2021-2-6 Proving my skills as an Artist

[0:00 - 0:22] What's up you guys, it's your boy.
[0:22 - 0:40] The first off, I do want to apologize to everybody that had to see me, you know, just completely.
[0:40 - 0:48] You know, I just want to say that I am sorry to those that had to sit there and watch me
[0:48 - 0:57] endure what I had to endure on Marty's channel. I do apologize for that. But I want to prove
[0:57 - 1:10] a point. I want to prove a major point. And that is the fact that I can make my own music
[1:10 - 1:15] and I can record my own stuff. Like I want to prove that because Marty seems to think
[1:15 - 1:21] that all I do is steal beats and do this and that and that's not true. And if I do
[1:21 - 1:33] use beats, they are free for profit use. Which means, which means that I have every
[1:33 - 1:43] right to use them and make money from them. And that's what I do with all of my music.
[1:43 - 1:49] Like if I'm not able to, you know, like if I got beat block or whatever and I'm not
[1:49 - 1:59] able to create something at that time, I go in and I use a free for profit beat. But
[1:59 - 2:04] I am feeling the vibe tonight. So I'm going to sit down. I'm going to create an instrumental
[2:04 - 2:09] and I don't know what's going to come out of it. I don't know what style I'm going
[2:09 - 2:20] to do. But I am going to create it and I'm either going to either sing on it or I'm going
[2:20 - 2:45] to rap on it. Or I might do some metal work. So who knows? So let's jump right in here.
[2:45 - 2:52] I want to jump into some stuff that I've never actually jumped into as far as like
[2:52 - 3:00] sound packs. I actually just recently downloaded some more sound packs. So I'm not quite sure
[3:00 - 3:07] what I have and don't have here. We're just going to go through and randomly pick shit.
[3:07 - 3:15] If that makes sense, we're just going to go through and pick stuff. See what we can find.
[3:15 - 3:44] So there's nothing in that pack.
[3:44 - 4:02] Those are melodies. I didn't even have a melody. That's fucking vocal work right there, dude.
[4:02 - 4:26] Let's try utopia. I've not tried utopia yet. Ooh, I'm actually really liking that. I just
[4:26 - 4:49] want to see how this sounds. Ooh, that sounds good. That sounds real good.
[4:49 - 5:13] All right, that just sounds badass.
[5:13 - 5:38] Let's go here.
[5:38 - 6:03] See, I don't really like no vibe. Let's see if I can go into reset. Okay, now I know which
[6:03 - 6:15] one I need to go and do. I do want to add some guitar into there. Let's go, Sinematics.
[6:15 - 6:39] That was Vibrations. No.
[6:39 - 7:05] Ooh, right there. That's it. Right there. That is the one.
[7:05 - 7:34] I don't know. I actually can't have vibing with this.
[7:34 - 8:01] Oh, yeah, I really like that. Let's see what I can do.
[8:01 - 8:18] I just want to see something. I just want to lay around this.
[8:18 - 8:48] See, I can hear so much with that. See, I can hear a lot in that with that.
[8:48 - 9:16] That guitar riff is sick, dude.
[9:16 - 9:46] Now, just in case anybody doesn't believe. Right there, as you guys can see, the drum
[9:46 - 9:53] pattern up top, Sinematics Utopia sound synths right there, and then guitar layered right
[9:53 - 10:11] underneath at the bottom. Now, let's see what I can do with this, shall we?
[10:11 - 10:40] Now, the tension will walk around this corner. I'm just going to brush this.
[10:40 - 11:10] I'm just going to brush this. I'm just going to brush this. I'm just going to brush this.
[11:10 - 11:31] I'm just going to brush this. I'm just going to brush this.
[11:31 - 12:57] I'm just going to brush this. I want to do any amount just to let go of the number.
[12:57 - 13:25] I'm just going to brush this. I'm just going to brush this. I'm just going to brush this.
[13:25 - 13:50] I'm just going to brush this. I want to do any amount just to let go of the number.
[13:50 - 14:13] I'm just going to brush this. I'm just going to brush this. I'm just going to brush this.
[14:13 - 14:27] I'm so sick of this. Many of you making me feel like I'm running out of time.
[14:27 - 14:38] Where can I go? Who can I turn to? I don't even know myself anymore.
[14:38 - 14:47] Why isn't that right? I have to be the one that gets just. Everybody calling me at least.
[14:47 - 14:53] Calling me and lying, calling me all these things.
[14:53 - 15:17] I'm just going to brush this. I'm just going to brush this. I'm just going to do any amount just to let go of the number.
[15:17 - 15:30] I'm just going to brush this. I'm just going to brush this. I'm just going to brush this.
[15:30 - 15:51] Because I can't take it anymore. You kind of feel like I'm on the edge. Getting closer to myself more and more.
[15:51 - 16:04] How can I escape all of this hatred and anger and be myself again?
[16:04 - 16:23] I'm so sick of this. I just need to get away. I can't escape and call myself so I can feel myself again.
[16:23 - 16:35] I'm just trying to feel myself in the dark deep. It's around me ripping out my mind.
[16:35 - 16:51] Now say I don't know what I'm doing Marty. Now sit there and say that I can't do shit on the fucking spot kid.
[16:51 - 17:04] Try to sit there and say that I can't do anything on the fucking spot.
[17:04 - 17:14] That right there. That was all on the fucking spot.
[17:14 - 17:25] That vocal work and that instrumental all on the fucking spot kid. All on the fucking spot.
[17:25 - 17:44] And Marty if you think that you're going to ruin what I've earned, you're mistaken. You're sadly mistaken.
[17:44 - 17:57] Because you see this right here Marty. This plaque that I earned. I earned this. This wasn't just given to me out of pity.
[17:57 - 18:07] I proved myself every day. I worked my ass off every day for this.
[18:07 - 18:19] And not yet because I just got the CDs today. I just got them in today and as soon as stuff gets put up, it's game on.
[18:19 - 18:33] And in case you guys are wondering this is what the CD case looks like. And this is what the CD and the insert sleeve looks like.
[18:33 - 18:44] So Marty, you got a lot to learn about the music industry. A lot to learn.
[18:44 - 19:05] Well yes, some of what you said, now don't take this as word, some of what you said may possibly be true.
[19:05 - 19:24] But at the end of the day, it doesn't matter. Even if it is true. Do you know how many artists take songs and remake them and re-release them and get the rights to them?
[19:24 - 19:36] Do you know how many artists have remade songs without permission and actually made money from it? Like do you not realize that that's actually a thing?
[19:36 - 19:47] Unless you've been behind in the music scene for the last decade?
[19:47 - 20:03] Like, come on dude. Have you heard Tommy Beck's new version of Last Resort? Have you heard the remix of Last Resort that Papa Roach and them did with another artist and that artist got the rights to that song?
[20:03 - 20:13] Did you ever think about that? No, you didn't. See Marty, you think you're clever.
[20:13 - 20:20] You don't know shit about the music industry. I do. I've been doing this shit for 11 years.
[20:20 - 20:29] And I'm not about to let some punk ass like you walk all over me thinking that you're hot shit but really you ain't shit.
[20:29 - 20:39] You're an egotistical fucking maniac that quite honestly needs to get help. You honestly need to get help.
[20:39 - 20:52] And you want to, wait, you want to know how many CDs I got? Oh, let's see. I got about 30 CDs up for grabs.
[20:52 - 21:04] I got 30 CDs that are up for grabs. So if anyone wants, like as soon as I get my payment info up and I get my stuff up for my banking.
[21:04 - 21:11] If anybody wants to buy a CD, they can do so after I get my banking set up.
[21:11 - 21:19] Once I get it set up and I get everything redone, y'all will be able to purchase the CDs.
[21:19 - 21:31] And yes, they will be signed. Unfortunately I am going to have to kind of, you know, open them.
[21:31 - 21:44] I'm like, I am going to have to take the, although, yeah, I am going to have, unfortunately, guys, with these, I am going to have to, as you guys can tell, these are shrink-wrapped.
[21:44 - 21:56] I am going to have to take the seal off and then sign them. But once I do, they will be repackaged in an envelope with bubble wrap and then sent your way.
[21:56 - 22:03] Each CD will be $10 apiece. So, yeah, they will be signed.
[22:03 - 22:12] I haven't decided where yet because the album cover is obviously all black with the Phone Angels Records logo right there.
[22:12 - 22:26] So, I will have to open them, but you guys will get a CD and they will be signed with a little thank you note on the back of the set list.
[22:26 - 22:38] So, yeah, Silver Sharpie, that's actually not bad. I don't know if I have a Silver Sharpie, I might.
[22:38 - 22:48] Dude, I got so many fucking Sharpies. Oh, definitely, like I said, as soon as my banking gets set back up, it's game on, boy.
[22:48 - 22:56] And that's why I'm so excited to get my banking set back up so I can start making money, start producing, as a matter of fact.
[22:56 - 23:04] Let me give you guys a look at something here. I want to give you guys a nice little look here.
[23:04 - 23:13] Actually, first of all, I want to save this instrumental. I actually kind of like this instrumental. I actually may end up doing something with this.
[23:13 - 23:20] I may end up actually doing something with this instrumental. This is actually a really cool one.
[23:20 - 23:34] I actually like the vibe of this. I want you to name it KSK, just for shits.
[23:34 - 23:40] Now, once that's done rendering down, I'm going to show you guys something.
[23:40 - 23:55] I could start, idiot. Just want to get through this. Dude, it never seems to amaze me at how fast FL Studio's renders.
[23:55 - 24:02] No, let's restart that. Let's go here and start new. Now, I'm going to pull up something for you guys.
[24:02 - 24:11] I want to show you guys an instrumental that I did, a classical instrumental that I did.
[24:11 - 24:29] This is actually one of my more favorite ones. It's called Angelic Nights. It's actually one of my more favorite classical pieces, to be honest with you.
[24:29 - 24:48] Actually, no, no, I got a better one. Hold up. I mean, you know what? I'm going to do World of Wonder. Everybody seems to like that one.
[24:48 - 24:56] Let's do this right here.
[24:56 - 25:17] Let's do it.
[25:17 - 25:29] If you mind, this track right here was done on this, right here.
[25:29 - 25:41] So, yeah. Talk your shit now, Marty.
[25:41 - 25:54] For real, man. Talk your shit now, kid.
[25:55 - 26:22] Ooh.
[26:22 - 26:42] We're saying it again. This is a classical convocation.
[26:42 - 26:54] Now, guys, I'm going to do another one.
[26:54 - 27:01] Now, you know what? I'll even do, you know what? I'm feeling in the movie for some classical stuff. What about you guys?
[27:01 - 27:07] You guys feeling in the movie for some classical work?
[27:07 - 27:17] Yeah, I think you are.
[27:17 - 27:26] Now, let's go here to this new from basic.
[27:26 - 27:31] Yo, got rich. What's up, buddy?
[27:31 - 27:35] What is up? What is up? What is up? Got rich.
[27:35 - 27:55] How are you doing, man?
[27:55 - 28:03] Let's go here. Let's go piano. And now let's do two things, a reverb.
[28:03 - 28:07] Yeah, I just really like the sound of the reverb on this thing.
[28:07 - 28:13] It's just so cool. The fruity reverb, too. That shit's just fire. I fucking love it.
[28:13 - 28:22] Cathedral.
[28:22 - 28:25] All right, we'll get there.
[28:25 - 28:31] All right, now let's move this song on YouTube.
[28:31 - 28:37] Let's go on YouTube.
[28:38 - 28:55] Oh, my God.
[28:56 - 29:24] Okay.
[29:24 - 29:51] We're almost here, America.
[29:51 - 31:02] Oh, my God.
[31:02 - 31:31] Why must you do this?
[31:31 - 31:49] Actually, you know, I didn't think of a better one. I can do.
[31:49 - 32:00] Here is a secret. The music industry does not want you to know the difference between you and the professional is not the quality of your voice.
[32:00 - 32:04] Drake sounds a heck of a lot different in the shower than on his elbows.
[32:04 - 32:12] That's because his albums are the product of vocal engineers who spend painstaking hours adjusting and tweaking until his voice sounds perfect.
[32:12 - 32:35] Would you like your vocals?
[32:35 - 36:52] Oh, yeah.
[36:52 - 37:08] Here is a secret. The music industry does not want you to know the difference between you and the professionals is not.
[37:08 - 37:29] Now, let's take this and run it back.
[37:29 - 37:34] Now, you guys hear how I did that, right?
[37:34 - 37:51] Watch this.
[37:51 - 38:08] This is your edit copy.
[38:08 - 38:37] Then quickly got on that and we have ourselves an instrumental.
[38:37 - 38:46] Whoa. Hold on. Hold on. Hold on. I realize something here. That is it. Put on string section.
[38:46 - 38:57] What's my man?
[38:57 - 39:26] Here we go.
[39:26 - 39:53] Oh, yeah.
[39:53 - 40:21] Yeah, same thing else.
[40:21 - 42:23] Oh, yeah.
[42:23 - 42:37] All right.
[42:37 - 42:46] So while that's running down, I hope this brought a lesson to those that doubt me.
[42:46 - 42:49] I really do.
[42:49 - 42:58] Because like I said, I'm going to say CDs. I'm going to make money one way or another.
[42:58 - 43:07] And that plaque that I showed earlier, that just proves my skill.
[43:07 - 43:12] And Marty, you know where this is going.
[43:12 - 43:29] You see that wall right behind me, right where that X is in case you're blind and can't see it.
[43:29 - 43:39] Right there where that center of the X is this is going to sit there.
[43:39 - 43:59] Then I'm doing something that's going to sit back there as a reminder of all the hard work that I've done.
[43:59 - 44:04] And there's nothing in the world that never taught yesterday.
[44:04 - 44:12] I can also say yesterday was the best day of my fucking life.
[44:12 - 44:19] Like for real.
[44:19 - 44:23] Yesterday was fucking amazing.
[44:23 - 44:28] And this right here, I'm proud of this.
[44:28 - 44:33] I'm proud to say that I did something.
[44:33 - 44:44] I'm proud to say that I accomplished something.
[44:44 - 44:46] Yeah, I got you, man.
[44:46 - 44:49] I got you Spank.
[44:49 - 44:52] It's me and Wedge Spank. Where the fuck have you been on, bro?
[44:52 - 44:55] I haven't seen your ass around here in a good while, dude.
[44:55 - 44:58] Where the fuck you been on, homie?
[44:58 - 45:23] Where the fuck have you been? It's been a minute, bro.
[45:23 - 45:28] Yeah, everything's good with me and Tange. We're fine.
[45:28 - 45:38] As for the Marty thing, I'm going to let her deal with that while I focus on what I need to do.
[45:38 - 45:41] So, yeah.
[45:41 - 45:51] And as a matter of fact, you guys just got to see the exclusive next song on my classical composition album.
[45:51 - 45:53] Which I think is pretty cool.
[45:53 - 45:58] I mean, y'all got to witness me creating the next composition on my classical composition album,
[45:58 - 46:01] which is not yet named.
[46:01 - 46:05] What I'm doing is I'm going to do the entire album out and then I'm going to name it.
[46:05 - 46:11] Usually I name the album ahead of time, but I'm doing it in reverse this time around.
[46:11 - 46:17] But I would definitely say, guys, that I'm going to hop off here and relax for the rest of the night and chill.
[46:17 - 46:24] I've honestly had a very, very rough night. It's been very rocky, very crazy, very hectic.
[46:24 - 46:36] Again, guys, I do apologize for those that had to witness me just straight losing my shit on Marty.
[46:36 - 46:49] Like I said, I lost it because he has been attacking me so much and going after me that I didn't know what else to do.
[46:49 - 46:57] But to Kale, I want to say thank you, ma'am.
[46:57 - 47:03] Because of you, I have a new career.
[47:03 - 47:06] I'll be straight up honest, ma'am.
[47:06 - 47:12] This plaque right here, and I know I said it yesterday, but I'm saying it again.
[47:12 - 47:19] This plaque right here, this means more to me than anything.
[47:19 - 47:23] This means more to me than any platinum award.
[47:23 - 47:32] More than any gold record, platinum record, YouTube award, Grammy award.
[47:32 - 47:40] Nothing can ever top the feeling I felt yesterday when I got this, knowing that my life changed for the better.
[47:40 - 47:45] Like, this means the world to me.
[47:45 - 47:52] This right here is a symbol of a brand new start for me, regardless of what Marty says.
[47:52 - 48:03] At the end of the day, music is an art. It doesn't matter how you do it, what you do. At the end of the day, bro, music is music.
[48:03 - 48:06] Plain and simple.
[48:06 - 48:12] And I just happened to use it to help people.
[48:12 - 48:17] Like literally, I just happened to use music to help people.
[48:17 - 48:23] And I can honestly say I have the best job in the world, and I'm proud of that.
[48:23 - 48:29] So the KO, thank you, man. I 110% appreciate what you're doing, bro.
[48:29 - 48:32] I really do. I appreciate it, man.
[48:32 - 48:36] You're fucking awesome. You're amazing.
[48:36 - 48:46] And without you, not only would that plaque not be possible, but this wouldn't be possible.
[48:46 - 48:52] This right here would not be possible.
[48:52 - 49:00] So again, KO, thank you, and here's a brand new start.
[49:00 - 49:12] Here's a brand new start to the label, Real Ultimate Power Records, and my personal label, Following Angels Records.
[49:12 - 49:19] We're out here making big moves, doing big things, and doing what we gotta do, man.
[49:19 - 49:31] Shout out to all the scarred ones. I fucking love you guys. You guys are amazing.
[49:31 - 49:37] And I will see you guys in the morning, y'all. Peace.
[49:38 - 49:44] [end of transcript]