Original upload date: March 16th, 2022 (automatically grabbed from title)
[0:00 - 0:25] Good morning, everybody. I'm ready to do it on this Tuesday morning, man. What is good?
[0:25 - 0:51] How's everybody doing today, man? What is over? What is over? What is up?
[0:51 - 1:00] First off, to anybody out there that got told that I'm dead or that I was in the hospital or whatever.
[1:00 - 1:06] Clearly, I'm not. Clearly, I'm alive. Just so y'all know, just to clarify, I am alive and I'm well.
[1:06 - 1:20] This ain't no pre-recorded, you know, fucking AI bullshit. Like, that ain't what I am, dude. I'm real.
[1:20 - 1:43] Like, for real, dog. Like, I am legitimately real, bro. But I just wanted to say thank you to a lot of people that have actually stepped up and helped me out the last few days, man.
[1:43 - 2:03] People like my boy Steve and his wife that are now two of my gaming partners and shit. Like, they're actually part of a team that I'm with on Fortnite now, so I shot the young man, shot Steve and his wife, man. What's good, y'all?
[2:03 - 2:22] You know, I fucking love you guys. But, you know, I want to give a huge, huge shout out to Life Giant Films, man, and the dude that runs it, you know who you are, brother.
[2:22 - 2:50] But let me tell you something, man. The reason why I say the biggest thank you to Life Giant Films is this man is a major key player, and I mean a major key player in the industry of freaking Netflix, of film work, of production.
[2:50 - 3:04] And let me tell you something, man. When I first met this dude, I was skeptical as fuck. Wait, I was skeptical as shit. I thought this was just another dude talking out his ass, running his mouth.
[3:04 - 3:13] But let me tell you, man. I'm glad that I picked up that call. When this dude called in, I'm glad that I picked it up.
[3:13 - 3:24] But let me tell you something, man. I learned a lot from this guy. I sat down, had about a three to four hour conversation with this man.
[3:24 - 3:45] And let me tell you, dude. I learned more about myself and about what I could be doing and need to be doing in those four hours. And this man helped me out more in those four hours than half the motherfuckers that have so called try to help me.
[3:45 - 3:56] People like Eric Scruggelow, no offense to you, Scrub. As a friend, you're a good dude. But as business, not so much. Like I'm not saying you're a bad guy.
[3:56 - 4:08] You're one of my best friends. Always have been and you always will be. I'm just saying, dude. As a person of business, no offense, bro. But you need to find a different lane.
[4:08 - 4:19] You need to find a different line of work as far as like, you know, music business skills. You need to find a different, a different lane of work.
[4:19 - 4:34] Not there's anything wrong now. I'm just saying, bro. Like you're a good dude. You're one of my best friends, like I said. But no offense, bro. But as a businessman, no offense. I'm just going to put it bluntly. You fucking suck.
[4:34 - 4:50] But like, you know, people that have steered me down the wrong path for fucking years from the very get go. People have made promises to me that they cannot keep.
[4:50 - 5:05] Tell me, oh, you know, well, I'll get you, you know, all this air play, I'll, you know, get you on the cover of magazines and this and that and the other and blah, blah, blah.
[5:05 - 5:25] And yeah, here I am several years later, I do. Where's the shit out, man? Where's the fucking record deals? Where's the magazine covers? Where's, you know, where's the air play out, man?
[5:25 - 5:44] Like, I've had all these motherfuckers making deals and promises to me that they cannot keep. Well, let me tell you, man, this motherfucker helped me out, like I said, more in the last four hours than this man has ever had, than anybody that has, quote unquote, tried to help me.
[5:44 - 6:00] Keyword tried to help, and I put down quotes because they didn't help. They were just out to fucking use me. That's why, you know, I put the quotes because they helped when really they were just out for their own selfish game.
[6:00 - 6:22] But let me tell you, man, it feels good to put the old me to fucking rest for good. Like, it really does feel good to actually, you know, do shit that I enjoy doing.
[6:22 - 6:42] Like, because of this man, I now have a future ahead of me. And yeah, I know people are gonna talk shit and say, like, oh, you're kidding, right? Like, this dude Joel here in the chat, I can tell already just by that one comment, this dude's fucking, he's a fanboy.
[6:42 - 6:58] He's a secret closet fanboy. I care fucking to you. That dude, though, just in the comments that y'all saw, that man is probably a secret fanboy.
[6:58 - 7:10] And I know a lot of these motherfuckers out there, they are haters, or are supposed haters. I know half y'all are really just fans.
[7:10 - 7:20] I know you guys are. 'Cause if y'all weren't, you wouldn't be constantly talking about me. You wouldn't constantly be checking my shit out.
[7:20 - 7:36] You guys are legit fans. So why don't you just come out and admit it, man? Y'all fucking, y'all head thing to my fucking music, y'all rock my music, you rock what I do, and there's nothing wrong with that, man.
[7:36 - 7:48] 'Cause let me tell you, man, when I spoke with this dude, he really showed me a lot about how people really look at me, what people think of me.
[7:48 - 8:01] And this man really put me on the right track to success. And I'm currently working with this man on that track to success, man.
[8:01 - 8:08] Yeah, it might take a while, but guess what, that journey will be fucking worth it.
[8:08 - 8:14] Like, I'm proud to be doing the shit that I'm doing.
[8:14 - 8:21] And I know a lot of people say, like, "Oh, you know, you put, you know, music artists like Ryan O Church on a pedestal."
[8:21 - 8:31] But, no, it's not that I'm putting that dude on a pedestal. Is he a favorite artist of mine yet? I rock the dude's music.
[8:31 - 8:36] I will admit that I fuck with Ryan O Church's music straight up.
[8:36 - 8:47] But the one thing that I watch him for isn't just for his music. The number one thing I watch him for is the shit that he says.
[8:47 - 8:56] Because "How The Shit He Says" is a legitimate fact.
[8:56 - 9:05] I get his brand new song, "Next To Red."
[9:05 - 9:14] That song is literally about people like myself that are coming up from nothing.
[9:14 - 9:28] That everybody fucking shits on, that everybody says, "Oh, you know, you'll never be anything. You'll never do anything."
[9:28 - 9:33] Like, there's a lot of symbolism in that music video.
[9:33 - 9:39] Like, with him wearing the Confederate soldier outfit
[9:39 - 9:52] and him having the bullet holes in him. Those bullet holes and him wearing that Confederate uniform, that Civil War uniform
[9:52 - 9:57] is basically him, you know what?
[9:57 - 10:05] You know what? I'll let Ryan speak for himself on this one.
[10:05 - 10:12] Let me show y'all right quick. Let me show y'all why I seriously respect Church.
[10:12 - 10:24] Let me show y'all why I fucks with this man.
[10:24 - 10:28] I don't remember where I heard it, but one time I heard somebody say,
[10:28 - 10:33] "You don't know that you can do something or achieve something until someone who looks like you
[10:33 - 10:39] achieves it or does it first." And even though I don't know who said it, or even when I heard it,
[10:39 - 10:45] it stuck with me for a long time. A select few of my songs are inspired by that quote.
[10:45 - 10:50] Because when I sit down and I write, you know, I'm thinking about a thousand things,
[10:50 - 10:55] but during some songs I write, that one thing pops up and it replays in my head.
[10:55 - 11:04] And it changes the dynamic of the song. One of those songs being "Holler Boys," another one being "Dirty South,"
[11:04 - 11:08] another one being "White Lightning," and a recent one being "Next 2 Red."
[11:08 - 11:15] When I get in this certain mindset of writing a song such as "Next 2 Red," I'm thinking about
[11:15 - 11:20] the people who are listening to the song. Not only am I thinking about those people,
[11:20 - 11:24] I'm imagining who they are, what they look like, what are they driving in,
[11:24 - 11:30] what are they going to do, where do they live. And like, while I'm envisioning it,
[11:30 - 11:35] it makes me see the similarities in the audience that's going to be listening to the song
[11:35 - 11:41] and me and my friends. How we grew up, our childhood, things we like to do, hobbies,
[11:41 - 11:46] how we treat our families, how we treat our friends, struggles we may have gone through
[11:46 - 11:51] that are similar. Anything that involves this atmosphere. I even think about, you know,
[11:51 - 11:57] how people have shit on me over the years and how a young kid who might have a dream of being
[11:57 - 12:04] a rapper or a singer or whatever and coming from the middle of nowhere, you know, ending up like
[12:04 - 12:12] me with fucking shitty gun tattoos all over me and stuff, you know? Like, what about that kid?
[12:12 - 12:18] You know, there's two types of musicians. There's the kind that want to get rich and love
[12:19 - 12:23] being what everyone wants them to be. And that's fine. That's what you want to do. That's cool.
[12:23 - 12:31] But there's other ones who don't care what anyone thinks. They don't care about money.
[12:31 - 12:37] They care about something that money could never buy. Something that changes somebody's life,
[12:37 - 12:44] not just their bank account or their wallet or their image. You know, my own image this whole
[12:44 - 12:51] time has been, I don't have an image because I don't want one nor do I need one. With me,
[12:51 - 12:58] I'm not trying to build an audience. I'm trying to let an audience know that I'm here. Whoever
[12:58 - 13:05] that audience is, no matter how big or small that audience is, the best way I can explain it is
[13:05 - 13:12] I'm kind of just standing over here being like, "Abo, I got you. Watch this. I'm gonna do this."
[13:12 - 13:20] They say, "I can't watch me do me fucking." No stunt doubles. And that's ultimately what made
[13:20 - 13:27] me right next to red. It's because I wanted to let the rednecks know that I'm not ashamed of
[13:27 - 13:32] being put in this group called rednecks or country motherfuckers or mountain men or whatever
[13:32 - 13:37] it is you want to call it. You know, people try to make fun of me all the time about it,
[13:37 - 13:44] but I feel sorry for that person because I'm just being exactly what I want to be.
[13:44 - 13:48] You know, you can say whatever you want to to me. I'm embracing what I am. I mean,
[13:48 - 13:55] look at the music industry. The dream of the music industry is to sign to a record deal, right?
[13:55 - 14:00] That's the big dream. I got signed by this person. Now, when getting signed is an idea,
[14:00 - 14:07] what's the first sentence that someone says? Oh, well, to get signed, you have to, have to, have to,
[14:07 - 14:13] you don't have to do nothing. You can build an image for yourself all day long, but the image
[14:13 - 14:20] is breakable. If you are what you are and your image is just what you are, that's when you're
[14:20 - 14:26] indestructible. Not only that, the message of the song in the entirety is showing someone else
[14:27 - 14:31] they can be exactly who they are and achieve what they want, regardless of what anyone says,
[14:31 - 14:34] and how you're supposed to show people they can do that without you being yourself
[14:34 - 14:39] and everything everyone else calls you. So let's get on with the symbolism.
[14:39 - 14:41] In the video, you see me wearing a Confederate soldier outfit.
[14:41 - 14:52] Because that's one of the things I get knocked for, for whatever reason. It doesn't have to do
[14:52 - 14:59] nothing with any military uniforms or anything. A lot of times, you're like, all the soft loss,
[14:59 - 15:03] you're fucking hillbilly and all this other shit. So I was like, you know what? I'm going to put it
[15:03 - 15:07] on. I'm going to put this Confederate soldier outfit on and I'm going to rap and I'm going to
[15:07 - 15:13] sing to you. You'll get the people that see imagery and shut it down and make a bunch of
[15:13 - 15:19] false assumptions. And then you'll get the more intelligent person that will listen to the lyrics
[15:19 - 15:24] and see that the message is for everyone. Now, I can't be everyone, but I can be me.
[15:24 - 15:28] So on to the next thing. A lot of people were like, who's they? Who is they? You know,
[15:28 - 15:34] Confederate outfit, they, they said, my next two read, they said, they said, who are you talking
[15:34 - 15:40] about? Sounds kind of suspicious. Somebody said, no, because when I'm saying they said,
[15:40 - 15:46] that's anybody who said it. Not just one type of person. Next two read,
[15:47 - 15:53] you take only white people as rednecks. No, there's black rednecks. There's Spanish rednecks.
[15:53 - 15:58] There's all kinds of gangster rednecks. There's all kinds of rednecks. The term redneck didn't
[15:58 - 16:03] even start in America. Did you know that? I did, which is why I put the symbolism of the red rag
[16:03 - 16:11] tied around the neck. Notice it's not a bandana. It's a shop rag. It's just a red cloth rag
[16:11 - 16:16] because that was a symbolism of people who were called rednecks way back in the day. And by the
[16:16 - 16:23] way, it wasn't nowhere around here, not even in the United States. It was way back in the 1600s
[16:23 - 16:28] in Scotland. Most people think redneck has to do with sunburned necks, but in fact,
[16:28 - 16:35] it actually starts in the 1600s during a religious war in Scotland. Protestant rebels signed
[16:35 - 16:41] manifestos in their own blood and then wore a red cloth around their necks to signify their
[16:41 - 16:48] rebellion. From there, redneck evolved to mean any Scottish Presbyterian. It only became a slur
[16:48 - 16:54] later when thousands of Scots-Irish Presbyterians arrived in America, where they weren't completely
[16:54 - 16:59] welcomed by the original English settlers. And that's just one example of a good old country
[16:59 - 17:03] expression that's popularly misunderstood. And I use that as symbolism in the video.
[17:07 - 17:12] Because I mean, okay, sure. You want to call me a redneck? And so you don't even know about what
[17:12 - 17:18] you were calling me. So go ahead. Hell, I like when people call me that. It's reminding everybody
[17:18 - 17:23] what I am and look how far I got being this. Not only that, this song and video is a narrative
[17:23 - 17:29] killer. It kills the narrative, man. And I'll tell you how, because if you look in the comments
[17:29 - 17:35] and you see what people say, like for instance, people will be like, oh, you fucking, oh, you
[17:35 - 17:41] racist, this, that and the other. I just text back, you are they. Whether it's a white person,
[17:41 - 17:46] a black person, a Chinese person, I just type back, you are they. You're exactly who I'm talking
[17:46 - 17:52] about. What I'm trying to do is kill the narrative for everybody using myself and what everyone
[17:52 - 17:57] else calls me. I'm trying to kill the narrative for young black men to know that not everybody
[17:57 - 18:03] who looks like me or calls herself a redneck dislikes you because you're black. And I'm also
[18:03 - 18:08] trying to kill the narrative for young white men. Saying, look at me, bro, missing teeth, fucking
[18:08 - 18:16] dipping, drinking Mountain Dew. Listen to how I talk. I'm a fucking rapper, dude. And if I can do
[18:16 - 18:22] this, then you can do any motherfucking thing. And that goes for anybody. Whether you look exactly
[18:22 - 18:30] like me or the polar opposite. Society manipulates the brain to weaken the heart, which kills the
[18:30 - 18:36] soul of a person, which is why in the music video, I got bullet holes all in me, all over me, but
[18:36 - 18:41] I'm still standing up and trucking out. So I seen a reaction. This guy was watching it. He was like,
[18:41 - 18:45] dang, he got a bunch of bullet holes in him. Is he like supposed to be a zombie or something?
[18:45 - 18:51] No, pretty much. I'm just I'm saying it doesn't matter how many times they try to shoot me down.
[18:51 - 18:56] I'm still gonna get up and keep walking towards what I believe in. What I'm walking towards and
[18:56 - 19:02] what I believe in is a form of unity that's never been created before. That's massive. The kind of
[19:02 - 19:08] unity that Elvis Presley believed in and Martin Luther King got shot for. The system may have
[19:08 - 19:14] told me my neck's too red and brainwashed a lot of people into thinking my neck's too red also,
[19:14 - 19:20] but what do they think you're too much of? Too hoody, too redneck, too northern,
[19:20 - 19:26] too west coast. They want you to think you're too much of something because it's too real for
[19:26 - 19:32] society. And if you're too real for society, you get too much respect. I mean, hey, you know.
[19:32 - 19:42] Now y'all see why I live my life the way that I do.
[19:48 - 19:56] Like, for real, man, like y'all y'all people that sit there and, you know, rip on me like,
[19:56 - 20:00] you know, like he said, you know, and like I was telling this dude last night,
[20:00 - 20:04] you know, when I sat down and I talked with this dude.
[20:04 - 20:14] Um, you know, I straight out someone and he agreed with me on something.
[20:15 - 20:22] That y'all motherfuckers that talk shit on me, you only know me on YouTube and social media.
[20:22 - 20:29] You don't see the countless hours of hard work that I put in when I'm not on there.
[20:29 - 20:37] My motherfucker, I'm over here pulling four or five days of work with a few hours of fucking
[20:37 - 20:45] sleep in between. I'm over here pulling 48 hours on a couple hours of sleep and a shit ton of coffee.
[20:45 - 20:53] I'm over here busting my fucking ass. Like, you know, like he said,
[20:53 - 21:02] does money help when you when you're doing music? Yeah, absolutely, it does. But ultimately,
[21:02 - 21:09] my ultimate goal isn't to just make money, all right? That's not why I started doing music.
[21:09 - 21:15] I started doing music for motherfuckers like myself that ain't got shit. Motherfuckers like me that,
[21:15 - 21:25] you know, have been through depression, have actually attempted and survived suicide many
[21:25 - 21:31] times over for that kid that sits in school in the back of the class and is thinking about
[21:31 - 21:36] taking his own life because of fucking shitty people that he is around every fucking day.
[21:36 - 21:44] I do my music for the fucking kid that ain't got shit, who feels like he can't get nowhere.
[21:44 - 21:52] Those are the motherfuckers that I do it for. Yes, I love doing it for money.
[21:52 - 21:56] Don't get it wrong. I love, you know, being able to provide for my family. I love that
[21:57 - 22:02] because I can give back to the people that gave me everything.
[22:02 - 22:11] But when it comes down to the songs themselves, whenever I write a song, I write that shit with
[22:11 - 22:17] the motherfuckers like I just spoke about in mind. The people like myself that ain't got shit,
[22:17 - 22:21] the people like me that struggle every day just to get out of fucking bed.
[22:22 - 22:30] I do it for that single mom that has a kid and is waking up every day, going to work two different
[22:30 - 22:36] jobs and trying to provide for her family and that kid that has big dreams and aspirations of,
[22:36 - 22:46] you know, doing something. I mean, hell, look at me, all right? I came from literally a backwoods
[22:46 - 22:53] country town in the middle of Washington State, man, out in Bellingham, Washington,
[22:53 - 22:59] little tiny-ass fucking town on the outskirts of Seattle, Washington State, out on a fucking
[22:59 - 23:07] cow farm in the middle of nowhere. And look at me now. I've got a good-ass deal going with a
[23:07 - 23:11] major player in a huge game and I'm actually doing well for myself.
[23:11 - 23:29] So for y'all dumb motherfuckers that think you know me or that want to sit there and talk shit
[23:29 - 23:36] on me, you really don't fucking know me. Yeah, sure, you may have put my life on YouTube and
[23:36 - 23:43] this and that and the other, but that don't mean you fucking know me. Sure, you may talk about
[23:43 - 24:02] my family and shit, but that don't mean you know my family. You know, like I told this dude last
[24:02 - 24:10] night, man, y'all trolls that want to talk shit, at the end of the day, where are you going with
[24:10 - 24:17] your life? And let me tell you something. I'll be straight up honest with you, man. How few
[24:17 - 24:24] motherfucking trolls, including Marty, remind me of my motherfucking dad. Because my dad
[24:25 - 24:31] is a drunk piece of shit. Wasting his life away drinking beer and booze and doing drugs
[24:31 - 24:35] and this and that and the other. Wasting his life away is what he's doing.
[24:35 - 24:44] Which is exactly what you motherfuckers are doing. Wasting your life away. For what?
[24:44 - 24:53] Like y'all ain't doing nothing. Y'all ain't going nowhere. You're just wasting your life
[24:53 - 25:04] away for bullshit. While I'm over here and have been over here day in and day out, busting my ass,
[25:04 - 25:11] trying to get somewhere, trying to do something, trying to be something. What are y'all
[25:11 - 25:18] motherfuckers doing? Running your mouths talking shit, doing the same shit, day in and day out.
[25:21 - 25:27] And to the motherfuckers that want to sit there and say, for me to get a regular job,
[25:27 - 25:36] well, let me tell you, bro, I do have a job. Same as you. All right? Y'all get up at 7 a.m.
[25:36 - 25:42] I get up at 7 a.m. Y'all take a shower and eat breakfast and get ready for work. I do the same
[25:42 - 25:50] damn thing. The only difference between my job and yours are two things. One of them being y'all do
[25:50 - 25:58] whatever 9-to-5 job y'all do and mine being music. And the fact that y'all punch in a tongue in a
[25:58 - 26:10] fucking tom clock. You guys punch in a tom clock every day. I don't. But aside from those two
[26:10 - 26:16] things, I wake up in the morning, same as you. I get ready for work, same as you. And at the end
[26:16 - 26:24] of the day, I sleep in my bed, same as you. There ain't no motherfucking difference between what we do.
[26:24 - 26:37] Like I said, the only difference between me and you guys that talk shit and say and tell me to
[26:37 - 26:44] get a job, like I said, the only difference is the jobs that we do and the fact that y'all punch in
[26:44 - 26:48] a tom clock and I don't. That's the only difference.
[26:48 - 27:02] But as for Life Giant films, man, I want to say thank you, brother, man,
[27:02 - 27:07] for, you know, giving me the opportunity that you gave me, dude. Like I can honestly say, bro,
[27:08 - 27:15] I am beyond humbled. I'm beyond grateful and thankful that, you know, you're helping me out
[27:15 - 27:21] the way that you are, man. Because it really does, you know, mean a lot that, you know,
[27:21 - 27:26] you didn't have to. Like you didn't have to reach out to me, but you did. And I can honestly say,
[27:26 - 27:36] man, I'm glad that I did respond. I'm glad that we are talking. Because you provided me with
[27:36 - 27:42] an opportunity that I'm taking very seriously and an opportunity that I'm taking advantage
[27:42 - 27:46] of and I'm knocking the hell out of the park and getting somewhere with.
[27:46 - 28:00] Because far too long, I've let, you know, so many opportunities pass me by because of all the
[28:00 - 28:08] bullshit. And it feels good to be back from where I belong and doing what I should be doing,
[28:08 - 28:14] which is my music, my artwork and hanging out with my friends and family.
[28:14 - 28:19] And I can also say I appreciate the living shit out of you for helping me out with that shit,
[28:19 - 28:25] bro. And the fact that you're helping push my shit in the right direction,
[28:25 - 28:37] I fully appreciate that. 100%. And also, I want to give an even bigger shout out
[28:37 - 28:43] to the real ones that have helped me down, man. All the real motherfuckers that have had my back,
[28:43 - 28:49] like my brother Adam from across the pond, shout to my motherfucking brother Adam. What's good,
[28:49 - 28:55] bro? You know I love you, dog. You know I love you, bro. Shout out to my motherfucking brother
[28:55 - 29:03] from across the pond, Adam, my boy Clint from Australia, my best friend and brother of 16
[29:03 - 29:13] years, Jake. My two childhood best friends who are actually a couple and have been dating since
[29:13 - 29:22] we were kids, Marky and Rachie, aka Marcus and Rachel, Marky and Rach. I fucking love you guys.
[29:22 - 29:32] Thank you. Fucking my best friend Ellie and her mom Jane from over in fucking Scotland.
[29:32 - 29:39] Fucking love you guys. You guys have had my back. My boy Travis said,
[29:40 - 29:44] and speaking of what, Travis, if you are watching this, man, I am going to be sending out your
[29:44 - 29:49] artwork to you as soon as I possibly can, bro. First chance I get, I'm sending you that shit,
[29:49 - 29:57] so don't worry, I got you. But like, you know, people like my boy Crypt K, Michael,
[29:57 - 30:02] another good friend of mine, Charity.
[30:06 - 30:13] You know, all y'all motherfuckers that have had my backs, and I mean, genuinely had my back,
[30:13 - 30:16] and do still have my back, I appreciate.
[30:16 - 30:23] Like, y'all motherfuckers have my back, whether it's here on Facebook, whether it's on Discord,
[30:23 - 30:30] you know, whether it's on, you know, Reddit, YouTube, Twitter, Tumblr, whatever it is.
[30:31 - 30:37] You know, y'all motherfuckers having my back means a lot.
[30:37 - 30:46] It really fucking does. So in a way, Marty was right.
[30:46 - 30:57] In a way, Marty was very right. Part of me is dead. And the part of me that's dead is the old me.
[30:57 - 31:05] This, you know, Cyrax is dead, gone, finito, adios, see you later. Ain't never coming back.
[31:05 - 31:13] All right, because the reason why I abandoned the whole Cyrax
[31:13 - 31:18] persona is because it's attached to negative stuff.
[31:22 - 31:28] It's attached to negativity and a lot of fucking shit that I've been through that I don't want
[31:28 - 31:40] to go through again. That's why I am detaching myself from that name entirely.
[31:40 - 31:49] And I'm going under a whole new name that I am not revealing yet, except to very certain,
[31:49 - 31:56] very, very specific certain people that know what's going on. Those people that I want to know
[31:56 - 32:01] already know and that love the name that I'm running with.
[32:01 - 32:10] So just know that I got big things in the fucking works.
[32:17 - 32:23] And that motherfuckers like Marty ain't doing shit to stop me this time around.
[32:23 - 32:26] Because like I said before, this time I got fucking back up.
[32:26 - 32:34] And I'm on the right track to success. And I have no intentions on stopping.
[32:34 - 32:45] I have no intentions whatsoever on stopping. So if you're a hater, I'm giving you two choices.
[32:46 - 32:53] Either save yourself and get the hell out of the way or get run the fuck over because I
[32:53 - 32:58] ain't stopping for no motherfucking money. I ain't stopping for you. I ain't stopping for Marty.
[32:58 - 33:05] I ain't stopping for no motherfucking money. All right. I want to pass to success and I'm
[33:05 - 33:10] going to reach that goal. I don't care who I have to go through. I don't care who I have to run
[33:10 - 33:16] over that's getting in my way to stop me. If you're a hater and you're in the way,
[33:16 - 33:20] well guess what? You're getting run the fuck over because I ain't backing down for shit.
[33:20 - 33:39] Like I am not going nowhere. I got brand new music that I'm working on. I've got a whole bunch
[33:39 - 33:45] of shit that I'm doing that I've been doing the last few days since talking to this dude.
[33:45 - 33:52] And let me tell you, things are looking good. Things are looking real fucking good right now.
[33:52 - 33:59] Real good. Not just for myself, but in the long run for my family
[33:59 - 34:05] and for my friends and the people that I want to help out.
[34:07 - 34:16] Things are starting to look real good all the way around.
[34:16 - 34:26] So to y'all that said that I want to be nothing
[34:26 - 34:32] or do anything with my life, I just got one thing to say to y'all.
[34:36 - 34:40] And it's in the form of this. It's in the form of this right here.
[34:40 - 34:55] And what I got in the city, y'all motherfuckers that want to rip on me,
[34:55 - 35:01] is in the form of this song right here by church. Shout out to Up Church, man. Shout out to the
[35:01 - 35:06] motherfucking Crete squad, man. You know I fucking love y'all, man. Shout out to my fucking Crete
[35:06 - 35:08] squad family.
[35:08 - 35:19] [Music]
[35:20 - 35:34] They said my neck was doing it. Yeah, they said my dream was getting in.
[35:34 - 35:42] They said people like me don't trip. Said my mind won't ever get in.
[35:42 - 36:04] He said my neck was doing it, neck to neck, boy neck to neck, my neck's doing it.
[36:04 - 36:30] [Music]
[36:30 - 36:48] They said my neck was doing it. Yeah, they said my dream was getting in.
[36:48 - 36:56] They said people like me don't trip. Said my mind won't ever get in.
[36:56 - 37:18] They said my neck was doing it, neck to neck, boy neck to neck, my neck's doing it.
[37:18 - 37:36] They said my neck was doing it. Yeah, they said my neck was doing it.
[37:36 - 38:00] Yeah, they said my neck was doing it. Yeah, they said my neck was doing it.
[38:00 - 38:10] Yeah, they said people like me don't trip. Said my mind won't ever get in.
[38:10 - 38:28] He said my neck was doing it, neck to neck, boy neck to neck, my neck's doing it.
[38:28 - 38:52] Yeah, they said my neck was doing it. Yeah, they said my neck was doing it.
[38:52 - 39:21] Now, this one right here, I'm about to do this one my motherfucking self, man.
[39:21 - 39:38] See if I can find it here.
[39:38 - 40:07] See, you should have like a lyrics video, audio singles, let's see what we got here.
[40:07 - 40:32] This one right here is for all the haters, man. All y'all want to run up on me? This is what y'all get.
[40:32 - 40:39] I get some Wainry, I can kill a man. But I remember my place and still I stand.
[40:39 - 40:46] Even though they pissed me off and kicked me down, I know it's on me 'cause I think I'm kind of wicked sound.
[40:46 - 40:49] What a heavy face. Y'all hear me? 'Cause I'm doing it y'all. Y'all hear me?
[40:49 - 40:53] 'Cause I run it for the, run the buzz, I'm through the rhythm of the song.
[40:53 - 40:57] What a sign of the god. What does he think he is? What does he can't hold to give me back?
[40:57 - 40:59] Just like that, I don't really like this shit. So what?
[40:59 - 41:03] I cannot help it, I don't kill it, so I'm a real y'all.
[41:03 - 41:06] Just like you cannot help it, I ain't got a little flow.
[41:06 - 41:09] But I'm still going there, my flow is still flow.
[41:09 - 41:13] Make a good lady, I'll make you look like you bite the pillow.
[41:13 - 41:17] So fuck you haters, dare they, I'll make you a baddie.
[41:17 - 41:20] 'Cause I'm as great as you doin' today, you're never losing facts.
[41:20 - 41:23] He said everybody hatin' on me when I'm broke.
[41:23 - 41:27] Hold up a second, pussy, that's something I gotta know.
[41:27 - 41:30] When you look at my face.
[41:30 - 41:33] Are you mad 'cause I'm doin' it, y'all?
[41:33 - 41:37] 'Cause I'm mad when you look at my face.
[41:37 - 41:41] Are you mad, white man?
[41:41 - 41:44] When you look at my face.
[41:44 - 41:47] Are you mad 'cause I'm doin' it, y'all?
[41:47 - 41:51] 'Cause I'm mad when you look at my face.
[41:51 - 41:56] Are you mad, white man?
[41:56 - 41:59] I'm one of the best, but they chargein' me.
[41:59 - 42:03] Oh no, they all know that they musically can't fuck with me.
[42:03 - 42:06] There ain't no part of me I couldn't see.
[42:06 - 42:08] Now I'm lucky 'cause I'm gonna wait.
[42:08 - 42:12] When I touch your feet, your jaws drop.
[42:12 - 42:15] If they stomp, just go low, look at me.
[42:15 - 42:17] And they wish that they ain't really my throne.
[42:17 - 42:20] But I made it so narrow, that I'm hit 'til they clear me out.
[42:20 - 42:24] I need your sleep and the old chuzzles, and they're gettin' near me now.
[42:24 - 42:27] Can't but make up for the body that'll guide me.
[42:27 - 42:30] Don't know how I became as human as inside me.
[42:30 - 42:34] Don't even try me, I'm gonna take you lightly.
[42:34 - 42:37] Do something, you want to do something, you want me, come and find me.
[42:37 - 42:41] Now I am gettin' down, look at my face, man, I see the mask.
[42:41 - 42:45] I may be young, but I see some shit that'll make you see the mask.
[42:45 - 42:48] It's for surprise, y'all better watch your words.
[42:48 - 42:51] I don't fuck with him, but he said she said no question, I got you, sir.
[42:51 - 42:57] When you look at my face, are you mad 'cause I know when you're young?
[42:57 - 43:01] Because I'm mad when you look at my face.
[43:01 - 43:04] Are you mad, a white man?
[43:04 - 43:11] When you look at my face, are you mad 'cause I'm too young?
[43:11 - 43:15] Because I'm mad when you look at my face.
[43:15 - 43:19] Are you mad, a white man?
[43:20 - 43:30] And that's facts, dude, that is straight fuckin' facts.
[43:30 - 43:37] While I'm out here doin' my shit, doin' my music, puttin' in my hours, puttin' in my hardass work,
[43:37 - 43:40] like I said in the beginning of this stream, man,
[43:40 - 43:43] what are you fuckin' lame-ass trolls doin'?
[43:43 - 43:45] Nothin'.
[43:45 - 43:50] Y'all are doin' a bunch of high school fuckin' bullshit.
[43:50 - 43:55] Talkin' 'bout, oh, he said this, he said that, oh, he's doin' this, oh, he's doin' that,
[43:55 - 43:59] oh, he's not doin' this, he's not doin' that.
[43:59 - 44:03] Dude, no one gives a fuck about what you don't fuck sink.
[44:03 - 44:06] Clearly no one gives a shit.
[44:06 - 44:11] Honestly, just like church, I feel bad for you motherfuckers,
[44:11 - 44:16] 'cause y'all ain't got nothin' better to do with your lives than to talk shit on motherfuckers.
[44:16 - 44:21] People like me that are actually out here doin' shit.
[44:21 - 44:29] Bro, I created a whole fuckin' genre of music back in 2018, alright?
[44:29 - 44:35] I created a whole new motherfuckin' genre of music that I am bringin' back from the dead,
[44:35 - 44:38] that I am reopening.
[44:38 - 44:44] I'm takin' it from the old Shadow Blade name and I'm bringin' it into the fuckin' new one.
[44:44 - 44:51] Alright, I created a whole new fuckin' genre of music combining all styles of EDM into one fuckin' sound.
[44:51 - 44:55] And half y'all motherfuckers can't even do that.
[44:55 - 45:06] And y'all wanna sit here and talk shit on me?
[45:06 - 45:08] Well, let me tell you something, man.
[45:08 - 45:13] When you motherfuckers can create a new genre of music,
[45:13 - 45:18] play an instrument, or do the shit that I fuckin' do,
[45:18 - 45:23] or make a fuckin' song that actually has a thousand plus fuckin' views,
[45:23 - 45:26] then we can fuckin' talk.
[45:26 - 45:33] When you actually get big deals like the one I got goin' on right now,
[45:35 - 45:40] with Life Giant Films, then come fuckin' say something.
[45:40 - 45:49] When you have a major fuckin' deal goin' on with somebody big like Life Giant Films
[45:49 - 45:53] that has actually done sound music, matter of fact,
[45:53 - 45:58] let me show y'all one of the trailers that they did the music for.
[46:04 - 46:07] Let's see if y'all recognize...
[46:07 - 46:30] Let's see if y'all recognize this trailer right here.
[46:31 - 46:33] Oh, Disney Cheez-it.
[46:33 - 46:50] Y'all recognize this trailer right here?
[46:50 - 46:53] Let's see if y'all recognize this trailer right here.
[46:53 - 47:01] Evan McCauley.
[47:01 - 47:07] Diagnosed with schizophrenia at 14.
[47:07 - 47:13] After covering the words, look inside into your chest with a box car.
[47:13 - 47:16] Look inside.
[47:19 - 47:21] Why those words?
[47:21 - 47:27] Which one of these is yours?
[47:27 - 47:33] You can skip whatever the hell this is because none of that is mine.
[47:33 - 47:40] You gotta hear that music playing in the back.
[47:40 - 47:41] Was it yours?
[47:41 - 47:43] I don't know what you're talking about.
[47:43 - 47:45] Jesus!
[47:45 - 47:50] Every time you say, "I don't know," this trigger gets good.
[47:50 - 47:52] Is it yours?
[47:52 - 47:53] But I don't know.
[47:53 - 47:55] Are you out of your mind?
[47:55 - 47:58] Last time, second.
[47:58 - 47:59] Is.
[47:59 - 48:00] This.
[48:00 - 48:03] Yours!
[48:03 - 48:11] Hello, old friend.
[48:12 - 48:15] Oh, you're kidding.
[48:15 - 48:23] Now, y'all heard that music in the back.
[48:23 - 48:26] That's the kind of shit that they fucking do.
[48:26 - 48:35] So, trust what I say, I'm rolling with some big fucking names.
[48:40 - 48:43] I'm doing quite fucking well for myself.
[48:43 - 48:52] So, for y'all motherfuckers that want to rip on me, think again.
[48:52 - 48:58] Because, like I said since the very motherfucking beginning, bro.
[48:58 - 49:02] I'm up here, y'all are down here.
[49:02 - 49:06] I ain't coming down to pick y'all motherfuckers up.
[49:09 - 49:11] The ones that roll with me?
[49:11 - 49:13] Shit.
[49:13 - 49:15] Bring y'all's asses up here to the motherfucking town, man.
[49:15 - 49:17] We're celebrating together.
[49:17 - 49:24] Every motherfucker that has held my ass down, that has actually done shit to help me,
[49:24 - 49:27] like my boy Christopher Frame, shout out to my boy Chris.
[49:27 - 49:28] What's good?
[49:28 - 49:29] AKA Nylit.
[49:29 - 49:30] What's good, bro?
[49:30 - 49:32] You know, people like that.
[49:32 - 49:38] People like my best friend from high school saying all the people that I mentioned previously
[49:38 - 49:39] that I'm close to.
[49:39 - 49:47] People like Rachel here, fucking my boy Norman here, man.
[49:47 - 49:49] Shit.
[49:49 - 49:56] Y'all motherfuckers, I'm bringing y'all to the fucking top with me.
[49:56 - 50:01] I ain't going up there by my motherfucking self, man.
[50:01 - 50:04] I'm bringing y'all motherfuckers with me.
[50:05 - 50:09] Because when I get somewhere, it ain't just a victory for me.
[50:09 - 50:14] It ain't just me getting somewhere, it's all of us getting somewhere.
[50:14 - 50:20] So I can honestly say this, man.
[50:20 - 50:25] Mad, mad, fucking mad shout out to Life Giant Films, man.
[50:25 - 50:27] Straight the fuck up, bro.
[50:28 - 50:35] Shout out to Life Giant Films, man, doing big fucking things, bro.
[50:35 - 50:39] Doing real big things.
[50:39 - 50:47] And, you know, also massive, massive shout out to my brother Matt.
[50:47 - 50:48] What up, Matt?
[50:48 - 50:52] And our good friend Tyler, who actually was them, shout out to Tyler.
[50:52 - 50:53] What's good, bro?
[50:56 - 51:02] But for real, man, y'all trolls think that you're doing something, but really, you're not.
[51:02 - 51:08] I ain't looking back in my motherfucking past, okay?
[51:08 - 51:11] I ain't looking back this way in my past.
[51:11 - 51:15] I'm looking that way, dead ahead, long term.
[51:15 - 51:22] See, while y'all are sitting here thinking short term of,
[51:22 - 51:26] "Oh, what can I do right now in this very minute?"
[51:26 - 51:28] I'm thinking long term.
[51:28 - 51:33] What can I do to affect my future in a positive way?
[51:33 - 51:42] What can I do to, you know, what can I do now that will have a positive influence on me tomorrow
[51:42 - 51:46] or, you know, like when I write a song, I'm constantly thinking,
[51:46 - 51:52] "How is this going to sound two or three years down the road?"
[51:52 - 52:00] "How is this soundscape piece that I created going to sound 30, 40 years down the road,
[52:00 - 52:04] 100 years, 200 years when I'm dead and gone?"
[52:04 - 52:08] Like, "How is this shit going to sound in the future?"
[52:08 - 52:11] That's what I'm focused on.
[52:12 - 52:18] But like I said, if y'all want to waste your lives away being idiots, that's on y'all.
[52:18 - 52:24] Because while y'all are living in the past, I'm living in the motherfucking future, bro.
[52:24 - 52:30] I'm living in the motherfucking future.
[52:30 - 52:35] And yeah, of course I'm living in the here and now, that's for sure.
[52:35 - 52:39] Obviously, you know, I think about what I can do right now.
[52:39 - 52:45] Like, as far as skills go, I have always, you know, had that mindset of like,
[52:45 - 52:48] "Okay, what can I do right now?"
[52:48 - 52:54] But that right now also translates into my future.
[52:54 - 53:00] And the sense of, "Okay, what can I do right now?"
[53:00 - 53:04] That would be good for me.
[53:04 - 53:08] That would impact my future in a good way.
[53:08 - 53:10] That's what I'm on.
[53:10 - 53:13] That's what I'm thinking every time.
[53:13 - 53:19] "What can I do now in the present that will affect my future in a positive way?"
[53:19 - 53:24] Or, "How can I top what I just did music-wise?"
[53:24 - 53:27] I'm always chasing that shit.
[53:27 - 53:31] So to all y'all trolls, man, keep on hatin', man.
[53:31 - 53:35] 'Cause Cyrax is dead. He's old news.
[53:36 - 53:40] Like Cyrax is dead and gone.
[53:40 - 53:49] The new me that ain't Cyrax and ain't connected to that shit is here and now.
[53:49 - 53:57] As of this moment, as of this stream, the minute that this stream started up,
[53:57 - 54:04] and the minute that this stream ends, from those points on, Cyrax is dead.
[54:04 - 54:08] Gone, finito, out the door.
[54:08 - 54:18] And the brand new me is born, again, for the second time.
[54:18 - 54:22] And let me tell you, I am looking back.
[54:22 - 54:29] So y'all trolls can waste your lives away all you want.
[54:29 - 54:35] Like, you can sit there, waste your life away, do whatever.
[54:35 - 54:39] But, let me tell you something.
[54:39 - 54:42] If you really want to get somewhere in life,
[54:42 - 54:46] if you actually really want to do something with your life,
[54:46 - 54:50] here's what you need to do, alright?
[54:50 - 54:55] Stop wasting your fucking life on bullshit that don't fucking matter.
[54:55 - 55:01] Stop wasting all your goddamn time on social media talking shit on people
[55:01 - 55:05] and being a shitty person.
[55:05 - 55:12] 'Cause being a shitty person, it don't get you very far at all.
[55:12 - 55:14] It really don't.
[55:14 - 55:20] Being a kind person gets you somewhere.
[55:21 - 55:28] I'm going to give you guys a quote that I live by.
[55:28 - 55:30] And this is on Tattoo Stores,
[55:30 - 55:37] and this episode of Tattoo Stores is actually involved Chester Bennington,
[55:37 - 55:45] R.I.P. to Chester, not R.I.P. to Chester.
[55:45 - 55:49] And he said this, and I live by this every day,
[55:49 - 55:54] you can have the best artwork in the fucking world.
[55:54 - 55:57] You can have the best artwork in the world.
[55:57 - 55:59] But if you have a shitty attitude,
[55:59 - 56:04] I'm not letting you come in anywhere near me with that needle.
[56:04 - 56:08] Same thing goes for me in the music industry.
[56:08 - 56:13] You can be the best vocalist, the best rapper, the best singer,
[56:13 - 56:20] the best beat producer, whatever, the best DJ, it don't matter.
[56:20 - 56:26] But if you got a shitty fucking attitude and you act like you're above everyone
[56:26 - 56:30] and then your mind ain't opening and you feel like,
[56:30 - 56:34] "Oh, it has to be this way and fuck what you think, blah, blah, blah."
[56:34 - 56:41] If you got a shitty fucking attitude, chances are I ain't going to fucking work with you.
[56:41 - 56:44] Or if I see that you're doing something stupid
[56:44 - 56:46] and you're treating people like shit,
[56:46 - 56:49] I sure as hell ain't going to work with you.
[56:49 - 56:53] But if I see that you're trying to help yourself
[56:53 - 56:58] or you're being good to other people
[56:58 - 57:02] and you're treating them with respect and dignity that they deserve,
[57:02 - 57:06] then yeah, I'm more than likely going to be like,
[57:06 - 57:09] "Yo, what can I help you out with? What do you got?
[57:09 - 57:13] What do you need help with?"
[57:13 - 57:16] So my advice to y'all, if you want to get somewhere
[57:16 - 57:19] and you want people to like you,
[57:19 - 57:23] stop being a shitty fucking person.
[57:23 - 57:26] Straight out, stop being fucking shitty to people
[57:26 - 57:38] and you might actually get somewhere.
[57:38 - 57:41] Like for real, y'all actually might get somewhere
[57:41 - 57:50] if you stop being a shitty fucking person.
[57:50 - 57:52] But as y'all, I'm about to bounce, man.
[57:52 - 57:54] I hope you guys enjoy your day, man,
[57:54 - 57:56] or your evening, or your afternoon,
[57:56 - 57:58] whatever you guys are out in the world, man.
[57:58 - 58:01] Shout-out to Black Giant Films, man.
[58:01 - 58:04] Again, bro, I seriously thank you for the opportunity, bro,
[58:04 - 58:08] and I can also say I'm enjoying what we got going, man,
[58:08 - 58:10] and I look forward to the future.
[58:10 - 58:14] 100% I'm looking forward to it.
[58:14 - 58:18] And, you know, mad shout-out to everybody that stood behind me
[58:18 - 58:23] and is still standing behind me for this very fucking day, man.
[58:23 - 58:27] Like, you know, shout-out to my best friend, Ellie, and her mom, Jane.
[58:27 - 58:30] Shout-out to my childhood best friend, Marcus,
[58:30 - 58:35] and his girl, Rachel, who I both grew up with.
[58:35 - 58:38] Shout-out to my boy, Christopher Friend.
[58:38 - 58:40] Shout-out to my brother, Matt.
[58:40 - 58:43] Rachel, not the Rachel that I grew up with,
[58:43 - 58:45] but the other Rachel, the ones here in the chat.
[58:45 - 58:47] Shout-out to you, girl.
[58:47 - 58:53] Shout-out to Norman, Norman Brandit.
[58:53 - 58:56] Shout-out to you, bro.
[58:56 - 58:59] Shout-out to my boy, Clint, what up, Clint?
[58:59 - 59:05] Shout-out to Charity, Michael, AK, Crip K.
[59:05 - 59:08] Shout-out to my buddy, Matt, Tyler.
[59:08 - 59:10] Shout-out to all y'all motherfuckers
[59:10 - 59:12] that have had my back since day one, man.
[59:12 - 59:17] Shout-out to my motherfucking brother, Anthony Motherfucking Burns,
[59:17 - 59:19] AK, Motivation Burns.
[59:19 - 59:23] Shout-out to you, big dog.
[59:23 - 59:27] Massive, massive shout-out to my motherfucking brother,
[59:27 - 59:32] to the fucking death of me, Adam.
[59:32 - 59:34] Man, mad shout-out to you, my dude.
[59:34 - 59:36] Mad shout-out to my bro, Dequan, man.
[59:36 - 59:38] What up, bro?
[59:38 - 59:40] Shout-out to my homie, Josie.
[59:40 - 59:41] Shout-out to my homie, Jose.
[59:41 - 59:42] What up, Jose?
[59:42 - 59:45] You know I'll see you, bro.
[59:45 - 59:47] Shout-out to all y'all, man,
[59:47 - 59:51] that have had my fucking back since day one.
[59:51 - 59:54] You guys have kept shit going,
[59:54 - 59:56] and I appreciate the living hell out of you guys, man.
[59:56 - 60:00] Straight up, I appreciate everything y'all do, 100%.
[60:00 - 60:03] So, let's get this shit.
[60:03 - 60:05] Let's get this shit live, John.
[60:05 - 60:09] Man, let's get this shit topping off.
[60:09 - 60:11] Let's fucking do shit.
[60:11 - 60:13] Let's, you know, get the ball rolling.
[60:13 - 60:15] Let's make shit happen.
[60:15 - 60:18] And to all the fans and everybody I just mentioned,
[60:18 - 60:21] man, let's fucking bring this shit up together, man,
[60:21 - 60:25] and show these guys that we can't be stopped.
[60:25 - 60:28] 'Cause like I said, I ain't just doing this all on my own.
[60:28 - 60:32] This is all of us doing this shit together, man.
[60:32 - 60:36] So, fuck these assholes that think they're stopping us, man,
[60:36 - 60:40] 'cause they ain't stopping shit.
[60:40 - 60:43] 'Cause like I said, I ain't just doing this for me.
[60:43 - 60:45] I'm doing this for all of us, man.
[60:45 - 60:48] Everybody that has helped me down and have my back,
[60:48 - 60:51] like I said, as I'm going up to the top of that mountain
[60:51 - 60:53] that I'm making my way out there
[60:53 - 60:56] to where I should have been the whole time.
[60:56 - 60:58] Dude, I ain't doing it alone, man.
[60:58 - 61:00] I'm dragging y'all motherfuckers with me.
[61:00 - 61:03] We're actually doing this shit.
[61:03 - 61:06] So, fuck these guys that want to try to hold me back.
[61:06 - 61:08] They ain't shit.
[61:08 - 61:11] Let's fucking get this, man.
[61:11 - 61:15] Let's do some fucking good.
[61:15 - 61:17] Peace.
[61:18 - 61:27] [no audio]
Transcribed by lolcow.city as id '2674' on August 16th, 2024
