2022-3-28 Remebering those Lost

[0:00 - 0:05] [Intro Music]
[0:05 - 0:06] What's up guys?
[0:06 - 0:19] [Intro Music]
[0:19 - 0:21] I'm gonna fix this shit.
[0:21 - 0:23] [Intro Music]
[0:23 - 0:26] There we go. Now it's getting down proper.
[0:26 - 0:29] But what's up you guys?
[0:29 - 0:32] Today I wanted to do something special.
[0:32 - 0:45] Now you guys already know my story over the last couple years of all the crazy ass
[0:45 - 0:51] you know bullshit that's going on.
[0:57 - 1:05] Like you already know I've been through a lot a lot a lot of bullshit and I've lost a lot
[1:05 - 1:17] of people in my life both friendships people passing away people that I knew for years and
[1:17 - 1:30] years that passed and I never really got to you know do anything special for them to celebrate
[1:30 - 1:40] their lives and how they helped get me to where I'm at so this whole show is going to be dedicated
[1:40 - 1:50] to all those that I've lost over the last few years and not only to them but to those like my
[1:50 - 1:58] good friend Life Giant Films and my buddy Chris throughout the night you know my brother Matt
[1:58 - 2:07] my brother Tyler my boy Crip Kay this for all y'all that have helped me get to where you
[2:08 - 2:12] guys helped me get to but most importantly this is to remember those
[2:12 - 2:18] that I've lost over the last few years and in memory of them.
[2:18 - 7:01] [Music]
[7:01 - 7:08] Crap, what up?
[7:08 - 7:18] This next song right here, this song is very close to me and very important to me for a very good reason.
[7:18 - 7:30] This song right here was the final song that my best friend David who passed away in '09 from a driving accident.
[7:30 - 7:35] This is the final song that he got to record with his band.
[7:35 - 7:41] This is the final song that he got to do with his band before he passed away.
[7:41 - 7:51] So to the members of what used to be Elixir and is now Sandcat, I'm doing this not only for y'all, man, because you know I fucking love you guys.
[7:51 - 7:59] But this is also for my boy David, man. Rest in peace, bro. This one's for you.
[7:59 - 8:01] This is their song, Dreamweaver.
[8:01 - 17:06] [Music]
[17:06 - 17:12] Honestly, dude, just by watching and practicing.
[17:12 - 17:18] That's how I learn, is by watching, learning, practicing.
[17:18 - 17:36] That's kind of how I learn.
[17:36 - 17:46] Now, this song right here is going out to somebody very special to me.
[17:46 - 17:53] This song is going out to my ex, Lex, who, if she was still alive, I'd probably be married to.
[17:53 - 18:00] So, this is going out to my ex fiancee that I lost two years ago, Lex.
[18:00 - 18:06] Lex, it's for you. I hope you're listening.
[18:06 - 18:10] I miss you.
[18:10 - 22:14] [Music]
[22:14 - 22:20] Now, this one right here, I know this from a huge fans.
[22:20 - 27:12] [Music]
[27:12 - 27:20] Now, as you guys may know, the drummer from Food Pottery passed away the other day.
[27:20 - 27:34] And this one's for him and tribute to you, man.
[27:34 - 30:48] [Music]
[30:48 - 31:00] This song right here is from my best friend, Zach, that I lost in 2018 or in 2016, my bad.
[31:00 - 31:04] I was singing about my jumper in Kota.
[31:04 - 31:12] But this was Zach's shared song by these guys.
[31:12 - 31:14] So Zach, rest in peace, brother.
[31:14 - 31:16] This for you, bro.
[31:16 - 31:18] We all miss you, man.
[31:18 - 35:24] [Music]
[35:24 - 35:30] Now this one right here, I am going to be doing a vocal version of the knot on this.
[35:30 - 35:46] Because not only is this a hip-hop song, but I wouldn't be doing it nearly as much justice.
[35:46 - 36:00] I would not be doing it any justice by doing it by guitar.
[36:00 - 36:04] This song I have to do locally.
[36:04 - 36:14] And this song was written by the guy that mentored me in music that helped me get to where I got to.
[36:14 - 36:20] So his family, Michelle.
[36:20 - 36:26] Well, man, y'all I know you are, Brother Bear, Ivan, all y'all, man.
[36:26 - 36:29] Y'all already knew who this is, man.
[36:29 - 36:31] This is for my motherfucking mentor, Coda, man.
[36:31 - 36:43] This song was written by my boy and my mentor, Coda, aka Coda Oda.
[36:43 - 37:00] His nickname was, and I know this is a boy character, but we all gave him the nickname E.G.O. Kudasaki.
[37:00 - 37:04] And this is his song that I did a remix of called A.O.K.
[37:04 - 37:11] [Music]
[37:11 - 37:17] Thank you, Coda. You miss you, brother. Thank you for everything, brother.
[37:18 - 37:21] I woke up today, A.O.K.
[37:21 - 37:24] I'm going to be a bad soul, A.O.K.
[37:24 - 37:27] I'm going to run to my family, A.O.K.
[37:27 - 37:30] O.K., O.K., O.K.
[37:30 - 37:33] Knowledge that's the same, I'm just A.O.K.
[37:33 - 37:36] But I'm going to be a bad soul, A.O.K.
[37:36 - 37:39] There's no way to say it, A.O.K.
[37:39 - 37:43] O.K., O.K.
[37:43 - 37:46] When we going red, that's it, A.O.K.
[37:46 - 37:48] Screaming on the stage like I'm sales sin
[37:48 - 37:51] Black girls wanna fuck 'cause I'm pee-skinning
[37:51 - 37:54] Bussing open on the argument I'm money-skinning
[37:54 - 37:57] They ain't premeditated, they miss pre-sending
[37:57 - 38:00] And if I can't pack in like I'm pre-sending
[38:00 - 38:03] They put a rope investigation
[38:03 - 38:07] Thank God, but that's limitation
[38:07 - 38:10] I'm either at the travel station
[38:10 - 38:13] And if I ain't your favorite, then you're racist
[38:13 - 38:15] A.O.K., you mad? I'm going places
[38:15 - 38:19] Does it let me know where you want to take it?
[38:19 - 38:22] I prefer to meet a fellow face-to-face
[38:22 - 38:25] Miss singing off the waist like amazing grace
[38:25 - 38:28] Too big a thing like man, we just came to plays
[38:28 - 38:32] Didn't take over my lane, that's how they taste
[38:32 - 38:35] I woke up today, A.O.K.
[38:35 - 38:38] I got me a bad soul, A.O.K.
[38:38 - 38:41] My girl, my team, my family, A.O.K.
[38:41 - 38:45] O.K., O.K.
[38:45 - 38:48] No one's there to stay, I'm just A.O.K.
[38:48 - 38:51] I got me a bad soul, A.O.K.
[38:51 - 38:54] They green and white, they tan, they all A.O.K.
[38:54 - 38:57] O.K., O.K.
[38:57 - 39:00] Let me in this rock like that picture creep
[39:00 - 39:03] I was on my ass with nowhere to live
[39:03 - 39:06] Turn back and dance when it come to cash
[39:06 - 39:10] I might pop up in your room, ghost of Christmas pants
[39:10 - 39:13] I heard you say they dance, they move 'bout to dance
[39:13 - 39:16] Followin' the fast and it never lasts
[39:16 - 39:19] She actin' bougie, I got her carried
[39:19 - 39:22] Crush her, twist her, mush her, now she got it bad
[39:22 - 39:25] We gon' be okay, need it every day
[39:25 - 39:28] Space and real estate, straight off the plate
[39:28 - 39:31] Straight up, bust a gun, put the bottom of the lane
[39:31 - 39:34] Put your ass, drag the gun, turn the bottom of the lane
[39:34 - 39:37] Wait, wait, no, this a criminal
[39:37 - 39:40] I like humping face, y'all need dinner days
[39:40 - 39:43] We ain't been the same, don't know how to spell it out
[39:43 - 39:46] We gon' be cuttin' cash, then you countin' billin' out
[39:46 - 39:49] We ain't been the billin', no, in the case of my life
[39:49 - 40:30] We ain't been the same, don't know how to spell it out
[40:30 - 40:37] And the people that I know now, pushing me, I wouldn't be in the position that I'm in
[40:37 - 40:44] I can honestly say, I am beyond, beyond blessed to be where I'm at
[40:44 - 40:51] I got an amazing fucking team, an amazing fucking business partner that's helping me get somewhere
[40:51 - 40:56] That's actually teaching me about business instead of saying, hey, here, take it and learn
[40:56 - 41:08] Like, if it was for the people that I have behind me, pushing me, testing me, and doing what I need to do
[41:08 - 41:14] To get the best out of me, I would've gave up a long fucking time ago
[41:14 - 41:18] I really would've, I would've given up years ago
[41:24 - 41:28] And I do mean I would've given up years ago
[41:28 - 41:37] So to my boy Chris, aka Nylit, I want to say thank you man for kicking my ass into fucking gear
[41:37 - 41:44] And show me that this, my music, and what I'm doing now is what I should've been doing the whole fucking time
[41:44 - 41:51] So to my boy Chris, thank you bro for kicking my ass into gear
[41:51 - 41:55] And for fucking sure, man, because if you didn't keep my ass in the gear
[41:55 - 42:02] And, like, show me, hey, fuck this other shit, you need to be doing this
[42:02 - 42:06] Fuck what all these motherfuckers say about you, you need to be doing this
[42:06 - 42:09] If it wasn't for you, fucking show me that
[42:09 - 42:12] I don't know where I'd be
[42:12 - 42:19] Like I said, I'm with an amazing, amazing fucking company, man
[42:20 - 42:24] Like I can honestly say, I wouldn't want to represent any other company
[42:24 - 42:29] Other than Senua's Savages or Live Giant Films Media
[42:29 - 42:34] Like, I wouldn't want to represent any other company because
[42:34 - 42:39] The dude pulls the best out of me
[42:39 - 42:42] Y'all pull what y'all see in me
[42:42 - 42:45] Y'all pull that shit that I'm capable of
[42:45 - 42:47] You pull that shit out of me
[42:47 - 42:52] And you help me to fucking utilize it
[42:52 - 42:56] And I can't thank y'all enough because you guys are giving me an opportunity
[42:56 - 42:59] to do what I've always wanted with my music
[42:59 - 43:04] You guys are helping me get back behind the wheel in the same racing
[43:04 - 43:14] And continuing on a legacy that I love for people that are important to me in my life
[43:15 - 43:22] Like you guys are, you know, you guys are giving me an opportunity that
[43:22 - 43:26] I have no intention and no plan on wasting at all
[43:26 - 43:34] Like you guys have given me such an amazing opportunity and I can't thank y'all enough for that
[43:34 - 43:39] So to Senua's Savages, Live Giant Media Films, thank you man
[43:39 - 43:43] I fucking appreciate you, your family, you guys are fucking amazing
[43:43 - 43:46] And no, I'm not a vampire motherfucker
[43:46 - 43:50] I don't know where you're getting that vampire shit but fuck you, I'm not a vampire
[43:50 - 43:54] That's good man, it's all good, I know you're just fucking around
[43:54 - 43:59] But dude, in all honesty man, I can't thank you enough bro
[43:59 - 44:07] For real, I cannot thank you enough for getting my ass back into working all day long
[44:07 - 44:10] And having that energy that I used to have
[44:10 - 44:14] Like, I appreciate that man, I really do
[44:14 - 44:19] And I can promise you man, you ain't gonna get nothing but the best out of me
[44:19 - 44:26] Same with you Chris, same with you bro, you ain't gonna get nothing but the best out of me
[44:26 - 44:31] And on a side note, if anybody would like to purchase beats from me
[44:31 - 44:35] I'm selling two for ten dollars for life
[44:37 - 44:41] And when you guys buy the beats
[44:41 - 44:45] They're yours to use for whatever you want to do
[44:45 - 44:50] Whether it's for YouTube, whether it's for Instagram, your Facebook stories
[44:50 - 44:54] Whether it's for a film, whatever you're doing man
[44:54 - 45:00] I am literally selling two customized beats in your guys' style however you want
[45:00 - 45:04] Just message me, we'll call, we'll talk, and I'll get a good idea
[45:04 - 45:07] And then I'll sell them to you for ten bucks
[45:07 - 45:10] I have no problem selling two beats for ten bucks
[45:10 - 45:13] I have no problem at all whatsoever
[45:13 - 45:29] You know, cause I've got nothing but fucking a backlog of fucking thousands of instrumentals
[45:31 - 45:36] Just sitting around, so if anybody does want to buy beats off me
[45:36 - 45:39] It's literally two for ten dollars
[45:39 - 45:48] No fucking extra cover charge, no fucking bullshit of oh I'm gonna lease to you now
[45:48 - 45:51] Like I'm a straight up dude
[45:51 - 45:57] I'm a straight up motherfucking dude, like I'm not gonna sit there and jerk you around
[45:57 - 46:01] Like a lot of these other motherfucking producers do
[46:01 - 46:06] Saying like oh, you have to pay this much and then you have to do, no dude I don't do that
[46:06 - 46:10] It's flat out ten bucks for two beats
[46:10 - 46:16] However, whatever style you want or if you want just a random one for me to make for you
[46:16 - 46:17] I'll do it
[46:17 - 46:23] All you gotta do is send me up on messenger behalf
[46:23 - 46:25] I wanna buy a couple beats for you
[46:25 - 46:30] And then all you gotta do is send the money over to my cash app
[46:30 - 46:35] And if you don't have my cash app I will message it to you once you message me
[46:35 - 46:40] And then I'll take, you know, once you send me the money in my cash app
[46:40 - 46:44] I will then sit down and send you the instrumentals by either email
[46:44 - 46:50] If you guys want to do it by email, by messenger, however you guys want to send it to you, I will do that
[46:50 - 46:56] Alright, I will do that for you guys, but I'm not gonna do the mistake that I made years ago
[46:56 - 47:01] Which is, oh, you're gonna give me this, then I'll give you the money
[47:01 - 47:04] No dude, like, it's like a store, okay?
[47:04 - 47:15] You're not gonna walk into a store and grab a can of fucking monster energy and walk out without paying for it
[47:15 - 47:19] That's not happening cause I know how motherfuckers work, I know how snakes in the grass work
[47:19 - 47:21] Cause I've dealt with them
[47:21 - 47:27] What they want is they want to get the shit free, I'm sorry, I don't do free
[47:27 - 47:35] The only time I do free is if it's somebody very very close to me, like a family member or a very very close friend of mine
[47:35 - 47:41] Or someone I know on a personal level that I know isn't bullshitting me
[47:41 - 47:45] Alright, take my brother Jake for example
[47:45 - 47:49] Take my motherfucking best friend and brother Jake, man
[47:49 - 47:57] I've known this motherfucker for 17 years, going on 18 years this year
[47:57 - 48:05] So if he needs whatever, I'll drop whatever the fuck I'm doing, what do you need, what's going on?
[48:05 - 48:11] Like, it can be 3 in the morning and I'll drop whatever the fuck I'm doing and help this dude out
[48:11 - 48:18] And the same with him, if something's going on with me, you can bet your fucking ass that he's gonna be over here in a goddamn heartbeat
[48:18 - 48:22] Knocking on my fucking door, yo what's going on, what do you need, what's up man?
[48:22 - 48:25] Who's asking me to bury him today?
[48:25 - 48:28] Yo Sammy, what's up?
[48:28 - 48:35] Like Sam here, I've known Sam since fucking what, 10th grade?
[48:35 - 48:45] 10th, like 10th, 11th grade? Like Sam here, I'll do shit for her for fucking free, that's literally one of my best friends right there
[48:45 - 48:51] I will gladly do shit for Sammy for free, hell and I have done shit for Sammy before
[48:51 - 48:55] So I have zero fucking issue doing shit for people like that
[48:55 - 49:00] Zero, I have zero issue with that, you wanna promote your shit?
[49:00 - 49:08] Hey I got you, you need an instrumental for your stuff? Fuck, let me know what you want, like for real
[49:08 - 49:17] Hell, matter of fact, a lot of the Shadowblade fan art that y'all have seen me post in the past, Sam here's the one responsible for that shit
[49:17 - 49:24] A lot of the fan art that y'all have seen me post, she's the one that did all that shit
[49:24 - 49:29] This goofy motherfucker right here is the one responsible for that shit
[49:29 - 49:47] So like, people like that, I don't mind doing shit for her, I don't mind it at all
[49:47 - 49:58] But when it comes to, when it comes to business side of shit, I'm not just gonna hand you beats for free
[49:58 - 50:00] That ain't gonna fucking happen
[50:00 - 50:04] Like I said, I don't charge an arm and a leg like most producers
[50:04 - 50:09] And that's where a lot of fucking producers fuck up
[50:09 - 50:13] Why do you think there's, why do you think people look for free fucking beats?
[50:13 - 50:20] Because producers charge way too goddamn much
[50:20 - 50:24] Me, I only charge ten bucks for two beats
[50:24 - 50:31] I only charge ten bucks for two beats
[50:31 - 50:36] And the reason I do that is for a very good reason
[50:36 - 50:43] Because when you sell at a low price and they're very well put together and very well done
[50:43 - 50:48] You're gonna get that same commercial stuff
[50:48 - 50:56] Basically what I'm saying is this, you sell at a low price like that, you're gonna get customers coming back
[50:56 - 51:01] More and more and more and more
[51:01 - 51:08] You see what I'm saying? Because you're selling high quality stuff at a very good price
[51:08 - 51:16] And that artist or that person utilizing your material is gonna come back more and more
[51:16 - 51:19] Which is why I do it the way I do it
[51:19 - 51:26] So I know that the artist or whoever I'm working with isn't gonna get fucking ripped off
[51:26 - 51:29] And they're not gonna get screwed over
[51:29 - 51:37] Because believe me, I was that guy
[51:37 - 51:41] Trust and believe when I say that I was that artist
[51:41 - 51:49] I was that guy that was always looking for somebody to help me out with shit
[51:49 - 51:58] Before I knew how to properly produce beats or instrumentals
[51:58 - 52:04] I was that guy that was always like, "Hey, can you spot me a free beat?"
[52:04 - 52:12] I was that guy, so I know what it's like to be a broke ass fucking artist
[52:12 - 52:23] Before I started using FL Studios, I didn't know a goddamn fucking thing about making beats properly
[52:23 - 52:27] Or how, you know, less is more
[52:27 - 52:39] Like, I didn't know about that, and what I mean by less is more, a lot of music artists over fucking saturate their fucking beats
[52:39 - 52:52] With all this garbage ass fucking bullshit ass sound that isn't fucking needed
[52:52 - 52:59] Now, let me switch over to FL Studios on my set up here, and I'll show you guys
[52:59 - 53:08] I just switched the settings real quick
[53:08 - 53:20] This game, I want to get it set here
[53:20 - 53:25] For those of you wondering, yes, I do have Cyberpunk 2077
[53:25 - 53:36] And I know what you guys are thinking, am I going to do more of that? Yes, yes I am
[53:36 - 53:44] So give me just a minute to load up my display settings here and get it switched over to the regular monitor
[53:44 - 53:49] Alright, so this is what I call my TV/studio monitor
[53:49 - 53:54] I call it a TV because at night I watch TV, or during the day when I'm working on shit I watch TV
[53:54 - 54:06] And then I take
[54:06 - 54:18] And I work on shit as I'm watching TV
[54:18 - 54:23] Alright, let's go here
[54:23 - 54:27] Extend these displays
[54:27 - 54:35] Keep changes
[54:35 - 54:40] Only that, just a matter of fucking seconds I fucking made this happen
[54:40 - 54:46] Literally, a matter of fucking seconds
[54:46 - 54:59] All I gotta do is swing this round over here
[54:59 - 55:11] Exit out of this
[55:11 - 55:15] Boom, done
[55:15 - 55:19] Now, let me show you guys something, this is an instrumental I made
[55:19 - 55:34] Actually not long ago at all
[55:34 - 55:40] Let me give you guys, this is a little bit of an example for you producers out there that think you're hot shit
[55:40 - 55:45] And really you're just oversaturating garbage
[55:45 - 55:51] Let me show you what a good instrumental sounds like
[55:51 - 55:58] Yes, you got the rain sound effect in there like a reverse pad in here
[55:58 - 56:16] But it works very very well
[56:16 - 56:40] See, it's not oversaturating
[56:40 - 56:44] That's an example of what to do
[56:44 - 57:05] Here's an example of what not to do that irritates the fuck out of me
[57:05 - 57:12] Let's go here, let's go
[57:13 - 57:19] Let's go here, let's go here
[57:20 - 57:29] Let's go here
[57:29 - 57:46] Let's go here, let's go here
[57:46 - 57:53] Alright, I'm going to show you guys an example of what not to fucking do
[57:54 - 58:19] This is an example of what not to fucking do
[58:19 - 58:35] Alright, take that sound right there
[58:35 - 58:43] Alright, that doo doo doo
[58:43 - 58:53] Shut up
[58:53 - 59:11] All right, now let's take that
[59:11 - 59:27] Alright, now let's take that
[59:27 - 59:48] And this is the one thing like I said that drives me insane
[59:48 - 59:52] Like this right here, this is what drives me out the wall
[59:52 - 59:59] You literally have four fucking layers of sound over time of your fucking drum video like this
[59:59 - 60:13] This is the shit I can't stand
[60:13 - 60:22] Or you got shit like this and this
[60:22 - 60:37] Oh wait, let's have this
[60:37 - 60:47] That's the shit I can't fucking stand
[60:47 - 60:55] You don't need 50 million fucking sounds to make something sound good
[60:55 - 61:04] Between one to three tracks maybe four, like if I'm doing like say an EDM track or a dubstep track
[61:04 - 61:08] I still only use like two or three
[61:08 - 61:14] And that's it, I don't fucking oversaturate my fucking sound
[61:14 - 61:37] Actually, that might actually just work but that's what I'm saying
[61:37 - 61:41] Like that's the kind of shit that drives me out the fucking wall
[61:41 - 61:48] Like I'm not meaning to rant, I'm not meaning to rave but dude
[61:48 - 61:51] That shit annoys me
[61:51 - 61:54] Matter of fact, you know what, you know what I'm gonna do y'all
[61:54 - 61:58] I'm gonna sit down and give you guys a fucking lesson here in a minute
[61:58 - 62:03] For all you producers out there that are looking to get into music and make good quality music
[62:03 - 62:10] I'll show you what the fuck to do and what not to do
[62:10 - 62:14] So let me end the stream and I'm gonna start off a music session for you guys
[62:14 - 62:18] So you guys know what to do so you're not oversaturating your sounds
[62:18 - 62:21] So with that being said, I'll catch you guys in a bit man
[62:21 - 62:22] Peace
[62:22 - 62:24] Thanks for watching!
[62:24 - 62:28] [ Silence ]