2020-9-23 Straightening out the Rumers of why i Left Mackaveli Records
[0:00 - 0:22] I know a lot of people have this misconception and there are a lot of rumors going around
[0:22 - 0:29] about did I leave Machu Belli Records, was I fired, did I get let go, was I dropped, well
[0:29 - 0:37] blah blah. I'm here to straighten all that out. Alright, first off, to the manager of
[0:37 - 0:44] Machu Belli Records, you need to find a new job. Alright, you need to find a new fucking
[0:44 - 0:48] job because obviously you don't know how to run a fucking business like Kaylon does.
[0:48 - 0:55] Shout out to Kaylon by the way, what's good bro? I see you holding it down business wise
[0:55 - 1:08] and Machu Belli Records wise homie, I see you bro. But uh, the reason and what happened,
[1:08 - 1:16] let me explain how I got into Machu Belli, alright? As you all know, Eric Scrubboo, he's
[1:16 - 1:20] a good friend of mine to get a homie, you know, one of my brothers. I've known the guy
[1:20 - 1:32] for 15 years, one of my best friends. He had introduced me to this girl a while back, right?
[1:32 - 1:38] And me and this girl, we started talking music wise, you know, we started talking, you know,
[1:38 - 1:47] music production and where we both wanted to go. I showed her some of my work. You
[1:47 - 1:50] know, I showed her some of my work. She was interested. She's like, yeah, like I like
[1:50 - 1:55] your style, your vibe, like you got some good stuff, like we'll bring you on the Machu
[1:55 - 2:00] Belli Records, you know, and we'll get you going. And as you guys know, Machu Belli
[2:00 - 2:05] Records is one of the biggest labels in the world. Literally one of the biggest record
[2:05 - 2:11] labels in the world. Owned by one of my good friends, while some of us is not one of my
[2:11 - 2:20] good friends, Kaylon, the artist. I've also, you know, spoken with, I've spoken with,
[2:20 - 2:27] you know, Fox cousin and all that. So, you know, you know, like this girl brought me
[2:27 - 2:36] on around the time of our first project. Things were going good. You know, we had
[2:36 - 2:43] popped off, you know, our first song, you know, which turned out really, really good.
[2:43 - 2:50] Kaylon promoted the fuck out of it and it really got out there. Fast forward to the
[2:50 - 2:57] second project. Around this time, my childhood best friend, who's pretty much, you know,
[2:57 - 3:02] like my little brother, Marcus, wound up sick with the virus. He wound up sick with
[3:02 - 3:14] the coronavirus and, you know, his health being the way it is, you know, he's already
[3:14 - 3:32] got bad health. He's got real bad health. He's actually got diabetes. Say no. He has
[3:32 - 3:38] to, you know, he has to take his meds and he has a bad immune system from that already.
[3:38 - 3:49] So him having the virus was not good. It was almost lethal. He almost died from it. Like
[3:49 - 3:54] when he got sick, I told the manager, I was like, look, I just got the news that my brother
[3:54 - 4:00] Marcus, you know, got the virus. I need to go down to Florida to check on him, you know,
[4:00 - 4:03] or I need to do something to get up in contact with him to make sure he's all right. You
[4:03 - 4:08] know, I need to take some time off because it's a serious because if my brother ends
[4:08 - 4:14] up dead, I'm going to want to be there, you know, I'm going to want to be there to, you
[4:14 - 4:21] know, be at his funeral and be by his family side. And, you know, his fiance, who's another
[4:21 - 4:25] one of my best friends that we both grew up with, we both went to school with her and
[4:25 - 4:38] his name's Rachel. But she, the manager, flat out told me no. And I was like, well, that's
[4:38 - 4:45] my family. You know, that is my fucking family. Like I need to be there. And she flat out
[4:45 - 4:56] told me no, that, you know, I need to focus on my music, that I need to do this, I need
[4:56 - 5:04] to do that, that I had to get this project done. And I was like, look, I'll finish it
[5:04 - 5:09] when I give back because like I was almost done with the project. All I literally, literally
[5:09 - 5:12] all I had to do was just mix it down and it would have been done. That's all I had
[5:12 - 5:21] to do. I had everything set out, everything done, everything said and done. You know,
[5:21 - 5:24] all I had to do is mix it down and email it to her. That was it, which I could have
[5:24 - 5:31] done in like two seconds. I could have done it when I got back. But my main concern is
[5:31 - 5:36] that when it wasn't finished on the project, I was being there for my family and my brothers
[5:36 - 5:50] who got sick with, you know, the virus. And literally I didn't know what to do. And she
[5:50 - 5:57] kept running her mouth and running her mouth and running her mouth. And I flat out told
[5:57 - 6:02] her, I was like, you know what, fuck this. You know, I'm gone. Like if you're not going
[6:02 - 6:13] to let me go see my brother, yo Spanky, what up man? Like I flat out told her, I was like,
[6:13 - 6:18] look, if you're not going to let me go see my brother, then you know, just cut me out
[6:18 - 6:22] of the deal, you know? Like if you're not going to let me see my brother, then I'm just
[6:22 - 6:34] going to fucking leave. And she flat out said, fuck no, you're not leaving. You know, you're
[6:34 - 6:42] going to finish this project. I flat out turned around. I said, you know what? Fine, I'll
[6:42 - 6:48] finish the project, but this is my last one with y'all. So I finished the project. You
[6:48 - 6:52] know, I finished that song and then I turned around and I grabbed my shit. I grabbed all
[6:52 - 7:00] my assets, you know, as far as like music gear or supplies that I had provided them
[7:00 - 7:06] like instrumentals, beats, sound samples. I grabbed all that and I fucking left. And
[7:06 - 7:13] the reason why I left Machiavelli Records was because of that, because their management
[7:13 - 7:24] is complete shit. It really is trash. Like no disrespect to Kaylon or the guys that
[7:24 - 7:29] I worked with, you know, don't, no disrespect towards them at all. I have nothing but the
[7:29 - 7:36] utmost respect for Kaylon and you know, all the artists on the label. I have the utmost
[7:36 - 7:42] respect for them. They're all very talented guys, but honestly, they need new management
[7:42 - 7:54] like you can't be up doing music when your family is on the brink of death. Like have
[7:54 - 8:13] some compassion. Yo Sean, what up bro? You know, and that's why I left. Like Tyler,
[8:13 - 8:19] I already know it's you partly spreading these rumors saying that I got let go off
[8:19 - 8:25] of Machiavelli Records, I got fired, blah, blah, blah, nah. I fucking left because their
[8:25 - 8:33] management is shitty as fuck. Now Kaylon were to step in and actually run it. I'd probably
[8:33 - 8:41] still be on the label and I'd probably be making a couple million right now. Like just
[8:41 - 8:47] because you run one of the biggest labels in the fucking world, that doesn't give you
[8:47 - 8:54] the right to act like a total fucking jackass. And that's why I fucking left. And that's
[8:54 - 9:01] when I started to really realize, yo, like I need to do something with myself. I need
[9:01 - 9:09] to start doing something because it's obvious the mainstream labels aren't for me. And
[9:09 - 9:16] that's when I started to really, really think about it. And it was right around that time
[9:16 - 9:26] that Michael took notice of me, who's a good friend of mine and Krip Kay. You know, Michael
[9:26 - 9:31] introduced me to Krip Kay, who was one of my haters in the very beginning. And me and
[9:31 - 9:36] Krip Kay sat down and talked, got into it just music. Like we were really vibing with
[9:36 - 9:42] each other's music and we started working together. You know, he's currently working
[9:42 - 9:47] on an instrument for me. I'm currently working on an instrument from him. You know, we're
[9:47 - 9:53] not from him, but for him. You know, we've passed each other's songs back and forth.
[9:53 - 9:59] You know, we've, you know, promoted each other and shit, as you guys know, he checked
[9:59 - 10:04] out my music. I've checked out his. We sent each other, you know, vocal pieces to throw
[10:04 - 10:13] in our songs and whatnot. But that's when right around the time, you know, when me and
[10:13 - 10:18] him started talking, you know, we really sat down and we were like, dude, like we need
[10:18 - 10:24] to do something because obviously the mainstream labels ain't for us. You know, like we got
[10:24 - 10:29] to do something because we both got skill, we both got talent. And that's when I was
[10:29 - 10:35] like, you know what? Let me do something right quick. Like give me a couple of hours. Let
[10:35 - 10:41] me do something. Within those two hours, I sat down and started going through a lot
[10:41 - 10:50] of my old ideas that I had, that I had written down and, you know, just different drawings
[10:50 - 10:59] I had done for attaining the music or two different things. And I came across the war
[10:59 - 11:08] studios deal. And I was like, you know what? Let me, let me do something with this. Because
[11:08 - 11:16] war studios, I had founded back in 2017, a year after my brother's passing into the
[11:16 - 11:26] state. I had founded the company, you know, that year, that following year, on the day
[11:26 - 11:38] it was birthday, they kind of, you know, to honor him. And, you know, war studios actually
[11:38 - 11:43] stands as a lot of people don't know, many people don't know, but my brother, he did
[11:43 - 11:51] drag races. Meaning not like, you know, car drag races, but no, like actual, you know,
[11:51 - 11:57] dress up in a wig and all that, that kind of drag race. And he did really good. Like
[11:57 - 12:03] he was very good at what he did. He made a good living doing it. You know, and I can
[12:03 - 12:08] also say that, goddamn, if I didn't know any better, I would have sworn up and down
[12:08 - 12:18] that he was actually, you know, a female. I would have sworn up and down that he was
[12:18 - 12:28] a chick. But, you know, he had passed and like his stage name was Atlanta Rose, but
[12:28 - 12:40] his actual god given birth name was William. And on one of his Facebook profiles, it said
[12:40 - 12:49] William Atlanta Rose. And me and my moms were sitting down talking about it. I was like,
[12:49 - 12:55] you know what, I think I know what I'm, what I want to name my company for whatever I
[12:55 - 13:03] want to do, whether it be art, music, photography, you know, whatever. I was like, you know,
[13:03 - 13:08] let me come up with something. And she was like, well, what'd you have mine? I put,
[13:08 - 13:13] I wrote it down on like this little fucking shitty piece of paper, which is been gone
[13:13 - 13:27] now for months because it got water on and I had to trash it. But I put W.R.A.R. Studios
[13:27 - 13:37] and she loved it, which stands for William Atlanta Rose Studios in honor of my brother.
[13:37 - 13:44] It's how that label got started. And as you guys know, you know, Crypt K is now a part
[13:44 - 13:51] of that studio, which I'm proud to have him on. The dude's an amazing fucking artist.
[13:51 - 14:01] He's one of the best. But I'm tired of all you motherfuckers like Tyler running around
[14:01 - 14:10] saying that I got fired from Macho Belli Records. No, I left. I left because the management
[14:10 - 14:17] didn't know what the fuck they were doing. They had no experience in music because what
[14:17 - 14:22] they were doing aside from not letting me go down the border to see my brother when
[14:22 - 14:28] he was sick, they were constantly getting in the way of the artists. They were sitting
[14:28 - 14:35] there not letting the artists do their fucking job on their own. As I do, you have a simple
[14:35 - 14:43] fucking job as a manager. We send you the music. You look it over. Give us the green
[14:43 - 14:49] light to go ahead and release it. And if we can't do it at that point in time, we'd
[14:49 - 14:56] have no way or anywhere to release it on. It is your job to release that song. I give
[14:56 - 15:02] you the song. You release it onto the platforms that it needs to be released onto and then
[15:02 - 15:11] pay me my money. That's the end of your job as a manager. You take the song, release it
[15:11 - 15:18] and pay me my money. It's not your job to get in the middle of the creative process.
[15:18 - 15:23] The creative process is up to the artist. And that was reason number two why I left.
[15:23 - 15:27] Because I wasn't going to sit there and let somebody tell me what kind of music I should
[15:27 - 15:34] and shouldn't make or what kind of music I can and can't make. Like the kind of music
[15:34 - 15:40] I do is about my life. It's about my life, the struggles that I've been through, the
[15:40 - 15:49] hell that I've gone through and how I came back from all that, how I came out from all
[15:49 - 15:58] that and came out on top. And those are literally the main two reasons as to why I left. Because
[15:58 - 16:03] the manager wouldn't let me do anything when my brother was sick. I couldn't go down to
[16:03 - 16:12] Florida to visit my brother. And they kept getting in the way of the creative process.
[16:12 - 16:25] And that's why I'm glad that I'm doing it. Why I'm doing independent like I'm doing it.
[16:25 - 16:34] Yeah. And that's why I'm doing it independent like I'm doing it. Because yes, I might have
[16:34 - 16:40] to promote and put out my own stuff. But at the end of the day, whatever money I make,
[16:40 - 16:53] I get to keep 100% of. I get to keep whatever I make. And however much I make, I take about
[16:53 - 17:05] 30% of that and put that towards the label. I put that towards promotions, merchandise,
[17:05 - 17:11] all that kind of stuff. And then the rest I take and pay bills with for my family. I
[17:11 - 17:16] take and I help pay bills. That's why I'm glad I do it independent because I don't have
[17:16 - 17:22] to worry about, oh, you can't release this project because this isn't to our liking
[17:22 - 17:26] or oh, you can't release this song because it's about your life and other artists have
[17:26 - 17:34] already done that. Or, oh, this isn't what's popping off right now. This isn't mumbo rap
[17:34 - 17:44] or whatever else. No, that's not gonna fly. Or, oh, if you don't do this, you're fired.
[17:44 - 17:49] No, fuck that. That's why I'm glad that I do everything independently. Everything from
[17:49 - 17:58] producing the music to releasing the music to writing the songs, all that. I'm proud
[17:58 - 18:05] of that. All right, so all y'all motherfuckers out there that are running your mouths, y'all
[18:05 - 18:12] need to keep your mouths shut because you don't know a damn thing, especially you, Tyler.
[18:12 - 18:19] Like for real, man. Like you don't know a damn thing. You think you know me just by
[18:19 - 18:26] what little bit of fucking evidence that you've gotten off the internet. You don't
[18:26 - 18:39] know what goes on behind closed doors. You don't know what I deal with. See, you have
[18:39 - 18:52] this image in your head of my mom being this terrible person, locking me down in the basement,
[18:52 - 18:59] doing all this shit. Nah, she didn't lock me down here. I chose to be down here. You
[18:59 - 19:05] wanna know why? I chose to be down here so that my moms could have the ground floor
[19:05 - 19:11] room because she can't go up and down the stairs no more, dude. She has a very, very
[19:11 - 19:18] hard time going up and down the stairs. A very hard time going up and down the stairs,
[19:18 - 19:23] which makes it hard for her to do a lot of things, going up and down the stairs. This
[19:23 - 19:33] way she's on the ground floor. She has access to everything that she needs. Say, no, I
[19:33 - 19:42] did what I could to help out. I chose this room. I chose this room particularly because
[19:42 - 19:51] 13 years ago, this is where I started out at. Back in 2010, this same room that I'm
[19:51 - 19:59] in right now is where I wrote, recorded, and released my very first song I had ever written,
[19:59 - 20:06] which was a poetic, which was a spoken word poetic style rap. It was a horror core style
[20:06 - 20:13] spoken word rap called "Voices in My Head," and then I would later go on to re-record it
[20:13 - 20:23] several years later and re-release it, which was literally not that long ago. But it feels
[20:23 - 20:28] good to be back in the room where I started because it reminds me every day of where
[20:28 - 20:45] I came from, every day of where I started. I'm proud to be in a grungy, dingy weird basement
[20:45 - 20:52] because it's not like everybody else. And these walls, that's not mold behind me, dude.
[20:52 - 21:00] Those walls, that's not mold. That's fucking paint from the previous owners. They would
[21:00 - 21:05] constantly come down here and they would constantly paint it. And then over time, the paint would
[21:05 - 21:12] wear off and they'd have to paint it another color. So that's literally just layers of
[21:12 - 21:33] paint. It's not mold or anything like that. It's fucking paint. No, it's not moldy paint
[21:33 - 21:44] either, dude. It's just straight up old ass paint and it got worked into the brick itself.
[21:44 - 21:56] It literally got worked into the brick. I know you're asking Tyler, I know you're probably
[21:56 - 22:02] asking yourself, "Well, where'd all that money go that you made? If you made all this money,
[22:02 - 22:09] where'd it go?" That's easy, my family. Every ounce of money that I make goes to my family
[22:09 - 22:20] to help them out. So yeah, I do make money, but I'm smart with it. I'm smart with it
[22:20 - 22:26] because I like to help my family out because I believe in helping family. Because I owe
[22:26 - 22:41] my family everything, all right? If it wasn't for my moms, I wouldn't be here right now.
[22:41 - 22:46] No I don't actually, dude. The only bug that I really get, and I don't even know if you
[22:46 - 22:53] can consider it a fucking bug, is literally a fucking praying man that likes to come out
[22:53 - 22:58] and hang out once in a while. And he doesn't even bother anybody, he just sits there and
[22:58 - 23:03] just chills. Like he's super cool. He ain't out right now though because it's fucking
[23:03 - 23:07] dark out, it's nighttime, but really that's the only bug that I get down here is a fucking
[23:07 - 23:22] praying man that likes to come out and hang out. Super cool. Like I have no problem with
[23:22 - 23:28] it. He will literally sit there and just chill out, like he's super cool. And obviously
[23:28 - 23:33] I get the occasional house back once in a while, but then I just take and get him out
[23:33 - 23:39] of the house, whatever, it's all good. And yes, I've gotten bats down here a couple
[23:39 - 23:53] times actually and it sucked, but you know, this is what it is. I don't know, I was actually
[23:53 - 23:57] thinking about it. I was actually thinking about seeing if I can get him to make his
[23:57 - 24:05] little noise that he makes and seeing if I can't turn that into a sample for a song.
[24:05 - 24:08] Like I was actually thinking about trying to see if I can get him to make his little
[24:08 - 24:12] chirping sound that he likes to make and throw that in a sample or something. I was actually
[24:12 - 24:18] thinking about that, but I don't know. I don't know if he'd be scared of the microphone
[24:18 - 24:38] or not. I don't know. But like I'm just tired of the bullshit, man. Like because Tyler,
[24:38 - 24:48] I had to start over from scratch from zero, literally zero subs. I was sitting at 946
[24:48 - 25:08] subs, almost a thousand. Wait, what? Hold up. Hold up, man. Yo, Bambam, what's up, dude?
[25:08 - 25:13] I ain't seen you in a while, bro. How you been? But yo, hold up, Bambam. You told me
[25:13 - 25:20] that Marty's dating Suplex? What the fuck? I thought he was dating. I thought he was
[25:20 - 25:31] dating my friend Jasmine. What the fuck? That's newest to me. Yeah, exactly, dude. That's
[25:31 - 25:56] why I fucking love him. He's fucking cool. It's ridiculous, man. I was at 946 subs, almost
[25:56 - 26:04] to a thousand. My whole career got cut off because this little bitch, Tyler, and why
[26:04 - 26:11] decided to report my channel just because he hates me. If you go back and watch Tonic
[26:11 - 26:17] and Sales is Live where I was on there, this man literally sat right there and told me
[26:17 - 26:21] straight up the only way he would leave me alone is if I got off the internet and all
[26:21 - 26:30] social media. That's the only way he would ever leave me alone. This dude literally does
[26:30 - 26:36] not want to see me succeed for nothing. Like, if he has noticed all those live streams where
[26:36 - 26:42] I get cut off right in the middle of a live stream, that's why. It's because of him.
[26:42 - 26:47] He keeps hacking into my internet and cutting my internet. He goes in through the router
[26:47 - 27:01] and cuts off my internet. That's his way of cutting me off. That's his way of trying
[27:01 - 27:18] to stop me. You're right, Spanky. He really is, man. He really and truly is. I don't know
[27:18 - 27:28] why he hates me that much, but it needs to stop. I don't care if he hates me. Like that,
[27:28 - 27:33] I don't give a shit about him. But to sit there and go to the lengths that you're going
[27:33 - 27:42] to, Tyler, to fucking ruin me and my career? That's fucked up, man. Like I said, bro, one
[27:42 - 27:53] of these days, you're going to say this shit to the wrong person. Like, Tyler, one of
[27:53 - 27:59] these days, man, you're going to say the shit you said to me to the wrong person, and they're
[27:59 - 28:02] going to fucking pummel the shit out of you to where you're either going to end up in
[28:02 - 28:12] one of two places, either the hospital or the morgue, man. Or a third place, jail.
[28:12 - 28:17] You're either going to end up in the hospital, in jail, or in the morgue, man, because you're
[28:17 - 28:25] going to do this shit to the wrong person, and they are going to fuck you up. And I can
[28:25 - 28:31] already tell you, bro, you ain't going to last two minutes in there. I've been to jail,
[28:31 - 28:37] even though it's only 24 hours. I saw a lot of fucking shit within that 24 hours. Okay?
[28:37 - 28:45] And let me tell you, man, jail ain't nice or pretty. All that shit that you see on
[28:45 - 28:52] Beyond Scared Straight, dude, that shit ain't fake. That's all for real. Everything that
[28:52 - 28:57] goes on in those jails on Beyond Scared Straight is actually what goes on in real life, in
[28:57 - 29:10] jail, in prison. That's what actually goes on. Man, I've gone through that shit. I got
[29:10 - 29:19] lucky and got counseling. And honestly, Tyler, you need counseling as well, bro, because
[29:19 - 29:29] tangerine cat, what's the name? No, I didn't, actually, dude. That is... Hey, Pepperwood.
[29:29 - 29:36] What's up, man? I ain't seen you in a while, dude. How you been? But no, I didn't get
[29:36 - 29:40] molested in jail. Thank God, I actually had a friend of mine that was in there from high
[29:40 - 29:48] school who actually looked out for me. He was actually super good. And yeah, he yelled
[29:48 - 29:52] at me from what I did. He jumped down my throat and said, "Yo, you don't need to fucking
[29:52 - 29:56] be in here. Like, the next time I catch you in here, I ain't going to be nice. I'm going
[29:56 - 30:02] to straight whoop your ass." So he gave me that fair warning that I needed to get myself
[30:02 - 30:13] straightened out. But no, I didn't get molested. I kept myself, kept my head down. I got my
[30:13 - 30:16] buddy that I had known since high school in there. He kept me cool, kept me level-headed.
[30:16 - 30:28] He goes, "Man, them jail cells, dude, shit, they're small." And we're talking public bathroom
[30:28 - 30:36] small. We're talking public restroom stall small. You know those big stalls at the end
[30:36 - 30:40] of the bathrooms that they usually have in public restrooms? That's how big it is. That's
[30:40 - 30:49] literally how small that is. That's how small the jail cells are. They are that small. It's
[30:49 - 31:00] like literally like bench up against the far back wall. You got a bench, sink, metal
[31:00 - 31:08] mirror, pallet thing. And then right next to that is the toilet. Or right on the other
[31:08 - 31:16] side of that sink is the toilet. And you don't have any coverage. But me, I actually
[31:16 - 31:24] got smart. Me and my buddy had taken the mat. When one of us had to use it, we would sit
[31:24 - 31:30] there and set it up to where the mat would be, you know, covering us as we were using
[31:30 - 31:39] it. So, I mean, it worked. It was like a little deal. It worked. We made it work.
[31:39 - 31:46] But Tyler, I'm telling you, man, you think you can survive in jail, but there's no way.
[31:46 - 31:51] There's no way in hell you'd ever survive in jail, man. I've gone through my trials
[31:51 - 32:02] and tribulations. Hey, James, boy, what up? Unfortunately, bro, not tonight, because I
[32:02 - 32:08] have stuff that I'm actually working on right now at this point. But one of these days,
[32:08 - 32:22] man, for sure, dude. I'll definitely have on with you and we can throw it out. Well,
[32:22 - 32:30] whether he does or doesn't, Jay, that don't matter to me. Just quite honestly, man, people
[32:30 - 32:41] have this persona about me that's totally backwards. Knock on wood. No, I didn't thank
[32:41 - 32:48] God for that too. There was a guy though that fought with somebody else and it was bad.
[32:48 - 32:54] I just stayed out of it. I stayed back. I wasn't getting in the middle of that. I didn't
[32:54 - 33:05] have to find myself, but I did see a couple of fights go down. But honestly, though,
[33:05 - 33:27] I'm tired of this perception that everybody has on me. Mine was actually, it wasn't actually
[33:27 - 33:34] a jumpsuit per se. It was like the typical, you know, shirt and pants, but mine, we had
[33:34 - 33:40] different color codes in the jail. Mine was black and white. You had orange and white
[33:40 - 33:46] for guys that had like murdered people and stuff like that. And then you had the green
[33:46 - 33:51] and white ones and the green and white ones were the guys that were, you know, mentally
[33:51 - 33:58] insane. They were actually on their way out to an insane asylum. At that point, when
[33:58 - 34:02] they got the green and white, they were on their way to an insane asylum. Mine was black
[34:02 - 34:14] and white. So I was there for, you know, that period of time overnight, all that shit.
[34:14 - 34:23] Oh, hell yeah. Hell yeah. That's awesome, man. That really is cool to see that man.
[34:23 - 34:29] That's cool. Matter of fact, one of my best friends to this day is a drag queen. His
[34:29 - 34:34] real name is Greg, but he goes back to our brandy. I was one of my best friends. So like,
[34:34 - 34:39] I've worked with the guy. I've done music for the guy. He's actually a local here.
[34:39 - 34:44] He's a local here and shit. So like I've done stuff for him. I've done, you know,
[34:44 - 34:48] music for his shows. I produced stuff for him. So I mean, it's super cool. Like the
[34:48 - 34:52] dude's a really cool guy. Like he's a black dude, but he's like literally the coolest
[34:52 - 34:57] black dude I fucking know around here. Like literally like the coolest black dude. I've
[34:57 - 35:04] known the guy for almost, let's say I met the guy when I first moved up here in 2007.
[35:04 - 35:28] So so about 18 years, I've known the guy. Oh, trust me, I've actually thought about
[35:28 - 35:32] doing public speaking at schools when it comes down to like bullying and suicide and
[35:32 - 35:41] really making teachers and, you know, families aware of what really goes on. I've actually
[35:41 - 35:49] thought about that because what people don't realize is, you know, bullying and suicide,
[35:49 - 35:55] those go hand in hand. They go hand in hand with depression and all that. And usually
[35:55 - 36:01] by the time the person speaks up or the teachers notice what's going on, it's too late. That
[36:01 - 36:07] person's done already killed themselves or that kid that's gotten bullied is already
[36:07 - 36:14] turned into a mass shooter and they're shooting up to school. So I have thought about that
[36:14 - 36:22] actually. It's just right now with the COVID-19 stuff going down and the pandemic going down,
[36:22 - 36:28] it's kind of hard to, you know, deal with. It was kind of hard to, you know, to do that
[36:28 - 36:36] when, you know, you can't have all these kids in school. But like I was saying, though,
[36:36 - 36:49] you know, I'm tired of this, this conception is outlook that people have on me. You know,
[36:49 - 36:56] people take a look at my videos and judge me off my videos by how I was in the past.
[36:56 - 37:07] And that ain't cool. Like, I'm not that bad person than I was. I'll admit, I was in a
[37:07 - 37:12] bad place six months ago, six, seven months ago. I was in a real bad place, a real dark
[37:12 - 37:20] place too. I'm not afraid to admit that back then when I was with Heather, there were
[37:20 - 37:27] times where I wanted to kill myself because of how badly I was getting treated. There
[37:27 - 37:47] were times where me and her would fight so bad that it got physical. And it sucked. It
[37:47 - 37:56] fucking sucked. Like, I couldn't even talk to my brother Sean on the phone. Hardly at
[37:56 - 38:03] all. He would call me, my brother Sean would call me in the middle of the day. And we'd
[38:03 - 38:10] be sitting there talking, not even five minutes. If that I'd be like, yo, I gotta go. Or it'd
[38:10 - 38:16] be like two minutes. Oh, I gotta go. I can sit there and have a conversation with one
[38:16 - 38:35] of my best friends. No, I'm not gonna fight Tyler. I'm not gonna do that. Not because
[38:35 - 38:43] I'm scared or because I'm weak or anything. And that's not it. It's because I refuse
[38:43 - 39:05] to stoop to his level and do what he's doing. I refuse to stoop down to his level, which
[39:05 - 39:14] is why I won't fight Tyler, because I refuse to stoop down to his level. I'm not doing
[39:14 - 39:35] it, but, you know, when Tyler did what he did, he really ruined a major opportunity
[39:35 - 39:47] for me. Hey, Ignimetic, what's good, man? How you doing, bud? Yo, Ignimetic, where the
[39:47 - 39:59] fuck you been at, man? I ain't seen you around in a while, dude. Yeah, for real, dude. Not
[39:59 - 40:13] that it would do much good, but honestly, Tyler ruined a major opportunity for me.
[40:13 - 40:25] A major opportunity. Yeah, I know. And that's the thing, though. I get that drama sells
[40:25 - 40:34] and gets views, but I'm not about the drama. I don't like the drama. I try to stay out
[40:34 - 40:40] of it. Hell, because of the drama with Tyler, my mom's almost ended up in the hospital
[40:40 - 40:49] last night with a super high blood pressure, which ultimately could have killed her. Because
[40:49 - 40:54] of the arguing and fighting between me and Tyler, my mom's almost ended up in the hospital
[40:54 - 41:03] because of him doing the shit he's been doing and me confronting him. And that right there
[41:03 - 41:09] scared the fucking hell out of me. That's why when I left last night, right in the middle
[41:09 - 41:18] of the livestream, I went upstairs scared shitless. That's why it took so long to come
[41:18 - 41:25] back was because I had to make sure that my mom's was going to be all right. That's why
[41:25 - 41:32] I took so long to come back last night because my mom was at that point. And that's why,
[41:32 - 41:37] you know, I took so long to come back last night because I didn't know if she was going
[41:37 - 41:47] to end up in the hospital or not. And that shit's scary, man. That's a, that was a very
[41:47 - 41:58] scary situation. And that situation right there alone is part of the reason as to why
[41:58 - 42:02] I'm fighting so hard to get back to where I need to be so that I can actually make
[42:02 - 42:07] money from my music so that I can actually make money from my artwork, which is actually
[42:07 - 42:12] going in a good direction right now as far as my art goes. But that's why I'm fighting
[42:12 - 42:18] so hard doing these shows every day, trying to avoid getting my internet cut off by Tyler
[42:18 - 42:24] so I can do what I need to do to be able to make that money so that I can help out with
[42:24 - 42:31] stuff around the house so that I can make money to help pay for doctor bills so that,
[42:31 - 42:46] you know, I can do what I need to do. And Tyler, let me tell you, man, you always
[42:46 - 42:54] putting my moms in the hospital. Do you have any idea how badly I want to beat your ass
[42:54 - 43:04] for that? Do you have any idea how badly I want to beat your fucking ass for that, bro?
[43:04 - 43:12] I would love to get my hands on you and beat your ass for that, but I'm better than that.
[43:12 - 43:25] Oh, Marty, I don't know if you know this or not. Oh, you're good, man. Yo, Marty,
[43:25 - 43:31] I don't know if you know this or not, but you might want to get on Tyler's ass because
[43:31 - 43:39] Tyler told Jamie to shut the fuck up and go kill herself on Tonic's livestream earlier,
[43:39 - 43:54] man. Just giving you a heads up. We were all sitting down on Tonic's livestream.
[43:54 - 43:59] I was hanging out with Tonic and Jasmine and some of the guys, along with Tyler. Tyler
[43:59 - 44:05] flat out told Jasmine to go kill herself when she stuck up for me. And to Jasmine,
[44:05 - 44:34] thank you for sticking up for me. I fucking owe you.
[44:34 - 44:41] I don't necessarily die. It's just the house gets infested with them, which thankfully
[44:41 - 44:47] we don't have an infestation. It was literally just one bat that stayed for like two days
[44:47 - 44:55] and then got out. Yeah, that is true, man. And that's why I'm glad that we got the bat
[44:55 - 45:07] out when we did. Thank God for that. I'm like, I know bat droppings can do major damage.
[45:07 - 45:25] I've seen it. Maybe he was a vamp. Nah, nah, I wasn't a vampire bat. It was just a normal
[45:25 - 45:50] house guy. It was like one of the little brown bats. Like once I got him calmed down and
[45:50 - 45:55] stuff, he was actually pretty cool and he let me pick him up and release him back outside.
[45:55 - 46:06] Like he was super cool. Yeah, I know. I hate him too. I don't blame you, but thankfully
[46:06 - 46:17] this bat, I got to calm down before I released him. I was able to calm him down and stuff.
[46:17 - 46:22] I got picked him up and closed him, held him like that in my hand and stuff. Like he was
[46:22 - 46:31] super chill and whatnot once he got calmed down, but I was able to release him and stuff.
[46:31 - 46:37] Like he flew, took off and shit. Like he was super cool about it. Like he got scared
[46:37 - 46:41] because the light was on and shit and he was trying to find a way back out into a
[46:41 - 46:52] dark room. Well, I guess I did. I didn't really see too much. Like I said, I just saw the
[46:52 - 46:58] one guy getting beat up by another prisoner and shit. And that's about it really. Other
[46:58 - 47:04] than that, it was actually quiet because I wasn't in the normal area. I wasn't in the
[47:04 - 47:11] normal, you know, gen pop. I was actually in segregation with my one friend, so I didn't
[47:11 - 47:16] really see too much. I just saw through the door that they had down there where there
[47:16 - 47:27] was a couple inmates. It's like you walk out of the jail cell down the one spot is, you
[47:27 - 47:32] know, where the door to the other cell block is and shit. So I didn't really see too much.
[47:32 - 47:44] No, no, that was Tyler transformed. I would have just fucking killed it straight up. I
[47:44 - 47:45] would have just straight up killed it.
[47:45 - 48:15] Sorry, I won't get to see my boy, Bradley. He's got a hand for me.
[48:15 - 48:24] Bradley's got anything new out. Ooh, yo, he does show this video that I did for. All
[48:24 - 48:52] right, let's check your shit out. Hold up. Oh, no, they all check us out. Damn.
[48:52 - 48:55] ? Now, cut it, cut it, cut it, cut it, cut it, cut it ?
[48:55 - 48:57] ? On me ?
[48:57 - 49:01] ? Time to beat your y'all with the body in the front ?
[49:01 - 49:03] ? Y'all fucking sit more down ?
[49:03 - 49:05] ? Now let's go, buddy ?
[49:05 - 49:07] ? Only we can't get the front, hey ?
[49:07 - 49:08] - Yo, this is fire.
[49:08 - 49:10] ? This is the time for motherfuckin' y'all ?
[49:10 - 49:12] ? Let's get more ?
[49:12 - 49:15] ? Break your body down, cut it up ?
[49:15 - 49:16] ? Fuckin' up, fuckin' up, fuckin' up ?
[49:16 - 49:18] ? Break your body down, cut it up ?
[49:18 - 49:20] ? Fuckin' up, fuckin' up, fuckin' up ?
[49:20 - 49:24] ? Break your body down, cut it, cut it, cut it ?
[49:24 - 49:26] ? Cut it, cut it, cut it, cut it ?
[49:26 - 49:27] ? On me ?
[49:27 - 49:29] ? This pussy work check ?
[49:29 - 49:33] ? But guess what, I ain't got time for that ?
[49:33 - 49:36] ? Ain't got time for note that got this on my snap ?
[49:36 - 49:38] ? Get back, don't get attached ?
[49:38 - 49:41] ? Your little heart can't beat that ?
[49:41 - 49:44] ? Get back, back, back, back ?
[49:44 - 49:47] - Yo, this is actually fire.
[49:48 - 49:51] (man speaking indistinctly)
[49:51 - 49:55] That's actually dope.
[49:55 - 49:59] That is actually fucking fire, dude.
[49:59 - 50:00] Shout out to Bratway, man.
[50:00 - 50:27] (woman speaking indistinctly)
[50:53 - 50:54] But also, if you guys didn't know,
[50:54 - 50:58] I actually did just today, well, actually, yesterday,
[50:58 - 51:00] I wound up picking up, let me see.
[51:00 - 51:02] Oh yeah, it would be yesterday.
[51:02 - 51:04] Now, I actually wound up picking up
[51:04 - 51:07] car extract razors for the Xbox One.
[51:07 - 51:09] Super dope, man.
[51:09 - 51:11] They actually partnered it over for mobile,
[51:11 - 51:13] which was fucking dope.
[51:13 - 51:18] So if you guys are into drifting games or whatever,
[51:18 - 51:21] and you guys got an Xbox One as well as PS4,
[51:21 - 51:24] and I think PC as well,
[51:24 - 51:26] but they do have it out now, it's like 32 bucks,
[51:26 - 51:28] which ain't bad, considering.
[51:28 - 51:30] Like, it's definitely got a lot of content.
[51:30 - 51:31] I fucking love it, it's fire.
[51:31 - 51:41] All right.
[51:41 - 51:45] (man speaking indistinctly)
[51:45 - 51:58] But actually, I'm gonna do something for you guys.
[51:58 - 52:01] (man speaking indistinctly)
[52:01 - 52:09] Since a lot of people don't know,
[52:09 - 52:11] I can actually do this style.
[52:11 - 52:31] Oh, yo, Bijuu's got a new song,
[52:31 - 52:32] and I'm gonna have to check that out, man.
[52:32 - 52:35] How the fuck have I been missing out on that?
[52:36 - 52:40] But this is for everybody that don't know I can do this style.
[52:40 - 52:43] Let me show you, let me give you a taste
[52:43 - 52:44] of where I came from as a kid.
[52:44 - 52:51] (man speaking indistinctly)
[52:51 - 52:58] (upbeat music)
[52:58 - 53:01] (man speaking indistinctly)
[53:01 - 53:19] I'm trying to get the rest right of that sweet spot.
[53:19 - 53:20] There we go.
[53:20 - 53:24] All right, let me give you guys
[53:24 - 53:25] a taste of where I came from as a kid.
[53:25 - 53:28] (upbeat music)
[53:28 - 54:17] (man speaking indistinctly)
[54:17 - 54:29] (upbeat music)
[54:29 - 55:28] (man speaking indistinctly)
[55:28 - 55:30] (upbeat music)
[55:30 - 56:54] (man speaking indistinctly)
[56:54 - 56:57] (upbeat music)
[56:57 - 57:01] (man speaking indistinctly)
[57:01 - 57:10] Now I'm gonna play a little song.
[57:10 - 57:11] This is actually a song.
[57:11 - 57:14] If you guys remember the video that I did for my brother,
[57:14 - 57:15] you guys will know this.
[57:15 - 57:19] (man speaking indistinctly)
[57:19 - 57:22] (woman speaking indistinctly)
[57:22 - 57:27] If I can see your voice tomorrow on Fox.
[57:27 - 57:30] (upbeat music)
[57:30 - 57:37] If you all know the video I did for my brother,
[57:37 - 57:40] you all know this song.
[57:40 - 57:42] (upbeat music)
[57:42 - 57:45] ? Creature said it's time to yawn ?
[57:45 - 57:49] ? Over there it's all back down ?
[57:49 - 57:54] ? Uncle Sam and our freedom ?
[57:54 - 57:59] ? Mama daddy dressed in black ?
[57:59 - 58:02] ? He folded up a plaque ?
[58:02 - 58:07] ? And he looked down and started praying ?
[58:07 - 58:11] ? Yeah he went now ?
[58:11 - 58:15] ? 21 guns blazing ?
[58:15 - 58:20] ? That's what the hell of a name is ?
[58:20 - 58:24] ? That's the only way to go ?
[58:24 - 58:26] ? Find the good fight ?
[58:26 - 58:30] ? Take the Lord calls you on your son ?
[58:30 - 58:34] ? Well my friend ?
[58:34 - 58:38] ? See I'll see you again ?
[58:38 - 58:43] ? This is all that's good about the hell of a name ?
[58:43 - 58:46] (upbeat music)
[58:46 - 59:01] ? He said he ain't got long ?
[59:01 - 59:05] ? He just smiled and brained ?
[59:05 - 59:07] ? He think I'm scared ?
[59:07 - 59:12] ? He got me all wrong ?
[59:12 - 59:15] ? Well cancer can't break me ?
[59:15 - 59:19] ? My heart's right now to me ?
[59:19 - 59:21] ? You'll get on these ?
[59:21 - 59:24] ? We start praying ?
[59:24 - 59:27] ? Oh he never gave up ?
[59:27 - 59:30] ? Said we could lose weight ?
[59:30 - 59:33] ? Yeah, last one ?
[59:33 - 59:37] ? Yeah, Lord let me ?
[59:37 - 59:40] ? That's the only way to go ?
[59:40 - 59:42] ? Find the good fight ?
[59:42 - 59:46] ? Take the Lord calls you on your son ?
[59:46 - 59:51] ? Well my friend ?
[59:51 - 59:54] ? See I'll see you again ?
[59:54 - 59:59] ? This is all that's good about the hell of a name ?
[59:59 - 60:03] (upbeat music)
[60:03 - 60:06] ? Oh Lord ?
[60:06 - 60:11] ? Yeah, Lord ?
[60:11 - 60:17] ? Call me when ?
[60:17 - 60:22] ? My friend to see you again ?
[60:22 - 60:27] ? This is all that's good about the hell of a name ?
[60:27 - 60:30] (upbeat music)
[60:30 - 60:35] ? This is the hell of a name ?
[60:35 - 60:41] ? Ooh ?
[60:41 - 60:44] (upbeat music)
[60:44 - 60:47] ? This is the hell of a name ?
[60:47 - 60:52] (upbeat music)
[60:52 - 61:03] - Sorry, y'all.
[61:03 - 61:05] I had to do that one, man.
[61:05 - 61:08] Definitely, definitely had to do that one for sure.
[61:08 - 61:11] But I ain't just getting into a country, man.
[61:11 - 61:14] I want to give you all a little taste of what I grew up on
[61:14 - 61:16] and where I came from.
[61:16 - 61:18] (upbeat music)
[61:18 - 61:31] ? I can see your voice after the mask singer ?
[61:31 - 61:33] ? Tomorrow on Fox ?
[61:33 - 61:36] (upbeat music)
[61:36 - 61:44] ? Yeah, yeah ?
[61:44 - 61:46] ? I'm sleeping ?
[61:46 - 61:51] ? Please try to forgive me ?
[61:51 - 61:56] ? Hey ?
[61:56 - 62:01] ? Don't put out the glove ?
[62:01 - 62:08] ? Tell me now don't bother ?
[62:08 - 62:12] ? 'Cause every minute it makes me weaker ?
[62:12 - 62:17] ? You can save me from the moment I've become ?
[62:17 - 62:23] ? Oh yeah ?
[62:23 - 62:28] ? The care of that long and things I've done ?
[62:28 - 62:32] ? I was trying to be someone ?
[62:32 - 62:35] ? I played my part ?
[62:35 - 62:38] ? And kept you in the dark ?
[62:38 - 62:41] ? Now let me show you ?
[62:41 - 62:46] ? The shave of my arm ?
[62:46 - 62:51] ? Sadness is beautiful ?
[62:51 - 62:56] ? The loneliness that's a tragedy ?
[62:56 - 62:58] ? So tell me ?
[62:58 - 63:03] ? I can't wait to live for ?
[63:03 - 63:06] ? Oh no ?
[63:06 - 63:10] ? Tell me now don't bother ?
[63:10 - 63:15] ? 'Cause every minute it makes me weaker ?
[63:15 - 63:20] ? You can save me from the moment I've become ?
[63:20 - 63:30] ? Looking back on the things I've done ?
[63:30 - 63:34] ? I was trying to be someone ?
[63:34 - 63:37] ? I played my part ?
[63:37 - 63:40] ? And kept you in the dark ?
[63:40 - 63:43] ? Now let me show you ?
[63:43 - 63:47] ? The shave of my arm ?
[63:47 - 63:48] ? Oh yeah ?
[63:48 - 63:52] ? With my concessions ?
[63:52 - 63:55] ? I've got nothing to hack no more ?
[63:55 - 64:00] ? I don't know where to start ?
[64:00 - 64:03] ? But I'll show you ?
[64:03 - 64:07] ? The shave of my arm ?
[64:07 - 64:12] ? Oh yeah ?
[64:12 - 64:17] ? I'm looking back on the things I've done ?
[64:17 - 64:22] ? I never wanna play the same old song ?
[64:22 - 64:27] ? And keep you in the dark ?
[64:27 - 64:30] ? Now let me show you ?
[64:30 - 64:33] ? The shave of my arm ?
[64:33 - 64:38] ? I was trying to be someone ?
[64:38 - 64:41] ? I played my part ?
[64:41 - 64:44] ? And kept you in the dark ?
[64:44 - 64:47] ? Now let me show you ?
[64:47 - 64:52] ? The shave of my arm ?
[64:52 - 64:58] ? I was trying to be someone ?
[64:58 - 65:00] ? I played my part ?
[65:00 - 65:04] ? And kept you in the dark ?
[65:04 - 65:07] ? Now let me show you ?
[65:07 - 65:10] ? The shave of ?
[65:10 - 65:12] ? Show you ?
[65:12 - 65:15] ? The shave of my arm ?
[65:15 - 65:23] And you guys know there's still a round two of music.
[65:23 - 65:26] They actually do have some new music out.
[65:30 - 65:33] Like no joke, like you can look them up.
[65:33 - 65:35] They're still doing music to this very day.
[65:35 - 65:57] Hey, it's Sarah, what up?
[65:57 - 65:58] Thanks.
[65:59 - 66:01] (music)
[66:01 - 66:22] You know, let's take it up a notch.
[66:22 - 66:25] - The premiere, I can see your voice after the Masked Singer.
[66:25 - 66:27] - You're not ready to be born with us.
[66:27 - 66:29] (music)
[66:29 - 66:32] - Hey, it's Sarah, thank you.
[66:32 - 66:33] I definitely appreciate it.
[66:33 - 66:37] (music)
[66:37 - 66:39] How do y'all remember this?
[66:39 - 66:41] (music)
[66:41 - 66:48] ? Oh, yeah ?
[66:48 - 66:51] ? You might have been hurt, babe ?
[66:51 - 66:54] ? But ain't no lie ?
[66:54 - 66:58] ? I see you won't come and go ?
[66:58 - 67:03] ? Oh, oh, and remember you told me ?
[67:03 - 67:08] ? That I need you to believe in no way, no cry ?
[67:08 - 67:13] ? Maybe that's why everything I do ?
[67:13 - 67:16] ? Doesn't seem to look for you ?
[67:16 - 67:19] ? You don't want to lose it again ?
[67:19 - 67:22] ? But I'm not like you ?
[67:22 - 67:25] ? When you find the lead ?
[67:25 - 67:27] ? Then the love's all right ?
[67:27 - 67:29] ? Guess what ?
[67:29 - 67:34] ? It's gonna be me ?
[67:34 - 67:37] ? You got no choice, babe ?
[67:37 - 67:40] ? But tomorrow, you know ?
[67:40 - 67:45] ? There ain't no time to waste ?
[67:45 - 67:49] ? So just too far, too far to see ?
[67:49 - 67:51] ? But in the end, you know it's gonna be me ?
[67:51 - 67:54] ? You can't deny ?
[67:54 - 67:57] ? So just tell me why ?
[67:57 - 67:59] ? Everything I do ?
[67:59 - 68:02] ? Doesn't seem to look for you ?
[68:02 - 68:06] ? You don't want to lose it again ?
[68:06 - 68:08] ? But I'm not like you ?
[68:08 - 68:11] ? When you find the lead ?
[68:11 - 68:14] ? Then the love's all right ?
[68:14 - 68:16] ? Guess what ?
[68:16 - 68:24] ? It's gonna be me ?
[68:24 - 68:30] ? Oh, yeah, yeah ?
[68:30 - 68:32] ? There comes a day ?
[68:32 - 68:37] ? When I'll be the one you'll see ?
[68:37 - 68:44] ? It's gonna be me ?
[68:44 - 68:47] ? All that I do ?
[68:47 - 68:50] ? It's not enough for you ?
[68:50 - 68:53] ? So what I'm gonna say ?
[68:53 - 68:56] ? But I'm not like that ?
[68:56 - 68:58] ? Well, finally, finally ?
[68:58 - 69:02] ? You can't deny ?
[69:02 - 69:03] ? Guess what ?
[69:03 - 69:06] ? It's the new thing I do ?
[69:06 - 69:09] ? Never seem to look for you ?
[69:09 - 69:13] ? But you don't want to lose it again ?
[69:13 - 69:15] ? But I'm not like you ?
[69:15 - 69:18] ? Maybe when you fight, not me ?
[69:18 - 69:21] ? 'Cause I love somebody ?
[69:21 - 69:23] ? Guess what ?
[69:23 - 69:33] ? You don't wanna lose it again ?
[69:33 - 69:35] ? But I'm not like you ?
[69:35 - 69:39] ? Maybe when you fight, not me ?
[69:39 - 69:41] ? 'Cause I love somebody ?
[69:41 - 69:46] ? 'Cause that's why it's gonna be me ?
[69:46 - 69:49] - Had to do that one, man.
[69:49 - 69:51] That one I actually fucking grew up on.
[69:51 - 69:53] Like, that's actually one of my personal favorites.
[69:53 - 70:06] Oh no, here's a man that was actually around
[70:06 - 70:10] that didn't like get very far music-wise.
[70:10 - 70:13] ? You don't wanna lose it again ?
[70:13 - 70:16] ? But you don't wanna lose it again ?
[70:16 - 70:18] ? You don't wanna lose it again ?
[70:18 - 70:21] ? But you don't wanna lose it again ?
[70:21 - 70:24] ? 'Cause you don't wanna lose it again ?
[70:24 - 70:27] ? But you don't wanna lose it again ?
[70:27 - 70:31] ? You don't wanna lose it again ?
[70:31 - 70:34] ? But you don't wanna lose it again ?
[70:34 - 70:36] ? You don't wanna lose it again ?
[70:36 - 70:38] ? But you don't wanna lose it again ?
[70:38 - 70:40] ? You don't wanna lose it again ?
[70:40 - 72:34] ? But you don't wanna lose it again ?
[72:34 - 72:38] ? 'Cause I said on you ?
[72:38 - 72:44] ? Who is this little guy? ?
[72:44 - 72:48] ? I can see you getting through, baby ?
[72:48 - 72:53] ? You don't deny the way you feel ?
[72:53 - 72:57] ? You know you gotta trust me ?
[72:57 - 73:02] ? Give me a chance to prove I'm real ?
[73:02 - 73:05] ? Oh, yeah, yeah ?
[73:05 - 73:08] ? Give me when the lights go out ?
[73:08 - 73:11] ? Every single word cannot express ?
[73:11 - 73:14] ? The love and tenderness ?
[73:14 - 73:17] ? Show you what it's all about ?
[73:17 - 73:20] ? Please, I swear you will soon come to me ?
[73:20 - 73:23] ? So baby, come to me ?
[73:23 - 73:26] ? When the lights go out ?
[73:26 - 73:30] ? Every single word cannot express ?
[73:30 - 73:32] ? The love and tenderness ?
[73:32 - 73:35] ? I'll show you what it's all about ?
[73:35 - 73:39] ? Please, I swear you will soon come to me ?
[73:39 - 73:41] ? So baby, come to me ?
[73:41 - 73:44] ? When the lights go out ?
[73:44 - 73:47] ? Give me a chance to prove I'm real ?
[73:47 - 73:50] ? Give me when the lights go out ?
[73:50 - 73:53] ? Every single word cannot express ?
[73:53 - 73:55] No, I am gonna stop right there.
[73:55 - 73:58] I wanna know how many of y'all fucking remember that shit.
[73:58 - 74:01] (keyboard clicking)
[74:01 - 74:04] Uh, that was reminding me of fuck.
[74:04 - 74:05] What song was it?
[74:05 - 74:07] Oh, yeah, I know, I know, I know.
[74:07 - 74:08] Hold up.
[74:08 - 74:13] I know a lot of people are gonna hate on this one, but...
[74:13 - 74:24] I gotta do it.
[74:25 - 74:28] (keyboard clicking)
[74:28 - 74:36] (upbeat music)
[74:36 - 74:53] ? Never thought I was, I did it ?
[74:53 - 74:56] ? Never thought I could, did it, did it ?
[74:56 - 74:58] ? Get a lightness, did it now ?
[74:58 - 75:02] ? Everybody knows that we got something real ?
[75:02 - 75:05] ? Shiny, I know what I'm real ?
[75:05 - 75:08] ? A shiny like that, a shiny like this ?
[75:08 - 75:13] ? This is how everybody knows that you ?
[75:13 - 75:16] ? Here it goes ?
[75:16 - 75:18] ? 'Cause I never even noticed ?
[75:18 - 75:21] ? Took a while for me to see ?
[75:21 - 75:24] ? I'm playing back the moments ?
[75:24 - 75:26] ? And I'm starting to believe ?
[75:26 - 75:28] ? Things to believe for sure ?
[75:28 - 75:30] ? Knowing when we're wondering ?
[75:30 - 75:31] ? Sure what makes it say ?
[75:31 - 75:33] ? I mean, I know where we are ?
[75:33 - 75:36] ? But I don't know who I am ?
[75:36 - 75:39] ? Baby, all your things fade ?
[75:39 - 75:43] ? Whoa ?
[75:43 - 75:45] ? Never thought I'd even smile ?
[75:45 - 75:47] ? Funny makes me feel well ?
[75:47 - 75:48] ? I bring myself back ?
[75:48 - 75:50] ? 'Cause you're all dead ?
[75:50 - 75:52] ? And I let you know ?
[75:52 - 75:55] ? That I'm screaming out in the crowd for you ?
[75:55 - 75:57] ? I can't be too loud ?
[75:57 - 75:58] ? 'Cause I don't care ?
[75:58 - 76:00] ? I bet I'm all set ?
[76:00 - 76:05] ? I just want everyone to know the truth ?
[76:05 - 76:08] ? This ain't you ?
[76:08 - 76:10] ? 'Cause I never even noticed ?
[76:10 - 76:13] ? Took a while for me to see ?
[76:13 - 76:15] ? I'm playing back the moments ?
[76:15 - 76:18] ? And I'm starting to believe ?
[76:18 - 76:20] ? I'm thinking big and sharp ?
[76:20 - 76:23] ? No way one but you and me say ?
[76:23 - 76:25] ? I mean, I know where we are ?
[76:25 - 76:28] ? But I know who I am ?
[76:28 - 76:30] ? Baby, all your things fade ?
[76:30 - 76:32] ? Show, talk, be a little so classy ?
[76:32 - 76:35] ? Many things rise by the way I was acting ?
[76:35 - 76:37] ? You was there from the start of it all ?
[76:37 - 76:40] ? Dr. Trent in the night, now and after all ?
[76:40 - 76:43] ? Stars shine but your light is the brightest ?
[76:43 - 76:45] ? And love dies but your love is the highest ?
[76:45 - 76:47] ? So sweet that it drives me crazy ?
[76:47 - 76:50] ? I'm something like the one with you, my LA baby ?
[76:50 - 76:52] ? No, I never even noticed ?
[76:52 - 76:55] ? Took a while for me to see ?
[76:55 - 76:57] ? I'm playing back the moments ?
[76:57 - 77:00] ? And I'm starting to believe ?
[77:00 - 77:02] ? I'm thinking big and sharp ?
[77:02 - 77:05] ? No way one but you and me say ?
[77:05 - 77:07] ? I mean, I know where we are ?
[77:07 - 77:09] ? But I know who I am ?
[77:09 - 77:13] ? Baby, all your things fade ?
[77:13 - 77:18] ? Oh, baby, all your things fade ?
[77:18 - 77:22] ? Oh, thinking big and sharp ?
[77:22 - 77:26] ? No way one but you and me say ?
[77:26 - 77:28] ? I mean, I know where we are ?
[77:28 - 77:30] ? But I know who I am ?
[77:30 - 77:34] ? Baby, all your things fade ?
[77:34 - 77:39] And yes, I know that shit.
[77:40 - 77:42] [clicking]
[77:42 - 77:48] Ah, what was the other one I was gonna do?
[77:48 - 77:49] I had it in my fucking head
[77:49 - 77:50] and now I fucking forgot.
[77:50 - 77:52] What the fuck was it?
[77:52 - 78:04] Now I'm talking to the other monster.
[78:04 - 78:06] What the fuck?
[78:06 - 78:07] I just had it in my fucking head, too,
[78:07 - 78:09] I can't fucking remember.
[78:09 - 78:19] [clicking]
[78:19 - 78:46] Fuck, man, I can't remember the damn song.
[78:46 - 78:48] I can't remember the damn song.
[78:48 - 79:09] Goddamn, fucking haters scared the shit out of me.
[79:09 - 79:10] Fuck.
[79:10 - 79:12] [silence]
[79:12 - 79:29] This one's gonna be for an anime,
[79:29 - 79:31] which, if you guys have watched
[79:31 - 79:35] the anime song, the anime,
[79:35 - 79:38] you guys know what oneness is.
[79:39 - 79:41] [clicking]
[79:41 - 79:44] Initial D.
[79:44 - 80:01] I wanna see if you guys can name this anime.
[80:06 - 80:08] I don't actually know anybody.
[80:08 - 80:19] Yeah, I don't see changes in shit.
[80:19 - 80:21] I'm fucking, I don't see changes.
[80:21 - 80:24] Let's see if you guys know this anime.
[80:31 - 80:35] See, Sergeant engines, tribe with the vengeance, gas, wind, trains,
[80:35 - 80:38] with the true king of sentience, not the mansion suspension speed.
[80:38 - 80:41] Full throttle to the next, or a trick tickle week,
[80:41 - 80:44] 'cause the night kit's always the first, first to limit.
[80:44 - 80:46] Now is my time, we're in the line to the finish,
[80:46 - 80:48] this clash of the site is adrenaline rush,
[80:48 - 80:51] on the streets where you can't draw something you can't touch.
[80:51 - 80:54] But you can't see it, but you know it's there,
[80:54 - 80:56] we can feel it on the roundness in the midnight air,
[80:56 - 80:58] never scared 'cause I'm out for the title,
[80:58 - 81:01] and that's why it's down to the battle.
[81:01 - 81:04] Initial tribe.
[81:04 - 81:06] Initial dream.
[81:06 - 81:09] Initial drift.
[81:09 - 81:12] Initial T ending.
[81:12 - 81:14] Initial tribe.
[81:14 - 81:16] Initial dream.
[81:16 - 81:18] Initial drift.
[81:18 - 81:21] Initial team.
[81:24 - 81:27] See you roll through the curves like a wrecking ball,
[81:27 - 81:30] to the sets where the fast and tall and the rest just fall.
[81:30 - 81:33] Don't be criss in the mix, you blink and then you miss it.
[81:33 - 81:35] Want that move now you can't finish the finish,
[81:35 - 81:38] you risk it, everything can change in an instant.
[81:38 - 81:40] Talking of the red sun's rising every minute,
[81:40 - 81:43] 86 cars so fine too and it's in it.
[81:43 - 81:45] Speed stars blasting off the line, they can win it.
[81:45 - 81:48] Light and speed you can't see it, but you know it's there,
[81:48 - 81:50] we can feel it on the roundness in the midnight air,
[81:50 - 81:52] never second, got my foot to the panel.
[81:52 - 81:55] Initialize that we can't down to the battle.
[81:55 - 81:58] Initial tribe.
[81:58 - 82:00] Where's the finger on his gloves?
[82:00 - 82:02] I actually have it sitting up there,
[82:02 - 82:06] but I actually remembered what song I was actually going to do
[82:06 - 82:09] before I started doing that one.
[82:10 - 82:38] I can see your voice after the Masked Singer tomorrow on Fox.
[82:38 - 82:42] I don't want to see if any of y'all know this one.
[82:43 - 82:48] No such cool little note that is real,
[82:48 - 82:53] show me I know just how I feel.
[82:53 - 82:59] You won't touch a child, no you won't touch a dream,
[82:59 - 83:05] you make me feel real, you make me feel so real.
[83:05 - 83:08] Nothing else save me from a love that's blind,
[83:08 - 83:13] switch to the dark side and cross that line.
[83:13 - 83:16] The dark side.
[83:16 - 83:22] Oh yeah, the dark side.
[83:22 - 83:25] Oh yeah.
[83:37 - 83:43] The dark side is coming up, nothing is real.
[83:43 - 83:48] She'll never know just how I feel.
[83:48 - 83:54] Come down in the shadows, you won't touch a dream.
[83:54 - 84:00] Nothing feels crazy, nothing feels so mean.
[84:00 - 84:03] Nothing else save me from a love that's blind,
[84:03 - 84:06] switch to the dark side and cross that line.
[84:07 - 84:10] The dark side.
[84:10 - 84:13] Oh yeah.
[84:13 - 84:16] The dark side.
[84:16 - 84:19] Oh yeah.
[84:24 - 84:27] The dark side.
[84:27 - 84:42] And I am going to do another one that not many know about.
[84:42 - 84:44] Go save me from a love that's blind,
[84:44 - 84:49] switch to the dark side and cross that line.
[84:49 - 84:52] The dark side.
[84:52 - 84:55] Oh yeah.
[84:55 - 84:58] The dark side.
[84:58 - 85:01] Oh yeah.
[85:01 - 85:03] The dark side.
[85:03 - 85:06] Oh yeah.
[85:06 - 85:09] The dark side.
[85:09 - 85:13] Oh yeah.
[85:13 - 85:19] And I can always say that right there is literally one of my favorite movies.
[85:19 - 85:22] Like I love the fucking movies are both awesome.
[85:22 - 85:25] Oh fuck.
[85:26 - 85:50] The dark side.
[86:16 - 86:19] This is what I do when I talk to all my drivers out there.
[86:19 - 86:22] Whether you drift, cruise, race, whatever you do.
[86:22 - 86:25] This is what I do to all of y'all, man.
[86:25 - 86:43] Round and round.
[86:43 - 92:32] This is what I do to all of y'all, man.
[92:32 - 115:49] [MUSIC PLAYING]
[115:49 - 115:56] Now, if y'all don't know who that is,
[115:57 - 116:00] let's go right.
[116:00 - 131:44] [MUSIC PLAYING]
