom music in house right here from my own home studio.
[0:37 - 0:55] So if any of you guys would like to purchase songs that I create like instrumentals for songs or whatever, I will be releasing songs too.
[0:55 - 1:21] Actually, we'll be doing a full length album here coming very soon. But if you guys would like to purchase song instrumentals and then have the stems to those songs, I do take video calls by a Facebook messenger.
[1:21 - 1:36] I definitely am willing to talk to you guys. If you guys would like to know more about me and what I do, you guys can check out my About channel.
[1:36 - 1:43] You guys can go wherever you need to go to find my stuff.

[0:00 - 5:09] [MUSIC]

[0:00 - 0:17] [buzzing]
[0:17 - 0:19] What is up Facebook?
[0:19 - 0:26] What is going on Facebook?
[0:29 - 0:35] This stream isn't going to be like my typical streams.
[0:35 - 0:53] This stream was requested by a good friend of mine who lost so many very close to her in the last few days.
[0:57 - 1:03] So I wanted to do this stream for her.
[1:03 - 1:11] She's not anybody I date or anything but she's just been a really good friend to me.
[1:11 - 1:22] And she asked me if I would do...
[1:22 - 1:39] [buzzing]
[1:39 - 1:50] And she basically asked me if I would do a song in order of the person that she lost.
[1:50 - 1:59] And I told her, "Hell, I'll do an entire stream for stuff like this."
[1:59 - 2:08] So this whole stream is going to be for all y'all that have lost some money as well as for her.
[2:08 - 2:16] So if she knows who she is, she's about to go down.
[2:16 - 2:20] This first song is called "Chosen One."
[2:20 - 2:30] And before I do this as a disclaimer to Facebook, I am not claiming that I own any of the songs.
[2:30 - 2:32] These are all covers.
[2:32 - 2:35] I do not own any of these songs.
[2:35 - 2:42] These are all just covers of songs for fun, educational, stuff like that.
[2:42 - 2:48] So don't be trying to copywriting or do like you do.
[2:48 - 2:55] But we're going to start stuff with a song that's very close to me.
[2:55 - 2:58] It's a song that I grew up with.
[2:58 - 3:00] This is "Chosen One."
[3:00 - 3:02] Some of you guys might recognize it.
[3:02 - 3:06] If you don't, y'all are in for a while, Rad.
[3:07 - 7:06] This is "Chosen One."
[7:08 - 7:11] Alright, I'm just gonna address this comment.
[7:11 - 7:20] I'm just gonna address this comment right here, and I'm not gonna bother with it any further.
[7:20 - 7:22] One.
[7:22 - 7:24] Your son fucking lied to me.
[7:24 - 7:28] I don't even think that your son, I think you might be the same person.
[7:28 - 7:30] And two.
[7:30 - 7:32] I'm gonna tell you something.
[7:32 - 7:36] The kid said he was gonna send money to me this week
[7:36 - 7:38] for the rest of this shit.
[7:38 - 7:42] He never sent it, so that's not my fault.
[7:42 - 7:46] He said he was gonna send it, and never did.
[7:46 - 7:54] So, you know what you get?
[7:54 - 8:15] You, my friend, are going to get blocked.
[8:16 - 8:20] One.
[8:20 - 8:38] So, you can run your mouth all you want,
[8:38 - 8:44] or you can sit down and be respectful for this show.
[8:44 - 8:46] Because this show,
[8:46 - 8:53] I was asked to do it for a friend.
[8:53 - 8:56] For somebody that they lost.
[8:56 - 8:59] So, you can either cut the crowd from being respectful,
[8:59 - 9:01] or I can block you right now.
[9:01 - 9:07] So, I mean, are you gonna shut your mouth and be respectful?
[9:07 - 9:10] Or do I have to fucking block your ass?
[9:11 - 9:44] (Crickets chirping)
[9:44 - 10:02] Not even, dude.
[10:02 - 11:16] (Crickets chirping)
[11:16 - 11:18] You know what?
[11:18 - 11:23] It's fucking pissing me off to have to stop a show all for your fucking dumb ass.
[11:23 - 11:27] And Travis, you know what?
[11:28 - 11:32] (Crickets chirping)
[11:32 - 11:36] I know it's you, Travis. I'm not fucking dumb.
[11:36 - 11:46] (Crickets chirping)
[11:46 - 11:48] You know what?
[11:48 - 11:51] I've had enough of you, dude.
[11:51 - 11:55] (Crickets chirping)
[11:55 - 11:58] So, you know what? As soon as this other page comes up,
[11:58 - 12:00] I'm blocking your ass.
[12:00 - 12:38] (Crickets chirping)
[12:38 - 12:42] Yeah, it's pretty fucking sad when I have to stop a whole goddamn show.
[12:42 - 12:48] Just take care of one fucking asshole that can't be fucking respectful.
[12:48 - 12:52] (Crickets chirping)
[12:52 - 12:58] Yeah.
[12:58 - 13:00] Yes.
[13:00 - 13:02] (Crickets chirping)
[13:02 - 13:10] Yeah, it's pretty fucking sad when I have to stop a whole goddamn show from one motherfucker.
[13:10 - 13:14] (Crickets chirping)
[13:14 - 13:18] Whoozing, being a disrespectful little fucking prick.
[13:18 - 13:20] (Crickets chirping)
[13:20 - 13:24] Yeah, it's pretty fucking sad when I have to do that shit, bro.
[13:24 - 13:30] This show is supposed to be for those that have lost somebody.
[13:30 - 13:36] People like you, man, are a piece of fucking shit.
[13:36 - 13:38] (Crickets chirping)
[13:38 - 13:44] People like you are fucking garbage to me.
[13:44 - 13:48] (Crickets chirping)
[13:48 - 13:56] Now, for those of you that have lost somebody, I do apologize.
[13:56 - 14:04] (Crickets chirping)
[14:04 - 14:06] Oh, don't worry, Caleb, you're good.
[14:06 - 14:08] You're all good.
[14:08 - 14:14] But for those that have lost somebody, let me restart this and make it up to you guys.
[14:14 - 14:20] I do apologize for this idiot and his ignorant ways.
[14:20 - 14:27] To all my fans out there that do enjoy this type of stuff, I apologize for this guy's idiocy.
[14:27 - 14:30] So, let me restart.
[14:30 - 14:32] Let's go.
[14:32 - 17:40] (Crickets chirping)
[17:40 - 17:45] Yo, Caleb, hold up, hold up, hold up, pause the video for a second.
[17:45 - 17:53] Yo, Caleb, or somebody in the chat, go to this dude's profile and send me that shit personally
[17:53 - 17:57] so that after the show, I can block his ass.
[17:57 - 18:04] So, I want one of y'all right now to go to his profile, send me that shit by a messenger
[18:04 - 18:07] so I can block his ass.
[18:07 - 19:35] (Crickets chirping)
[19:35 - 19:39] You know, I'm so sick and tired of motherfuckers like you, man.
[19:39 - 19:42] (Crickets chirping)
[19:42 - 19:45] Like, you think that you can just waltz up in here and talk shit.
[19:45 - 19:53] (Crickets chirping)
[19:53 - 19:57] And I don't know how it is where you're from, but around these parts,
[19:57 - 20:01] you don't talk shit on somebody and get away with it, kid.
[20:01 - 20:42] (Crickets chirping)
[20:42 - 20:44] This is fear agony.
[20:44 - 22:08] (Crickets chirping)
[22:08 - 22:09] You know what, dude?
[22:09 - 22:11] What the fuck do you want, man?
[22:11 - 22:12] Hmm?
[22:12 - 22:16] I stopped this whole fucking show for you, motherfucker.
[22:16 - 22:17] What do you want, asshole?
[22:17 - 22:19] What the fuck do you want?
[22:19 - 22:23] I stopped this whole show that I'm trying to do for a friend,
[22:23 - 22:25] just so you can run your little bitch mouth.
[22:25 - 22:27] What do you want, motherfucker?
[22:27 - 22:28] Huh?
[22:28 - 22:30] What do you fucking want?
[22:30 - 22:33] You can't even be respectful during a goddamn show
[22:33 - 22:37] that I'm putting on for a fucking friend who lost somebody, bro.
[22:37 - 22:40] What do you want?
[22:40 - 22:48] I stopped this whole goddamn show for a friend who fucking lost somebody,
[22:48 - 22:51] just so you can run your little bitch mouth.
[22:51 - 22:53] What do you want, motherfucker?
[22:53 - 22:58] 'Cause you're about five goddamn seconds away from me ending this stream,
[22:58 - 23:03] calling your bitch ass, and cussing you the fuck out, pal.
[23:03 - 23:07] You're about five fucking seconds away from me shutting this stream off
[23:07 - 23:11] and coming to your fucking page and bitching your ass out.
[23:11 - 23:14] So what do you want, motherfucker?
[23:14 - 23:19] (Crickets chirping)
[23:19 - 23:23] What the fuck? You know what?
[23:23 - 23:25] Guys, I do apologize for this.
[23:25 - 23:29] (Crickets chirping)
[23:29 - 23:32] I do apologize for this, everybody.
[23:32 - 23:35] I promise you, guys, I will make this stream up to you later on tonight,
[23:35 - 23:41] but this motherfucker needs dealt with.
[23:41 - 23:46] And I promise you, guys, I will make this stream up to you here later on tonight
[23:46 - 23:49] for a fucking shirt, I promise you that.
[23:49 - 23:53] But as for you dumb motherfucker, I hope you're ready to get a call out
[23:53 - 24:00] from me, personally, to your page.
[24:00 - 24:05] You know, it's fucking sad when I can't even do a fucking show
[24:05 - 24:09] for a friend that fucking lost somebody, man.
[24:09 - 24:13] That's pretty fucking pathetic that I can't do a fucking show
[24:13 - 24:17] for a friend that fucking lost somebody close to them.
[24:17 - 24:21] That's pretty fucking sad when I have to go to these lengths
[24:21 - 24:31] just to shut a little bitch down.
[24:31 - 24:34] No, you know what? I ain't gonna do that
[24:34 - 24:42] because I'm more professional than that.
[24:42 - 24:47] So to everybody, I do apologize, but let me explain something, all right?
[24:47 - 24:51] Before I end this stream and I fucking shut this guy down,
[24:51 - 24:53] let me explain something, all right?
[24:53 - 24:57] This guy he's talking about was named Travis.
[24:57 - 25:02] He bought some artwork and some paintings, all right?
[25:02 - 25:07] He bought one painting and two pieces of artwork.
[25:07 - 25:12] And then last week when I spoke to him, he flat out told me
[25:12 - 25:18] that he was gonna send the money to me this fucking week,
[25:18 - 25:24] actually by yesterday, so that I can send this stuff out to where he's at
[25:24 - 25:26] so I can pay for shipping and shit.
[25:26 - 25:29] The dude never fucking sent it.
[25:29 - 25:35] So how is that my fault that your son didn't send me the fucking money
[25:35 - 25:38] to ship this shit out?
[25:38 - 25:40] That ain't my fault. That's your fucking fault.
[25:40 - 25:45] That's his fault. That ain't my fault. That's on you.
[25:45 - 25:48] So you want to call me a scam artist? Go ahead.
[25:48 - 25:54] But your son didn't send the money to fucking pay for this shit.
[25:54 - 25:58] Yeah, he sent the money to pay for the drawing.
[25:58 - 26:00] He never bought the painting.
[26:00 - 26:03] He never sent the money out for shipment, you dumb fuck.
[26:03 - 26:05] I can't just sit there and send--
[26:05 - 26:12] I can't just sit there and send out a package for something that--
[26:12 - 26:16] Well, you see where I'm going? He needs to pay for fucking shipping.
[26:16 - 26:19] That shit ain't fucking cheap to send out, dude.
[26:19 - 26:22] You need to think about that.
[26:22 - 26:27] So you, my friend, are getting blocked.
[26:27 - 26:32] And to everybody else, I do apologize to you guys for this fucking asshole
[26:32 - 26:34] ruining this whole show.
[26:34 - 26:40] I do apologize for this guy's dumb assery.
[26:40 - 26:43] So I promise you guys later tonight, I will make it up to you.
[26:43 - 26:45] I promise you that.
[26:45 - 26:49] Because you guys-- and to my friend that lost that person,
[26:49 - 26:52] I do greatly apologize to you.
[26:52 - 26:55] And I promise you, I will make it up to you tonight for sure.
[26:55 - 26:57] I promise you that.
[26:57 - 27:01] Because you guys deserve the best fucking show that you fucking can get.
[27:01 - 27:05] And I want to give that to you.
[27:05 - 27:08] So let me take care of this douche bag,
[27:08 - 27:13] and then we'll restart the whole show.
[27:13 - 27:16] So with that being said, I love you guys.
[27:16 - 27:19] I'll be back in just a few.

[0:00 - 0:12] What's up everybody? Welcome to my channel. My name is Cyraxx. I am an artist, music producer, beat maker, soundscape designer.
[0:12 - 0:23] I've been doing music for over 10 years. I started in 2009 and then in 2010 that's when I started taking my craft more seriously.
[0:23 - 0:34] And I started to hone my skills as an artist and beat maker/producer.
[0:34 - 0:47] So yeah man, I just want to say thank you guys for stopping in. If you guys like to know a little bit more about myself, let me explain.
[0:47 - 0:57] For over a decade I've been perfecting my audio and editing production full and full skill cinema soundtrack skill set.
[0:57 - 1:09] Whether you need anything from an entire score or you just need fast delivery, I do do 2 beats for $10 full done.
[1:09 - 1:16] Sound effects clips as well. I do everything from hooks and all that stuff.
[1:16 - 1:22] So you guys aren't guaranteed nothing but the best from myself.
[1:22 - 1:29] I offer full service engineering, editing, song composition with professional fine tuning.
[1:29 - 1:53] I am willing to accept short notice if you need an instrumental, if you need a date from now or within an hour from now, you guys can reach out to my official fan page on Facebook.
[1:53 - 2:04] I am willing to accept short notice deadline request per item basis and whatnot so you guys can hit me up.
[2:04 - 2:17] Like I said, I usually start instrumental 2 for $10 straight up. No bullshit, no garbage like that.
[2:17 - 2:25] I also do create instrumentals with stems included.
[2:25 - 2:44] My charging fee start off is $20 and then if there's like say up to about 11 or 12 stems, I will charge more for that.
[2:44 - 2:51] I usually charge up to $50 per, you know, full set because there's so much in there.
[2:51 - 3:08] So when you get your track, you're not only getting the full instrumental, you're getting the stems for the song entirely done by yours personally, by myself, by me personally.
[3:08 - 3:17] So you guys know that you're not getting screwed over at all. I'm not out to fuck anyone over, scam anybody like people think.
[3:17 - 3:31] But yeah, I look forward to working with anybody out there that is looking for instrumentals that are done in-house on what I'll do and what I mean by done in-house is.
[3:31 - 3:47] If you hit me up on my personal page or if you hit me up on my business page, I will go directly to your Facebook profile.
[3:47 - 3:57] I'll go to your personal profile. I'll call you up and then we can sit there and we can curate the beat together and you can kind of, you know, show me what you want.
[3:57 - 4:03] And I make it right there in front of you so you know you're not getting screwed over.
[4:03 - 4:14] But with that being said, I love you guys. I do look forward to anybody out there that wants to, you know, do anything or whatever and when not.
[4:14 - 4:27] So yeah, with that being said, I love you guys. I hope you guys enjoy the music that I will be dropping under my official artist name, Cybrex.
[4:27 - 4:36] So hopefully you guys will enjoy my music and I look forward to doing business with you guys. I look forward to the new fans. I look forward to all that.
[4:36 - 4:47] So with that being said, I'm your boy Cybrex and I look forward to all you wonderful people here on the interwebs of YouTube.
[4:47 - 4:50] Love you guys. Peace.

[0:00 - 4:45] [Music]

[0:00 - 0:09] (Crickets chirping)
[0:09 - 45:44] (Music)

[0:00 - 0:29] What is up everybody? I know it's like insanely early in the morning, but
[0:29 - 0:38] there's some shit that we need to talk about. As many of you guys know I did
[0:38 - 0:45] leave YouTube, I did delete my channel, but I did it to get away from a lot of
[0:45 - 0:57] the negativity that was being fed to me and I needed to get away from it, but
[0:57 - 1:03] that's not what this video is about. This video is me explaining to you guys
[1:03 - 1:09] because a lot of people have this idea about how copyrights work, but really
[1:09 - 1:14] they don't know the truth. Those people, like for you guys that are really asking
[1:14 - 1:19] is that how they work? These people that say they know how copyrights work and
[1:19 - 1:24] that you need to be monetized, they're full of shit. I'm here to tell you how
[1:24 - 1:29] they really work and to save you guys from being put through what I've got
[1:29 - 1:35] put through and losing out on money on your copyrights. So all y'all motherfuckers
[1:35 - 1:40] that say you know about copyrights and how they truly work and that you have to
[1:40 - 1:49] be monetized, I don't know who told you that, but they're full of shit, like
[1:49 - 1:56] let's put it this way. Let's say you're a YouTuber, right, and you do say you do
[1:56 - 2:03] artwork on YouTube and you make a drawing and you post that video up on
[2:03 - 2:13] YouTube. When you upload the minute that you created that video and that YouTube
[2:13 - 2:20] went live on, that video went live on YouTube, that video is your intellectual
[2:20 - 2:32] property. You do not have to be monetized to do a copyright claim. Like
[2:32 - 2:42] let's say right now I sat down and I made a random-ass beat on FL Studios
[2:42 - 2:48] and that's all it was, just a random-ass drum track. You know, nothing major, like
[2:48 - 2:57] let's say that I, let's say I made a drum track and I uploaded it to YouTube.
[2:57 - 3:06] That drum track would be my intellectual property. The same with all
[3:06 - 3:14] the videos that people have stolen from me, like all those videos of me that
[3:14 - 3:21] people have made about me that have my image of them and how these people go
[3:21 - 3:29] around using videos that I made, that property is my intellectual property.
[3:30 - 3:40] Alright, that money that they are making off of my videos, by all technical
[3:40 - 3:51] standards, is supposed to be going to myself. Now I sat down with my business
[3:51 - 4:04] partner and good friend Live Giant Films and I did the math. In the past two
[4:04 - 4:16] years, if my channel was not deleted by these fucking assholes and I was doing
[4:16 - 4:23] good for myself and I did the math with him, I sat down and I went over this shit
[4:23 - 4:37] with him. He was with me on FaceTime on Facebook. If my channels had not been
[4:37 - 4:46] deleted and I still had a revenue, if I still had a revenue stream coming in, if I
[4:46 - 4:53] had a stream of revenue coming in, meaning a way to make money, okay, if that money
[4:53 - 5:04] was still coming in, in one month alone, I would be making half a million dollars
[5:04 - 5:12] off of views alone and the reason for that is because I did something over the
[5:12 - 5:19] last couple years that nobody in the entire world has done and you can fact
[5:19 - 5:26] check me on this, okay, you guys can fact check me on this. On average, it takes
[5:26 - 5:33] the average normal person that does not take YouTube seriously or is just
[5:33 - 5:41] starting out, it takes the average person a minimum of 16 months to hit a thousand
[5:41 - 5:51] subscribers, 16 months for them to hit a thousand subs and me, I did it in less
[5:51 - 6:00] than eight weeks, two months, that is unheard of. I guarantee you right now I
[6:00 - 6:05] can upload the randomest video on YouTube and next day it'll have at least
[6:05 - 6:14] a couple hundred thousand views. I can tell this is what I could do, I could
[6:14 - 6:20] right now if I really wanted to, I can make a YouTube video saying, you know,
[6:20 - 6:28] Marty is a piece of shit, which he is, Nicholas Beegler is a piece of shit, I'm
[6:28 - 6:35] not gonna lie, he is an internet boy, but that's besides the point. I can make a
[6:35 - 6:43] video saying fuck you Nick or fuck you Marty and upload it to YouTube and next
[6:43 - 6:49] day it'll garner 600 plus views and that channel will have at least 700
[6:49 - 7:02] subscribers next day, straight up. See people have this misconception about how
[7:02 - 7:13] monetization and how copyright claims truly work. See the reason why people and
[7:13 - 7:20] YouTube claim that you have to be monetized to make a copyright claim, the
[7:20 - 7:25] reason why they do that is very simple, it's all about the Benjamins with them,
[7:25 - 7:35] it's all about the money. See YouTube wants a not a cut of your videos, so they
[7:35 - 7:41] make it look like you have to be monetized in order to do a copyright
[7:41 - 7:45] claim, no you do not.
[7:45 - 7:56] Like let's say that one of you guys uploaded a video to YouTube right, let's
[7:56 - 8:01] say that you uploaded an AMV and if you don't know what an AMV is, it's an
[8:01 - 8:06] anime music video, they were very popular in the early days of YouTube and I'm
[8:06 - 8:10] still very much a fan of them still.
[8:11 - 8:17] But let's say that somebody makes an AMV and you take that AMV and you
[8:17 - 8:23] reupload it and you claim it as your own, that person that you stole that video
[8:23 - 8:31] from, that you took that video from, they can by all legal standards go back and
[8:31 - 8:39] hit you with a copyright claim. Reason being that they are allowed to do that
[8:39 - 8:45] because that is their intellectual property that they created. The same
[8:45 - 8:52] with you guys, if you guys made a video and you uploaded it and somebody took
[8:52 - 9:01] it and reuploaded it on their channel, you by all legal standards, by legality,
[9:01 - 9:08] every legality in the book and by technical standards, have every right to
[9:08 - 9:21] file a copyright claim on that person. By all rights, if that person takes your
[9:21 - 9:27] video and reuploads it to their channel and does not give you credit
[9:27 - 9:31] whatsoever and they claim that it's theirs, they are committing blatant
[9:31 - 9:39] copyright infringement. See they don't tell you this, people don't tell you this
[9:39 - 9:46] because it's all about the Benjamins with them, it's all about the money and
[9:46 - 9:53] I'm trying to help you guys on Facebook and I'm pretty sure this is gonna be on
[9:53 - 10:02] YouTube as well, I'm trying to help you guys from having to get put through what
[10:02 - 10:15] I got put through. See people like Marty don't want to, people like Marty don't
[10:15 - 10:24] want to pay people like me what we are owed because he knows that I could
[10:24 - 10:32] smack him with a copyright infringement claim very very easily.
[10:32 - 10:52] Like I said, hadn't Marty and them not done what they did? I'd be making at
[10:52 - 11:02] least a half a million very easily a month if not more.
[11:17 - 11:25] And the reason for that is very simple because I am consistent. I am very
[11:25 - 11:33] consistent with what I do. So don't let these motherfuckers out here fool you.
[11:33 - 11:39] Alright, do not let these people like Marty or whoever else is gonna probably
[11:39 - 11:48] comment on this video fool you. You do not have to be monetized at all to file
[11:48 - 11:56] a copyright claim. Do not let them fool you because it is all one big-ass
[11:56 - 11:59] fucking lie.
[11:59 - 12:07] And I do apologize if I sound a little bit tired just because I just got done
[12:07 - 12:12] filming a music video a little bit ago. I'm currently working on some brand new
[12:12 - 12:18] music, a brand new music video, all that shit. I sent it in to my buddy over at
[12:18 - 12:23] Lifetime Films so I got done filming all stuff for that so I'm sorry about sound
[12:23 - 12:31] tired but I'm here telling you guys the fucking truth, okay? I'm here telling you
[12:31 - 12:43] the honest-to-God truth that if you make a video and somebody takes that video
[12:43 - 12:48] and re-uploads it and does not give you credit, they are committing copyright
[12:48 - 12:56] infringement and by all legal rights you have every legal right in the
[12:56 - 13:03] world to file a copyright claim against that person. So to y'all that think that
[13:03 - 13:08] you know about copyrights, know the fuck you don't.
[13:08 - 13:14] Lifetime Films knows more about how social media works than you guys will
[13:14 - 13:22] ever fucking know. So as I'm saying I'm just making this short video to help
[13:22 - 13:26] you guys out to keep you guys from getting fucked over the way I got
[13:26 - 13:40] fucked over. So like I said if you guys you know are an upcoming YouTuber or
[13:40 - 13:45] thinking about doing YouTube, there's just a little bit of advice for you to
[13:45 - 13:52] help you out. If you ever do come across that situation of you know you find
[13:52 - 13:57] yourself in a position where somebody's taking your video and re-uploading it
[13:57 - 14:03] to their channel and not going through the proper procedures of saying oh this
[14:03 - 14:11] video is owned by or this person created this. If they are not giving you
[14:11 - 14:16] credit, they are committing copyright infringement. Now what I do with song
[14:16 - 14:22] covers do you not notice how every song I say the name of the artist or the
[14:22 - 14:33] band or I say the name of the song and then I state the artist's name or if
[14:33 - 14:41] people know well enough they'll know who it's by. Reason for that because when
[14:41 - 14:47] you do a cover you when you do a song cover you have to say whether it's
[14:47 - 14:54] physically speaking it or if it is in the description you have to put the
[14:54 - 15:01] song title and who it's by because if you do not do that that record label
[15:01 - 15:07] that that or that artist or that band can turn right back around and hit you
[15:07 - 15:16] with a copyright claim and all these people have been robbing me for years.
[15:16 - 15:22] All those videos that you guys see of me that have my face in it and their
[15:22 - 15:28] videos that I made those videos by all legal standards belong to me. All that
[15:28 - 15:33] money that these people are making off my videos should be going to me by all
[15:33 - 15:39] legal standards. That money should be going to me.
[15:39 - 15:50] Well yes they are stopping the video which and you know and speaking on it
[15:50 - 16:05] which is transformative yes but they are not giving me credit and if you do not
[16:05 - 16:23] give the proper person credit you are committing copyright infringement. If you
[16:23 - 16:33] take a video and re-upload it and do not say you know like whether it's an AMV
[16:33 - 16:39] and you make an AMV video with a song and you know you don't put you know who
[16:39 - 16:44] it's by or the name of the song and then the artist or whatever you're
[16:44 - 16:49] committing copyright infringement. And that's what these people have been
[16:49 - 16:53] doing to me for the last two fucking years. It's committing copyright
[16:53 - 17:01] infringement against me and costing me money that I could be using to not
[17:01 - 17:08] only help my family help my friends. I could be using that money to boost my
[17:08 - 17:15] career. I could be using that money to work alongside the nonprofit
[17:15 - 17:20] organization that I've been a volunteer for for the last 14 years which is
[17:20 - 17:26] Operation Smile. I could be giving money to them to help them out. I could be
[17:26 - 17:34] doing stuff for people. I could be helping other up-and-coming artists
[17:34 - 17:46] that could use the help. People such as my best friend Tyler and my best friend
[17:46 - 17:51] and who he lives with who's another best friend of mine Matt. I could be
[17:51 - 17:59] making very real money. And see the thing about it is this okay this is what
[17:59 - 18:04] these people are not telling you guys as far as it as far as I go this is what
[18:04 - 18:09] they don't tell you. This is what they refuse to tell you because they know
[18:09 - 18:13] that they're in the wrong and they can argue it all they want. They can argue
[18:13 - 18:18] the facts all they want but the facts still remains that I am speaking the
[18:18 - 18:27] truth. Alright I'm telling you guys the very real truth. The reason why these
[18:27 - 18:32] people do not want me making any money off of any of my stuff is very simple
[18:32 - 18:43] because they know if I make any amount of money then I can easily go in, hire a
[18:43 - 18:50] lawyer, and have them shut down from what they've been doing to me and so many
[18:50 - 18:57] other people. I just found out tonight that music biz that Nicholas Beagler
[18:57 - 19:05] aka music biz Marty has been attacking a special needs child on the internet
[19:05 - 19:12] well it's not really a child but he has the mindset of a child because this
[19:12 - 19:21] person that he is attacking is special needs. Music biz Marty is a drug addict.
[19:21 - 19:30] If you guys go back and watch the video of him coming here to my house he has a
[19:30 - 19:44] bottle of Adderall and Adderall is a very addictive drug. He is a drug addict and
[19:44 - 19:55] an alcoholic. Watch his videos where he is drunk slurring his words acting
[19:55 - 20:06] paranoid and psychotic. Which is how all these rumors about me got started. That
[20:06 - 20:11] is how these rumors of me got started.
[20:11 - 20:21] I should by every legal right be making at least half a million a month off of
[20:21 - 20:31] my clicks on YouTube alone. Whether they watch the video for 30 seconds a minute
[20:31 - 20:38] or they watch the whole damn thing. If Marty and them have not did not fuck me
[20:38 - 20:43] over and have my thousand subscriber count channel by the way which I have
[20:43 - 20:50] gotten a thousand subs multiple times. If they did not have those channels
[20:50 - 20:58] deleted I would be making half a million a month very easily because I am such a
[20:58 - 21:04] well-known name and I am very consistent with what I do.
[21:11 - 21:24] All that money that I am losing out on I am losing because of these people. But
[21:24 - 21:30] what music biz Marty is doing to this new kid is disgraceful, disrespectful
[21:30 - 21:38] and it's a load that I wouldn't even sing to. And I don't think any of the
[21:38 - 21:44] other trolls would sing to the level that he is singing to. Music biz Marty
[21:44 - 21:51] or Nicholas Beagler I should say sorry Nick you know I'm just gonna refer to
[21:51 - 21:55] you as Nick from now on. I'm not gonna give you the satisfaction of your
[21:55 - 21:59] YouTube name anymore. I'm just gonna straight out call you Nick because you
[21:59 - 22:05] don't deserve the dignification of being called music biz Marty. So I'm
[22:05 - 22:14] just gonna call you by your real name Nick. See Nick has this thing what he's
[22:14 - 22:22] doing this kid is awful and very fucked up. You see this special needs guy that
[22:22 - 22:32] he's speaking with gets a Social Security check and is complaining that
[22:32 - 22:36] his mom is not giving him the correct amount to live off of each month which
[22:36 - 22:43] is understandable. But what music biz Marty is planning on doing is this.
[22:43 - 22:48] I'm sorry I meant Nick. I'm sorry my bad.
[22:48 - 23:00] But what Nick is doing is very fucked up. Nick plans on taking this kid to court
[23:00 - 23:08] to sue his mom for the money that this kid is losing out on. And instead of
[23:08 - 23:16] giving this kid the money that he's rightfully owed Nicholas plans on
[23:16 - 23:24] keeping the money and robbing this kid of what's rightfully his. The reason
[23:24 - 23:31] why is because Nicholas Beegler is a drug addict and I am NOT making this
[23:31 - 23:35] stuff you can go back and watch the video where he was on the way to my
[23:35 - 23:42] house and you could see and hear him talk about his Adderall and how he
[23:42 - 23:49] needed to get a refill while he was here. Nicholas Beegler is a drug addict
[23:49 - 24:01] that makes bets that he cannot pay off and is an alcoholic. And the combination
[24:01 - 24:11] of the Adderall and the alcohol over the years it's it's made him insane. It has
[24:11 - 24:21] made him truly psychopathic. Nicholas Beegler has shown signs of
[24:21 - 24:30] psychopathy as well as mental illness.
[24:30 - 24:53] What up Josh. Oh I know I am like and I am letting go. I'm letting go Chris. I'm
[24:53 - 24:58] just I'm speaking the truth. I'm speaking the truth about what should
[24:58 - 25:04] have been said the whole time that people might not know about him because
[25:04 - 25:09] I don't want people to get caught up in the same situation that I got caught
[25:09 - 25:16] open because nobody deserves what what I got put through no one deserves what
[25:16 - 25:23] that poor kid's gonna get put through. So for anybody out there that is coming
[25:23 - 25:30] up in YouTube or is doing music or has any thoughts of doing any kind of you
[25:30 - 25:40] know social media just be very wary of Nick aka music biz Marty because he
[25:40 - 25:49] will fuck you over. He is not to be trusted and as I said as for you guys
[25:49 - 25:55] that do want to pursue a career in YouTube I want you guys to know the
[25:55 - 26:06] real legalities and legitimacy of copyrights. Like you can take my friend
[26:06 - 26:13] Chris here for example he's a youtuber himself and he can tell you that I am
[26:13 - 26:26] right on everything that I say. If somebody takes a video of yours and
[26:26 - 26:33] re-upload it and does not give you the proper creditization meaning the proper
[26:33 - 26:42] credit they are committing copyright infringement against you and no you do
[26:42 - 26:53] not I repeat you do not have to be monetized to follow through with a
[26:53 - 27:01] copyright infringement claim. If that person takes your video and re-unloads
[27:01 - 27:07] it without your permission or your consent or your knowledge it does not
[27:07 - 27:16] matter how big of a YouTube channel you are you have every right in the world
[27:16 - 27:27] to go after them with a copyright claim for copyright infringement. I'm just trying
[27:27 - 27:32] to help you guys out that don't know this stuff or are thinking about doing
[27:32 - 27:39] social media or doing YouTube for a living and don't get wrong doing YouTube
[27:39 - 27:45] is great it's a great great platform but I don't want you guys getting
[27:45 - 27:51] screwed over and the way that I got screwed over I want to help protect you
[27:51 - 28:02] guys from that. See I didn't know about these things until it was too late
[28:02 - 28:18] and I don't want you guys that are coming up to get put through the shit
[28:18 - 28:36] that I got put through like I want to help you guys avoid being put in that
[28:36 - 28:45] position so whoever out here is telling you that you have to be monetized in
[28:45 - 28:56] order to file a copyright claim no you don't you do not have to be monetized
[28:56 - 29:05] to get a copyright claim or to file one so don't let them fool you whoever is
[29:05 - 29:10] telling you guys that you have to be monetized in order to get a copyright
[29:10 - 29:19] claim is full of shit they clearly do not know what they're talking about at
[29:19 - 29:30] all they have no clue what they're talking about but with that being said
[29:30 - 29:34] y'all I'm about to bounce off here and relax and probably crash for the rest
[29:34 - 29:39] of the night because like I said I just got done a couple hours ago filming
[29:39 - 29:44] some scenes from a brand new music video that myself and Life Giant Films is
[29:44 - 29:52] working on I just finished up working one yeah I finished up doing the live
[29:52 - 29:59] vocal work for the video I finished all the scenes out that I needed to finish
[29:59 - 30:08] up and now I'm done I just got a email Life Giant the video footage which I'll
[30:08 - 30:12] end up doing in the morning so he can help put everything together and we can
[30:12 - 30:22] get everything going so yeah with that being said I love you guys I don't know
[30:22 - 30:26] where the music video is gonna be released I do not know but when it does
[30:26 - 30:32] get released I promise you guys you are going to love it I can promise you guys
[30:32 - 30:42] this video this music video is going to blow your fucking minds I can promise
[30:42 - 30:49] you guys this is going to be a music video that is going to make you think
[30:49 - 31:01] and it is going to make you understand just what these people have done to me
[31:01 - 31:08] the premise of the video is this I can give you guys the outline of the video I
[31:08 - 31:13] can't tell you like what's gonna be in the video but I can give you the
[31:13 - 31:20] premise of what it's going to be about and what it's going to represent so
[31:20 - 31:29] basically the music video is going to be about myself or this person that I am
[31:29 - 31:41] portraying slowly being transformed from a human and to a man-made machine
[31:41 - 31:56] artificial intelligence smart robot now what that transformation represents is
[31:56 - 32:03] the person that's being transformed in the video is me and over time I am
[32:03 - 32:16] slowly turning into this monster that these people have created and it shows
[32:16 - 32:24] my progression from being this normal person to slowly glitching through and
[32:24 - 32:38] slowly over time becoming this robotic thing which represents the monster that
[32:38 - 32:45] people like Marty and all these people made me into so I promise you guys you
[32:45 - 32:50] are going to fucking love this I'm definitely excited for the video like
[32:50 - 33:05] I'm very excited for it I cannot wait to get this video done like I can promise
[33:05 - 33:11] you guys that you are going to freaking love this video now where it'll get
[33:11 - 33:17] posted to I'm not sure I have to wait till post-production and then I have to
[33:17 - 33:23] talk with why giant and figure out where it's going to go as far as uploading it
[33:23 - 33:30] I don't know if I'm going to upload it to my regular channel or my new channel
[33:30 - 33:37] I should say that I have going or if I'm going to upload it to here on
[33:37 - 33:43] Facebook or where I'm going to upload it to I don't know yet but all I know is
[33:43 - 33:47] that I'm excited for this video to release I'm excited for this song to
[33:47 - 33:55] drop and what I'm gonna do is I'm probably gonna end up re-recording the
[33:55 - 34:02] song in a different way and probably reshoot it but that's fine I can easily
[34:02 - 34:06] do that that's a literally that will literally take like maybe a few minutes
[34:06 - 34:15] to do in fact but all I know is that you guys are gonna love the song you guys
[34:15 - 34:20] are gonna love the video I'm excited for it to release man do I tell you
[34:20 - 34:27] something the last music video I released was back in 2018 that was the
[34:27 - 34:43] last music video I ever released so I did overdue for a music video well like
[34:43 - 34:48] I said you guys are going to love this video I promise you that when this
[34:48 - 34:54] video drops you guys are going to be impressed I promise you you guys are
[34:54 - 35:01] going to love this but with that being said y'all I am about to bounce off here
[35:01 - 35:05] Chris if you're still watching bro I'm about to hit you up and call you if I
[35:05 - 35:12] can if not I'll text you so I love you guys I just wanted to give you guys a
[35:12 - 35:18] heads up and help you guys out to keep you guys from being put in the same
[35:18 - 35:23] position that I've been put in and to save yourself some time so you don't
[35:23 - 35:29] get caught up in the situations that I got caught up in and you guys end up
[35:29 - 35:35] getting screwed over so I said I hope that this vice it helped you guys I
[35:35 - 35:39] hope that did and I hope that it keeps you guys from getting screwed over in
[35:39 - 35:45] the future if you are thinking about doing social media or YouTube I hope
[35:45 - 35:51] that this does help you guys and with that being said I love you all and I
[35:51 - 35:58] will see you guys tomorrow morning here with the first ever coffee and chill
[35:58 - 36:06] live here on Facebook so be ready I'll see you guys tomorrow morning for the
[36:06 - 36:12] first ever Facebook version of coffee and chill right here I love you guys
[36:12 - 36:25] and I'll catch you all tomorrow man peace

[0:00 - 0:18] What's up everybody? First off...
[0:18 - 0:25] What's up everybody. What's up everyone. First off, I'd like to say that I'm going to be
[0:25 - 0:49] here. What's up everybody. What's up everyone. First off, I'd like to say that to start this
[0:49 - 0:59] off. First off, I'd like to say that I'm terribly sorry about this idiot that came in and ruined
[0:59 - 1:09] that whole memorial show that I was doing for a friend. I do apologize for that. And like I told
[1:09 - 1:18] you guys, I want to make it up to you guys. And that's exactly what I'm going to do. Because
[1:18 - 1:26] that's it. You guys deserve the best fucking show and my friend deserves a proper show for
[1:26 - 1:34] their friend that they lost just very recently. You guys deserve a good show and my friend's
[1:34 - 1:48] person that they lost deserves a proper memorial show. Wouldn't you guys agree? We'll do. But
[1:48 - 2:00] wouldn't you guys agree with this person that my friend lost, deserves a proper show? If one of
[2:00 - 2:12] you guys lost somebody, if one of you guys lost somebody, wouldn't you want the person that you
[2:12 - 2:17] know does music that's doing a show for you and honoring your friend? Wouldn't you want it to be
[2:17 - 2:39] the best fucking show? I know I would. Just like if one of you guys lost me and I died, if I died
[2:39 - 2:45] tomorrow and drop dead, I'd want you guys to put on the best motherfucking show for me that you
[2:45 - 3:04] guys fucking could. And before I get this started, I do want to say that I do not own any of these
[3:04 - 3:19] songs, these are all covers. I do not claim to own any of these, such as a forewarning.
[3:20 - 3:25] I'll come to talk with you again.
[3:25 - 3:44] This is a visions of liquid ink, lifted on how I was even, and the visions that was planted in my
[3:44 - 4:05] brain still remain within the sound of silence, and as the strings I walk alone, narrow streets of
[4:05 - 4:22] cobble soul, and in the head of a street love, I turn my colors to the cold and down, where my
[4:22 - 4:41] eyes would stare at the flesh of a neon light that spreads the night and touch the sound of silence.
[4:41 - 4:58] Then in the neck a lot are sore, ten thousand people may be more, people talking with a howl is he,
[4:58 - 5:15] people living with a howl is they, than for writing songs, their voices never shed, and no one there,
[5:15 - 5:36] this is the sound of silence, that I do not know, silence like a cancer grows. You know what
[5:36 - 5:42] motherfucker, you need to fucking stop right the fuck now bro, I've had enough of your bitching,
[5:42 - 5:51] your son did not send me 50 you dumb wimp dick motherfucker, he sent me only 15 you douchebag,
[5:51 - 5:59] so no I'm not gonna be scammed by a little faggot like you, so get the fuck out of my stream,
[5:59 - 6:07] write the fuck now before I report you, and I make you leave nigga, I will make you fucking
[6:07 - 6:15] leave, so get the fuck out of my stream right now and leave my people the fuck alone, right now,
[6:15 - 6:26] I'm not here to play games with you pal, I'm here to put on a goddamn show for a friend, okay,
[6:26 - 6:33] I'm here to put on a goddamn show for a friend that fucking lost somebody, so you nigga need
[6:33 - 6:39] to get the fuck lost, and no you don't bro, so you know what guys, I'm sorry about this,
[6:39 - 6:45] I'm gonna be making out this show at a later date, but you bro need to get the fuck lost pal,
[6:45 - 6:48] I know it's you nigga.
[6:48 - 6:54] *end credits play*

[0:00 - 0:22] What is up what is up what is up everybody how is everybody doing this
[0:22 - 0:32] evening now this video isn't gonna be very long but I just wanted to come in and give
[0:32 - 0:40] you guys a brief background of what my company Axe Kicks Productions is about how it got
[0:40 - 0:51] started and you know what you know me and my team do in general so I started
[0:51 - 0:59] creating music back in 2009 but didn't seriously get into it until 2010 and as
[0:59 - 1:08] the the about section describes um you know I had spent that time and those
[1:08 - 1:15] years honing my craft my skills and doing things I needed to do to get
[1:15 - 1:24] better um I also go by the artist named Cyberhex on YouTube which if you guys
[1:24 - 1:29] go to my info they link to my pages there in the about section so you guys
[1:29 - 1:33] can go there and check out my first post I actually made on that channel
[1:33 - 1:40] which is actually a instrumental that if you guys would like to use please by
[1:40 - 1:45] all means feel free to use it just make sure you credit me in it that's all I
[1:45 - 1:59] ask um but what we do here at Axe Kicks Productions is we create everything
[1:59 - 2:07] from sound effects custom done for you guys we create custom sound effects
[2:07 - 2:14] custom soundscapes because I actually do specialize in soundscape design and
[2:14 - 2:21] soundtrack design as well as instrumental work I do sell instrumentals
[2:21 - 2:29] custom done in-house here from my studio I know it's not much but I do plan on
[2:29 - 2:35] upgrading soon so that is gonna happen I will be upgrading my gear and
[2:35 - 2:41] everything soon so I will be able to do more but we do instrumentals for like if
[2:41 - 2:48] you have a YouTube channel if you have an Instagram whatever you know you need
[2:48 - 2:53] it for all you guys got to do is reach out to me and I will make the
[2:53 - 3:01] instrumental right there in front of you in-house right here I do it live for
[3:01 - 3:09] you guys by call and even on livestream I will be creating instrumentals for you
[3:09 - 3:14] guys in-house personally done by me so just know you're not getting screwed
[3:14 - 3:21] over at all I sell packs of two instrumentals for ten bucks so you guys
[3:21 - 3:28] can you know have me do a custom made or if you guys just look into you know
[3:28 - 3:33] take stuff up just know that you're not getting screwed over I do everything
[3:33 - 3:43] myself I have a great team that you know helps put my stuff out there and I do
[3:43 - 3:46] want to give a huge shout out to my team that has helped me I do appreciate
[3:46 - 3:53] what you guys have helped me accomplish a hundred percent as I said I do
[3:53 - 4:01] everything in-house from here and so it don't matter if you guys want a rock
[4:01 - 4:08] instrumental if you guys would like trap hip-hop EDM whatever that thing may be
[4:08 - 4:16] I do everything right here in-house for a very good price cuz trust me I've been
[4:16 - 4:21] around the block and music a few times and I can tell you for a fact that a
[4:21 - 4:26] lot of these producers charge way too much and I don't want to do that to you
[4:26 - 4:32] guys I want to give you guys good quality instrumental content good
[4:32 - 4:41] quality work without being charged an arm and a leg and so you guys can be
[4:41 - 4:46] successful with whatever you're doing but with that being said guys I want to
[4:46 - 4:51] say thank you guys for stopping in and checking out axe kicking productions or
[4:51 - 4:57] axe kick productions either way don't matter which one you call it but I just
[4:57 - 5:04] want to say thank you guys for you know stopping and saying hi and I look
[5:04 - 5:08] forward to doing business with you guys man like I said I do everything from
[5:08 - 5:19] soundtrack work to soundscape design to hip-hop beats trap beats EDM guitar work
[5:19 - 5:24] I do custom guitar work as well cuz I do have my own guitar which I would be
[5:24 - 5:28] more than happy to show you guys right here
[5:28 - 5:36] the guitar I have is not plugged up right now but I do have my very own
[5:36 - 5:45] glary electric guitar with custom Stratocaster pickups in the center so I
[5:45 - 5:50] am very versed in doing guitar work that's something I do specialize in is
[5:50 - 5:59] guitar work as well as various other sounds like piano and violin and stuff
[5:59 - 6:06] like that so yeah as I said everything is done here in-house live so you know
[6:06 - 6:12] you guys aren't getting screwed over my aim is to help as many people as I can
[6:12 - 6:20] become successful artists and for whatever you guys need so if you guys
[6:20 - 6:29] do need anything hit me up let me know we'll talk business and yeah I hope you
[6:29 - 6:35] guys enjoy what I will be creating for you guys and yeah I look forward to
[6:35 - 6:40] doing this with you guys as always tell my friends and some of my fans I listen
[6:40 - 6:46] to my music stay humble stay positive keep being you keep being awesome and
[6:46 - 6:51] keep being creative love you guys peace

[0:00 - 0:05] [Intro Music]
[0:05 - 0:06] What's up guys?
[0:06 - 0:19] [Intro Music]
[0:19 - 0:21] I'm gonna fix this shit.
[0:21 - 0:23] [Intro Music]
[0:23 - 0:26] There we go. Now it's getting down proper.
[0:26 - 0:29] But what's up you guys?
[0:29 - 0:32] Today I wanted to do something special.
[0:32 - 0:45] Now you guys already know my story over the last couple years of all the crazy ass
[0:45 - 0:51] you know bullshit that's going on.
[0:57 - 1:05] Like you already know I've been through a lot a lot a lot of bullshit and I've lost a lot
[1:05 - 1:17] of people in my life both friendships people passing away people that I knew for years and
[1:17 - 1:30] years that passed and I never really got to you know do anything special for them to celebrate
[1:30 - 1:40] their lives and how they helped get me to where I'm at so this whole show is going to be dedicated
[1:40 - 1:50] to all those that I've lost over the last few years and not only to them but to those like my
[1:50 - 1:58] good friend Life Giant Films and my buddy Chris throughout the night you know my brother Matt
[1:58 - 2:07] my brother Tyler my boy Crip Kay this for all y'all that have helped me get to where you
[2:08 - 2:12] guys helped me get to but most importantly this is to remember those
[2:12 - 2:18] that I've lost over the last few years and in memory of them.
[2:18 - 7:01] [Music]
[7:01 - 7:08] Crap, what up?
[7:08 - 7:18] This next song right here, this song is very close to me and very important to me for a very good reason.
[7:18 - 7:30] This song right here was the final song that my best friend David who passed away in '09 from a driving accident.
[7:30 - 7:35] This is the final song that he got to record with his band.
[7:35 - 7:41] This is the final song that he got to do with his band before he passed away.
[7:41 - 7:51] So to the members of what used to be Elixir and is now Sandcat, I'm doing this not only for y'all, man, because you know I fucking love you guys.
[7:51 - 7:59] But this is also for my boy David, man. Rest in peace, bro. This one's for you.
[7:59 - 8:01] This is their song, Dreamweaver.
[8:01 - 17:06] [Music]
[17:06 - 17:12] Honestly, dude, just by watching and practicing.
[17:12 - 17:18] That's how I learn, is by watching, learning, practicing.
[17:18 - 17:36] That's kind of how I learn.
[17:36 - 17:46] Now, this song right here is going out to somebody very special to me.
[17:46 - 17:53] This song is going out to my ex, Lex, who, if she was still alive, I'd probably be married to.
[17:53 - 18:00] So, this is going out to my ex fiancee that I lost two years ago, Lex.
[18:00 - 18:06] Lex, it's for you. I hope you're listening.
[18:06 - 18:10] I miss you.
[18:10 - 22:14] [Music]
[22:14 - 22:20] Now, this one right here, I know this from a huge fans.
[22:20 - 27:12] [Music]
[27:12 - 27:20] Now, as you guys may know, the drummer from Food Pottery passed away the other day.
[27:20 - 27:34] And this one's for him and tribute to you, man.
[27:34 - 30:48] [Music]
[30:48 - 31:00] This song right here is from my best friend, Zach, that I lost in 2018 or in 2016, my bad.
[31:00 - 31:04] I was singing about my jumper in Kota.
[31:04 - 31:12] But this was Zach's shared song by these guys.
[31:12 - 31:14] So Zach, rest in peace, brother.
[31:14 - 31:16] This for you, bro.
[31:16 - 31:18] We all miss you, man.
[31:18 - 35:24] [Music]
[35:24 - 35:30] Now this one right here, I am going to be doing a vocal version of the knot on this.
[35:30 - 35:46] Because not only is this a hip-hop song, but I wouldn't be doing it nearly as much justice.
[35:46 - 36:00] I would not be doing it any justice by doing it by guitar.
[36:00 - 36:04] This song I have to do locally.
[36:04 - 36:14] And this song was written by the guy that mentored me in music that helped me get to where I got to.
[36:14 - 36:20] So his family, Michelle.
[36:20 - 36:26] Well, man, y'all I know you are, Brother Bear, Ivan, all y'all, man.
[36:26 - 36:29] Y'all already knew who this is, man.
[36:29 - 36:31] This is for my motherfucking mentor, Coda, man.
[36:31 - 36:43] This song was written by my boy and my mentor, Coda, aka Coda Oda.
[36:43 - 37:00] His nickname was, and I know this is a boy character, but we all gave him the nickname E.G.O. Kudasaki.
[37:00 - 37:04] And this is his song that I did a remix of called A.O.K.
[37:04 - 37:11] [Music]
[37:11 - 37:17] Thank you, Coda. You miss you, brother. Thank you for everything, brother.
[37:18 - 37:21] I woke up today, A.O.K.
[37:21 - 37:24] I'm going to be a bad soul, A.O.K.
[37:24 - 37:27] I'm going to run to my family, A.O.K.
[37:27 - 37:30] O.K., O.K., O.K.
[37:30 - 37:33] Knowledge that's the same, I'm just A.O.K.
[37:33 - 37:36] But I'm going to be a bad soul, A.O.K.
[37:36 - 37:39] There's no way to say it, A.O.K.
[37:39 - 37:43] O.K., O.K.
[37:43 - 37:46] When we going red, that's it, A.O.K.
[37:46 - 37:48] Screaming on the stage like I'm sales sin
[37:48 - 37:51] Black girls wanna fuck 'cause I'm pee-skinning
[37:51 - 37:54] Bussing open on the argument I'm money-skinning
[37:54 - 37:57] They ain't premeditated, they miss pre-sending
[37:57 - 38:00] And if I can't pack in like I'm pre-sending
[38:00 - 38:03] They put a rope investigation
[38:03 - 38:07] Thank God, but that's limitation
[38:07 - 38:10] I'm either at the travel station
[38:10 - 38:13] And if I ain't your favorite, then you're racist
[38:13 - 38:15] A.O.K., you mad? I'm going places
[38:15 - 38:19] Does it let me know where you want to take it?
[38:19 - 38:22] I prefer to meet a fellow face-to-face
[38:22 - 38:25] Miss singing off the waist like amazing grace
[38:25 - 38:28] Too big a thing like man, we just came to plays
[38:28 - 38:32] Didn't take over my lane, that's how they taste
[38:32 - 38:35] I woke up today, A.O.K.
[38:35 - 38:38] I got me a bad soul, A.O.K.
[38:38 - 38:41] My girl, my team, my family, A.O.K.
[38:41 - 38:45] O.K., O.K.
[38:45 - 38:48] No one's there to stay, I'm just A.O.K.
[38:48 - 38:51] I got me a bad soul, A.O.K.
[38:51 - 38:54] They green and white, they tan, they all A.O.K.
[38:54 - 38:57] O.K., O.K.
[38:57 - 39:00] Let me in this rock like that picture creep
[39:00 - 39:03] I was on my ass with nowhere to live
[39:03 - 39:06] Turn back and dance when it come to cash
[39:06 - 39:10] I might pop up in your room, ghost of Christmas pants
[39:10 - 39:13] I heard you say they dance, they move 'bout to dance
[39:13 - 39:16] Followin' the fast and it never lasts
[39:16 - 39:19] She actin' bougie, I got her carried
[39:19 - 39:22] Crush her, twist her, mush her, now she got it bad
[39:22 - 39:25] We gon' be okay, need it every day
[39:25 - 39:28] Space and real estate, straight off the plate
[39:28 - 39:31] Straight up, bust a gun, put the bottom of the lane
[39:31 - 39:34] Put your ass, drag the gun, turn the bottom of the lane
[39:34 - 39:37] Wait, wait, no, this a criminal
[39:37 - 39:40] I like humping face, y'all need dinner days
[39:40 - 39:43] We ain't been the same, don't know how to spell it out
[39:43 - 39:46] We gon' be cuttin' cash, then you countin' billin' out
[39:46 - 39:49] We ain't been the billin', no, in the case of my life
[39:49 - 40:30] We ain't been the same, don't know how to spell it out
[40:30 - 40:37] And the people that I know now, pushing me, I wouldn't be in the position that I'm in
[40:37 - 40:44] I can honestly say, I am beyond, beyond blessed to be where I'm at
[40:44 - 40:51] I got an amazing fucking team, an amazing fucking business partner that's helping me get somewhere
[40:51 - 40:56] That's actually teaching me about business instead of saying, hey, here, take it and learn
[40:56 - 41:08] Like, if it was for the people that I have behind me, pushing me, testing me, and doing what I need to do
[41:08 - 41:14] To get the best out of me, I would've gave up a long fucking time ago
[41:14 - 41:18] I really would've, I would've given up years ago
[41:24 - 41:28] And I do mean I would've given up years ago
[41:28 - 41:37] So to my boy Chris, aka Nylit, I want to say thank you man for kicking my ass into fucking gear
[41:37 - 41:44] And show me that this, my music, and what I'm doing now is what I should've been doing the whole fucking time
[41:44 - 41:51] So to my boy Chris, thank you bro for kicking my ass into gear
[41:51 - 41:55] And for fucking sure, man, because if you didn't keep my ass in the gear
[41:55 - 42:02] And, like, show me, hey, fuck this other shit, you need to be doing this
[42:02 - 42:06] Fuck what all these motherfuckers say about you, you need to be doing this
[42:06 - 42:09] If it wasn't for you, fucking show me that
[42:09 - 42:12] I don't know where I'd be
[42:12 - 42:19] Like I said, I'm with an amazing, amazing fucking company, man
[42:20 - 42:24] Like I can honestly say, I wouldn't want to represent any other company
[42:24 - 42:29] Other than Senua's Savages or Live Giant Films Media
[42:29 - 42:34] Like, I wouldn't want to represent any other company because
[42:34 - 42:39] The dude pulls the best out of me
[42:39 - 42:42] Y'all pull what y'all see in me
[42:42 - 42:45] Y'all pull that shit that I'm capable of
[42:45 - 42:47] You pull that shit out of me
[42:47 - 42:52] And you help me to fucking utilize it
[42:52 - 42:56] And I can't thank y'all enough because you guys are giving me an opportunity
[42:56 - 42:59] to do what I've always wanted with my music
[42:59 - 43:04] You guys are helping me get back behind the wheel in the same racing
[43:04 - 43:14] And continuing on a legacy that I love for people that are important to me in my life
[43:15 - 43:22] Like you guys are, you know, you guys are giving me an opportunity that
[43:22 - 43:26] I have no intention and no plan on wasting at all
[43:26 - 43:34] Like you guys have given me such an amazing opportunity and I can't thank y'all enough for that
[43:34 - 43:39] So to Senua's Savages, Live Giant Media Films, thank you man
[43:39 - 43:43] I fucking appreciate you, your family, you guys are fucking amazing
[43:43 - 43:46] And no, I'm not a vampire motherfucker
[43:46 - 43:50] I don't know where you're getting that vampire shit but fuck you, I'm not a vampire
[43:50 - 43:54] That's good man, it's all good, I know you're just fucking around
[43:54 - 43:59] But dude, in all honesty man, I can't thank you enough bro
[43:59 - 44:07] For real, I cannot thank you enough for getting my ass back into working all day long
[44:07 - 44:10] And having that energy that I used to have
[44:10 - 44:14] Like, I appreciate that man, I really do
[44:14 - 44:19] And I can promise you man, you ain't gonna get nothing but the best out of me
[44:19 - 44:26] Same with you Chris, same with you bro, you ain't gonna get nothing but the best out of me
[44:26 - 44:31] And on a side note, if anybody would like to purchase beats from me
[44:31 - 44:35] I'm selling two for ten dollars for life
[44:37 - 44:41] And when you guys buy the beats
[44:41 - 44:45] They're yours to use for whatever you want to do
[44:45 - 44:50] Whether it's for YouTube, whether it's for Instagram, your Facebook stories
[44:50 - 44:54] Whether it's for a film, whatever you're doing man
[44:54 - 45:00] I am literally selling two customized beats in your guys' style however you want
[45:00 - 45:04] Just message me, we'll call, we'll talk, and I'll get a good idea
[45:04 - 45:07] And then I'll sell them to you for ten bucks
[45:07 - 45:10] I have no problem selling two beats for ten bucks
[45:10 - 45:13] I have no problem at all whatsoever
[45:13 - 45:29] You know, cause I've got nothing but fucking a backlog of fucking thousands of instrumentals
[45:31 - 45:36] Just sitting around, so if anybody does want to buy beats off me
[45:36 - 45:39] It's literally two for ten dollars
[45:39 - 45:48] No fucking extra cover charge, no fucking bullshit of oh I'm gonna lease to you now
[45:48 - 45:51] Like I'm a straight up dude
[45:51 - 45:57] I'm a straight up motherfucking dude, like I'm not gonna sit there and jerk you around
[45:57 - 46:01] Like a lot of these other motherfucking producers do
[46:01 - 46:06] Saying like oh, you have to pay this much and then you have to do, no dude I don't do that
[46:06 - 46:10] It's flat out ten bucks for two beats
[46:10 - 46:16] However, whatever style you want or if you want just a random one for me to make for you
[46:16 - 46:17] I'll do it
[46:17 - 46:23] All you gotta do is send me up on messenger behalf
[46:23 - 46:25] I wanna buy a couple beats for you
[46:25 - 46:30] And then all you gotta do is send the money over to my cash app
[46:30 - 46:35] And if you don't have my cash app I will message it to you once you message me
[46:35 - 46:40] And then I'll take, you know, once you send me the money in my cash app
[46:40 - 46:44] I will then sit down and send you the instrumentals by either email
[46:44 - 46:50] If you guys want to do it by email, by messenger, however you guys want to send it to you, I will do that
[46:50 - 46:56] Alright, I will do that for you guys, but I'm not gonna do the mistake that I made years ago
[46:56 - 47:01] Which is, oh, you're gonna give me this, then I'll give you the money
[47:01 - 47:04] No dude, like, it's like a store, okay?
[47:04 - 47:15] You're not gonna walk into a store and grab a can of fucking monster energy and walk out without paying for it
[47:15 - 47:19] That's not happening cause I know how motherfuckers work, I know how snakes in the grass work
[47:19 - 47:21] Cause I've dealt with them
[47:21 - 47:27] What they want is they want to get the shit free, I'm sorry, I don't do free
[47:27 - 47:35] The only time I do free is if it's somebody very very close to me, like a family member or a very very close friend of mine
[47:35 - 47:41] Or someone I know on a personal level that I know isn't bullshitting me
[47:41 - 47:45] Alright, take my brother Jake for example
[47:45 - 47:49] Take my motherfucking best friend and brother Jake, man
[47:49 - 47:57] I've known this motherfucker for 17 years, going on 18 years this year
[47:57 - 48:05] So if he needs whatever, I'll drop whatever the fuck I'm doing, what do you need, what's going on?
[48:05 - 48:11] Like, it can be 3 in the morning and I'll drop whatever the fuck I'm doing and help this dude out
[48:11 - 48:18] And the same with him, if something's going on with me, you can bet your fucking ass that he's gonna be over here in a goddamn heartbeat
[48:18 - 48:22] Knocking on my fucking door, yo what's going on, what do you need, what's up man?
[48:22 - 48:25] Who's asking me to bury him today?
[48:25 - 48:28] Yo Sammy, what's up?
[48:28 - 48:35] Like Sam here, I've known Sam since fucking what, 10th grade?
[48:35 - 48:45] 10th, like 10th, 11th grade? Like Sam here, I'll do shit for her for fucking free, that's literally one of my best friends right there
[48:45 - 48:51] I will gladly do shit for Sammy for free, hell and I have done shit for Sammy before
[48:51 - 48:55] So I have zero fucking issue doing shit for people like that
[48:55 - 49:00] Zero, I have zero issue with that, you wanna promote your shit?
[49:00 - 49:08] Hey I got you, you need an instrumental for your stuff? Fuck, let me know what you want, like for real
[49:08 - 49:17] Hell, matter of fact, a lot of the Shadowblade fan art that y'all have seen me post in the past, Sam here's the one responsible for that shit
[49:17 - 49:24] A lot of the fan art that y'all have seen me post, she's the one that did all that shit
[49:24 - 49:29] This goofy motherfucker right here is the one responsible for that shit
[49:29 - 49:47] So like, people like that, I don't mind doing shit for her, I don't mind it at all
[49:47 - 49:58] But when it comes to, when it comes to business side of shit, I'm not just gonna hand you beats for free
[49:58 - 50:00] That ain't gonna fucking happen
[50:00 - 50:04] Like I said, I don't charge an arm and a leg like most producers
[50:04 - 50:09] And that's where a lot of fucking producers fuck up
[50:09 - 50:13] Why do you think there's, why do you think people look for free fucking beats?
[50:13 - 50:20] Because producers charge way too goddamn much
[50:20 - 50:24] Me, I only charge ten bucks for two beats
[50:24 - 50:31] I only charge ten bucks for two beats
[50:31 - 50:36] And the reason I do that is for a very good reason
[50:36 - 50:43] Because when you sell at a low price and they're very well put together and very well done
[50:43 - 50:48] You're gonna get that same commercial stuff
[50:48 - 50:56] Basically what I'm saying is this, you sell at a low price like that, you're gonna get customers coming back
[50:56 - 51:01] More and more and more and more
[51:01 - 51:08] You see what I'm saying? Because you're selling high quality stuff at a very good price
[51:08 - 51:16] And that artist or that person utilizing your material is gonna come back more and more
[51:16 - 51:19] Which is why I do it the way I do it
[51:19 - 51:26] So I know that the artist or whoever I'm working with isn't gonna get fucking ripped off
[51:26 - 51:29] And they're not gonna get screwed over
[51:29 - 51:37] Because believe me, I was that guy
[51:37 - 51:41] Trust and believe when I say that I was that artist
[51:41 - 51:49] I was that guy that was always looking for somebody to help me out with shit
[51:49 - 51:58] Before I knew how to properly produce beats or instrumentals
[51:58 - 52:04] I was that guy that was always like, "Hey, can you spot me a free beat?"
[52:04 - 52:12] I was that guy, so I know what it's like to be a broke ass fucking artist
[52:12 - 52:23] Before I started using FL Studios, I didn't know a goddamn fucking thing about making beats properly
[52:23 - 52:27] Or how, you know, less is more
[52:27 - 52:39] Like, I didn't know about that, and what I mean by less is more, a lot of music artists over fucking saturate their fucking beats
[52:39 - 52:52] With all this garbage ass fucking bullshit ass sound that isn't fucking needed
[52:52 - 52:59] Now, let me switch over to FL Studios on my set up here, and I'll show you guys
[52:59 - 53:08] I just switched the settings real quick
[53:08 - 53:20] This game, I want to get it set here
[53:20 - 53:25] For those of you wondering, yes, I do have Cyberpunk 2077
[53:25 - 53:36] And I know what you guys are thinking, am I going to do more of that? Yes, yes I am
[53:36 - 53:44] So give me just a minute to load up my display settings here and get it switched over to the regular monitor
[53:44 - 53:49] Alright, so this is what I call my TV/studio monitor
[53:49 - 53:54] I call it a TV because at night I watch TV, or during the day when I'm working on shit I watch TV
[53:54 - 54:06] And then I take
[54:06 - 54:18] And I work on shit as I'm watching TV
[54:18 - 54:23] Alright, let's go here
[54:23 - 54:27] Extend these displays
[54:27 - 54:35] Keep changes
[54:35 - 54:40] Only that, just a matter of fucking seconds I fucking made this happen
[54:40 - 54:46] Literally, a matter of fucking seconds
[54:46 - 54:59] All I gotta do is swing this round over here
[54:59 - 55:11] Exit out of this
[55:11 - 55:15] Boom, done
[55:15 - 55:19] Now, let me show you guys something, this is an instrumental I made
[55:19 - 55:34] Actually not long ago at all
[55:34 - 55:40] Let me give you guys, this is a little bit of an example for you producers out there that think you're hot shit
[55:40 - 55:45] And really you're just oversaturating garbage
[55:45 - 55:51] Let me show you what a good instrumental sounds like
[55:51 - 55:58] Yes, you got the rain sound effect in there like a reverse pad in here
[55:58 - 56:16] But it works very very well
[56:16 - 56:40] See, it's not oversaturating
[56:40 - 56:44] That's an example of what to do
[56:44 - 57:05] Here's an example of what not to do that irritates the fuck out of me
[57:05 - 57:12] Let's go here, let's go
[57:13 - 57:19] Let's go here, let's go here
[57:20 - 57:29] Let's go here
[57:29 - 57:46] Let's go here, let's go here
[57:46 - 57:53] Alright, I'm going to show you guys an example of what not to fucking do
[57:54 - 58:19] This is an example of what not to fucking do
[58:19 - 58:35] Alright, take that sound right there
[58:35 - 58:43] Alright, that doo doo doo
[58:43 - 58:53] Shut up
[58:53 - 59:11] All right, now let's take that
[59:11 - 59:27] Alright, now let's take that
[59:27 - 59:48] And this is the one thing like I said that drives me insane
[59:48 - 59:52] Like this right here, this is what drives me out the wall
[59:52 - 59:59] You literally have four fucking layers of sound over time of your fucking drum video like this
[59:59 - 60:13] This is the shit I can't stand
[60:13 - 60:22] Or you got shit like this and this
[60:22 - 60:37] Oh wait, let's have this
[60:37 - 60:47] That's the shit I can't fucking stand
[60:47 - 60:55] You don't need 50 million fucking sounds to make something sound good
[60:55 - 61:04] Between one to three tracks maybe four, like if I'm doing like say an EDM track or a dubstep track
[61:04 - 61:08] I still only use like two or three
[61:08 - 61:14] And that's it, I don't fucking oversaturate my fucking sound
[61:14 - 61:37] Actually, that might actually just work but that's what I'm saying
[61:37 - 61:41] Like that's the kind of shit that drives me out the fucking wall
[61:41 - 61:48] Like I'm not meaning to rant, I'm not meaning to rave but dude
[61:48 - 61:51] That shit annoys me
[61:51 - 61:54] Matter of fact, you know what, you know what I'm gonna do y'all
[61:54 - 61:58] I'm gonna sit down and give you guys a fucking lesson here in a minute
[61:58 - 62:03] For all you producers out there that are looking to get into music and make good quality music
[62:03 - 62:10] I'll show you what the fuck to do and what not to do
[62:10 - 62:14] So let me end the stream and I'm gonna start off a music session for you guys
[62:14 - 62:18] So you guys know what to do so you're not oversaturating your sounds
[62:18 - 62:21] So with that being said, I'll catch you guys in a bit man
[62:21 - 62:22] Peace
[62:22 - 62:24] Thanks for watching!
[62:24 - 62:28] [ Silence ]

[0:00 - 0:18] Good morning everybody. Good morning, good morning, good morning.
[0:18 - 0:28] Good morning all you wonderful people. What is up, what is up, what is up?
[0:28 - 0:37] So I was having a good morning. I hung out with my business partner and good friend.
[0:37 - 0:41] Shout out to Live Giant Films Media or Live Giant Media Films.
[0:41 - 0:48] So I was hanging out with him getting some stuff squared away to get set up to start making some money.
[0:48 - 0:59] Got out to follow him and started working on some shit. And there was one thing that normally I would overlook.
[0:59 - 1:12] And don't get me wrong, I always overlook shitty comments, but this one is not one that I can let slide.
[1:12 - 1:24] Because it is not only disrespectful to me, the person they are disrespecting is a dear friend of mine who passed away a few years ago.
[1:24 - 1:36] And not only are they disrespecting them, they're disrespecting their family whom I am still very close with.
[1:36 - 1:42] And her name is Michelle, no Michelle, sorry Michelle, my bad, you know I'm a fucking rock and shoot girl.
[1:42 - 1:48] Her name is Nicole Baker.
[1:48 - 1:58] Now Nicole thinks that I barely knew Koda, who was my mentor in music.
[1:58 - 2:08] Now see, I met Koda through a very good friend of mine.
[2:08 - 2:22] Koda was one of my personal best friends. This man showed me what it's like to be a real musician.
[2:22 - 2:25] Yo Marilyn, what up?
[2:25 - 2:32] Yo Marilyn, fucking message me girl, I ain't talking to your ass like a good ass man. Fucking message me goofy motherfucker.
[2:32 - 2:47] It's been a minute since I fucking spoke with your ass. We need to catch up god damn it.
[2:47 - 2:56] And I'm really laughing at this chick because she thinks that I didn't know him.
[2:56 - 3:04] Now let me fill you in on something here little miss Nicole Baker. Let me fill your ass in.
[3:04 - 3:15] You can even go back on my original Facebook, my original fucking Facebook.
[3:15 - 3:25] And look at the conversations that me and him and his family have had with each other.
[3:25 - 3:46] And let me say something, matter of fact, this is one of the first songs that he ever put out that I was one of the first ones to be lucky enough to hear.
[3:46 - 3:54] That actually garnered him a lot of attention on Soundcloud, on YouTube, on Facebook.
[3:54 - 4:03] Matter of fact, this is the song that they played that it was me watching the live stream.
[4:03 - 4:12] And I was singing the words right along with the rest of his family like his little brother who is nicknamed Brother Bear.
[4:12 - 4:22] Shot of the Brother Bear. His mom's Michelle. And all of his friends that were there at the memorial.
[4:22 - 4:32] And if he wasn't close to me and I barely knew him, then why do I know his whole entire catalog of music front to back?
[4:32 - 4:44] Matter of fact, this is the fucking song that they played at his fucking memorial that I can do with my fucking eyes shut.
[4:44 - 4:59] It's an R.I.P. to color, man. We fucking miss you, bro.
[5:00 - 5:03] That's all. Make a move. I connect it like a spinal cord.
[5:03 - 5:07] Hit it from the back like a spinal tap. Who's gonna feel what the runners at?
[5:07 - 5:13] They're gonna do what the runners at.
[5:13 - 5:17] Burn down at the house where the bodies at.
[5:17 - 14:12] Burn down the walls like a hundred years.
[14:13 - 14:14] Shout out church, man.
[14:14 - 14:15] That's what she said.
[14:15 - 14:29] They said my name's too red.
[14:29 - 14:36] And they said my dream was dead.
[14:36 - 14:40] And they said people like me don't tread.
[14:40 - 14:44] And they said my soul won't ever get it.
[14:44 - 16:53] And they said my name was too red.
[16:54 - 16:58] And that's fucking fact.
[16:58 - 17:06] All y'all sit there saying that I would never make it.
[17:06 - 17:37] And all y'all sit there saying that I would never make it.
[17:38 - 17:46] See, y'all just mad.
[17:46 - 17:54] Because I'm up here and y'all are way the fuck down here.
[17:54 - 17:58] And what I'm saying, I ain't fucking going down there to pick y'all haters up.
[17:58 - 18:06] Like y'all can do whatever the fuck you want to do, but me and my team, me and my motherfucking
[18:06 - 18:17] team, like Marilyn, who's one of my closest friends on the face of this earth, man, we
[18:17 - 18:20] ain't looking back, y'all, we going forward.
[18:20 - 18:28] I'm like Roman Reigns up in this bitch, for real.
[18:28 - 18:35] I'm like motherfucking Roman Reigns up in this shit, for real.
[18:35 - 18:46] I came in, I may have gotten put down, but I came in, I overcame, and I conquered, man.
[18:46 - 18:52] I came in, took over, and now I'm fucking running this shit.
[18:52 - 18:56] Like I said, I'm on my way to success.
[18:56 - 19:00] I'm very well on my way to success.
[19:00 - 19:12] So while you haters hate on me, well, I'm going to sit here and fucking laugh, for real.
[19:12 - 19:14] But I do have to thank you haters though, for real.
[19:14 - 19:19] I do have to thank you guys because y'all do bringing those free views.
[19:19 - 19:24] Y'all do bringing those free views, man, so I can't be too mad.
[19:24 - 19:32] But as I said, Nicole, check your facts first before you challenge me.
[19:32 - 19:35] Because when you challenged me, you challenged the wrong person.
[19:35 - 19:39] And I challenged you with logic.
[19:39 - 19:42] I beat you with logic.
[19:42 - 19:45] It was quite simple, really.
[19:45 - 19:50] Beating you with the logic is like a five-year-old beating a two-year-old in math.
[19:50 - 19:54] It's too easy. It's child's play to me, bro.
[19:54 - 20:02] But like I said, I don't need to waste my time on you any further, all right?
[20:02 - 20:08] I need no time to waste on you.
[20:08 - 20:17] The only people I have time for are people like Marilyn and my business people that I rock with,
[20:17 - 20:26] and the people that are my good friends and my family, and my supporters, and my friends.
[20:26 - 20:30] Those are the people that I have time for.
[20:30 - 20:37] The people that want to see me succeed, the people that want to see me do good,
[20:37 - 20:43] the people that push me to be the best that I could fucking be,
[20:43 - 20:47] like my business partner, live John Tholes.
[20:47 - 20:51] Marilyn, who's up in here, who has been at day one, by the way,
[20:51 - 20:54] who has stood by my side regardless of what everybody else said,
[20:54 - 20:59] and Marilyn, I thank you for that.
[20:59 - 21:03] Like, people like that are the people that I roll with.
[21:03 - 21:09] The people that want to see me succeed, those are the people that I got time for.
[21:09 - 21:16] I ain't got no time for fucking idiots doing blah, blah, blah, saying blah, blah, blah.
[21:16 - 21:19] I ain't got time for that.
[21:19 - 21:22] The only thing I got time for, like I said, are the people that fuck with me.
[21:22 - 21:28] The people that support what I do, the people that want to see me succeed,
[21:28 - 21:32] the people that push me to be the best that I can be every fucking day.
[21:32 - 21:41] The people that I got time for, because when you're there running your little bullshit mouth
[21:41 - 21:50] or whatever it is you do, it just goes in one ear and out the other.
[21:50 - 21:53] You may as well be talking to a brick wall.
[21:53 - 21:55] That's all I got to say about that.
[21:55 - 21:57] You may as well be talking to a goddamn brick wall,
[21:57 - 22:01] or you may as well be talking to yourself, for real.
[22:01 - 22:12] Like, I aim to inspire others like myself.
[22:12 - 22:19] I aim to push people like myself that want to do great things.
[22:19 - 22:23] I aim to support the smaller artists.
[22:23 - 22:29] Shit, as soon as I get the money together, me and my motherfucking friend,
[22:29 - 22:33] who's literally like one of my brothers, Tyler,
[22:33 - 22:37] are starting up our own fucking record label.
[22:37 - 22:39] Okay?
[22:39 - 22:43] We're going to be starting up our own fucking label, bro.
[22:43 - 22:47] And we ain't out to fuck nobody over either.
[22:47 - 22:52] We're going to be looking for real people that have real talent,
[22:52 - 23:00] that deserve a shot, that could use a good label.
[23:00 - 23:03] That's one of my goals, is to be able to start up a label
[23:03 - 23:08] with one of my good friends that isn't out to fuck people over,
[23:08 - 23:15] that has real goals, real expectations.
[23:15 - 23:18] That's the shit that we ride for.
[23:18 - 23:22] We ride for the success of our people.
[23:22 - 23:31] The little people like myself, they get shit on every day.
[23:31 - 23:35] The little people that get shit on every day like myself,
[23:35 - 23:41] those are the people that I represent.
[23:41 - 23:46] That kid in the back of the class, that everybody was laughs at,
[23:46 - 23:48] that's always getting bullied.
[23:48 - 23:50] Those are the people that I fuck with, man.
[23:50 - 23:52] Those are the people that I represent.
[23:52 - 23:55] The people that get bullied, the people that get put down,
[23:55 - 23:58] those are the motherfuckers that I'm the voice for.
[23:58 - 24:01] And I'm proud to say I'm the voice for those people.
[24:01 - 24:03] You want to know why?
[24:03 - 24:05] Because I am them.
[24:05 - 24:08] I am one of them.
[24:08 - 24:15] I've been one of them since the day I was born.
[24:15 - 24:20] And let me tell you, man, I ain't afraid to walk up to any motherfucker on the streets.
[24:20 - 24:24] If you're a fan, you best believe I'm going to be giving you a fucking handshake,
[24:24 - 24:26] a picture, or whatever.
[24:26 - 24:30] I'll fucking sign an autograph, I'll fucking take a picture, or whatever.
[24:30 - 24:35] Hell, if you're into skating, man, fuck, we'll go fucking skating.
[24:35 - 24:37] I don't give a shit.
[24:37 - 24:44] I've got fucking five different fucking skateboards.
[24:44 - 24:47] I got a fucking Tony Hawk hook jam series five,
[24:47 - 24:52] which is one of the final boards he fucking made before he retired.
[24:52 - 24:59] So I can get down with some skating, man.
[24:59 - 25:03] Hell, I'd fucking hang out with fans on fucking Xbox all the goddamn time,
[25:03 - 25:06] and I'd fucking love it.
[25:06 - 25:09] So, Nicole, if you think that you're doing damage to me,
[25:09 - 25:15] I'm going to tell you what my business partner tells all his haters, okay?
[25:15 - 25:20] You can shoot as many bullets as me as you want,
[25:20 - 25:28] but all those bullets that you're firing, they ain't going to do no damage.
[25:28 - 25:31] You want to know why?
[25:31 - 25:35] Because when it comes to people like you, I'm bulletproof, baby.
[25:35 - 25:37] You can hit me all you want.
[25:37 - 25:41] You can ring me with that little negative-ass car all you want,
[25:41 - 25:43] but you want to know something?
[25:43 - 25:46] I ain't the one that's going to have the dents.
[25:46 - 25:49] That's going to be your ass.
[25:49 - 25:51] Ain't no dents over here, baby.
[25:51 - 25:54] That's your car that's getting the dents, not mine.
[25:54 - 26:00] And if I were you, I'd stop because you might need to call mechanic
[26:00 - 26:04] to get your fucking car towed after that shit, just saying.
[26:04 - 26:15] But man, to anybody out there that is like me, that is stuck in that rough spot,
[26:15 - 26:18] take it from somebody like me that was there, man.
[26:18 - 26:21] And trust you, you can ask anybody who had a Maryland,
[26:21 - 26:24] you can ask my business partner, you can ask any of my friends.
[26:24 - 26:27] I was there at one point.
[26:27 - 26:32] And if you are stuck in that spot, if you are one of those people
[26:32 - 26:38] that's stuck there, just know, man, that everything is for a reason
[26:38 - 26:46] and that you will come out the other side better, stronger
[26:46 - 26:49] than you ever were before.
[26:49 - 27:01] So just know, just know that everything is all going to work out in the end.
[27:01 - 27:09] I promise you, I can promise you that there's a light at the end of the tunnel, man.
[27:09 - 27:13] Trust me, I'm at that point, man.
[27:13 - 27:16] I've seen the light at the end of the tunnel.
[27:16 - 27:20] I've gone through the pain, I've gone through the suffering.
[27:20 - 27:25] I've gone through being kicked down for three fucking years.
[27:25 - 27:27] Three years.
[27:27 - 27:31] I've been beaten down, I've been kicked down.
[27:31 - 27:33] Yeah.
[27:33 - 27:37] Hold on, y'all.
[27:37 - 27:49] Yes, sir.
[27:49 - 27:52] Sorry about that, guys.
[27:52 - 27:58] But point of view, man, I've been kicked down.
[27:58 - 28:03] I've been at the lowest you can possibly be.
[28:03 - 28:07] And it may have taken three years, right?
[28:07 - 28:13] It may have taken three years for me to get to where I'm at,
[28:13 - 28:16] but look at where I'm at.
[28:16 - 28:20] I've got a great partner that I'm doing good business with
[28:20 - 28:23] that's helping set me up for success.
[28:23 - 28:27] I've got a good support group.
[28:27 - 28:30] I've got great friends, a great family.
[28:30 - 28:36] So if you are in that position, man,
[28:36 - 28:38] just keep fighting.
[28:38 - 28:40] That's the best thing you can do, man.
[28:40 - 28:44] Just keep fucking fighting.
[28:44 - 28:46] And trust me, I know it's hard.
[28:46 - 28:49] I know for a fact that it's hard.
[28:49 - 28:51] You're talking to somebody that wanted to give up
[28:51 - 28:57] and throw it all away so badly.
[28:57 - 29:02] And trust me, there was many, many a times
[29:02 - 29:06] where I wanted to give up and throw everything away.
[29:06 - 29:09] There really was.
[29:09 - 29:15] There was plenty of times where I wanted to walk away.
[29:15 - 29:21] I wanted to give the fuck up and say fuck it.
[29:21 - 29:24] All right, you can ask anybody that knows me,
[29:24 - 29:28] anybody that has ever seen any of my Facebook videos,
[29:28 - 29:32] any of my posts, any of my YouTube videos,
[29:32 - 29:35] there have been plenty of times
[29:35 - 29:38] where I wanted to give up and walk away.
[29:38 - 29:42] But there's one thing that kept me going.
[29:42 - 29:45] Anyone know what that one thing is?
[29:45 - 29:49] The fans, the people that support me,
[29:49 - 29:54] my friends, my family, that's what kept me going.
[29:54 - 29:59] Because I knew that if I didn't do something,
[29:59 - 30:03] if I wasn't successful and I just gave up
[30:03 - 30:07] and threw everything away,
[30:07 - 30:10] not only would I be letting the fans down,
[30:10 - 30:13] not only would I be letting my family and friends down,
[30:13 - 30:19] but most importantly, I'd be letting myself down.
[30:19 - 30:22] And trust me, that was a very hard pill for me to swallow.
[30:22 - 30:25] That was a very hard lesson for me to learn.
[30:25 - 30:28] And I'm glad I didn't give up because now,
[30:28 - 30:32] I'm getting set up to make money.
[30:32 - 30:36] I'm getting set up to where, here in a year from now,
[30:36 - 30:39] I'll be having multiple streams of income
[30:39 - 30:43] doing what I love to do as an independent artist,
[30:43 - 30:48] as a content creator.
[30:48 - 30:54] So trust me when I say, you can get through this.
[30:54 - 30:57] And I know that you feel like you want to give up.
[30:57 - 31:00] I know there are times where you just want to say fuck it all
[31:00 - 31:02] and just not do it anymore.
[31:02 - 31:05] Trust me, I've been there many a times over.
[31:05 - 31:08] And I'm not just blowing smoke up your ass either.
[31:08 - 31:10] I have been there.
[31:10 - 31:13] You can look up my name on YouTube.
[31:13 - 31:17] If you look up Cyrax, that's C-R-Y-A-X-X,
[31:17 - 31:19] or type in my name Chance Wilkins,
[31:19 - 31:25] that's W-I-L-K-I-N-S, not E-N-S, I-N-S,
[31:25 - 31:32] you'll see hundreds of videos of shit that I've been through.
[31:32 - 31:37] So trust me when I say, I've been to the lowest you can go.
[31:37 - 31:40] And it's not easy.
[31:40 - 31:42] It really is not easy.
[31:42 - 31:46] It is one of the hardest things you can deal with.
[31:46 - 31:50] And there are still times where I do think about that.
[31:50 - 32:04] There are times where I replay in my head what happened.
[32:04 - 32:20] There are times still where I just wanted to give up.
[32:20 - 32:23] But I didn't, and I'm glad I didn't.
[32:23 - 32:29] Because looking back now, I have a great team,
[32:29 - 32:32] a great business that I work alongside,
[32:32 - 32:35] a great partner that's a very good friend of mine
[32:35 - 32:39] who gave me an amazing job doing something that I love.
[32:39 - 32:43] And I'm content with my life, and I'm happy with where I'm at.
[32:43 - 32:47] So to anybody out there that is in that dark spot,
[32:47 - 32:52] trust me when I say you can get through it.
[32:52 - 32:55] I know that time seemed hard,
[32:55 - 32:59] and I know things seem like they're not going how they want,
[32:59 - 33:02] but trust me, the lesson I had to learn
[33:02 - 33:06] is that everything happens for a reason.
[33:06 - 33:10] Oh yeah, everything happens for a reason.
[33:10 - 33:13] What you're going through now is going to better you in the future.
[33:13 - 33:19] Trust me.
[33:19 - 33:23] Well, that being said, guys, I hope that this video did help you guys.
[33:23 - 33:25] And to Nicole, I hope that you learned your lesson,
[33:25 - 33:28] not to fuck with people like me that know what we're talking about.
[33:28 - 33:32] Okay, and here's a little bit of advice for you.
[33:32 - 33:38] Next time, pick your battles more wisely.
[33:38 - 33:41] Okay, trust me, I'm not the one to fuck with, Nicole.
[33:41 - 33:46] Next time, pick your battles more wisely before you go fucking with someone.
[33:46 - 33:48] Just a little bit of advice for you.
[33:48 - 33:52] Pick your battles more wisely.
[33:52 - 33:57] But all in all, I do hope that this video helped you guys.
[33:57 - 33:59] I hope that this inspired you guys.
[33:59 - 34:01] If you are stuck in that spot, keep going.
[34:01 - 34:05] And I hope that I did, you know, help put you guys in gear
[34:05 - 34:07] to do what you guys want to do with your lives.
[34:07 - 34:11] But with that being said, y'all, I've got family to hang out with.
[34:11 - 34:13] I've got music to create.
[34:13 - 34:15] I've got people to hang out with.
[34:15 - 34:19] I've got friends to catch up with, so I love you guys.
[34:19 - 34:26] And like I said, hopefully this inspired you guys to do what you want to do.
[34:26 - 34:33] But I will catch you guys in messages, Discord, YouTube, wherever.
[34:33 - 34:38] But there is brand new music dropping very soon.
[34:38 - 34:42] So just know that there is music coming.
[34:42 - 34:44] There is music coming.
[34:44 - 34:47] And it's going to happen a lot sooner than you think.
[34:47 - 34:49] So I love you guys.
[34:49 - 34:51] Hope y'all have a good day.
[34:51 - 34:52] Love y'all, man.
[34:52 - 34:59] Stay humble, stay positive, and keep being you and keep being awesome.
[34:59 - 35:01] Peace.
[35:01 - 35:03] [ Silence ]