2021-2-7 How i came up in Music and Made it as an independent artist

[0:00 - 0:07] and Chance. The person using the most slurs is called Chance or Cyraxx or Chance Wilkins.
[0:07 - 0:14] The person using the most slurs is called Chance or Cyraxx or Chance Wilkins.
[0:14 - 0:23] The person using the most slurs is called Chance Wilkins or Chance Wilkins or Chance Wilkins or Chance Wilkins or Chance Wilkins.
[0:24 - 0:30] The person using the most slurs is called Chance Wilkins or Chance Wilkins.
[0:31 - 0:38] The person using the most phrases is called Chance Wilkins.
[0:39 - 0:46] The person using the most phrases is called Chance Wilkins or Chance Wilkins or Chance Wilkins.
[0:47 - 0:54] The person using the most phrases is called Chance Wilkins or Chance Wilkins or Chance Wilkins or Chance Wilkins.
[0:55 - 1:01] The person using the most phrases is called Chance Wilkins or Chance Wilkins or Chance Wilkins
[1:02 - 1:17] The person using the most phrases is called Chance Wilkins or Chance Wilkins or Chance Wilkins or Chance Wilkins
[1:38 - 1:43] What's up guys?
[1:43 - 1:57] That is none of your business Gary.
[2:06 - 2:09] What's up guys? That's your boy now.
[2:09 - 2:22] I'm laughing my ass off at y'all idiots man.
[2:22 - 2:29] Y'all idiots like Marty running in your mouths.
[2:29 - 2:33] Y'all are some goofy motherfuckers.
[2:34 - 2:36] I do think...
[2:57 - 3:09] Now I do want to say thank you again to a deity who you know set up for me today against Marty that was fucking dope.
[3:09 - 3:17] Now, I do agree with what you said about Marty. I agree 100%.
[3:17 - 3:22] Alright so don't take this as me being offensive.
[3:23 - 3:31] Like you said, I didn't come up like you did at all so I hope you don't take offense to this. I really don't.
[3:31 - 3:49] I'm just kind of giving you the backstory on how I came up in the music industry and how I came up as ultimately an independent artist coming from being homeless with my family to doing what I'm doing now.
[3:50 - 4:02] And what you said is true. In order to be part of the music industry you do have to have money and this and that and you do have to suck dick and kid's ass.
[4:02 - 4:09] Which is not what I do.
[4:10 - 4:24] Like I said, you can ask Junior here, you can ask Squishy. See, I make music to help people because I've been through some very bad stuff in my life.
[4:24 - 4:34] I've been going through very abusive relationships. I've been in some very dark places.
[4:35 - 4:43] Nowadays, and this is just my perspective of a new independent artist myself.
[4:43 - 4:54] Nowadays, if you're not standing out, you're not really doing anything.
[4:56 - 5:05] People say that I have a Jonathan Davis tone to me. Some people say I have a little peep vibe to me.
[5:05 - 5:16] I try to work and weave in those two things. I try to work in those two different styles and people respect that.
[5:17 - 5:30] People respect what I can do. And like you said, I might not make it to mainstream industry status and I'm fine with that.
[5:31 - 5:47] Like you said, as long as I do what I love, then what does it matter what Marty and them say?
[5:47 - 5:54] It shouldn't matter what they say or do. I have a plaque already proving that I made it as an independent artist.
[5:55 - 6:03] As soon as I get my banking set back up, I'm going to start selling CDs and stuff like that to get my debut rock album out there.
[6:04 - 6:27] And then once that happens, I'm going to be finishing up. I just started working on my second album, a self-titled album.
[6:28 - 6:39] Cattleborn is more or less like the corn side of things. It's got that corn kind of vibe. So if you're in the corn doll, you'll kind of see where that comes in.
[6:39 - 6:48] But with scar tissue, it's more or less on the side of a little peep and stuff like that.
[6:51 - 7:03] And nowadays you don't really need the money to make it in music. Like if you have a home studio, like I literally have a home studio that isn't really much.
[7:03 - 7:11] I've got a freaking microphone which is kind of way over on my bed with my headphones and then a MIDI keyboard and FL studio.
[7:12 - 7:20] I have literally the bare minimum stuff. I literally have the bare basic stuff.
[7:20 - 7:29] And people enjoy what I do. I create all kinds of weird, strange music that people just gravitate towards.
[7:29 - 7:36] I'm not trying to be mainstream. I actually like being independent and being underground.
[7:37 - 7:49] Because of the fact that it allows me to do what I want. I get to keep the masters. I get to keep 100% of what I make without being screwed over.
[7:49 - 8:03] And that's why I enjoy being able to run my own stuff and be an independent artist because I can do any style I want without getting judged.
[8:04 - 8:08] Like I can sit there and do any style that I want to do.
[8:08 - 8:15] Like if I'm feeling like doing some classical work or if I feel like doing some club type stuff.
[8:15 - 8:24] Or if I feel like doing some emo rap or if I feel like doing some rock or metalcore or whatever.
[8:25 - 8:33] It is what it is. Like I said, I'm not looking to go global mainstream.
[8:33 - 8:44] I'm kind of trying to do what Tom McDonald does. He's controversial.
[8:44 - 8:51] And nowadays in the music industry you kind of got to be controversial to stand out.
[8:53 - 9:00] Like I said, I'm not trying to disrespect you. I have nothing but respect for you. I love your music. I love your work. I have nothing but respect for you.
[9:00 - 9:20] Like 100%. And like I said, being mainstream is not what I'm about. Yeah, I know. I'm waiting for him to get in here.
[9:21 - 9:30] That's why I'm waiting for Spanke to get his ass up in here. Hey man, what's up?
[9:38 - 9:50] But you know, like I said, I enjoy being an underground artist because I get to connect with the fans. I actually get to sit down and explain.
[9:50 - 9:57] Yeah, I know. I've just seen that. Thank you for showing me that.
[9:58 - 10:07] Matter of fact, you know what? I'll let Tans check this one. Hey babe, you want to do the honors?
[10:07 - 10:09] Yeah, you want to do the honors?
[10:09 - 10:34] That's my girl.
[10:34 - 10:49] No, she is not Jasmine. Jasmine is from New Zealand.
[10:49 - 10:56] Two totally different parts of the globe. Jasmine's from New Zealand.
[10:58 - 11:05] Tangerine is from, all I'm going to say is UK. I'm not going to say where, but it's from the UK.
[11:23 - 11:33] But you know, like I said, I enjoy being an independent artist because yes, I look weird. I may be deformed. Yeah, I get that.
[11:36 - 11:56] But at the end of the day, I get to live my dreams of being an independent artist and Marty goes down the drain while me and my girl kick back, relax and invest in what we want to do with our lives.
[11:57 - 12:06] Yeah, like I love being an independent artist. I love it because it gives me total creative freedom, which I love.
[12:16 - 12:27] Sounds like the British one. What British one are you talking about, dude?
[12:27 - 12:40] Like, I don't think there's anybody who's British that gets on. Hey, all right, so you're talking about when Tange got on the Marty stream. I know about that. I know about when she got on Marty stream because I was there.
[12:41 - 12:51] And then I had to leave because Marty was getting under my skin, so I had to step away and remove myself from the situation while she handled the rest.
[12:51 - 12:58] So it's all good, man. Don't worry. It's all good.
[12:58 - 13:05] Oh, what the fuck?
[13:05 - 13:09] Nasty ass.
[13:10 - 13:15] God, some of y'all are fucking weird, dude.
[13:15 - 13:21] Some of y'all are just straight fucking weird.
[13:21 - 13:37] Yeah, she did. I will give her that, man. My girl knows how to handle herself.
[13:37 - 13:39] Oh, herself.
[13:39 - 14:01] Oh, everyone.
[14:01 - 14:02] Yeah.
[14:02 - 14:24] You know, like I said,
[14:24 - 14:27] you know, the music I do,
[14:27 - 14:29] like I said,
[14:30 - 14:34] I don't enjoy it because it's different.
[14:34 - 14:37] Sometimes it's a little strange.
[14:37 - 14:40] Nothing wrong with it. Oh, hell.
[14:40 - 14:48] I took and did three different remixes last night at like two in the morning on a live stream. People fucking dug it.
[14:48 - 14:53] Yo, what's up, dude?
[14:56 - 15:01] Like you said, you know, I didn't have the luxuries that, you know, you have and stuff. And
[15:01 - 15:07] you know, you're right. I didn't have those luxuries. I literally had to work my way up for nothing.
[15:07 - 15:15] I literally like everything you see from the mic stand, the MIDI keyboard, all that stuff.
[15:15 - 15:17] I had to work for that.
[15:17 - 15:22] And then from there, I started studying on how to piece together instrumentals.
[15:23 - 15:28] And then from there, I started working on recording and all that stuff.
[15:28 - 15:33] So, you know, like, you know, we come from two opposite spectrums.
[15:33 - 15:38] Like I understand that going mainstream is like a real good thing.
[15:38 - 15:40] I just choose.
[15:40 - 15:50] I just choose not to go mainstream because I don't want to be mainstream, you know.
[15:51 - 16:01] Like, you know, I don't I don't like the mainstream.
[16:01 - 16:05] I mean, like there are some things mainstream that I do like.
[16:05 - 16:13] Like, you know, I like certain bands like, you know, Lincoln Park, Slipknot, AFI, Pierce the Veil,
[16:13 - 16:15] like a whole bunch of different bands like that.
[16:16 - 16:21] But my music is more or less for the underground, you know.
[16:21 - 16:31] Keep talking your shit, weird ass.
[16:31 - 17:00] You know, like I said, you know,
[17:00 - 17:05] I love being underground, you know, you know, my music isn't for everyone.
[17:05 - 17:12] I like to make music to help people, whether I go mainstream or don't go mainstream.
[17:12 - 17:15] I can give two bucks.
[17:15 - 17:27] And mods, you all know what to do.
[17:28 - 17:30] It is what is I one hundred.
[17:30 - 17:32] Thank you.
[17:32 - 17:34] Yo, Shane, what up, dude?
[17:34 - 17:37] Yo, Mikey, what up?
[17:56 - 18:14] I mean, all I said right now, like I know how to record, I know how to do all that.
[18:14 - 18:25] Oh, dude, wherever I go, bro, my team's coming fucking with me, dude.
[18:26 - 18:28] Y'all know what to do, man.
[18:28 - 18:30] Get rid of this clown.
[18:30 - 18:34] Get rid of this, man.
[18:34 - 18:36] You know what?
[18:36 - 18:39] I'll band them up, fucking sozoos getting on my fucking nerves, man.
[18:39 - 18:51] They know, like, on here, like, I know how to record, I know how to do all that.
[18:52 - 18:57] But what I'm working on now is the mixing and mastering in F.O.
[18:57 - 19:03] Studios, like I can record, I can make my vocals actually sound really clean, really good.
[19:03 - 19:07] I'm just working on how to.
[19:07 - 19:08] How to.
[19:08 - 19:25] You know, I'm just working on how to mix and master it properly.
[19:25 - 19:27] That's what I'm working on right now.
[19:32 - 19:38] Matter of fact, I'll actually do a short recording and show you guys exactly what I mean.
[19:38 - 19:44] Let me get my headphones here.
[19:58 - 20:02] Wow, we got all, oh, metal Jesus sucks.
[20:02 - 20:04] What's up, douchebag?
[20:04 - 20:09] Yo, Mons, y'all know what to do to these guys.
[20:09 - 20:11] Jerry's shy.
[20:11 - 20:12] Y'all know what to do.
[20:12 - 20:20] Fucking clown ass motherfuckers.
[20:20 - 20:26] Y'all clown too much, man.
[20:26 - 20:29] I swear.
[20:29 - 20:39] Y'all be clowning, bro, too fucking much.
[20:39 - 20:46] But I'm going to give you guys an example of how I do my vocals.
[20:46 - 20:50] Let me go here.
[20:50 - 20:52] New from templates.
[20:53 - 20:57] Camp you'll be now what I'm going to do is I'm actually going to take.
[20:57 - 21:05] And I'm going to use a beat I've already used before to kind of give you guys a good idea.
[21:05 - 21:09] Man, y'all are funny, man.
[21:09 - 21:11] Y'all crack me up.
[21:11 - 21:18] Life real, did you guys crack me the fuck out because you guys are just dumb.
[21:18 - 21:23] Then they're trying to troll.
[21:23 - 21:24] You can't even properly troll somebody, bro.
[21:24 - 21:35] Man, y'all motherfuckers can't even properly troll.
[21:35 - 21:36] Try again.
[21:36 - 21:40] I find this shit amusing as fuck.
[21:40 - 21:42] Y'all can't even properly troll, dude.
[21:42 - 21:43] It's funny.
[21:44 - 22:08] All right, bruh, how are you going to sit there and probably troll when you can't even come out with a good troll track load, audio track beat track load, audio track.
[22:08 - 22:48] Track load, audio track, name vocals.
[22:48 - 22:58] All right, so let's go here to...
[23:12 - 23:14] Dunn did that.
[23:14 - 23:40] And I will be posting the videos up later tonight.
[23:41 - 23:43] [clears throat]
[23:43 - 24:03] Yeah, she's fine.
[24:04 - 24:12] [silence]
[24:36 - 24:39] Mine's holding a little peep time deep for you guys.
[24:39 - 25:04] [tapping]
[25:04 - 25:07] Yeah, she's fine, dude. Don't worry.
[25:07 - 25:23] Let's get it.
[25:23 - 25:28] [sigh]
[25:28 - 25:30] [silence]
[25:30 - 25:37] Actually, no, let me go in.
[25:37 - 25:45] Yo, live and well, what up?
[25:45 - 25:49] I'm gonna go in here to Y28 and actually download this.
[25:49 - 25:51] [silence]
[25:51 - 26:16] I'm gonna go in here and download this.
[26:17 - 26:19] [silence]
[26:19 - 26:31] That's actually a good question. I'm actually not sure. I might bring it back. I don't know.
[26:31 - 26:37] [silence]
[26:37 - 26:59] Whatever this shit to download.
[27:03 - 27:05] [silence]
[27:28 - 27:32] Alright, now let's close this out.
[27:32 - 27:38] And then let's bring out this instrumental.
[27:38 - 27:47] Throw that in the beat.
[27:47 - 27:52] [clears throat]
[28:16 - 28:21] Ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh, ooh.
[28:35 - 28:46] I try every day not to run.
[28:46 - 29:02] Every day and night I try to run.
[29:03 - 29:12] Nobody knows what it's like to come from where I'm coming from.
[29:12 - 29:19] Can you hear me screaming out for a little bit of help?
[29:19 - 29:30] Dude, I was like way louder than what I needed to be.
[29:31 - 29:35] So let's turn the vocals.
[29:35 - 29:37] Ah.
[29:37 - 29:39] [clears throat]
[29:39 - 29:40] Alright, there we go.
[29:57 - 30:06] Ooh, ooh, ooh, ooh, ooh.
[30:16 - 30:26] I try to sleep at night.
[30:26 - 30:33] I don't know what to do anymore.
[30:33 - 30:45] I've got this team that's running around in my head.
[30:45 - 30:49] Every night they want me dead.
[30:49 - 30:54] I just don't know what to do anymore.
[30:54 - 30:59] Can't tell they see in the memory of you.
[30:59 - 31:14] How can I find these demons that I see and know?
[31:14 - 31:17] Dead, no.
[31:17 - 31:25] [clears throat]
[31:25 - 31:27] Hold on guys.
[31:27 - 31:29] [clears throat]
[31:29 - 31:30] Mmm, there we go.
[31:30 - 31:34] Ah, damn.
[31:43 - 31:47] [clears throat]
[31:47 - 31:50] Mmm, there we go.
[31:50 - 32:14] [clears throat]
[32:28 - 32:33] Ooh, ooh, ooh, ooh.
[32:33 - 32:45] I can't even sleep at night.
[32:45 - 32:55] I don't know what to do anymore.
[32:55 - 32:59] Can't tell they're running around in my head.
[32:59 - 33:08] Got these demons simultaneously raging deep inside of me.
[33:08 - 33:19] And I don't know who I'm supposed to be.
[33:19 - 33:25] [clears throat]
[33:25 - 33:31] How can I run?
[33:31 - 33:36] Every day there's four restaurants begun.
[33:36 - 33:43] How can I escape everything?
[33:43 - 33:51] It's kinda like you don't even see me.
[33:51 - 33:57] Every day I look in the mirror.
[33:57 - 34:05] See a reflection of who I used to be.
[34:05 - 34:11] How is it that I can't escape anything?
[34:11 - 34:18] Every day all these demons onto me.
[34:18 - 34:27] Why is it that I can't run away?
[34:27 - 34:35] Ooh, yeah, yeah, yeah, yeah.
[34:35 - 34:49] Why is it that you all have the virus?
[34:49 - 35:00] I don't know what to do anymore.
[35:00 - 35:09] Every day when I wake up always.
[35:09 - 35:37] All I see is a reflection of who I used to be.
[35:37 - 35:41] How can I?
[35:41 - 36:04] Ooh, yeah, yeah, yeah, yeah.
[36:04 - 36:32] Ooh, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
[36:32 - 36:55] Ooh, ooh, you can't, you can't take me.
[36:55 - 37:06] How can I escape everything myself?
[37:06 - 37:11] The raging sign of me.
[37:11 - 37:21] I don't know where to go, don't know what to do anymore, constantly.
[37:21 - 37:32] All these demons always are second me and I.
[37:32 - 37:38] Don't know where to go, don't know what to do.
[37:38 - 37:53] Here I am, lost in the death of my own mind.
[37:53 - 38:07] How can I escape these demons that are deep inside my mind?
[38:07 - 38:23] How can I escape everything that I see inside?
[38:23 - 38:43] How can I escape everything that I see inside my mind?
[38:43 - 39:03] I'm like right there. I know I can do this. Let's see.
[39:03 - 39:30] Ooh, yeah, yeah, yeah, yeah, yeah.
[39:30 - 39:46] Ooh, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
[39:46 - 40:00] Every day when I wake up, all I see is a dark imprisonment inside my mind and I.
[40:00 - 40:10] Don't know what to do with my life every single day and I've got these demons.
[40:10 - 40:30] Rage and defense are the main and it's, and it's like they won't let me be.
[40:30 - 40:39] Is this who I'm supposed to be?
[40:39 - 40:48] Do you see the devil out in beyond your eyes?
[40:48 - 40:53] I see right through your eyes.
[40:53 - 41:05] You think that you know me, you don't know anything, so get the fuck away.
[41:05 - 41:11] From me.
[41:11 - 41:16] Why isn't that?
[41:16 - 41:30] I can't escape everything that you think of me.
[41:30 - 41:56] Why can't I escape everything that you think of me every night I've got these demons?
[41:56 - 42:04] Rage and defense are me, do you feel my pain, do you feel my rage?
[42:04 - 42:10] Do you feel?
[42:10 - 42:16] Do you feel my pain, do you feel my rage?
[42:16 - 42:35] I don't know what to do anymore.
[42:35 - 42:48] Dude, I'm like so close to nailing this.
[42:48 - 43:00] Yo, someone get this clown out of here.
[43:00 - 43:25] Don't know who this is, but thank you.
[43:25 - 43:35] Ooh.
[43:35 - 43:42] Yeah, yeah.
[43:42 - 43:48] Do you see my demons?
[43:48 - 43:55] Rage.
[43:55 - 44:14] Rage, um, David's side of me, and I, I don't know what to do anymore.
[44:14 - 44:29] I've got all these demons around them and I don't know if I can take it anymore.
[44:29 - 44:58] I've got all these demons around them and they don't want to let me sleep every night and day when I'm looking in the mirror, unless they have the reflection of who I used to be.
[44:58 - 45:06] Why is this at all?
[45:06 - 45:21] Can't escape a dark energy from my mind every single day and night, always scared, always running for my life.
[45:21 - 45:29] I want to escape from this hell but no one will ever help.
[45:29 - 45:39] How can I?
[45:39 - 45:50] How can I escape these demons inside my mind?
[45:50 - 46:02] It's like you don't even understand me.
[46:02 - 46:27] Why is it that I can't escape anything that comes my way every night and day.
[46:27 - 46:33] I can't seem to escape.
[46:33 - 47:00] I've got these demons. They want to come out and play. Why is it that they just won't go away?
[47:00 - 47:14] Oh yeah.
[47:14 - 47:29] And that was a total fuck out.
[47:29 - 47:47] Here we go.
[47:47 - 47:59] Oh yeah.
[47:59 - 48:14] Can you play the demon that's inside?
[48:14 - 48:21] Can you see the demon raging in him?
[48:21 - 48:33] Can you see the demon raging deep inside of me every day, silently tormenting me?
[48:33 - 48:41] It's like it won't let me sleep every night I try to run away.
[48:41 - 48:47] I try to run and hide.
[48:47 - 48:59] But it won't let me escape it knows where I run to deep in the darkest part of my mind.
[48:59 - 49:10] And I'm constantly running scared for my life.
[49:10 - 49:18] I'm constantly running scared for my life.
[49:18 - 49:25] Can someone please save me?
[49:25 - 49:36] Get me free away from this dark reality that I'm stuck in every night.
[49:36 - 49:48] I see the darkest part of my mind. I see the image of you in my mind.
[49:48 - 50:15] I don't know if I can escape at all. I'm tired of feeling so blind. How can I escape facing minds inside?
[50:15 - 50:30] What do I gotta do to escape the memory of you?
[50:30 - 50:54] I don't wanna see you. I don't wanna know you. I don't wanna be around you. All the toxicity that you bring to my life is nothing but hate.
[50:54 - 51:11] Hatred and bullshit and I don't know if I can survive. Maybe I should take this life and end my life.
[51:11 - 51:29] Oh, yeah. Maybe I should run and hide.
[51:30 - 51:58] No, no, no, no, no.
[51:58 - 52:10] I'll show you.
[52:10 - 52:23] Oh, yeah, yeah, yeah.
[52:23 - 52:45] You think you know who I am? You don't know anything.
[52:45 - 52:57] Why is it that I can't escape the memory of you?
[52:57 - 53:16] Every night and day when I look in the mirror, all I see is a reflection of who I used to be.
[53:16 - 53:28] It is this monster that I've become who I'm meant to be. Deep inside your eyes, I can see the hidden lies.
[53:28 - 53:47] Why is it that you can't just tell the truth about all of the abuse that you put me through?
[53:47 - 53:58] I don't be so blind to your own selfish lies, wicked ways turning inside my mind.
[53:58 - 54:23] All these demons running through my mind, suicidal within my mind. Always feeling like I'm running out of time, bittersweet memories of you.
[54:23 - 54:40] It bittersweet memories of you and me.
[54:40 - 54:55] Why is it that I can't escape the memory of you?
[54:55 - 55:12] I don't know what to do. It's kind of like I'm ensnared in this trap of hatred and despair and I just don't know what to do.
[55:12 - 55:28] I want to escape and be a better man just like I used to be. I need to pray freely for you.
[55:28 - 55:57] Catch up to me and pull me back into the darker part of my mind.
[55:58 - 56:23] (snaps)
[56:23 - 56:36] Hmm. God damn.
[56:36 - 56:55] You don't know anything. Why is it that I can't escape the memory of you?
[56:55 - 57:17] I don't know anything. Why is it that I can't escape the memory of you?
[57:17 - 57:25] I'm meant to be deep inside your eyes like it's the day and the night.
[57:25 - 57:33] Why is it that you can't just tell the truth of bad, not the day and the night?
[57:33 - 57:41] Yeah, that did not come together.
[57:41 - 57:49] That did not come together like I wanted it to.
[57:49 - 58:15] (music)
[58:15 - 58:44] I know I can do better than that.
[58:44 - 59:03] Here we go.
[59:03 - 59:28] Ooh, yeah, yeah, yeah, yeah, yeah.
[59:28 - 59:43] All right, so I'm going to start over on this. That's fine.
[59:43 - 60:12] Now it's off.
[60:12 - 60:41] All right.
[60:41 - 62:06] (silence)
[62:06 - 62:20] Here we go.
[62:20 - 62:44] What the fuck is going on?
[62:44 - 64:39] (silence)
[64:39 - 65:08] Yeah, I always turn the vocals on.
[65:08 - 65:26] (silence)
[65:26 - 65:32] Ooh, yeah, yeah.
[65:32 - 65:52] Every night and day when I wake up, all I see is the memory of what I used to be.
[65:52 - 66:05] All I see is you in my eyes.
[66:05 - 66:34] All right, so what I want to do is slow that down.
[66:34 - 66:56] Ooh, yeah, yeah.
[66:56 - 67:11] Every day when I wake up, all I see is the memory of what I used to be.
[67:11 - 67:19] Every day when I wake up, all I see is the...
[67:19 - 67:35] All I see when I wake up is the memory of you, and it's kind of like I don't even know what to do anymore.
[67:35 - 67:44] It's kind of like I'm always plastered on the floor, always lying, always crying, always dying.
[67:44 - 68:03] How can I escape anything that you do to me? Why is it that I can't?
[68:03 - 68:19] Why is it that I can't just run away and escape the memory of you every day?
[68:19 - 68:34] I don't know what to do. Can you hear me crying?
[68:34 - 69:03] Actually, no, you know what? I got better at it, yeah.
[69:03 - 69:32] Okay.
[69:32 - 70:01] We're about to do something here.
[70:01 - 70:30] Okay.
[70:30 - 70:59] And I'm going to exit out.
[70:59 - 72:48] Okay.
[72:48 - 73:17] Yeah, I like where everything may come up here.
[73:17 - 74:43] Okay.
[74:43 - 75:03] All right, guys, I'm going to let you guys go for now because this shit's getting annoying.
[75:03 - 75:11] I'm going to try and fucking record and this shit's being a dick, so give me a few to sort this out. I'll be right back.