2021-12-30 STUDIO SESSION 1

[0:00 - 0:21] What is up? What is up? What is up? What is up? What is up you guys? How is everybody
[0:21 - 0:26] today man? It's been a while since I've been live on
[0:26 - 0:34] Facebook. It's been a while, I'd say a little over five
[0:34 - 0:42] years since I've been live on Facebook and I figured I would start it out proper by doing
[0:42 - 0:47] a live music session for you guys and stuff, you know, I came back into the group of things.
[0:47 - 0:54] If you guys don't know, I am currently working on a brand new album called Strange Lights,
[0:54 - 0:59] which I'm super excited for. It's going to feature a whole new style of music that I've
[0:59 - 1:05] dabbled in, but never really, you know, did anything with. I'm going to be combining some
[1:05 - 1:10] new elements to it to take it to the next level. So yeah, hopefully you guys enjoy this
[1:10 - 1:19] and if you guys do, share it around. Let everybody know what's up, maybe I want to take this
[1:19 - 1:29] wide angle camera off together. There you guys go. Now, let me set you all down here.
[1:29 - 1:50] So, y'all have a good idea on what's, you know, going on. Anybody in the chat? Anybody
[1:50 - 2:17] at all? And nobody in the chat just yet. Let's get this going. Yes, I do have my strobe
[2:17 - 2:33] light going because it's kind of, it's a nice vibe. And in case you guys are wondering,
[2:33 - 2:44] yes, I did actually leave YouTube for good pretty much. Because it just, it got toxic
[2:44 - 2:54] and I didn't need that kind of crap in my life, you know. I didn't need the toxicity
[2:54 - 3:20] of, you know, I didn't need the toxicity of YouTube, you know, doing what it was doing
[3:20 - 3:47] that sounds interesting. Ooh, I kind of like that.
[3:47 - 4:14] Ooh, hold on.
[4:14 - 4:43] Ooh, that crush bass sounds really cool. I like the jubei. Ooh, I like the 80s drum.
[4:43 - 5:05] Yeah, that 80s drum sound so cool. Ooh, I might end up doing something like that. That
[5:05 - 5:29] sounds dirty. I like that. Let's see if we can find a sequencer one because the sequencer
[5:29 - 5:42] ones are usually the coolest ones.
[5:42 - 6:12] Okay, let's see. Ooh, we got some air eyes. So, let's go in here into patterns. Let's
[6:12 - 6:40] go in here. So, let's create a pattern here.
[6:40 - 7:09] Okay. So, let's create a pattern here. So, let's create a pattern here. So, let's create a
[7:09 - 7:21] pattern here. Alright, so we got our drums. Let's layer those in real quick. And I am
[7:21 - 7:28] going to replace the drums with like some heavier stuff later on. Probably. I don't
[7:28 - 7:42] know for sure, but I might. Alright, so we got our drums. Let's go in the new pattern.
[7:42 - 8:11] What does that is? Pads. I just put it at the same time.
[8:11 - 8:40] Okay. Okay. So, let's create a pattern here. So, let's create a pattern here. So, let's
[8:40 - 9:08] create a pattern here. So, let's create a pattern here. So, let's create a pattern here.
[9:08 - 9:38] So, let's create a pattern here. So, let's create a pattern here. So, let's create a
[9:38 - 10:06] pattern here. So, let's create a pattern here. So, let's create a pattern here. So, let's
[10:06 - 10:23] create a pattern here.
[10:23 - 10:52] So, we got a pattern here. So, let's create a pattern here. So, let's create a pattern
[10:52 - 10:53] here.
[10:53 - 11:21] So, let's create a pattern here. And let's create a pattern here. So, let's create a
[11:21 - 11:47] pattern here, and let's create a pattern here.
[11:47 - 12:16] So, let's create a pattern here.
[12:16 - 12:41] Alright. So, now that we get that.
[12:41 - 13:10] So, let's create a pattern here.
[13:10 - 13:28] Alright. So, let's go here to black luis.
[13:28 - 13:58] Alright. So, let's create a pattern here.
[13:58 - 15:27] So, let's create a pattern here.
[15:27 - 15:51] Alright. So, let's create a pattern here.
[15:51 - 16:19] So, let's create a pattern here.
[16:19 - 16:47] Yo, kitty, what's up?
[16:47 - 17:17] Alright. So, let's create a pattern here. So, let's create a pattern here. So, let's
[17:17 - 17:46] create a pattern here, and let's create a pattern here.
[17:46 - 20:07] So, let's create a pattern here.
[20:07 - 20:36] So, let's create a pattern here, and let's create a pattern here.
[20:36 - 20:47] Alright, here we go, kitty, no worries.
[20:47 - 21:11] You aren't too totally good.
[21:11 - 21:17] I actually don't like how that turned out.
[21:17 - 21:24] Now, I do want to do something just to the pads themselves, so I'm going to go over
[21:24 - 21:43] to which...alright, so 5...I'm going to go over to 5, go into the plug-in figure, and
[21:43 - 21:50] I'm going to bring in the vocodex, or am I bringing the vocoder? I'm not sure which.
[21:50 - 22:15] I'm thinking the vocodex, because the vocodex has a little more to mess with.
[22:15 - 22:43] Alright, yeah, we're definitely going for vocoder, because vocoder is way less stressful
[22:43 - 22:46] on this.
[22:46 - 23:01] So, let's replace it.
[23:01 - 23:29] Alright, so...I'm going to do a little bit of a re-enactment here.
[23:29 - 23:57] Alright, let's do a little re-enactment here.
[23:57 - 24:20] Alright, so let's replace that, as well as just entirely cut that out, because, yeah...it's
[24:20 - 24:31] not what I want in there.
[24:31 - 24:43] Alright, now let's go to one of my favorites, right here, which is "Sawyer", which is one
[24:43 - 24:48] that I love creating just different sounds with, so let's mess around and see what sounds
[24:48 - 25:06] we can come out with.
[25:06 - 25:33] Alright, let's re-enact it here, and see what sounds we can re-enact it here, and see what
[25:33 - 25:54] sounds we can re-enact it here, and see what sounds we can re-enact it here.
[25:54 - 26:16] Alright, let's re-enact it here, and see what sounds we can re-enact it here, and see what
[26:16 - 26:56] sounds we can re-enact it here, and see what sounds we can re-enact it here, and see what
[26:56 - 26:57] sounds we can re-enact it here, and see what sounds we can re-enact it here, and see
[26:57 - 26:58] what sounds we can re-enact it here, and see what sounds we can re-enact it here,
[26:58 - 26:59] and see what sounds we can re-enact it here, and see what sounds we can re-enact it here,
[26:59 - 27:00] and see what sounds we can re-enact it here, and see what sounds we can re-enact it
[27:00 - 27:01] here, and see what sounds we can re-enact it here, and see what sounds we can re-enact it
[27:01 - 27:12] here, and see what sounds we can re-enact it here, and see what sounds we can re-enact
[27:12 - 38:28] it here, and see what sounds we can re-enact it here, and see what sounds we can re-enact
[38:28 - 38:28] it here.
[38:28 - 38:35] [music]
[38:35 - 39:04] Is that in the frickin' drums?
[39:04 - 39:28] Okay, so I need to replace the drums, or the snare, which that will be easy to do, Seth,
[39:28 - 39:46] I was actually going to take and replace that anyways, so that actually works.
[39:46 - 39:54] That actually works, 'cause I was gonna replace the drums anyway with some heavier stuff.
[39:54 - 40:09] Let's go to Simonics, there we go, alright, let's go one shot, no I didn't want to lose
[40:09 - 40:22] one of the one shots, so let's go here, let's start replacing it here.
[40:22 - 40:50] I'm going to replace the kick, let's do the master collection kick, oh I like that infinity
[40:50 - 40:51] kick.
[40:51 - 40:52] Master collection.
[40:52 - 40:53] Alright, now let's go snares.
[40:53 - 41:22] [music]
[41:22 - 41:32] Ooh, that one hits, I like how that hits.
[41:32 - 41:57] On this one I'm going to stick right below, because I wanted to...
[41:57 - 42:10] [music]
[42:10 - 42:34] That actually just gave me a whole new idea.
[42:34 - 46:28] [music]
[46:28 - 46:34] Alright, that actually just gave me a better idea than what I was originally planning, so...
[46:34 - 47:30] [music]
[47:30 - 47:55] I'm almost sending every bus down my guitar and mess with this a bit.
[47:55 - 48:04] Alright, let's render this down as a...
[48:04 - 48:18] I should have some not rendered this down right quick.
[48:18 - 48:33] I'm going to close my guitar here, plug this motherfucker in, plug this thing in right here.
[48:33 - 48:48] Shout out to my friend's record carrier for sending this over. Fucking love this thing.
[48:48 - 48:58] Alright, let me grab my tank.
[48:58 - 49:22] [clinking]
[49:22 - 49:31] I have a whole bunch of food here.
[49:31 - 49:41] [clinking]
[49:41 - 49:45] And here's my red one.
[49:45 - 49:57] I'm just going to use my red one. Fuck it.
[49:57 - 50:02] Yo, Devon, what's up, dude?
[50:02 - 50:21] How you doing, man?
[50:21 - 50:29] Alright, so let's go here, new pattern, for something.
[50:29 - 50:36] Let's go, guitar, guitar, guitar.
[50:36 - 50:44] Let's go, loops.
[50:44 - 50:58] And then I want to put this on audio track 4, put this one on 2, that way it's not getting lost.
[50:58 - 51:04] Alright, let's go track 4, let's go, emissary.
[51:04 - 51:08] I absolutely love the emissary amp.
[51:08 - 51:12] The emissary amp is actually one of my favorites on here, I absolutely love it.
[51:12 - 51:22] So if you guys do use FL Studios and you're looking for a good, solid amp,
[51:22 - 51:29] go to Ignite and grab up the emissary amp, it's completely free to use,
[51:29 - 51:35] but it's very, very worth it.
[51:35 - 51:43] Like it's very worth it, straight up.
[51:43 - 51:54] Now I don't want to record just yet.
[51:54 - 52:05] Alright, let's go.
[52:05 - 52:42] Alright, so let's go.
[52:42 - 53:10] Alright, I want to do this bandage off real quick,
[53:10 - 53:21] getting in the damn way.
[53:21 - 53:44] Alright, so let's go.
[53:44 - 61:32] Alright, let's go.
[61:32 - 61:58] Alright, so I have an idea now what I want to get ripped to use.
[61:58 - 66:06] Alright, let's go.
[66:06 - 66:30] I'm going to turn it out real quick, and I'll be right back.
[66:30 - 73:38] Alright, let's go.
[73:38 - 73:43] Alright, what's up, guys?
[73:43 - 73:49] So, those are my changing plans, everybody.
[73:49 - 73:55] I've just got some branding gear that I'm going to set up, so I'm going to start this
[73:55 - 74:03] all over, and we're going to mess with some shit.
[74:03 - 74:09] Let me reset this.
[74:09 - 74:17] Yo, John, what up, dude?
[74:17 - 74:18] So give me just a minute, guys.
[74:18 - 74:19] I'll be right back.
[74:19 - 74:26] I'm going to have to set you guys up here.
[74:26 - 74:35] So sit down and chill out amongst yourselves, guys, and your boy will be right at the back.
[74:35 - 75:04] 'Cause your boy just got into some brand new gear for the studio that I'm about to set
[75:04 - 75:05] up.
[75:05 - 75:33] Alright, I'm going to have to set up.
[75:33 - 76:30] Alright, let's go.
[76:30 - 76:38] Alright.
[76:38 - 77:06] Alright, let's go.
[77:06 - 78:50] Alright.
[78:50 - 78:55] Alright, what's up guys?
[78:55 - 78:59] Your boy is back.
[78:59 - 79:07] So if you all didn't know, I did order a brand new mini keyboard and a drum pad.
[79:07 - 79:13] So we have got to set all that up right quick.
[79:13 - 79:30] And yeah.
[79:30 - 79:49] This goes to the drum pad I believe.
[79:49 - 79:52] And this is for the mini keyboard.
[79:52 - 80:16] Which means I am going to have to go into HDMI mode which is super simple to do.
[80:16 - 80:27] Dude, when you get all fucked up hand, this shit hurts.
[80:27 - 80:33] The fucking one was busting open an old computer that had a virus on it if I couldn't get it all.
[80:33 - 80:44] And part of the freaking laptop came up and caught my hand and sliced my damn finger open.
[80:44 - 80:47] Shit, it hurt like a bitch.
[80:47 - 81:03] I was trying to snatch up the way nobody else could try to use it because of how it is the one that no one needed to get.
[81:03 - 81:06] And yeah.
[81:06 - 81:15] You can pretty much guess how that went.
[81:15 - 81:19] Alright, so let's...
[81:19 - 81:23] First off, turn the TV on.
[81:23 - 81:29] I wonder what that is.
[81:29 - 81:34] First off, turn this on.
[81:34 - 81:42] The drawers are setting up new gear.
[81:42 - 81:50] Alright, so this is the keyboard.
[81:50 - 81:57] Oh, a nice one too. It is an Akkyan 320, nice.
[81:57 - 82:04] And then here is the pad.
[82:04 - 82:13] Alright, let's try this on.
[82:13 - 82:17] Oh, this thing is sexy.
[82:17 - 82:23] Alright, so let's set up a mini pad.
[82:23 - 82:26] Oh, that's my headphones. I don't need that.
[82:26 - 82:44] Alright, this.
[82:44 - 82:48] Alright, so we got that.
[82:48 - 83:00] We got a source, HMI2. Set that right next to the controller, and we are good to go.
[83:00 - 83:07] And start plugging sheet up.
[83:07 - 83:17] Alright, so the first thing I am going to plug up is this.
[83:17 - 83:24] E.
[83:24 - 83:30] Dude, how in the fuck do I know this sucks?
[83:30 - 83:38] I especially like your index finger, and you slice it right where your frickin' finger bends.
[83:38 - 83:42] Shit, it hurts.
[83:42 - 83:47] Oh, damn. Alright, so it is...
[83:47 - 83:52] Well, that goes to the drum pad. Okay, so this one must be the keyboard.
[83:52 - 83:58] Yeah, that's the keyboard one.
[83:58 - 84:02] It was probably the last...
[84:02 - 84:06] Wait, no, it was the right one.
[84:06 - 84:10] It goes, and we got a headphone pack. That's cool.
[84:10 - 84:22] Alright, so the keyboard is going to set up top, or it might fit down here.
[84:22 - 84:32] I don't know for sure, but it might fit down here.
[84:32 - 84:41] Alright, yeah, it's definitely going to have to sit up top.
[84:41 - 84:46] Tuck that down there like that.
[84:46 - 84:54] Bring this over here, put it over here, plug it in.
[84:54 - 85:03] Okay, where's the outlet for this?
[85:03 - 85:09] Oh, I just don't fuck. I totally missed it.
[85:09 - 85:16] Duh.
[85:16 - 85:23] Alright, so we now have our drum pads and everything set up.
[85:23 - 85:29] Okay.
[85:29 - 85:36] Alright, so let's do...
[85:36 - 85:45] Options.
[85:45 - 85:52] So we got the Akai Smart Pad.
[85:52 - 86:03] Alright, so...
[86:03 - 86:12] Alright, so both of these are enabled, so we are good.
[86:12 - 86:32] Alright, then let's go into the plug-in picker.
[86:32 - 87:01] And then go into an empty drum pad.
[87:01 - 87:30] I'll get rid of these.
[87:30 - 87:59] Alright.
[87:59 - 88:57] Okay.
[88:57 - 89:26] Alright, so we got an FPC loaded up here.
[89:26 - 89:47] Alright, so let's go here.
[89:47 - 89:58] And now let's load up some samples.
[89:58 - 90:15] And then for this one, I want to go with...
[90:15 - 90:44] Okay.
[90:44 - 91:13] Alright, now let's go with...
[91:13 - 92:40] Okay.
[92:40 - 92:52] Alright, now let's mess with this real quick.
[92:52 - 93:21] Alright, let's mess with the keyboard, okay?
[93:21 - 93:50] Okay.
[93:50 - 94:15] Alright, let's find one that I really, really like.
[94:15 - 94:44] Let's go with...
[94:44 - 96:08] Okay.
[96:08 - 96:14] Alright, so apparently we have to figure that out.
[96:14 - 96:37] I'll figure that out later, but for right now let's try something here.
[96:37 - 97:06] There it goes.
[97:06 - 97:14] Wait, that's hard work. I need to harm the waves.
[97:14 - 97:42] There we go.
[97:42 - 98:07] Okay.
[98:07 - 98:11] Okay, what's that? What's that, "harmer" or what?
[98:11 - 98:19] I know that was "harmer", never mind.
[98:19 - 98:21] There we go, I got the right one.
[98:21 - 98:23] I had the wrong freaking one the whole time.
[98:23 - 98:32] I was like, "Where the hell is that shit?"
[98:33 - 99:25] Okay.
[99:25 - 99:54] Let's light this bitch up.
[99:54 - 101:48] Okay.
[101:48 - 102:00] Alright, so what I'm gonna do guys, I'm gonna end it right here.
[102:00 - 102:06] I'm gonna figure out how to get all this shit set up, and once I do, it'll be good to go.
[102:06 - 102:10] So if you guys didn't enjoy this, be sure to smash that like button, that sub button.
[102:10 - 102:13] Well, not sub button, but you know what I mean, that share button.
[102:13 - 102:16] And I'll see you guys here in just a little bit, man.
[102:16 - 102:18] I'm freaking love you guys.
[102:18 - 102:21] Stay humble, stay positive, keep being awesome, man.
[102:21 - 102:22] I love you guys.
[102:22 - 102:25] Peace.