2022-3-18 Coffee Music n CHill

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[3:39 - 3:43] Alright, these are all just basically ambient sounds. I like that.
[3:43 - 3:45] I'm catching it.
[3:45 - 3:51] Ooh.
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[3:57 - 4:01] I like those loops. Let's see what we got for tones.
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[4:27 - 4:29] Oh, I like that metal swing.
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[4:34 - 4:38] Alright, let's check out the final one for this pack.
[4:38 - 4:42] Which is "Ways," you got...
[4:42 - 4:44] [sighs]
[4:44 - 4:49] You got "Brill Driver," which I'm sure that meant "Drill Driver."
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[4:53 - 4:55] Oh, I like that.
[4:55 - 4:58] No, I tried. That sounds cool.
[4:58 - 5:00] Well, I like the pimp.
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[5:04 - 5:07] That sounds almost like a violin or a cello. I like that.
[5:07 - 5:09] Let's try "Sin Marine."
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[5:12 - 5:16] I don't think I got a little of a Japanese vibe going on there. I like that.
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[5:22 - 5:25] Let's try "Analog Supplies."
[5:25 - 5:28] Shout out to "Analog Supplies" for hooking me up with this one, too.
[5:28 - 5:33] This is actually the first one that they just dropped, so I'm super hyped to check this out.
[5:33 - 5:36] Let's see what they got for melody samples.
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[5:46 - 5:48] Alright, let's do the same thing.
[5:48 - 5:50] Oh...
[5:50 - 5:53] I like that dirt squirrel. That's nice.
[5:53 - 5:55] That rose is nice.
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[5:58 - 6:01] Oh, that's some 80s stuff right there. Hell yeah.
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[6:03 - 6:06] That's some straight up freaking 80s stuff. Hell yeah.
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[6:13 - 6:15] Ooh, okay.
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[6:17 - 6:19] Got some jazz piano. Okay.
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[6:22 - 6:25] I like a little bit of jazz piano.
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[6:32 - 6:36] Ooh, I found an idea just to be funny. I just want to try something right quick.
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[6:51 - 6:54] Yeah, it doesn't fit. Dang, I was hoping that would fit, man.
[6:54 - 6:56] I know it sounded so cool together.
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[7:04 - 7:06] I got the little flat plop.
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[7:13 - 7:18] And I did pick up one of my personal favorites that I love, which is the coffee shop sound loops.
[7:18 - 7:20] I absolutely love those.
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[7:22 - 7:25] Now, let's check out my boy, a live giant, dude.
[7:25 - 7:28] Because I'm not fully checked out live giant stuff yet.
[7:28 - 7:30] I shot the live giant for hooking me up with this man.
[7:30 - 7:32] I shot it for you guys.
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[7:39 - 7:41] Ooh.
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[7:49 - 7:51] Ooh, okay.
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[7:57 - 8:00] Oh, I like that part of me. That is sick.
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[8:13 - 8:16] I can make something with that now.
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[8:27 - 8:29] Ooh, okay.
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[8:31 - 8:35] Yo, that right there sounds like some Fate of the Furious shit.
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[8:47 - 8:51] Ooh, I actually kind of like that. Hold up.
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[8:59 - 9:01] Let's hear how it sounds put together.
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[9:24 - 9:27] That kind of sounds alright. I like that stuff.
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[9:32 - 9:34] Oh, I can make a beat out of that.
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[9:41 - 9:42] Okay.
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[9:45 - 9:48] That's some Mortal Kombat. Yo, that's straight Mortal Kombat shit.
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[10:02 - 10:08] Ooh, I like that Kyoto Nights one, man. I think that Kyoto Nights one sounds cool as fuck.
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[10:14 - 10:19] Alright, so I didn't go through some of these. Some of these I actually kind of like.
[10:19 - 10:25] So shout out to Life Giant for hooking me up with that, man. You're fucking cool as shit.
[10:25 - 10:28] Always a pleasure working with you, man, for sure.
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[11:29 - 11:35] Alright, so let's do like this, because I know what style I want to go for. I want something that I can actually sing to.
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[12:08 - 12:10] Yo, that's a motherfucking exhibit. That's cool.
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[18:44 - 18:46] Let's see how this sounds.
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[18:50 - 18:57] oh that just sounds really fucking good
[18:57 - 26:05] [no speech detected]
[26:05 - 26:10] Alright, so we got that.
[26:10 - 26:17] Let's put that as an LPE sound effect.
[26:17 - 26:36] [no speech detected]
[26:36 - 26:43] Let that render down because there's not hardly anything to it so all I have to do is tape and let that render and let's check the jack.
[26:43 - 28:04] [no speech detected]
[28:04 - 28:07] Yo Daniel what up dude?
[28:09 - 28:16] And that thing dude like I'm that dude that stands out like my music doesn't fit everybody you know what I mean?
[28:16 - 28:21] Like I don't want it to fit the mainstream vibe.
[28:21 - 28:33] You feel what I'm saying like whenever I do a song like I don't want it to match what the mainstream thinks.
[28:33 - 45:43] [no speech detected]
[45:43 - 45:48] I need like a riser in there to kind of really set it off.
[45:48 - 45:56] [no speech detected]
[45:56 - 46:01] I know EDM music uses like a lot of...
[46:02 - 46:06] shit, oh wait that one's not working.
[46:06 - 46:18] [no speech detected]
[46:18 - 46:22] Oh I am so using those.
[46:22 - 46:26] I am so using those... those Akira...
[46:26 - 46:28] those Akira...
[46:29 - 46:33] Akira, Young... Young Yoka, Chance.
[46:33 - 46:38] God that's a mouthful. I've heard of the guy but they have his name as a fucking mouthful.
[46:38 - 46:41] Shout out to Akira though.
[46:41 - 46:52] [no speech detected]
[46:52 - 46:57] Oh I've used this Halloween one before. I fucking love that one. Yes.
[46:58 - 47:01] [no speech detected]
[47:01 - 47:04] Oh okay got a Japanese bow in there.
[47:04 - 47:24] [no speech detected]
[47:25 - 47:28] Alright let's reverse that.
[47:28 - 47:31] Let's reverse that swell.
[47:31 - 47:38] [no speech detected]
[47:38 - 47:40] Let's hear how that sounds.
[47:40 - 47:49] [no speech detected]
[47:49 - 47:51] Yes.
[47:52 - 47:55] Oh my God. Yes.
[47:55 - 48:06] [no speech detected]
[48:06 - 48:08] That shit sounds...
[48:08 - 48:11] beautiful.
[48:11 - 48:14] Hell yes.
[48:14 - 48:18] [no speech detected]
[48:19 - 48:22] I was saying that that's what I did, yeah I did.
[48:22 - 49:42] [no speech detected]
[49:43 - 49:48] I love trap music, I'm not big on making it bro, it never really was.
[49:48 - 49:53] I know how to make beats for it, that's simple, that's fun to do but actually
[49:53 - 49:56] they can trap songs.
[49:56 - 49:58] It's just not my thing dude.
[49:58 - 50:05] I'm more like into doing like you know Little Peep, Lincoln Park.
[50:05 - 50:11] And I know a lot of people are going to give me shit for this but stuff like what Billie Eilish does.
[50:12 - 50:17] Actual good stuff, not the whole oh I'm going to murk you in this and that and that ain't me.
[50:17 - 50:30] [no speech detected]
[50:30 - 50:34] Alright so this instrumental is done.
[50:34 - 51:34] [no speech detected]
[51:35 - 51:43] So that's rendering I'm going to switch over to here and show you guys what kind of stuff I enjoy doing.
[51:43 - 51:51] Let me show you all the reason why I fuck with guys like Al Church and Billie Eilish and all of them.
[51:51 - 51:59] In case you guys are wondering, yes I do play Spellbreak. I haven't played it in a while but it's still fun as fuck.
[51:59 - 52:01] And holy shit this thing is hot.
[52:02 - 52:05] [no speech detected]
[52:05 - 52:07] Young Dan, this thing is hot.
[52:07 - 52:15] [no speech detected]
[52:15 - 52:17] That was good.
[52:17 - 52:25] [no speech detected]
[52:26 - 52:33] Let me show you all one of my personal version. Yes, I know I did this one earlier but this right and shout out to Church on this one man.
[52:33 - 52:37] [no speech detected]
[52:37 - 52:45] If you guys caught my live on YouTube last night y'all see why I did this song.
[52:45 - 52:53] [no speech detected]
[52:54 - 52:57] And Michael Gruos, screw off dude.
[52:57 - 53:00] [no speech detected]
[53:00 - 53:04] Now hold on, before I start the song I like this quote right here.
[53:04 - 53:09] And I want this song for you guys to think about too man.
[53:09 - 53:15] [no speech detected]
[53:15 - 53:18] This is something for y'all to think about too.
[53:19 - 53:25] A world of culture vultures isn't scary. A world without cultures to be vultures towards.
[53:25 - 53:32] Now that's scary. But who's to say it's actually a vulture? Maybe it's an innovator.
[53:32 - 53:38] Vultures pick at things dead on the ground, on the road. Innovators pave new lanes.
[53:38 - 53:44] So who's the enemy? The vulture or the innovator? Think about that.
[53:44 - 53:48] [no speech detected]
[53:48 - 53:51] And Mike this is also aimed at you bro.
[53:51 - 53:55] [no speech detected]
[53:55 - 53:58] And no it ain't Michael.
[53:58 - 54:04] What you saying ain't true though. Matter of fact this is actually for people like you that doubt me.
[54:04 - 54:09] It's for all the motherfuckers like you that fucking doubt me and people like church.
[54:09 - 54:14] Shout out church man.
[54:15 - 71:13] [no speech detected]
[71:13 - 71:19] Okay, that's actually good. I'm just going to take some reverb
[71:19 - 71:22] for the auto tune.
[71:22 - 71:46] [no speech detected]
[71:46 - 71:50] That sounds good.
[71:50 - 72:51] [no speech detected]
[72:51 - 72:53] Okay.
[72:53 - 72:59] [no speech detected]
[72:59 - 73:02] Alright, so what we're going to do is this.
[73:03 - 73:04] So I've got
[73:04 - 73:06] that set.
[73:06 - 73:11] So we're actually going to switch out real quick.
[73:11 - 73:15] [no speech detected]
[73:15 - 73:17] Because I want to do something here.
[73:17 - 73:31] [no speech detected]
[73:32 - 73:34] We're going to do something a little bit different here.
[73:34 - 73:54] [no speech detected]
[73:54 - 73:57] We're going to do something a little different.
[73:58 - 75:12] [no speech detected]
[75:12 - 75:16] Where is my other headphones?
[75:17 - 75:21] [no speech detected]
[75:21 - 75:24] Oh, they're right here.
[75:24 - 75:27] Alright, so what we're going to do, y'all, is we're going to do this.
[75:27 - 75:31] Because I do actually have it set up to where I can do shit
[75:31 - 75:33] on my phone.
[75:33 - 75:35] We're about to record a song on here.
[75:35 - 76:44] [no speech detected]
[76:44 - 76:47] As you guys can see, I do have
[76:47 - 76:50] a phone right here.
[76:50 - 76:54] We're about to go through some instrumentals here and see what we can find.
[76:54 - 78:58] [no speech detected]
[78:58 - 78:59] Alright, here we go.
[79:01 - 79:26] [no speech detected]
[79:26 - 79:28] Let's do it everyone.
[79:29 - 79:34] [no speech detected]
[79:34 - 79:37] I'm looking for one that can do rock vocals too.
[79:37 - 79:40] Oh yeah, this might work.
[79:40 - 79:42] [no speech detected]
[79:42 - 79:44] Oh, that is perfect.
[79:44 - 79:47] Let's go.
[79:47 - 79:49] Let's get it man.
[79:49 - 80:21] [no speech detected]
[80:22 - 80:26] What is up with this? It's like a one in fucking record. What the fuck?
[80:26 - 80:37] [no speech detected]
[80:37 - 80:41] Dude, the effects on this thing aren't even fucking working. What the fuck?
[80:41 - 82:40] [no speech detected]
[82:41 - 82:46] Alright, that's a good one. Alright, we got an idea now. Alright, let's go here.
[82:46 - 83:17] [no speech detected]
[83:17 - 83:21] Alright, we got our rock track. Let's go.
[83:21 - 103:21] [no speech detected]