2022-7-8 Music studio session 2 (Twitch)

[0:00 - 0:14] What is up you guys?
[0:14 - 0:22] So I've heard a lot of people spreading a lot of rumors about me and I want to talk on those
[0:22 - 0:38] here in a minute.
[0:38 - 0:43] And I'll be honest with you guys, y'all want to know what I'm thinking about these rumors.
[0:43 - 1:05] I want to say that these rumors are actually funny.
[1:05 - 1:31] So I'm going to talk to you guys about these rumors. I'm going to talk to you guys about the
[1:31 - 1:59] rumors. So I'm going to talk to you guys about these rumors. So I'm going to talk to you.
[1:59 - 2:24] So I'm going to talk to you guys about these rumors.
[2:24 - 2:50] Hey, what's up guys? So we are back at the studios fully working this time. So what up
[2:50 - 2:59] Melon? What up Jabba the Hutt? What up Weezy? What up Gutter? But I'm going to tell y'all
[2:59 - 3:11] right now man, just straight up honestly. Like I honestly can say that I do find the
[3:11 - 3:21] rumors that Marty is spreading about me. Like I find that shit actually quite funny and
[3:21 - 3:33] entertaining. Like and the reason, I know it sounds weird, but the reason why is because
[3:33 - 3:41] of the fact that none of those rumors are true. First off, and in order for me to actually
[3:41 - 3:55] have done those things, I would have had to leave my house. Like the cops never showed
[3:55 - 4:14] up to my house, ever. Like the cops never once ever, ever, ever showed up to my house.
[4:14 - 4:20] And I would straight up say that in front of a fucking judge or jury or whatever. Like
[4:20 - 4:28] the police never showed up here. So how can what he's saying be true? The cops never
[4:28 - 4:35] showed up here. There is no investigation. So all of those rumors about me supposedly
[4:35 - 4:42] being part of that mass shooting, it's actually funny because at the time that it was going
[4:42 - 4:51] down, I was actually streaming at the time of the murder. At the time of the shooting,
[4:51 - 5:04] I was actually streaming that day. So his crap doesn't make any sense. Like how can
[5:04 - 5:17] I be there committing a crime when I was streaming here on Twitch? Think about it.
[5:17 - 5:45] Oh yeah. 100% matter of fact, my Twitch shows everything. My Twitch has all my videos from
[5:45 - 6:13] the time I started on Twitch up to date. I like that one, but yeah.
[6:13 - 6:32] Oh, that's interesting. Holy, you think I have enough plugins for the flex VST plugin?
[6:32 - 6:42] I look at all these. I don't even know where to begin. I got so many presets here. Like
[6:42 - 7:11] check out crystals, see what that sounds like.
[7:11 - 7:33] And like I said, even if the police do supposedly show up, I have proof of being here. I like
[7:33 - 7:58] that kick, man. That shit is heavy.
[7:58 - 8:27] Oh, that goes hard, bro. That shit's heavy. Yo, jug of Lizzie. What up? Welcome to the
[8:27 - 8:42] stream. But dude, I honestly find all these supposed rumors about me just, I find them
[8:42 - 9:04] funny because none of them are fucking true.
[9:04 - 9:33] Let's see what time machine does.
[9:33 - 10:03] Oh, I got seven and as for these rumors, man, that's all they are, are rumors. Like, I
[10:03 - 10:08] love it. Everybody that knows me knows that I was here that day that everything went down.
[10:08 - 10:19] Like you can look back at my Twitch. Like I find it amusing because that just shows
[10:19 - 10:27] up fucking desperate people are to try to make me look bad. I love it. I love the fact
[10:27 - 10:39] that they're trying so hard to make me look bad that none of their stuff makes any sense.
[10:39 - 11:04] Damn.
[11:04 - 11:16] That thumb on that kick though. Bro, that thumb on that fucking kick. Damn. I can damn
[11:16 - 11:41] never feel that shit in my freaking chest, dude. Damn.
[11:41 - 12:07] Now here's the thing though. Accusations always start out as rumors. Always.
[12:07 - 12:33] That's how accusations get started is by somebody basically a spark in their mouth,
[12:33 - 12:43] fighting rumors, and those rumors then turn into accusations. And all it is, is that
[12:43 - 12:50] fricking idiot trying to get a rise and I'm not going to give it to him. I'm not going
[12:50 - 12:58] to give that fricking weirdo who is so obsessed with me at the time of day. I'm not going
[12:58 - 13:10] to attain any fricking mind because all the guy's looking for his attention. He's desperate.
[13:10 - 13:14] That's all it is. He's fucking desperate for attention and he wants it and he's not
[13:14 - 13:44] going to get it from me.
[13:44 - 14:13] Damn. I'm not going to give it to him. I'm not going to give it to him. I'm not going to.
[14:13 - 14:36] Exactly, dude. The guy's just fucking thirsty for attention. Even though we all know that
[14:36 - 15:02] he is. He says he's not but we all know he is.
[15:02 - 15:08] I'm not worried about that douche bag one little fricking bit, dude. I'm really not.
[15:08 - 15:34] I'm trying to wave shredder. Let's see what this should... Oh, hello. This actually might
[15:34 - 16:04] be a little bit of a problem. Let's put this mug on. I understand that. I'm not going to
[16:04 - 16:13] do that. If people want to spark their mouths about me, dude, let me tell you something.
[16:13 - 16:24] Do you know how many rumors get spread around about me on the internet a day? One minute
[16:24 - 16:33] I killed somebody. Next minute I did meth apparently and then next day there will be
[16:33 - 16:41] somebody saying, "Oh, well you did this" and blah, blah, blah. I'm so used to the fucking
[16:41 - 16:46] bullshit that if somebody sits there and says, "Oh, you murdered somebody," I sit there
[16:46 - 16:51] and I fucking laugh because I know it ain't true and the people that know me know it
[16:51 - 17:10] ain't true. So why do I need to worry about it? Clearly the guy is not right upstairs.
[17:10 - 17:28] Clearly the guy has got a few issues going on upstairs. Yeah, pretty much. You're not
[17:28 - 17:58] wrong, dude. You are not wrong. Like, for real though, dude, I'm so used to the bullshit
[17:58 - 18:27] that I'm talking about. I mean, dude, and honestly, man, I'll be straight up with you
[18:27 - 18:36] man and I'm sure a lot of you guys will agree with this. He's starting to sound like that
[18:36 - 18:53] bitch Nicole Arbor. Like he really is constantly making shit out to attack motherfuckers.
[18:53 - 19:20] Like he's starting to sound like her straight up. For real, you're not wrong, dude. But
[19:20 - 19:28] I just find it so interesting and entertaining that somebody that knows that I don't fucking
[19:28 - 19:34] do shit like that could run around and be like, "Oh, he's doing this. What's next?
[19:34 - 19:41] Am I hiding a fucking dead body under my house? Or no? Or what's next? What's next?
[19:41 - 19:50] Did I fucking rob the world's largest bank? Or did I fucking go to the moon and become
[19:50 - 19:56] the owner of the moon?" Or like, or no, no, no, no. Maybe I went to Mars and decided
[19:56 - 20:02] to own Mars. Like what's next? Like, come on. Like what did I do? Go to the moon, buy
[20:02 - 20:09] the moon, and then go to Mars and freaking colonize Mars? Or no, no, no, no. I made
[20:09 - 20:13] a fucking Gundam out of Legos, and it actually works and you can shoot actual ammo at it.
[20:13 - 20:26] All right, you know, maybe I built the world's tallest skyscraper in China. Like you hear
[20:26 - 20:38] how dumb those sound? That's how he sounds. All right, what's next? I married Hillary
[20:38 - 20:51] Clinton? God. All right, dude, I'm a fucking music artist, not a fucking murderer.
[20:51 - 21:17] Bro, I love it. I like that one, bro. I am mostly not one, oh man, I fucking love
[21:17 - 21:29] that one. Oh my god. I fucking love that one, dude. That's fucking great. Dude, if I could
[21:29 - 21:34] post two of these things up at the same time, I love this one right here, though, and this
[21:34 - 21:51] one's great. Homie stole the moon. Oh god. That's fucking great. Oh shit. But for real,
[21:51 - 22:00] though, do you hear how stupid these things fucking sound, though? Like, for real, all
[22:00 - 22:07] these accusations is how he fucking sounds. He sounds retarded as fuck. Like, he doesn't
[22:07 - 22:18] even have any real basis to go off of. Like, the dude has no basis. He has no way to prove
[22:18 - 22:38] it at all. He has no way to prove that I did these things. And that's what's so funny
[22:38 - 22:46] to me, is that he's like, "Oh, he did this." Well, where's your supposed proof? Because
[22:46 - 22:54] I kind of like to see the proof. Like, I really would. I would love to see that supposed
[22:54 - 23:23] proof. Yo, Cry By The Lake, what up? You're not wrong, though. You are not wrong, my
[23:23 - 23:48] friend. Like, you are not wrong. Oh, boy, that's a special kind of stupid. I swear.
[23:48 - 24:17] Whoa. Hello. That was rather interesting. Where is that packet? What is this thing?
[24:17 - 24:45] Ah, here we go. Full loops right here. Oh, that actually fits.
[24:45 - 25:33] (upbeat music)
[25:44 - 25:45] All right, as I don't want any sounds,
[25:45 - 25:48] let me show y'all who it sounds like.
[25:48 - 26:33] (upbeat music)
[26:33 - 26:51] All right, so I'm gonna pause this for a second.
[26:51 - 26:54] Let me show y'all who this goofy mofo reminds me of.
[26:54 - 26:59] (upbeat music)
[26:59 - 27:05] No shit, dude, that's what's up.
[27:05 - 27:11] Well, let me show y'all exactly
[27:11 - 27:15] who that dip shit fucking sounds like, bro.
[27:15 - 27:20] And y'all are gonna fucking laugh when you hear this shit
[27:20 - 27:23] or see this, I should say.
[27:23 - 27:26] (upbeat music)
[27:26 - 27:48] No.
[27:48 - 28:11] (upbeat music)
[28:38 - 28:43] This right here is who that dumb shit fucking sounds like.
[28:43 - 28:57] - They is trying to sue me for ace.
[28:57 - 29:00] I was through my ass to make money
[29:00 - 29:01] and pay bills, like everyone else.
[29:01 - 29:03] And guess what I found out?
[29:03 - 29:06] Nicole Arbor, the YouTuber from way back in the day,
[29:06 - 29:10] is trying to sue me for a second time.
[29:10 - 29:13] You just lost a court case to me,
[29:13 - 29:15] which you still owe me money.
[29:15 - 29:17] Matt Santorno, Tommy Vex,
[29:17 - 29:19] then the owner of Black Rifle Coffee.
[29:19 - 29:20] What are you doing with it?
[29:20 - 29:23] Not only is she suing me a second time,
[29:23 - 29:24] but this time she sued me.
[29:24 - 29:27] I'm about to tell you what she's trying to do before.
[29:27 - 29:31] This time it's for something in the same exact time bracket
[29:31 - 29:33] from the other court case that she lost,
[29:33 - 29:35] but it's the polar opposite of what she said
[29:35 - 29:36] in the first court case.
[29:36 - 29:38] In the first court case, she tried to tell everybody,
[29:38 - 29:40] "Oh, he's dangerous and he's scary,
[29:40 - 29:42] "and I'm so scared of him, and he's a fucking murderer,
[29:42 - 29:44] "and he has dead bodies in his arm."
[29:44 - 29:46] Well, I don't know, did you forget
[29:46 - 29:50] that I was this crazy warlord mafia leader all of a sudden?
[29:50 - 29:54] Because in this court case, from the same exact time,
[29:54 - 29:58] she's trying to sue me for helping me write songs
[29:58 - 29:59] on People's Champ, apparently.
[29:59 - 30:03] She apparently went on tour with me.
[30:03 - 30:05] (upbeat music)
[30:05 - 30:09] Lady, lady, just because you rode on a tour bus
[30:09 - 30:11] for two days does not mean you went on tour,
[30:11 - 30:16] and, "Oh, he totally asked me over and I was on tour."
[30:16 - 30:16] I mean, what do you do?
[30:16 - 30:20] Are you secretly whispering real quiet to yourself
[30:20 - 30:22] the word bus after that?
[30:22 - 30:25] "I was on tour."
[30:25 - 30:27] Lady, what would you go on tour for?
[30:27 - 30:31] You don't have but two singles on iTunes.
[30:31 - 30:34] You just now came up with them and just posted them.
[30:34 - 30:36] It shows the date when you posted them.
[30:36 - 30:39] (upbeat music)
[30:39 - 30:41] Ah, yeah.
[30:41 - 30:42] You should stay there.
[30:42 - 30:45] Hi, I'm gonna have music one day.
[30:45 - 30:46] I'm here.
[30:46 - 30:51] She thinks going on tour is going to some dog bars
[30:51 - 30:53] in the hood part of Florida.
[30:53 - 30:54] That's funny.
[30:54 - 30:56] We do that for fun.
[30:56 - 30:57] (laughs)
[30:57 - 30:58] How embarrassing.
[30:58 - 31:02] Oh yes, I'm Nicole, I'm going on tour for two days
[31:02 - 31:05] at this dog bar in Florida.
[31:05 - 31:06] I'm just gonna stand there and be like,
[31:06 - 31:09] "Hey, I'm gonna have music one day."
[31:09 - 31:13] Wow, that sounds like such a fucking huge opportunity.
[31:13 - 31:18] Ah, ah, ah, church is such a marketing genius.
[31:18 - 31:24] Yeah, I met the guy drunk as shit at two o'clock
[31:24 - 31:25] in the morning in the hood part of Florida
[31:25 - 31:27] while we're back and forth looking at you.
[31:27 - 31:30] He's totally gonna remember the blonde-headed chick
[31:30 - 31:34] who said, "I'm gonna have some type of music one day."
[31:34 - 31:38] That sounds like fucking Marty to the T, bro,
[31:38 - 31:40] for fucking real.
[31:40 - 31:45] All that shit that church just said along the call over,
[31:45 - 31:48] that's basically Marty in a nutshell,
[31:48 - 31:51] making shit out that ain't fucking true
[31:51 - 31:54] just to get motherfucking views
[31:54 - 31:57] 'cause he's a desperate dickhead.
[31:57 - 32:02] Now, for those that don't know who Upchurch is,
[32:02 - 32:06] (laughs)
[32:06 - 32:07] let me introduce you, man.
[32:07 - 32:10] I think you'll fuck with this guy.
[32:26 - 32:28] You know what, now, let's start you off with,
[32:28 - 32:30] let's start you off with something dope.
[32:30 - 32:40] Let's start you off with "White Lightning."
[32:40 - 32:43] (crickets chirping)
[32:43 - 32:49] (piano music)
[32:49 - 32:52] ? Some people go for gold ?
[32:52 - 32:54] ? In their sight of the sound ?
[32:54 - 32:56] ? And the sparkle that once was ?
[32:56 - 32:58] ? Gets tarnished in line ?
[32:58 - 33:01] ? They forget what they was after they followed the track ?
[33:01 - 33:06] ? And their vision that was given to these lost people ?
[33:06 - 33:12] ? Age starts to take place like a bondage was ticking ?
[33:12 - 33:16] ? And they regret not chasing after after they had their wish ?
[33:16 - 33:19] ? Their ambition takes away like a red on a rose ?
[33:19 - 33:22] ? And then the grip sucks to life from everybody else ?
[33:22 - 33:26] ? If my rose ain't red, it won't die, but it ain't fake ?
[33:26 - 33:27] ? We're not down ?
[33:27 - 33:31] - Oh, you about to, fucking, you about to, bro.
[33:31 - 33:33] All I got to say is welcome to the Critic Squad, fam.
[33:33 - 33:37] (piano music)
[33:37 - 33:43] ? I ain't no stranger to the rain ?
[33:43 - 33:45] ? I put the sunshine in my grey clouds ?
[33:45 - 33:47] ? Work hard for where I'm at ?
[33:47 - 33:48] ? So it's easy up in the street now ?
[33:48 - 33:50] ? When I don't sleep, I walk the road ?
[33:50 - 33:52] ? So stop sign the street now ?
[33:52 - 33:54] ? No yellow marks on these back roads ?
[33:54 - 33:55] ? So I play the lines and pave my way ?
[33:55 - 33:57] ? And these rain picks up my bar ?
[33:57 - 33:59] ? And my top tans on these music charts represent ?
[33:59 - 34:02] ? These style tales you now see with a big heart ?
[34:02 - 34:05] ? And these lyrics in my songs are the warm spot ?
[34:05 - 34:06] ? Like a car heart ?
[34:06 - 34:07] ? Don't ever forget that one place that made you ?
[34:07 - 34:09] ? That person that you are ?
[34:09 - 34:13] ? And miles I run miles turning on that lonely lane ?
[34:13 - 34:16] ? Last year's dude's broken soul's chasing lonely lane ?
[34:16 - 34:19] ? Got up in the storm of life, it gets me excited ?
[34:19 - 34:21] ? I guess you can say, I guess you can say that ?
[34:21 - 34:25] ? I'm chasing while I'm lonely ?
[34:25 - 34:36] ? Chasing while I'm lonely ?
[34:36 - 34:40] ? Let the rain come down till I can't hear myself think ?
[34:40 - 34:42] ? Let the rain come down, make sure the radio go 'bout ?
[34:42 - 34:44] ? And this to the last 10, I wanna go back sometimes ?
[34:44 - 34:46] ? I'm sitting here signing, doing nothing ?
[34:46 - 34:48] ? Chilling with all my friends ?
[34:48 - 34:49] ? And the joke ain't rollin' up the jam ?
[34:49 - 34:52] ? Yeah, you're gone, I was mama though ?
[34:52 - 34:53] ? I put Jackie and my doctor back ?
[34:53 - 34:55] ? I expect for some of my back ?
[34:55 - 34:57] ? Last of my truck, it make this shit look better ?
[34:57 - 34:58] ? Just a poor boy, drinking too big ?
[34:58 - 35:00] ? But tell me that was right, still for me ?
[35:00 - 35:02] ? That's why I represent the underdogs ?
[35:02 - 35:04] ? I walked in the double deck, that you're waiting ?
[35:04 - 35:07] ? Miles I run miles turning on that lonely lane ?
[35:07 - 35:11] ? Last year's dude's broken soul's chasing lonely lane ?
[35:11 - 35:14] ? Got up in the storm of life, it gets me excited ?
[35:14 - 35:16] ? I guess you can say, I guess you can say that ?
[35:16 - 35:20] ? I'm chasing while I'm doin' ?
[35:20 - 35:31] ? Chasing while I'm doin' ?
[35:31 - 35:34] - Here's one that he's more notable for.
[35:34 - 35:37] That I think you'll actually get into a lot, bro.
[35:37 - 35:40] This is one that he's more notable for.
[35:40 - 35:42] That's actually fucking dope.
[35:42 - 35:45] - You can carry out three topping pizzas for just $7.99
[35:45 - 35:47] when you order Domino's online.
[35:47 - 35:48] Whether it's him talking--
[35:48 - 35:54] (upbeat music)
[35:54 - 35:58] - Oh, and on a side note,
[35:58 - 36:00] that dirt bike you're hearing in the back,
[36:00 - 36:04] that actually was him taking his fucking dirt bike
[36:04 - 36:07] into the studio and revving that bitch.
[36:07 - 36:09] So that dirt bike sound you're hearing, that revving,
[36:09 - 36:13] that was actually him revving his actual fucking dirt bike
[36:13 - 36:15] in the fucking studio.
[36:15 - 36:18] (upbeat music)
[36:44 - 36:47] - Exactly, damn it, exactly, bro.
[36:47 - 36:50] (upbeat music)
[36:51 - 36:54] ? Every single thing I got was got by me ?
[36:54 - 36:57] ? I didn't have no hand, God, I was grabbin' the back of drink ?
[36:57 - 36:59] ? Everybody said important life ?
[36:59 - 37:01] ? When I was born to chase and shit ?
[37:01 - 37:03] ? Not the Georgia on the grill ?
[37:03 - 37:05] ? And lookin' like they hatin' back ?
[37:05 - 37:07] ? I worked my way from not havin' the thing ?
[37:07 - 37:09] ? And now I got creepers talkin' 'bout a muck ?
[37:09 - 37:10] ? I'm not darlin' right ?
[37:10 - 37:11] ? I don't blame them ?
[37:11 - 37:14] ? No, I'm still gettin' trashed on my wife ?
[37:14 - 37:17] ? I am no bitch, but shit's just not forever ?
[37:17 - 37:18] ? Steady, decent land ?
[37:18 - 37:20] ? Creep story ?
[37:20 - 37:22] ? I get my right, my right ?
[37:22 - 37:23] ? I get my right ?
[37:23 - 37:24] ? You can't go on my chain ?
[37:24 - 37:28] ? 'Cause the world can't go to my crib ?
[37:28 - 39:47] ? You can't go on my chain ?
[39:47 - 40:14] ? The only time I've got my jaw jagged ?
[40:14 - 41:17] ? You can't go on my chain ?
[41:17 - 41:30] Yeah, artists for both genres, definitely a church for sure, like the realness that he brings to it is bar none, like someone the best.
[41:30 - 41:33] Country, artists just pure country.
[41:33 - 41:46] I would say probably Bradley Gilbert, Alan Jackson, Garth Brooks, Toby Keith, Willie Nelson, Johnny Cash.
[41:46 - 41:54] Her rappers, like I said, definitely church.
[41:54 - 42:06] Well, actually she is a rapper, Savannah Dexter, Adam Calhoun, Tom McDonald.
[42:06 - 42:12] He did a little bit of country stuff recently, which was super, super fire.
[42:12 - 42:16] Or earning with DoorDash, the top platform to help you reach your goals.
[42:16 - 42:18] Sign up with DoorDash.com/goals.
[42:18 - 42:23] Same here, bro.
[42:23 - 42:31] And if you're in the old school hip-hop, you don't get shocked by this one, man.
[42:31 - 42:46] [music]
[42:46 - 42:49] How many of y'all know a motherfucking young buck?
[42:49 - 42:53] How many of y'all know a young buck you guys know that?
[42:53 - 43:29] [music]
[43:29 - 43:31] Here comes the legend, bro.
[43:31 - 44:00] [music]
[44:00 - 44:03] I know, right?
[44:03 - 44:19] [music]
[44:19 - 44:30] For real, though, man.
[44:30 - 45:34] [music]
[45:34 - 45:39] That y'all thought you'd never hear that, did you?
[45:39 - 45:43] Oh, by the way, I got a response to Marty and his bullshit.
[45:43 - 45:46] Hold up.
[45:46 - 45:52] I got a response to anybody out there that wants to talk shit.
[45:52 - 45:58] The first few seconds of this song that y'all about to hear is motherfucking response.
[45:58 - 46:09] Simplify your operations with U.S. bank payment solutions.
[46:09 - 46:29] Not this part, hold up.
[46:29 - 46:32] Here it comes, right here.
[46:32 - 47:09] [music]
[47:09 - 47:12] That right there is my response to these motherfuckers.
[47:12 - 47:17] They're always talking about how, oh, he did this, he did that, blah, blah, blah.
[47:17 - 47:20] Well, where's the video proof at, motherfucker?
[47:20 - 47:26] Because one, I ain't seen shit, so where's your proof at?
[47:26 - 47:32] I'd really like to see the video footage of that shit.
[47:32 - 47:39] And all these guys are doing is they're trying to get fucking publicity off of my name.
[47:39 - 47:43] That's all it is.
[47:43 - 47:50] If you look up MusicBizMarty, he's this motherfucker, he's a real fucking slimeball, dude.
[47:50 - 47:58] The guy that is so fucking obsessed with me is that he'll do anything, and I mean anything,
[47:58 - 48:01] and make up any rumors.
[48:01 - 48:07] It don't matter how wild the accusations are, he'll make up any fucking rumor in the world
[48:07 - 48:12] just to get my attention.
[48:12 - 48:22] And this dude's been doing this shit for over fucking four fucking years now.
[48:22 - 48:28] And it's fucking hilarious.
[48:28 - 48:31] The shit's funny as fuck.
[48:31 - 48:36] But I know a lot of people ask me, why do I respect church so much?
[48:36 - 48:39] Why do I respect what he does so much?
[48:39 - 48:41] Well, here's why, y'all.
[48:41 - 48:43] What is up, crit squad?
[48:43 - 48:45] This shit right here is why.
[48:45 - 48:48] This weekend was absolutely amazing.
[48:48 - 48:55] It was full of all kind of eruptions, sadness, happiness, reminiscing, fucking getting wild,
[48:55 - 48:59] heart to heart moments on stage, all kind of stuff.
[48:59 - 49:02] But that's not what this video's about.
[49:02 - 49:05] I want to show you guys what you have done.
[49:05 - 49:11] And the reason I want to show you this is because I want other upcoming artists to see this.
[49:11 - 49:15] You know, I'm always preaching independence better, independence better,
[49:15 - 49:17] and I never get to really show why.
[49:17 - 49:21] But I feel like, you know, with all the other great stuff that happened this weekend at Corbin,
[49:21 - 49:26] I feel like now's the perfect time to show why it's better to be independent
[49:26 - 49:29] and what you can do with being independent.
[49:29 - 49:33] First off, it's get what you want, you know, when you want, release what you want.
[49:33 - 49:37] But also, a side of all that stuff has to do with music.
[49:37 - 49:42] You also get to build a relationship with people that is a forever relationship.
[49:42 - 49:44] You get to know people.
[49:44 - 49:46] Yeah, same dude, man.
[49:46 - 49:50] You know, you get to put together functions with these people that are all over the world
[49:50 - 49:55] that always got your back, whether it's a flat tire or coming to a show
[49:55 - 49:58] or getting unstuck in a mud cart.
[49:58 - 50:04] And in this situation, me and Creed Squad have done something this weekend
[50:04 - 50:06] to be able to help other people.
[50:06 - 50:09] And, you know, I feel like as an independent artist,
[50:09 - 50:12] you have way more opportunities to make money.
[50:12 - 50:18] And it's not always about the money, but money as a tool does help.
[50:18 - 50:24] And it especially helps in times like right now when we just had that tornado come through
[50:24 - 50:30] and destroy everything and ruin a lot of people's homes, ruin people's Christmases
[50:30 - 50:31] and stuff like that.
[50:31 - 50:36] If this is a flex, if anybody sees this as a flex, this is a flex on my people
[50:36 - 50:41] because I'm about to show you what my people did for other people this weekend.
[50:41 - 50:47] Now, I told you all before the show that we were going to make a donation to tornado release.
[50:47 - 50:49] We're making a donation to tornado release.
[50:49 - 50:56] So for the show, you know, as an independent artist, this comes out of my people's pocket, my roots pocket.
[50:56 - 51:03] So for this show, for Corbin, we had to pay for lighting, pie rope, prop design,
[51:03 - 51:08] theatrical performance actors, sound engineers, stage engineers,
[51:08 - 51:13] six semi-trucks for hauling all the stuff, my whole band, my whole crew,
[51:13 - 51:18] security, tour buses, hotels for everybody, car rentals for everybody.
[51:18 - 51:22] And we took care of a 200 people crew.
[51:22 - 51:30] But this is what you get to do when you're an independent artist.
[51:30 - 51:37] Now, listen to what he says right here.
[51:37 - 51:58] This ain't my money. This is Chris Boy's money.
[51:58 - 52:06] I have all the stuff that we already had to pay for, for the show.
[52:06 - 52:20] I want to show you guys what y'all did for these people, man.
[52:20 - 52:25] This is you guys. This is how we're going to help the tornado people, bro.
[52:25 - 52:28] And this is out of merch money, okay?
[52:28 - 52:38] After we done paid out everything, this is what you guys have helped me gain for the tornado relief.
[52:38 - 52:46] Now, let's write these people some checks and get them back in their cribs, baby.
[52:46 - 52:50] Now, tell me that ain't fucking natural.
[52:50 - 52:54] No, that's not what they do. That's all fucking real, bro.
[52:54 - 52:58] That's all real shit.
[52:58 - 53:02] That is all legit, bro.
[53:02 - 53:06] That is all him, dude, straight up.
[53:06 - 53:12] That is all the money from the Corbin show out of fucking merch money, bro.
[53:12 - 53:23] He took all that money, and he took all that and donated the two tornado reliefs and helped a lot of motherfuckers out.
[53:23 - 53:29] The same dude that you just saw is the same dude that you'll see in fucking Walmarts at 2 a.m.
[53:29 - 53:32] The same dude that you'll see down in Dollar General.
[53:32 - 53:37] The same dude that you'll see walking down the street that will literally walk up to you,
[53:37 - 53:47] take a picture with you, hang out with you, and have a good time.
[53:47 - 53:57] The dude doesn't fucking hide who he is. There's a verse in one of his songs that I actually resonate with because it's how I am.
[53:57 - 54:03] I'm nervous about this from the Broadway Girls remix with Chase Matthews.
[54:03 - 54:14] Cameron and not counting the Lambo part because obviously I don't have a Lambo, although that'd be pretty badass if I did, just saying.
[54:14 - 54:24] But the verse goes, "Cow hiding in the Lambo, shotgun by the back door, cameras all in my daily life, not one screen that I act for."
[54:24 - 54:31] And it's true. It don't matter if there's cameras going or not. He doesn't fucking put on a nap.
[54:31 - 54:37] The same with me. What you see is what you get. If you're cool with me, I'm cool with you.
[54:37 - 54:44] That's how I am. And more motherfuckers need to be like that.
[54:44 - 54:53] I can't stand all these fake motherfuckers being like, "Oh, I'm doing this, I'm doing that, but really you ain't doing a goddamn thing."
[54:53 - 54:58] When you're real, people will know you're fucking real.
[54:58 - 55:10] Yo, Lofi, what up? Like, if you're real, motherfuckers will know you're real. And when you're fake, well, guess what? You're getting called the fuck out, ain't you?
[55:10 - 55:13] Now, let's check this beat out.
[55:14 - 55:41] Yo, wonder, what up?
[55:41 - 55:55] Yo, wonder, what up, bruh?
[55:55 - 56:07] All I need to do is add in a rise, have a nice little riser going through there, and then level out the drum and the send in the back.
[56:07 - 56:14] And this beat will pretty much be good to go, dude.
[56:14 - 56:29] All right, let's go. Hidden Leith. Let's go, effects.
[56:29 - 56:50] Let's hear what that sounds like in reverse.
[56:50 - 57:18] Oh, that is perfect, bro. That is fucking dead ass perfect.
[57:18 - 57:24] And then place one right there at the very end.
[57:24 - 57:36] Now I'm just going to level out these drums.
[57:36 - 57:58] All right, let's put that on track one, and then put this on track two, and then put this on track three.
[57:58 - 58:20] Just pull these just straight down underneath.
[58:20 - 58:39] All right, now let's check these out.
[58:39 - 58:43] All right, now what I want to do with that is I want to add a little something to it.
[58:43 - 58:54] So what I'm going to do is I'm actually going to add pancake in there and let it kind of ride around.
[58:54 - 59:02] Let's go, pancake two.
[59:02 - 59:15] Oh, there we go.
[59:15 - 59:23] Oh, damn.
[59:23 - 59:52] Yo, this shit sounds fire.
[59:52 - 60:03] Oh, I'm definitely liking that, but I do want to switch out.
[60:03 - 60:07] No, I do want to switch out the beat right quick, though.
[60:07 - 60:21] That shit sounds good. I like it, but I want to switch out the beat for something, for something slower.
[60:21 - 60:36] But I now know where to place it.
[60:36 - 60:51] I now know where to actually place the stuff at, so.
[60:51 - 61:19] So I was 130, okay.
[61:19 - 61:37] I just want to see something.
[61:37 - 62:04] All right.
[62:04 - 63:01] Oh, that actually works.
[63:01 - 64:11] Okay.
[64:11 - 64:16] Yes, I had their tribunes and shit.
[64:16 - 64:28] I'll fuck with trivia and do some good shit.
[64:28 - 65:26] Okay.
[65:26 - 65:40] Boom.
[65:40 - 65:55] Yeah, there we go.
[65:55 - 66:07] I've not heard of them.
[66:07 - 66:10] What I'm going to do, there's a whole process.
[66:10 - 66:17] What I'm going to do is I'm going to keep it like this for now, and then I'm going to go back in and then slow it down.
[66:17 - 66:46] So basically I'm going to render it like this raw and then stretch it.
[66:46 - 67:06] Okay.
[67:06 - 67:12] I like that clap.
[67:12 - 67:27] Let's add in a chant underneath.
[67:27 - 67:54] Now let's take that splash down a little bit.
[67:54 - 68:08] Oh, definitely add that in underneath.
[68:08 - 68:26] Just kind of give it a little extra.
[68:26 - 69:43] Okay.
[69:43 - 69:46] Yeah.
[69:46 - 70:00] Oh, there we go.
[70:00 - 70:29] There we go. There we go. That's the snare I was looking for.
[70:29 - 70:51] Okay.
[70:51 - 71:13] Oh, this sounds hot.
[71:13 - 71:42] Now watch this once you render this down.
[71:42 - 72:02] Let that render down.
[72:02 - 72:05] Now watch how quick this shit renders down, bro.
[72:05 - 72:07] Look at this.
[72:07 - 72:13] This is a slow ass, oh shit, hot ass right now, computer.
[72:13 - 72:18] And when I mean hot, I mean fucking hot, man.
[72:18 - 72:21] That's why I need a fucking new one, man.
[72:21 - 72:50] I'm tired of this thing getting fucking heated up and feeling like it's going to fucking explode.
[72:50 - 73:08] Oh, yeah, not even, not even two minutes unless things already almost fucking done.
[73:08 - 73:21] Like how crazy is that shit.
[73:21 - 73:26] And boom, then you hear it now.
[73:26 - 73:34] Get rid of that.
[73:34 - 73:42] Open.
[73:42 - 74:00] I'm sorry I'm gonna have to do this while but that's fine.
[74:00 - 74:05] Watch it.
[74:05 - 74:12] All right, let's go here to music.
[74:12 - 74:22] And then we're ending it on that.
[74:22 - 74:50] Now they're right inside here.
[74:50 - 75:19] And there you go, slow her down.
[75:19 - 75:48] All right, y'all can't tell me this don't sound fire right now.
[75:48 - 76:17] Oh, yeah.
[76:17 - 76:31] And there you go.
[76:31 - 76:36] Now let's export this move.
[76:36 - 76:46] I want to rename it really quickly because I totally fucked up man.
[76:46 - 76:59] I'm not down to 141 seconds which is a little under four minutes I believe somewhere in there.
[76:59 - 77:26] You don't know. Somewhere in here.
[77:26 - 77:50] And while that's rendering down let me show you guys another artist that I do draw a lot of inspiration from that the guys might actually be in shock over.
[77:50 - 77:59] It's not just this dude right here.
[77:59 - 78:20] Oh, I see.
[78:21 - 79:04] Thank you.
[79:05 - 79:06] So I'm going to start with the artist.
[79:06 - 85:51] I'm going to start with the artist.
[85:52 - 85:55] I'm like looking for something specific.
[85:55 - 85:56] I can't even fucking find it.
[85:56 - 85:57] Damn.
[85:57 - 86:04] Oh, I forgot about that.
[86:04 - 86:07] Bro, I forgot about this loop.
[86:07 - 86:09] Hold up.
[86:09 - 86:33] There he is in here.
[86:37 - 86:38] No, I don't.
[86:38 - 86:39] Next place.
[86:39 - 86:40] Next.
[86:41 - 107:59] I'm going to start with the artist.
[107:59 - 108:02] I know there was at least one solid one in there.
[108:02 - 108:31] All right, so I'm going to do like this.
[108:31 - 111:07] I'm going to start with the artist.
[111:07 - 111:23] I'm going to get rid of all of these right quick.
[111:23 - 111:40] Watch how fast I get rid of all this shit.
[111:40 - 112:09] I'm going to start with the artist.
[112:09 - 123:01] Watch how fast I get rid of all this shit.
[123:01 - 123:26] Watch how fast I get rid of all the vocals here.
[123:26 - 149:47] Watch how fast I get rid of all this shit.
[149:47 - 150:02] I got all kinds of fucking beats up in here, dude.
[150:02 - 150:09] I can't even go through how many I fucking have.
[150:09 - 150:25] I have fucking classical or casual pieces like Path of D.M.O.
[150:25 - 150:41] That's literally just one of my tracks.
[150:41 - 150:45] That's literally just an orchestral piece that I did.
[150:45 - 150:57] Really, that's all that is an orchestral piece.
[150:57 - 151:10] Oh, yo, dude, this is one of my favorites.
[151:10 - 151:13] I actually made this one.
[151:13 - 151:19] I actually made this one right here on my fucking phone.
[151:19 - 151:46] I made this thing on here on my fucking phone, bro.
[151:46 - 152:04] I actually did get a little bit of it before.
[152:04 - 152:21] I'm going to do it.
[152:21 - 189:10] Watch how fast I get rid of all this shit.