2022-5-19 giving the fans what they want

[0:00 - 0:12] What up y'all. So I was standing here cruising and chilling out hanging out with some friends
[0:12 - 0:21] and they bounced off. But we got something to fucking talk about here. I have something
[0:21 - 0:50] to fucking say. First off, to What's your name. First off, let me say this. To Michy
[0:50 - 1:02] Wade the bitch that thinks she runs shit. The bitch that thinks she's in the music industry.
[1:02 - 1:10] You don't scare me. Your little Molly Chopra whatever that don't scare me. Because here's
[1:10 - 1:16] the thing. You ain't in the music industry. Okay. I've been in the music industry for
[1:16 - 1:26] over 10 years. I've built myself up from the ground up. I've built myself up from
[1:26 - 1:37] the ground up with zero fucking help. Zero help. Ask anyone. You can ask anybody that
[1:37 - 1:48] knows me. I have busted my ass from the ground up with nothing. So come at me Michy. You
[1:48 - 1:57] dumbass. Oh, and if you want proof of Kalon the artist being the real owner of Machiavelli
[1:57 - 2:04] Records. If you don't fucking believe me, click the link in the description. Click
[2:04 - 2:12] the link in the description. It talks about how we came in the ownership of the real
[2:12 - 2:20] Machiavelli Records. The same one that Tupac started before he passed away. Click the link
[2:20 - 2:27] in the description. Check that shit out. And let me tell you, I am so infamous that
[2:27 - 2:34] I actually am famous. A lot of people fucking know who I am around the world. A lot of
[2:34 - 2:46] people fucking know. Like I told you, Michy Wade, you fucking dumbass lazy piece of shit.
[2:46 - 2:56] Like I told you, you don't fucking know me like you think you do. You really do not
[2:56 - 3:06] know me like you think. I go against people like you on the daily. I go against labels.
[3:06 - 3:14] I don't believe in record labels like that. I don't believe in mainstream labels like
[3:14 - 3:22] yours that are out to fuck people over. Now the labels like Ryan O Church's label, Hollywood
[3:22 - 3:29] Records, are rock Hollywood Records because they don't fucking steal from their artists.
[3:29 - 3:35] They don't keep their masters from their artists. They actually give their artists
[3:35 - 3:45] their masters so they can make even more money. Why do you think I say 110% independent?
[3:45 - 3:54] I would rather be broke. I would rather be a broke independent artist than to give into
[3:54 - 4:01] the fucking mainstream and be fucked over like so many artists before me. And that's
[4:01 - 4:07] facts. I would rather be a broke music artist and do this shit for free for the rest of
[4:07 - 4:21] my life than to give into the mainstream industry like you. I will not ever give into the mainstream.
[4:21 - 4:34] And actually King Arbron from JFS, no I don't. So you can fuck yourself. See you can ask
[4:34 - 4:41] anybody that fucking truly knows me. I would rather be broke and independent than to give
[4:41 - 4:48] into the fucking bitches of the mainstream. You want to know why? Because one, I can't
[4:48 - 4:56] be canceled. Two, you can't touch me with your fucking bullshit ass attorney. You want
[4:56 - 5:03] to know why? Because you ain't got one. And even if you did try to sue me, go fucking
[5:03 - 5:19] head. I ain't got shit. You can't do nothing. You can't do a goddamn thing. And it's not
[5:19 - 5:31] that I'm responding to negativity. I'm stating the facts as they truly are. I'm not speaking
[5:31 - 5:45] on negativity at all. I'm telling the fucking facts as they truly are. I am speaking the
[5:45 - 5:52] motherfucking facts about you, Mitchie Wade. About people in the music industry that take
[5:52 - 5:59] advantage of young, great, up and coming artists that end up getting fucked over by people
[5:59 - 6:04] like y'all because y'all want to be fake. Because y'all want to take from the artists.
[6:04 - 6:13] You don't want to give them what they deserve. Why you think Tom McDonald's so fucking huge?
[6:13 - 6:20] Because he calls out bitches like you and your dumb ass husband who think they're music
[6:20 - 6:35] artists, who think they're actually musical people. You're really not. And I think I speak
[6:35 - 6:42] for every independent music artist out there and every music artist out there. When I
[6:42 - 6:49] say we're tired of being fucked over, we're tired of being jerked around by pussies that
[6:49 - 6:59] think that they can use us as a cash cow. Fuck that. Matter of fact, I got a little
[6:59 - 7:06] fucking surprise for the fans. For everybody out there that rocks with me, that rocks my
[7:06 - 7:14] music, your boy is starting up his own fucking label. And yes, I am going on the search for
[7:14 - 7:24] good independent artists that I know are coming up. And trust me when I say to you, Mitchie
[7:24 - 7:31] Wade, you won't be able to touch me because my artists are going to get to keep their
[7:31 - 7:41] masters. They're going to get to keep both versions of their music. And any money they
[7:41 - 7:51] make, they get to keep 98, I'd say about 75% of. And then all they do is put, all I'm
[7:51 - 7:58] going to do is take, say, 20% out of sales. And then they get to keep the rest. You want
[7:58 - 8:06] to know why? Because I believe in music artists making money. I don't believe in music artists
[8:06 - 8:12] making money, and they give me an all to the label. No, the artists work their asses off
[8:12 - 8:19] every day. They deserve to keep that money. They deserve to keep that money that they
[8:19 - 8:26] fucking make. They're the ones doing the music, not you. They're the ones busting
[8:26 - 8:33] their ass off shooting the music videos, doing shit they need to do, promoting this shit.
[8:33 - 8:40] Not fucking fake ass labels like you. See, that's where the mainstream is so fucked
[8:40 - 8:46] up. You guys take from your artists, you don't let them keep the money that they fucking
[8:46 - 8:52] make. And then you want them to pay back all that money. Nah, fuck paying back the
[8:52 - 8:57] money. They earned that shit. They're the ones recording the songs. They're the ones
[8:57 - 9:03] writing the shit. They're the ones that are out doing these shows. They're the ones that
[9:03 - 9:07] are being away from their families to do these shows. They're the ones out there shooting
[9:07 - 9:11] music videos every fucking day. They're the ones that are in the studio busting their
[9:11 - 9:21] ass every fucking day. Therefore, they deserve to keep the money, not you. I say fuck the
[9:21 - 9:28] mainstream labels. I fucking rock with those that are keeping it independent every fucking
[9:28 - 9:40] day. To those artists out there that are staying independent, good on you for that man. See,
[9:40 - 9:53] I rock with the artists that keep it independent. Hell, another guy that made it independently.
[9:53 - 10:01] And yeah, he does do music on YouTube, JT Machinima. One of the biggest fucking well
[10:01 - 10:09] known music names on YouTube to date. And let me tell you something right now, Michi
[10:09 - 10:13] Wade. If that's you and your real name, but then I'm going to call you Michi Wade out
[10:13 - 10:29] of respect. Even though you don't deserve the respect. See, every single music company
[10:29 - 10:40] in the world has a YouTube channel, has a website, and your shit don't check out. You
[10:40 - 10:46] don't have a fucking website for your music. Where's your artists at? Let's see all your
[10:46 - 10:52] artists because you've never once showed me a fucking list of your artists. You've
[10:52 - 11:00] never shown me any kind of verification that you're a legit label. All you do is run your
[11:00 - 11:08] mouth at home. Oh, I don't know them. That's funny. That's real funny because I've heard
[11:08 - 11:15] your fucking mouth and your fucking voice on several, several live streams of other
[11:15 - 11:25] people. And guess what? No one fucking likes you because you're a fucking drama starter.
[11:25 - 11:32] No one wants you around because you're trying to be that cool person and making shit up.
[11:32 - 11:40] Why do you think I don't fall for your ass? One of the biggest names in music right fucking
[11:40 - 12:01] now started his own fucking label, fully independent. And I think my motherfucking people might
[12:01 - 12:10] recognize this one. Matter of fact, this one, this particular song was done with a legend
[12:10 - 12:25] in the rap game, the one and only young buck. I think my fucking people know what song
[12:25 - 12:55] this is. Shout out to my motherfucking crew squad, y'all.
[12:55 - 13:25] And this man is independent. And this is what I'm talking about. I'm talking about the music.
[13:25 - 13:42] This is what I'm talking about. This is what I'm talking about. This is what I'm talking
[13:42 - 14:04] about. This is what I'm talking about. This is what I'm talking about. This is what I'm
[14:04 - 14:17] talking about. This is what I'm talking about. This is what I'm talking about. This is what
[14:17 - 14:41] I'm talking about. This is what I'm talking about. This is what I'm talking about. This
[14:41 - 15:06] is what I'm talking about. This is what I'm talking about. This is what I'm talking about.
[15:06 - 15:15] This is for Mitchie Wade and every mainstream label out there that wants to take from the
[15:15 - 15:45] artist. This ain't just for me. This is for the church itself, man.
[15:45 - 16:05] This is what I'm talking about. This is what I'm talking about. This is what I'm talking
[16:05 - 16:23] about. This is what I'm talking about. This is what I'm talking about. This is what I'm
[16:23 - 16:48] talking about. This is what I'm talking about. This is what I'm talking about. This is what
[16:48 - 17:03] I'm talking about. This is what I'm talking about. This is what I'm talking about. This
[17:03 - 17:29] is what I'm talking about. This is what I'm talking about. This is what I'm talking about.
[17:29 - 17:49] This is what I'm talking about. This is what I'm talking about. This is what I'm talking
[17:49 - 18:11] about. This is what I'm talking about. This is what I'm talking about. This is what I'm
[18:11 - 18:21] talking about. When I started out, yeah, at first I was looking for a label when I first
[18:21 - 18:30] started out and I found one. When I first started out, yeah, I've gone for it on the
[18:30 - 18:35] Machiavelli records and I'm proud to be able to say that. There ain't nobody out there
[18:35 - 18:42] that can ever take that from me. Ain't nobody out there that's ever going to take that
[18:42 - 18:47] from me. But you know something I realized after I got dropped from the label because
[18:47 - 18:53] of the bullshit trolls? You want to know something I fucking realized? I don't need
[18:53 - 19:00] a fucking label to do what I want to do. I don't need a fucking label telling me what
[19:00 - 19:06] to do it, when to do it, how to do my shit. Telling me, "Oh, you need to sound like this.
[19:06 - 19:14] You need to sound that." I'm like, "Fuck that." If the people like my music, good. If people
[19:14 - 19:18] like my music, that's good. If not, oh well, there's going to be ten other motherfuckers
[19:18 - 19:25] down the road that are going to like it. So, Machiavelli, you can take your fucking
[19:25 - 19:34] bullshit, show it up your fucking ass and go fuck yourself. Because you ain't in the
[19:34 - 19:44] music industry. I've been looked you up. Like I said, this stream ain't me being negative.
[19:44 - 19:51] This is me standing up for every single fucking independent music artist holding shit down
[19:51 - 20:02] and rocking shit. Matter of fact, one of those independent artists that's honest and sadly
[20:02 - 20:23] is no longer with us, this man right here that my people know who was a mentor of me.
[20:23 - 20:33] Oh man, this is going to be good. I think my people know where I'm about to go with
[20:33 - 20:54] this one. I woke up today, a-l-a-o-k. I got me a bag so I'm a-o-k. My girl, my female family,
[20:54 - 21:04] they all a-o-k, o-k-o-k, o-k-o-k. Not to let them say I'm a-o-k. I got me a bag so I'm
[21:04 - 21:13] a-o-k. The green I want to tan, they all a-o-k, o-k-o-k, o-k-o-k. But we going to be red and
[21:13 - 21:28] white. I'm a-o-k, o-k-o-k. Screaming on the stage like I'm sales sent. Back on my foot
[21:28 - 21:46] and back in like a recent insane. On the road for investigation. Thank God for statue limitations.
[21:46 - 22:13] Man, but let's take it open out here. I'm going to let my boy rock this one straight
[22:13 - 22:27] up. Grab a piece of my motherfuckin' Mentor Dakota, man. Rest in peace, brother. We miss
[22:27 - 24:31] you. We miss you. We miss you. We miss you. We miss you. We miss you. We miss you. We miss
[24:31 - 24:33] ? I'm spoiling, you got room to hoi ?
[24:33 - 24:35] ? Your shooter really saw her ?
[24:35 - 24:37] ? Your shooter really loyal ?
[24:37 - 24:38] ? Your shooter at the club ?
[24:38 - 24:40] ? My shooter at the ranch ?
[24:40 - 24:42] ? Your shooter looking sharp ?
[24:42 - 24:43] ? My shooter took his branch ?
[24:43 - 24:45] ? My shooter took the class ?
[24:45 - 24:47] ? My shooter got a mask ?
[24:47 - 24:49] ? Your shooter never saw her coming ?
[24:49 - 24:50] ? He just heard the blast ?
[24:50 - 24:52] ? My girl and brother packed me ?
[24:52 - 24:54] ? I just said no the violence ?
[24:54 - 24:55] ? They left and said I'm lacking ?
[24:55 - 24:56] ? Your body ?
[24:56 - 24:57] ? They been trying ?
[24:57 - 24:59] ? They just so quick to riot ?
[24:59 - 25:01] ? I'm just killing them back, okay ?
[25:01 - 25:02] ? I hope you good at this ?
[25:02 - 25:03] ? You know I'm here ?
[25:03 - 25:04] ? I like to be like this ?
[25:04 - 25:05] ? I left my gun at home ?
[25:05 - 25:07] ? My ears, they seem too lost ?
[25:07 - 25:09] ? Too many messes want to kiss you ?
[25:09 - 25:10] ? Whisper on the phone ?
[25:10 - 25:12] ? They told me life ain't fair ?
[25:12 - 25:14] ? I guess this fair enough ?
[25:14 - 25:16] ? Ain't no one got a fight ?
[25:16 - 25:19] ? But my love is tough ?
[25:19 - 25:24] - Another independent artist.
[25:24 - 25:27] Well, let's see what other independent artists we got here
[25:27 - 25:29] that we can pull up here.
[25:29 - 25:38] Oh yeah.
[25:38 - 25:45] One of the biggest names in the fucking industry,
[25:45 - 25:47] in the music industry.
[25:47 - 25:48] (upbeat music)
[25:48 - 25:52] How many of y'all recognize the name Machine Shop?
[25:52 - 25:58] (upbeat music)
[25:58 - 26:00] How many of y'all recognize Machine Shop
[26:00 - 26:02] and this track right here?
[26:02 - 26:03] ? You're winning ?
[26:03 - 26:04] Fully independent.
[26:04 - 26:06] Let's go.
[26:06 - 26:09] (upbeat music)
[26:09 - 26:12] ? Yeah ?
[26:12 - 26:14] ? For those of you who don't know ?
[26:14 - 26:16] ? We're all right ?
[26:16 - 26:19] ? Just like this, y'all, for the 7% luck ?
[26:19 - 26:22] ? And 20% skill, 15% country power ?
[26:22 - 26:26] ? Well, 5% pleasure, 15% pain ?
[26:26 - 26:29] ? And 100% peace to a relevant life ?
[26:29 - 26:31] ? He doesn't need his name to feel like ?
[26:31 - 26:32] ? He just wants to be heard ?
[26:32 - 26:34] ? Whether it's the beat of the life ?
[26:34 - 26:37] ? He feels so unlike everybody else alone ?
[26:37 - 26:38] ? He's fighting the fact ?
[26:38 - 26:41] ? It's so good to be there, y'all, for fuck 'em ?
[26:41 - 26:42] ? You know it's cold ?
[26:42 - 26:43] ? It's not about salary ?
[26:43 - 26:44] ? It's all about reality ?
[26:44 - 26:46] ? And nicks and noise ?
[26:46 - 26:47] ? Making a story ?
[26:47 - 26:48] ? Making sure his clicks ain't up ?
[26:48 - 26:50] ? That means when he puts it down ?
[26:50 - 26:51] ? Top's picking it up ?
[26:51 - 26:53] ? Who the hell is he anyway ?
[26:53 - 26:54] ? He never really talks much ?
[26:54 - 26:56] ? Now we can settle his standards ?
[26:56 - 26:57] ? We're still leaving those thoughts ?
[26:57 - 26:58] ? I'm humbling and robbing ?
[26:58 - 27:00] ? Who needs a witness like the fact ?
[27:00 - 27:01] ? That he needs trouble ?
[27:01 - 27:03] ? He makes a living right and right ?
[27:03 - 27:04] ? Put together himself ?
[27:04 - 27:05] ? But if he connects ?
[27:05 - 27:07] ? He's never asking for the soul cell ?
[27:07 - 27:08] ? To get some respect ?
[27:08 - 27:10] ? He gives all the focus on what he wrote ?
[27:10 - 27:11] ? As well as we all reach ?
[27:11 - 27:13] ? Now we're not on pause ?
[27:13 - 27:14] ? Still we're not here ?
[27:14 - 27:16] ? 20% skill, 15% pain ?
[27:16 - 27:18] ? Real hard to present, playing ?
[27:18 - 27:20] ? 'Cause Rotten was there, who would have thought ?
[27:20 - 27:21] ? If he don't want to settle once ?
[27:21 - 27:22] ? Then rent it ?
[27:22 - 27:23] ? I rent it, rent it, rent it ?
[27:23 - 27:25] ? With a kiss, I'll never make it again ?
[27:25 - 27:27] ? Can't get that drunk, make it dead ?
[27:27 - 27:29] ? Took him to church, I like booty drink ?
[27:29 - 27:31] ? Rotten had the stupidest verses ?
[27:31 - 27:31] ? Do he's the coop ?
[27:31 - 27:33] ? Now everybody kill him again ?
[27:33 - 27:34] ? Stop ?
[27:34 - 27:35] ? He stopped through the roof ?
[27:35 - 27:36] ? I ain't fucking with that stuff ?
[27:36 - 27:41] ? 20% skill, 15% power ?
[27:41 - 27:42] ? Real well ?
[27:42 - 27:45] ? 5% pleasure, 15% pain ?
[27:45 - 27:46] ? And a hundred ?
[27:46 - 27:49] ? That's the reason I'm better than man ?
[27:49 - 27:50] ? You can spit in fire and mic ?
[27:50 - 27:52] ? Got a little try to shout ?
[27:52 - 27:53] ? Tried to respond on the top ?
[27:53 - 27:54] ? You can fucking knock on his porch ?
[27:54 - 27:55] ? The time is a trick ?
[27:55 - 27:56] ? He's a god ?
[27:56 - 27:57] ? He can type ?
[27:57 - 27:58] ? Who would want a few ?
[27:58 - 27:59] ? If they wrap us over your shot ?
[27:59 - 28:01] ? Ain't years of no making picture ?
[28:01 - 28:02] ? We waiting to go ?
[28:02 - 28:03] ? Not a recognition ?
[28:03 - 28:05] ? Notice taking over the door ?
[28:05 - 28:06] ? You got a partner in a crowd ?
[28:06 - 28:07] ? This shit is equally tough ?
[28:07 - 28:09] ? You won't believe the kind of shit ?
[28:09 - 28:10] ? He took that in his case ?
[28:10 - 28:16] ? But the time, he's got your everyday on the back ?
[28:16 - 28:17] ? He knows how to work with him to stop ?
[28:17 - 28:18] ? Making his way to the top ?
[28:18 - 28:19] ? Don't forget ?
[28:19 - 28:20] ? Don't notice letting people ask him ?
[28:20 - 28:21] ? What he's giving ?
[28:21 - 28:22] ? A burden of saying for that you know ?
[28:22 - 28:23] ? He's in the booth ?
[28:23 - 28:24] ? He's rocking the booth ?
[28:24 - 28:25] ? He can get your buzzer quicker ?
[28:25 - 28:26] ? Than a shot ?
[28:26 - 28:27] ? A rocker will choose to ?
[28:27 - 28:28] ? He's giving a cruel note ?
[28:28 - 28:29] ? Right it's one of the best ?
[28:29 - 28:30] ? Dedicated to what we give ?
[28:30 - 28:31] ? You're a hundred percent ?
[28:31 - 28:32] ? You can get right ?
[28:32 - 28:33] ? Nobody really knows how ?
[28:33 - 28:44] ? Why he works so hard ?
[28:44 - 28:47] ? When he's sitting every time ?
[28:47 - 28:48] ? He speaks it around ?
[28:48 - 28:49] ? Them motherfuckers run ?
[28:49 - 28:50] ? With kids inside ?
[28:50 - 28:51] ? Ridiculous ?
[28:51 - 28:52] ? Why they attract ?
[28:52 - 28:53] ? How they do it ?
[28:53 - 29:02] One of the biggest fucking names in the industry started
[29:02 - 29:04] is the label Machine Shop.
[29:04 - 29:12] Let's see how many, let's see, this is released 11 years ago.
[29:12 - 29:23] Remember the name by four minor, 11 years ago, through Machine Shop, 273 million views
[29:23 - 29:32] and subs.
[29:32 - 29:42] Now let's see who else, oh yeah.
[29:42 - 29:51] This man right here started his own label and it's fully independent.
[29:51 - 30:11] Man, I'm gonna let y'all watch this one so you can see what fully independent is all
[30:11 - 30:19] about.
[30:19 - 30:31] I think some of y'all might recognize this man as the one and only motherfucking crucifix.
[30:31 - 30:56] And this is where no label back here.
[30:56 - 31:22] This is where he started his own label and this is where he started his own label.
[31:22 - 31:39] And this is where he started his own label and this is where he started his own label
[31:39 - 35:32] and this is where he started his own label and this is where he started his own label
[35:32 - 35:45] now let's pull up another one here and granted I'm not the biggest fans of these guys but
[35:45 - 36:14] these boys right here this guys right here even though I'm not a big fan of their music
[36:14 - 36:20] these guys are one of the biggest fucking labels on the planet and they did this shit
[36:20 - 36:48] all in their fucking arms
[36:48 - 59:32] this is where he started his own label and this is where he started his own label and
[59:32 - 59:46] for all you mainstream labels out there that want to take advantage of people like myself
[59:46 - 60:04] that are fully independent I have just one thing to say to you and that's this right
[60:04 - 60:26] and this is what time it is for the mainstream I said fuck the mainstream let the underground
[60:26 - 60:44] rise up and I'm leading the fucking charge
[60:44 - 62:06] this is where he started his own label and this is where he started his own label and
[62:06 - 62:15] one of those labels I know on a very personal level and I promote them every chance I fucking
[62:15 - 62:38] get let's see which one which one of the tracks do I want to do for y'all man?
[62:38 - 63:07] Okay.
[63:07 - 63:18] You know what?
[63:18 - 63:23] Here you go right here another independent label with independent artists that I know
[63:23 - 63:43] and that is where he started his own label and this is where he started his own label
[63:43 - 94:18] and this is where he started his own label and this is where he started his own label
[94:19 - 94:26] and you admire me the same dudes that did what you're about to see
[94:27 - 99:48] and this is where he started his own label and this is where he started his own label
[99:49 - 99:56] alright I got family to help out, I got music to work on, I got shit, I got a fucking dude
[99:56 - 100:01] so peace out bitch, shout out to all the independent artists out there holding them down though man
[100:01 - 100:06] keep on doing what y'all doing man, keep fucking pumping out that good ass fucking music
[100:06 - 100:09] fucking love y'all, peace
[100:09 - 100:14] oh and one last thing, fuck the mainstream labels
[100:17 - 100:21] it's in the pen all the way bruh, fuck the mainstream