2021-12-20 EARLY MORNING IN THE STUDIO DAY 2

[0:00 - 2:10] [Music]
[2:10 - 2:24] All right, so now that we got that deal, let's re-render it down because I did extend it.
[2:24 - 2:36] Yeah, sure. I always have fun doing this shit. Always. Yes.
[2:36 - 2:42] All right, so I got the lyrics here down. I just gotta wait for this to re-render so I can go in.
[2:42 - 2:48] Recall my shit dropping the track and we are good.
[2:48 - 3:17] All right, so I want to move all these games down to here.
[3:17 - 3:23] Say y'all up here so I can have room to...
[3:23 - 3:46] Hold on, actually hold on, never mind. I'm gonna have to. Okay, we're good.
[3:46 - 3:51] All right, so let me unplug this.
[3:51 - 4:04] Take these off so I'm not gonna use these ones. I want to try and use these right here if I can, if it'll let me.
[4:04 - 4:44] [Music]
[4:44 - 4:51] All right, I hate all these things. I thought I wanted to double-chip all these and make sure they're all in.
[4:51 - 4:58] Because I kind of need them to all be in there and stable. Oh yeah, they're good.
[4:58 - 5:53] [Music]
[5:53 - 6:01] Let's test the sound on this.
[6:01 - 6:30] Oh yeah, we're good. We are fucking good, dude.
[6:30 - 6:46] Let's go here. Now I don't want any videos. Because I have no videos to even show, so why would I want videos?
[6:46 - 6:57] I ain't got no videos on this computer, so.
[6:57 - 7:02] Let's go, insert two.
[7:02 - 7:09] View pattern.
[7:09 - 7:14] Locals.
[7:14 - 7:29] Audio track four.
[7:29 - 7:49] Then I added Vokedex.
[7:49 - 8:05] Small studio. Fucking Picker. Vokedex.
[8:05 - 8:15] Right? And thanks to the fans, I got this dope-ass setup.
[8:15 - 8:19] The only thing I really bought were the headphones and shit, and that's it.
[8:19 - 8:24] Everything else was going to be about the fans, except the computer. That was going to be about my moms.
[8:24 - 8:36] But everything else, like the mic setup, that was all the fans. That was their doing.
[8:36 - 8:48] [Music]
[8:48 - 8:54] Dude, I don't need to record there because I got this nice pop. Dude, I got a perfect setup right here.
[8:54 - 9:02] Ironically, the acoustics in this room are actually really good without the pads.
[9:02 - 9:08] So I am good.
[9:08 - 9:15] Alright, yeah, we're good.
[9:15 - 9:39] Let's crank the vocals up, and let's get it.
[9:39 - 9:52] [Inaudible]
[9:52 - 9:57] Now this turns out y'all can actually see why I recorded this shit.
[9:57 - 10:13] [Inaudible]
[10:13 - 10:38] Yeah, everybody always stabbing me in the back, not to got something to prove something to say, but they never want to say it to my face because they know that I know that they're all nothing but a bunch of fakes.
[10:38 - 10:45] Trying to get in my way.
[10:45 - 10:55] I'm seriously going to, alright, hold on, let me switch out mics here.
[10:55 - 10:59] Let me switch out mics real quick.
[10:59 - 11:13] Cause this one is good, but hold tight guys, hold on.
[11:13 - 11:26] Sorry about the feedback guys, give me a sec.
[11:26 - 11:30] Oh, there we go.
[11:30 - 11:35] I fucked that mic.
[11:35 - 12:00] I just do it like this, fuck it.
[12:00 - 12:25] Yeah, everybody always stabbing me in the back, like they got something to prove to me that they got something to say, but they never want to say it to my face because they know that I know they all ain't nothing but a bunch of things.
[12:25 - 12:39] Just trying to get in my way, but I won't let them say that my way because I'm doing this music shit my way. Never will I fade away because forever I am here to stay.
[12:39 - 12:43] Ain't no way I'm here.
[12:43 - 12:47] Gonna back down ain't no change in hell.
[12:47 - 12:54] You are ever bringing me down, I'm on a 24/7 grind every day of my life.
[12:54 - 13:01] People keep on asking me if I sleep, I'll tear them up. Hell nah, I can sleep when I fucking die.
[13:01 - 13:14] Cuz this music shit is my life and I'm out here doing what I gotta do to provide for me and my family so all you haters can't just fall back in line.
[13:14 - 13:32] Cuz I ain't gonna waste my time on a punk ass bitch without a fucking spine. So if you got something to say, you better stay in mine. Fuck, fuck, I fucked up.
[13:32 - 13:45] Dude, I totally fucked it up.
[13:45 - 13:47] Fuck it.
[13:47 - 14:09] Yeah, everybody always stabbing me in the back like they got something to motherfucking prove like they got something to motherfucking say but they don't ever want to say it to my face cuz they know that I know they all ain't nothing but a bunch of lame ass fucking face.
[14:09 - 14:20] Yeah, you wanna sit there and say to my face, everybody always asking me if I fucking sleep, I tell them nah, I don't fucking sleep.
[14:20 - 14:35] I always says to folks on that, oh yeah, those are good. Those are real good. Yeah, fuck it.
[14:35 - 14:38] Fuck it.
[14:38 - 14:47] Yeah.
[14:47 - 15:03] Everybody always stabbing me in the back like they got something to prove like they got something to say but they don't ever want to say it to my face cuz they know that I know there are nothing but a bunch of face trying to get in my way.
[15:03 - 15:12] Fuck, I won't let them stand in my way cuz I'm doing this music shit my way. Never would I fade away cuz forever I am here to stay.
[15:12 - 15:21] Ain't no way I'm ever gonna go away. Ain't no way I'm backing down. Ain't it just a hell you ever bringing me down.
[15:21 - 15:33] I'm on that 24/7 grind every day of my life. People keep on asking me every day. If I sleep and not attend them, hell nah, I can sleep when I fucking die.
[15:33 - 15:45] Cuz this music shit is my life and now I'm out here doing what I gotta do to be able to provide for me and my family so all you haters better just fall back in line.
[15:45 - 16:09] Cuz I ain't gonna waste my time on a punk ass bitch without a fucking spine. So if you got something to say, you better say it to my face before I make you fall back in line cuz no matter what they say, I'm gonna get mine doing what I gotta do just to get by.
[16:09 - 16:27] Ain't no way I'm ever gonna waste my time on a little punk ass bitch. Want to run his mouth like a little fucking false amount. Too many people out here being fucked your fate towards me. I just want something that is real and I don't wanna waste my time on a motherfucking bitch.
[16:27 - 16:43] I said ain't even real to my face. Why the fuck you gotta be so fake? Is it cuz you know damn well that all you blocky ass computer nerds sitting there running your mouth, checking your mountain dew and running your mouth about me is the sort of way.
[16:43 - 17:10] God damn, why can't you just call the fuck away from back in line, cuz you're talking to a demon guy bitch. Ain't no way I'm gonna back down. I am here to stay. I am gonna get my guarantee you come in a hot water. I promise you that I'm gonna survive.
[17:10 - 18:22] Yeah, that is definitely more than enough room.
[18:22 - 18:28] Actually, hold up, I got a better idea of this. Hold up.
[18:28 - 18:34] I'm about to go to a little bit of a dark place here, if I can find a notebook.
[18:34 - 18:43] Ah, here it is, that original notebook.
[18:49 - 18:53] Bear in mind, y'all, this shit is going to be dark.
[18:53 - 19:10] I see the dark, I see the light, I see the demons, that wrist.
[19:10 - 19:13] I think they have my motherfucking ass.
[19:13 - 19:15] I just want to pray free and safe.
[19:15 - 19:18] Like, as I close my eyes, I sleep at night.
[19:18 - 19:22] I see it's a dark, there was that resolve behind them.
[19:22 - 19:26] With a grim wreath of leading them, I can both see it.
[19:26 - 19:30] Hit them with the sound of a thousand dark,
[19:30 - 19:37] deep until wells of terror, all I can think about as I get upon them.
[19:37 - 19:43] With eyes of fear, wide open, this could be my end.
[19:43 - 19:50] It's a fear to even say that these demons are what I'm fucking fear.
[19:50 - 19:53] I don't want to hear them fucking screams anymore.
[19:53 - 19:56] I just want everything to be so motherfucking clear.
[19:56 - 19:59] Yeah, you're thinking that you do.
[19:59 - 20:07] Dude, this sign, like, I can't even keep up with my own writing, this fucking sucks.
[20:08 - 20:21] You know what, fucking, we're freestyling this shit, fuck it.
[20:35 - 20:38] All I see is these devil in these demons' wreaths.
[20:38 - 20:41] Silent deep behind my motherfucking ass.
[20:41 - 20:47] All these haters want to act like a book of punk shit, blah, blah, blah, fuck.
[20:47 - 20:51] Why am I tripping on myself today, man? Fuck.
[21:02 - 21:06] Too many people trying to get in my motherfucking way.
[21:06 - 21:10] After that, they're so big and pale that they got something to say.
[21:10 - 21:14] I'm so sick of these motherfuckers always trying to get in my way,
[21:14 - 21:16] trying to stop my progression.
[21:16 - 21:19] Maybe I should teach fucking Smith and Western teacher,
[21:19 - 21:21] that's a motherfucking lesson.
[21:21 - 21:24] You don't want to go toe to toe with a motherfucking like me.
[21:24 - 21:27] Daddy's used to playing cutthroat and doing this.
[21:27 - 21:32] This is shit. Since I was 16, compared to you, you, me as well.
[21:32 - 21:36] Call me the motherfucking Akatsuki, 'cause like Hitachi,
[21:36 - 21:38] I'm ripping his whole from your fucking body.
[21:38 - 21:42] You, me as well, call me motherfucking Scorpion,
[21:42 - 21:45] 'cause I'm taking that spirit and running it through your body.
[21:45 - 21:51] And I'm doing what I gotta do to body every single fucking body that
[21:51 - 21:53] wants to try to get in my way.
[21:53 - 21:56] Ain't no way I'm ever gonna go down.
[21:56 - 22:00] Ain't no way any of you motherfucking ladies are gonna get in my way.
[22:00 - 22:02] You lay me in a fucking grave.
[22:02 - 22:05] All you dumbass motherfuckers sitting on the internet,
[22:05 - 22:08] talking all that motherfucking shit,
[22:08 - 22:10] acting like everybody's in your way.
[22:10 - 22:13] I don't give a fuck about what you gotta say to me,
[22:13 - 22:16] 'cause anything that you fucking say to me,
[22:16 - 22:18] it doesn't fuck your face or your other head.
[22:18 - 22:20] All that shit fucking said to me,
[22:20 - 22:25] so what made you think for a second that you could never go toe to toe
[22:25 - 22:26] with me?
[22:26 - 22:28] Ain't no way you ever gonna break me.
[22:28 - 22:31] I ain't with like Mike Tyson in the ring.
[22:31 - 22:34] I am like Michelangelo on the motherfucking keys.
[22:34 - 22:37] Ain't no way you ever gonna get rid of me.
[22:37 - 22:39] I'm a walking legend, bitch.
[22:39 - 22:42] Ain't no way you ever gonna never feel me.
[22:42 - 22:45] You, me as well, call me Roman Reigns,
[22:45 - 22:49] 'cause I'm rolling this music shit like it's the Roman Empire.
[22:49 - 22:51] You, me as well, call me Roman Reigns,
[22:51 - 22:53] 'cause I'm the king of this motherfucking shit.
[22:53 - 22:56] Ain't no way a man would go to go away.
[22:56 - 22:58] You, me as well, call me Seth Rollins,
[22:58 - 23:01] 'cause I say every motherfucking beat
[23:01 - 23:03] like a fucking piece compared to you.
[23:03 - 23:05] I ain't like Brock Lesnar.
[23:05 - 23:08] I am hitting you with that fucking F5.
[23:08 - 23:11] Looking down at you like what the fuck you gonna do?
[23:11 - 23:13] Hit you with that swan thong thong.
[23:13 - 23:15] Now my name is Jeff Hardy.
[23:15 - 23:18] I am me a nigga, no one that you cannot refuse.
[23:18 - 23:21] Yeah, I may look a little fucking weak,
[23:21 - 23:25] but I die in the world that you can never refuse.
[23:25 - 23:27] I'm the one that you cannot deny.
[23:27 - 23:29] I'm the one that you cannot refuse.
[23:29 - 23:31] That's got that musical talent,
[23:31 - 23:33] got that musical style,
[23:33 - 23:35] and I'm always doing what I got it to.
[23:35 - 23:38] Fuck all you little whackas motherfucking haters.
[23:38 - 23:40] You just share this on my tagline,
[23:40 - 23:42] 'cause you know that I got the will,
[23:42 - 23:44] I got the fire to make it, man.
[23:44 - 23:46] I am always going higher,
[23:46 - 23:48] always saying no, fire never will.
[23:48 - 23:51] When I retire, I am always on time,
[23:51 - 23:53] and I never be a no-show.
[23:53 - 23:55] Light 'em up in the motherfucking booth,
[23:55 - 23:57] making another hit.
[23:57 - 23:59] All you doing is,
[23:59 - 24:02] running your mouth, putting your car rear
[24:02 - 24:04] into a motherfucking loose,
[24:04 - 24:08] and I'm staring a hole right through every one of you.
[24:08 - 24:10] I'm the best at what's the best at risk,
[24:10 - 24:12] and the best at where it will be.
[24:12 - 24:17] So don't think for a second that you will ever again stop me.
[24:17 - 24:23] Ain't no way you're ever gonna get rid of me.
[24:23 - 24:25] Never again.
[24:25 - 24:28] Ain't no way I'm going, no way I'm doing this.
[24:28 - 24:31] Music shit until I'm in the ground.
[24:31 - 24:34] Sees you deep, no longer breathing.
[24:34 - 24:37] It's the crown that I'm taking,
[24:37 - 24:39] the king that I'm seizing.
[24:39 - 24:42] Ain't no way I'm ever gonna go away, just kidding.
[24:42 - 24:46] Two, every one of you, I'm the people's champ.
[24:46 - 24:49] Man, y'all, man as well, come meet the winner right,
[24:49 - 24:52] just because I'm the people's champ for people like me.
[24:52 - 24:55] I ain't no motherfucking champion.
[24:55 - 24:56] What are you?
[24:56 - 24:59] Some blocky-ass little motherfucking bitch,
[24:59 - 25:02] trying to get his fucking wings fit.
[25:02 - 25:04] Man as well, sit the fuck down,
[25:04 - 25:07] shut the fuck up, turn the fuck around,
[25:07 - 25:11] 'cause ain't nobody want to hear a word that you gotta say.
[25:11 - 25:15] Go ahead, man as well, jump in the body,
[25:15 - 25:17] then jump in the motherfucking grave,
[25:17 - 25:20] 'cause at the end of the day,
[25:20 - 25:22] in the ground, on your tombstone,
[25:22 - 25:26] I promise you, I will say,
[25:26 - 25:32] say by the motherfucking demon king of self, Shadow Blade.
[25:32 - 25:35] Ah, ah, ah.
[25:35 - 25:38] So go ahead and stop me now, motherfuckers.
[25:38 - 25:40] What do you guys say?
[25:40 - 25:43] 'Cause you're fucking with the best.
[25:43 - 25:48] So, either back the fuck up,
[25:48 - 25:51] or I'm trying to delay the rest.
[25:51 - 25:54] That shoulder is to it.
[25:54 - 25:56] Ha ha.
[25:56 - 25:58] I'm gone.
[25:58 - 26:02] Yeah!
[26:03 - 26:05] [sighs]
[26:05 - 26:10] [chuckling]
[26:10 - 26:12] [sighs]
[26:12 - 26:28] [chuckling]
[26:28 - 26:30] [sighs]
[26:30 - 27:22] [squeaking]
[27:22 - 27:37] Oh, yeah, that turned out good.
[27:37 - 27:40] That turned out real good.
[27:41 - 28:21] [squeaking]
[28:21 - 28:24] Oh, good.
[28:24 - 28:34] Not really, dude. Just, dude, let me--
[28:34 - 28:35] Hey, "Forgotten Arrival."
[28:35 - 28:38] Let me show you exactly how well I can do it.
[28:38 - 28:42] Like, there's actually no background noise when I do what I do.
[28:42 - 28:43] So let me render the--
[28:43 - 28:47] Let me finish rendering this down, and I'll show you just how well this shit is.
[28:47 - 28:52] 'Cause the process that I go through is a long one, but it works very, very well.
[28:52 - 28:56] Yeah.
[28:56 - 28:57] That's funny.
[28:57 - 28:58] Yeah.
[28:58 - 29:06] That's the thing, dude, with the setup that I got, I don't need a condenser mic.
[29:06 - 29:08] It actually turns out really good.
[29:15 - 29:19] Oh, trust me, dude, the sound quality I got's actually really good.
[29:19 - 29:23] Trust me, I have good sound quality.
[29:23 - 29:31] I've got good sound quality.
[29:31 - 29:33] The process that I do is--
[29:33 - 29:37] It's not like your typical stuff, you know?
[29:38 - 29:47] [silence]
[29:47 - 29:51] Like, I don't need a condenser mic to do good shit.
[29:51 - 29:58] And a lot of people say that you need a condenser mic to do this,
[29:58 - 30:02] but really, you don't, actually.
[30:02 - 30:04] And I've actually proven that.
[30:04 - 30:10] Like, I shall wait for this beat to finish rendering down.
[30:10 - 30:18] Matter of fact, while we're doing that, I'll actually pull a soundtrack here.
[30:18 - 30:32] Plug in my USB keyboard here.
[30:33 - 30:35] Plug.
[30:35 - 30:49] Sentry.
[30:49 - 30:53] Matter of fact, what am I doing? I can just pull it up on here.
[30:53 - 30:56] Pull it up.
[30:57 - 31:02] [silence]
[31:02 - 31:04] Oh.
[31:04 - 31:14] Go ahead and use the soundtrack anyway.
[31:14 - 31:22] So, while we're doing that, I'm going to let this track play in the back here.
[31:23 - 31:55] [silence]
[31:55 - 31:59] Here's the thing, bro. You don't need to rhyme words to make it a rap.
[31:59 - 32:02] You don't need to rhyme to make a rap.
[32:03 - 33:09] [silence]
[33:09 - 33:12] Or, I got shit like this.
[33:16 - 35:32] [silence]
[35:32 - 35:36] So, tell me again...
[35:36 - 35:40] So, tell me again, forgotten...
[35:40 - 35:44] How I don't know what the fuck I'm doing.
[35:44 - 35:48] Tell me again how I don't know what I'm doing.
[35:48 - 35:58] Bro, mic stand check.
[36:00 - 36:04] Actually, not just one mic, but if you want to get technical.
[36:04 - 36:11] One, two...
[36:11 - 36:16] Three mics, if you want to get technical.
[36:16 - 36:20] Hell, if you want to get real technical.
[36:20 - 36:30] Four...
[36:30 - 36:36] And all I got to say to you, bro...
[36:36 - 36:40] All I got to say to you is this, and that's for you forgotten.
[36:40 - 36:44] All I got to say to you, bro, is this one thing.
[36:44 - 36:48] If you don't like my music, don't got to listen.
[36:49 - 36:53] Seriously, if you don't like what you hear, don't fucking listen.
[36:53 - 36:56] Ain't nobody freaking stopping you, man.
[36:56 - 37:00] Ain't nobody holding a gun to your head making you listen to the shit.
[37:00 - 37:04] If you don't like it, don't fucking listen.
[37:04 - 37:06] Simple as that, bro.
[37:06 - 37:10] Jeez, you act like it's fucking rocket science.
[37:10 - 37:15] Now, don't be wrong, I do appreciate the free views that you and the Nautilus give me.
[37:15 - 37:25] I do appreciate the free views.
[37:25 - 37:28] I do appreciate the free views and besides, dude.
[37:28 - 37:34] Anything about what you have, it's about how you use it.
[37:34 - 37:41] Anything about what you have or don't have, that ain't it.
[37:41 - 37:45] It's about making the best of what you got, and that's exactly what I do.
[37:45 - 37:49] I make the best of what I got utilizing what I have.
[37:49 - 37:56] So, there's your fucking shitty-ass theory blowing the fuck out the water.
[38:10 - 38:15] I mean, not everybody is gonna have expensive fucking shit.
[38:15 - 38:17] Not all of us are like you, man.
[38:17 - 38:25] We can't afford fucking $1,500 worth of fucking recording equipment, bro.
[38:25 - 38:36] Actually, I do use this, but not as much as you would think.
[38:36 - 38:38] I do use it, though.
[38:38 - 38:49] I definitely do use it, but I've also noticed that these right here carry way better sound.
[38:49 - 39:04] And if you're wondering what brand of headphones these are, they're BX ones.
[39:04 - 39:07] And trust me, these things are very good.
[39:07 - 39:13] The mic on these things would kill and outdo that fucking mic on any given day,
[39:13 - 39:17] and have outdone that mic on any given day.
[39:17 - 39:26] Hell, dude, I have a pair of Turtle Beach gaming headphones that will outdo you any given day of the week.
[39:26 - 39:35] So, instead of talking shit on me, like instead of running your mouth and talking your shit,
[39:35 - 39:39] why don't you get up on the mic and actually show me how it's done?
[39:39 - 39:46] Since you're such an expert, why don't you get on the mic and show me what the fuck you can do?
[39:46 - 39:51] Why don't you sit there and run your mouth like a bitch?
[39:51 - 39:55] Get up on the fucking mic and actually show me what you can do.
[39:55 - 39:59] Like, if you're better than me like you claimed me, I want you to prove it.
[39:59 - 40:02] I want you to show it.
[40:02 - 40:07] Because right now all I see is a little bitch running his mouth.
[40:07 - 40:11] Who is giving me free views, by the way, which I do appreciate.
[40:26 - 40:34] So, there's your little shitty fucking theory or whatever you want to call it going out the water, bro.
[40:34 - 40:37] Like, you're so stupid.
[40:37 - 41:04] Here's the thing, bro.
[41:04 - 41:06] When it comes to hip-hop, all right, you know what?
[41:06 - 41:08] I want you to prove a point to me real quick.
[41:08 - 41:12] Let me show you something that is a proven fucking fact. Hold up.
[41:12 - 41:17] Since this dude wants to call facts, I got you.
[41:17 - 41:22] I got your ass on some shit.
[41:22 - 41:24] I want you to watch this shit, bro.
[41:24 - 41:33] I want you, I want you to prove a point to your fucking fake ass.
[41:33 - 41:40] So, let's turn this around.
[41:40 - 41:49] And I think, um, Magris here will actually agree with what this dude has to say.
[41:49 - 41:52] So, I'm gonna just, like, pull this shit up.
[41:52 - 41:58] Are you even gonna fucking...
[41:58 - 42:00] All right, there we go.
[42:01 - 42:32] [silence]
[42:32 - 42:34] And this right here just kind of...
[42:34 - 42:38] Oh, let's go over here on this shit a little bit, because this is something that niggas are always going out of the way to bitch, bro.
[42:38 - 42:41] First of all, let's get this out of the way.
[42:41 - 42:42] That's my brother.
[42:42 - 42:43] Oh, shit.
[42:43 - 42:46] That's my brother. Don't mind him. He's gonna be playing time and form.
[42:46 - 42:47] I'm gonna be...
[42:47 - 42:48] Who's whoever. Say hi.
[42:48 - 42:49] Hi.
[42:49 - 42:50] Hi, nuff, sir.
[42:50 - 42:52] So, yeah, hip-hop.
[42:52 - 42:58] Niggas are steady-making claims on what real hip-hop is and what fake hip-hop is, and what's good and what's not.
[42:58 - 42:59] It needs to stop.
[42:59 - 43:00] You see shit?
[43:00 - 43:06] Now, now, before you get your tits and testies in a twist, understand, this is fucking opinionate.
[43:06 - 43:08] This is my fucking opinion.
[43:08 - 43:11] If you're going to bitch about it, you can eat my dick and close the video.
[43:11 - 43:13] Now, think about it, y'all.
[43:13 - 43:14] What?
[43:14 - 43:15] Oh, my God, stop!
[43:15 - 43:17] I'm just asking, what's the fucking shit?
[43:17 - 43:19] Look at your arms.
[43:19 - 43:21] You can't get anything nice in this fucking joint.
[43:21 - 43:29] Real hip-hop is hip-hop.
[43:29 - 43:30] Someone can relate to.
[43:30 - 43:32] It's a person speaking their truth.
[43:32 - 43:33] It's what's real to them.
[43:33 - 43:37] If a person happens to relate, then yes, it's considered real hip-hop.
[43:37 - 43:42] If you happen to relate, whoop, you fucking do, it's real to you.
[43:42 - 43:43] Song about selling drugs.
[43:43 - 43:48] If that nigga's out there slinging crack and there's a drug dealer out there that happens to select the song, guess what?
[43:48 - 43:51] It's real hip-hop to that person because that person's out there pitching Miley Cyrus.
[43:51 - 43:52] Song about a breakup.
[43:52 - 43:54] Same fucking thing.
[43:54 - 43:56] Got your heart broken and feel like, "Fuck that bitch?"
[43:56 - 43:57] Guess what?
[43:57 - 43:58] Who did that?
[43:58 - 44:00] That ain't even a heartbreak record that relates.
[44:00 - 44:08] Even a song about freaking leaning, driving an expensive ass car and spending a bunch of money is real to somebody because there's somebody out there living that life.
[44:08 - 44:11] Just because you can't relate doesn't mean that it's not real.
[44:11 - 44:14] Like, the thing about reality is, yo, what?
[44:14 - 44:16] There.
[44:16 - 44:19] Still got my cereal, though.
[44:19 - 44:26] Niggas have this whole mindset that if a song isn't on some super lyrical miracle swimming pool shit, it's not real hip-hop, and that shit needs to stop.
[44:26 - 44:28] Love swimming pools.
[44:28 - 44:30] Eminem.
[44:30 - 44:31] Eminem fucking M.
[44:31 - 44:36] This nigga, Eminem, made a song about killing his baby mama.
[44:36 - 44:37] Is that real?
[44:37 - 44:38] No.
[44:38 - 44:40] And other women?
[44:40 - 44:44] It's narrative storytelling, and it's entertaining.
[44:44 - 44:45] It's entertainment.
[44:45 - 44:47] That's what music is, people.
[44:47 - 44:48] It's entertainment.
[44:48 - 44:54] Not everyone is gonna be on some fucking Bhutan, Eminem, '90s fucking slaughterhousey, super syllableistic shit.
[44:54 - 44:59] I don't even know if "super syllableistic" is a fucking word, and not everyone is actually gonna be spitting their truth.
[44:59 - 45:03] Some niggas just wanna story tell and play a fucking role.
[45:03 - 45:04] Play a role.
[45:04 - 45:05] It's entertainment.
[45:05 - 45:09] Like, do y'all niggas listen to half the shit that these niggas are saying that y'all calling real hip-hop?
[45:09 - 45:10] Check this.
[45:10 - 45:13] Eminem said, "I'll cut your fucking head off and ask you who you headed off to."
[45:13 - 45:14] Get it?
[45:14 - 45:15] Headed off to?
[45:15 - 45:16] Manic, this headache's awful.
[45:16 - 45:17] This anesthetic's pathetic.
[45:17 - 45:21] So is this diabetic waffle, and this prosthetic arm is crushing my heart, Taco?
[45:21 - 45:26] First of all, this nigga doesn't have a prosthetic arm, and this nigga didn't cut anybody's head off.
[45:26 - 45:28] But it sounded dope.
[45:28 - 45:29] Does that make it real?
[45:29 - 45:30] No.
[45:30 - 45:31] That makes it dope.
[45:31 - 45:33] It makes it entertainment.
[45:33 - 45:34] It's just dope.
[45:34 - 45:35] It's unreal.
[45:35 - 45:36] Check this.
[45:36 - 45:37] Jay-Z used to rap about his struggle.
[45:37 - 45:41] Not as big as rapping about buying fried heart and doing rich nigga shit.
[45:41 - 45:42] Why?
[45:42 - 45:44] Because that's the point that he's at in his life right now.
[45:44 - 45:49] This nigga would be a fucking fraud if he kept on rapping about his struggle because he's not struggling.
[45:49 - 45:53] I'd understand if he did a track, a nostalgic song talking about his past.
[45:53 - 45:54] That's okay.
[45:54 - 45:58] Although I said that, he'd be a fucking fraud to sit here and say that he's struggling.
[45:58 - 46:00] This nigga is rich.
[46:00 - 46:04] This nigga can buy a Disney World four times over and change it to Overland.
[46:04 - 46:10] My nigga fucking riding Jay-Z lip roller coasters and shit, my nigga.
[46:10 - 46:11] No way.
[46:11 - 46:14] Y'all niggas love to pass this nigga a little way.
[46:14 - 46:21] A day doesn't go by where I don't see a YouTuber saying, "Oh my God, this is so much better than Little Wayne."
[46:21 - 46:23] He's entertaining people.
[46:23 - 46:28] He still has his legitimate core fan base that ride for this nigga.
[46:28 - 46:30] They ride for this nigga.
[46:30 - 46:35] You cannot say that you haven't heard at least one Little Wayne song that you don't like.
[46:35 - 46:37] You cannot say that.
[46:37 - 46:38] It's impossible.
[46:38 - 46:42] And if you're gonna start bitching about that, go listen to this old shit and then come back to this video and comment if you still don't like it.
[46:42 - 46:44] "I fucked with Wayne's music back in the day.
[46:44 - 46:46] Now, not so much, but that's personal preference.
[46:46 - 46:48] I fucked with Lil Wayne back in the day.
[46:48 - 46:49] I fucked with the card in three."
[46:49 - 46:51] Now, you're probably wondering, "Why'd you pick those three?"
[46:51 - 46:52] Well, Eminem is good.
[46:52 - 46:56] That is a fucking God in hip-hop, so nothing can ever be wrong with him.
[46:56 - 46:58] Everything that he says is real.
[46:58 - 47:02] Jay-Z is a proud example of how a person's subject matter can change.
[47:02 - 47:06] And Little Wayne is a nigga that everyone went from loving to talking shit about all the damn time.
[47:06 - 47:09] Most of y'all niggas stay complaining about shit.
[47:09 - 47:11] Nigga, if you interrupt me one more fucking time,
[47:11 - 47:13] I'm putting a logo over your face and I'll never see you again.
[47:13 - 47:14] You would.
[47:14 - 47:15] I won't.
[47:15 - 47:16] You won't.
[47:16 - 47:17] Watch.
[47:17 - 47:23] Most of y'all niggas that complain about shit not being real are either A, old hip-hop heads
[47:23 - 47:28] that are trying to hold on to their use and can't get used to the fact that hip-hop's constantly evolving.
[47:28 - 47:31] Shit is not always gonna be like some 90s shit.
[47:31 - 47:32] Hip-hop is always changing.
[47:32 - 47:34] New shit is always gonna come out, B.
[47:34 - 47:36] Get used to that shit, son of a bitch.
[47:36 - 47:40] Or B, some fat lame computer-blindy ass nigga that does nothing but beat his dick
[47:40 - 47:43] and chuck mountain dude and eat toastitos, nigga.
[47:43 - 47:45] Nobody cares about your opinion.
[47:45 - 47:46] What's funny?
[47:46 - 47:49] His name name is beat dick toastitos.
[47:49 - 47:54] Now you see why you have your face covered?
[47:54 - 47:55] You know what I can't say?
[47:55 - 47:59] No, listen to the fucking music and stop complaining about what's real and what's not.
[47:59 - 48:04] As I said before, if you fucking old hip-hop, that shit isn't going back to the way it was in the 90s.
[48:04 - 48:07] So just get used to the way that hip-hop is now or it's going to listen to Hop or some dumb shit.
[48:07 - 48:09] And as for you computer-blindy ass niggas,
[48:09 - 48:14] you're not gonna relate to anything that these niggas are saying until somebody makes a song about being fat, lonely, and assy-ridden.
[48:14 - 48:17] So you might as well just quit hip-hop altogether and shut the fuck up.
[48:17 - 48:18] Now, y'all know that I rap.
[48:18 - 48:20] I have some super lyrical shit.
[48:20 - 48:22] And I also have a song about video.
[48:22 - 48:25] Is the super lyrical shit real because of my...
[48:25 - 48:27] What?
[48:27 - 48:28] Talk better after me.
[48:28 - 48:29] Fuck...
[48:29 - 48:34] Is the super lyrical shit real because of my super syllable count and my fucking wordplay?
[48:34 - 48:38] Is the video game track fake hip-hop because it's about fucking video games?
[48:38 - 48:39] You play video games, right?
[48:39 - 48:40] That makes it real, right?
[48:40 - 48:43] Bitch, hip-hop is fucking hip-hop.
[48:43 - 48:47] Be it thought-provoking, something with intense wordplay,
[48:47 - 48:50] some bass-heavy track-crack written shit,
[48:50 - 48:53] a club song for fun, or whatever the fuck is being played.
[48:53 - 48:54] It's hip-hop.
[48:54 - 48:57] Hip-hop is fucking hip-hop.
[48:57 - 48:59] Not every song is gonna change the world.
[48:59 - 49:02] Not every song is gonna fucking touch your heart.
[49:02 - 49:03] It's fucking hip-hop.
[49:03 - 49:04] It's art, my nigga.
[49:04 - 49:05] It's art.
[49:05 - 49:07] Stop bitching about art.
[49:07 - 49:09] Cherish it when the song does touch you,
[49:09 - 49:11] but not every song is gonna fucking touch you.
[49:11 - 49:14] Cherish it when it happens, or shut the fuck up.
[49:14 - 49:16] Don't bitch because a song doesn't relate to you.
[49:16 - 49:18] That makes you a fucking self-centered cornball
[49:18 - 49:20] because you want everything to relate to you.
[49:20 - 49:23] Suck my dick, eat my dick, do something with my dick.
[49:23 - 49:25] That's just how I feel about that.
[49:25 - 49:26] You have anything to say?
[49:26 - 49:28] It doesn't even matter.
[49:28 - 49:29] No music coming soon.
[49:33 - 49:37] I'd say I just proved my motherfucking point.
[49:37 - 49:41] Like, for real.
[49:41 - 49:43] Like, bro.
[49:43 - 49:50] Like, like, dude said, man, hip-hop is fucking hip-hop, dude.
[49:50 - 49:53] My style might not be what you enjoy.
[49:53 - 49:54] And that's all right.
[49:54 - 49:56] I'm fine with that.
[49:56 - 50:00] But, dude, don't be sitting there judging me on what the fuck I do
[50:00 - 50:04] when you can't even do this shit yourself, bro.
[50:04 - 50:08] Seriously, man.
[50:08 - 50:14] I get your viewpoint, dude.
[50:14 - 50:16] I get it and I respect it.
[50:16 - 50:18] I respect your viewpoint, man.
[50:18 - 50:20] I respect that shit.
[50:20 - 50:22] I get where it comes from.
[50:22 - 50:26] But like, dude said, what you need to fucking realize, how many is this?
[50:26 - 50:29] Hip-hop is constantly evolving,
[50:29 - 50:31] constantly changing.
[50:31 - 50:36] Not everybody's gonna fucking rhyme every other fucking bar with the last one.
[50:36 - 50:38] It don't work like that, man.
[50:38 - 50:42] My shit, I choose not to do that.
[50:42 - 50:46] But for me, that's personal fucking preference.
[50:46 - 50:51] So, why are you judging me on how I do my shit?
[50:51 - 50:54] You got no business doing that.
[50:54 - 50:56] Like, I get your point of view.
[50:56 - 51:01] But that's the thing, I don't like to be like every other fucking rapper.
[51:01 - 51:06] I don't like to be like, oh, make this bar rhyme with this bar
[51:06 - 51:08] and this one has to go back to that.
[51:08 - 51:10] No, I don't do that shit.
[51:10 - 51:14] I talk about my fucking life, the shit that I'm going through,
[51:14 - 51:17] the hell that I go through because of y'all niggas.
[51:17 - 51:21] And I spit my fucking truth and people enjoy it.
[51:21 - 51:24] That's why they fucking listen to me.
[51:24 - 51:28] 'Cause I speak on real shit about my fucking life.
[51:28 - 51:33] And if you don't like it, that's fine, that's on you.
[51:33 - 51:37] 'Cause like I always tell everybody, my music ain't for everyone.
[51:37 - 51:42] But it is for those that have gone through the shit that I've gone through
[51:42 - 51:44] or are going through this shit, bro.
[51:44 - 51:46] Straight the fuck up.
[51:46 - 51:51] So, if you don't like what I'm doing, go to another--
[51:51 - 51:54] do like I said before, man, go to another fucking channel
[51:54 - 51:56] and watch somebody else.
[51:56 - 51:59] Plain and fucking simple, dude.
[51:59 - 52:07] Like, if you don't like what I'm doing, you don't have to watch.
[52:07 - 52:09] You don't have to fucking listen.
[52:17 - 52:21] Plain and fucking simple, bro. You don't have to fucking listen.
[52:21 - 52:24] Peace.
[52:24 - 52:27] God, I guarantee that.
[52:27 - 52:29] And by the way, dude, thanks for the free views.
[52:29 - 52:36] By the way, Forgotten Arrival, thanks for the free views, homie, I appreciate it.
[52:36 - 52:40] Also, on your way out, be sure to smack that like button.
[52:40 - 52:43] But thanks for the free views, man, I appreciate it.
[52:44 - 52:46] [music]
[52:46 - 53:04] Bro, right there within two seconds, I fucking rhymed.
[53:04 - 53:09] A whole fucking thing right there, like--
[53:11 - 53:14] Hold on, let me solo this shit right quick, hold up.
[53:14 - 53:18] And yo, Magris, take a listen to this.
[53:18 - 53:35] Right there within the first two seconds, bro.
[53:35 - 53:37] First two fucking seconds.
[53:38 - 53:42] I'll fucking rhyme back to back to back, so stop your bitching.
[53:42 - 53:45] Matter of fact, I'll take care of it right now.
[53:45 - 53:54] Then if you gotta stay, man, stop your fucking bitching.
[53:54 - 53:58] Stop your complaining, because not everybody is like you.
[53:58 - 54:03] Not everybody's an old-ass, don't fuck hip-hop head like you.
[54:03 - 54:07] [silence]
[54:07 - 54:23] What's the other track?
[54:23 - 54:25] [silence]
[54:34 - 54:38] And you know what I find funny about guys like you, Forgotten Arrival?
[54:38 - 54:44] The thing I find funny about y'all men, about people like you,
[54:44 - 54:48] is you always wanna throw shade and throw criticism at motherfuckers,
[54:48 - 54:54] but yet you never, ever have the balls to get up on the fucking mic
[54:54 - 54:56] and do this shit your damn self.
[54:56 - 55:03] You never have the balls to do a goddamn thing, and it's sad.
[55:04 - 55:06] It's honestly fucking pathetic.
[55:06 - 55:10] So if you think that you're better than me at music,
[55:10 - 55:13] why don't you show me what the fuck you can do?
[55:13 - 55:16] I want you to prove to me that you're better.
[55:16 - 55:21] Like, actually fucking go out of your way,
[55:21 - 55:24] make the fucking instrumentals like I fucking do,
[55:24 - 55:27] record your shit, post that shit on YouTube,
[55:27 - 55:29] and send me the video link and I'll check it out.
[55:29 - 55:33] I'll do a fucking live reaction to this shit.
[55:33 - 55:37] I'll give you my live reaction on that shit.
[55:37 - 55:51] But unless you're gonna fucking sit there and man up
[55:51 - 55:54] and actually step to the fucking mic
[55:54 - 55:58] and show me what the fuck you can do,
[55:59 - 56:01] then shut the fuck up.
[56:01 - 56:05] And I agree with Mystery Incorporated.
[56:05 - 56:09] He's right, dude.
[56:09 - 56:13] I don't see myself better than any other fucking artist.
[56:13 - 56:17] There's artists out there that are better than me.
[56:17 - 56:21] There are artists out there that think I'm better than them,
[56:21 - 56:23] and that's okay.
[56:23 - 56:25] I'm fine with that.
[56:25 - 56:31] But at the end of the day, dude,
[56:31 - 56:35] if you're gonna sit there and talk shit,
[56:35 - 56:38] you need to be able to back it up.
[56:38 - 56:42] Like, I can back up everything I say,
[56:42 - 56:45] but question is, can you?
[56:45 - 56:48] You claim to be better than me and hip-hop
[56:48 - 56:50] then fucking prove it.
[56:50 - 56:51] Show it.
[56:51 - 56:53] Show me what you can do.
[56:54 - 56:57] Show me what the fuck you're capable of.
[56:57 - 57:12] My bro, I don't see you sitting up at 2, 3, 4 in the morning
[57:12 - 57:14] working off shit like I do.
[57:14 - 57:18] I don't see you sitting there busting your ass,
[57:18 - 57:22] rattling your brain, trying to come up with an instrumental,
[57:22 - 57:25] trying to come up with a beat, trying to come up with lyrics.
[57:25 - 57:27] I don't see you doing that shit.
[57:27 - 57:38] But Magris here saw me do that shit last night.
[57:38 - 57:39] Jenny.
[57:39 - 57:41] Chillax.
[57:41 - 57:42] Kripp K.
[57:42 - 57:46] All those motherfuckers saw me do that shit last night
[57:46 - 57:50] at 3 in the fucking morning doing my thing.
[57:51 - 57:52] Doing what I did.
[57:52 - 57:56] Hell, last night I recorded three songs back to fucking back.
[57:56 - 57:59] Three of them, back to back.
[57:59 - 58:07] I did a Linkin Park remix of Papercut.
[58:07 - 58:11] I did an original written song,
[58:11 - 58:15] and the other one was just straight-up fucking freestyle.
[58:15 - 58:18] Back to back.
[58:18 - 58:22] So, I don't see you putting in that kind of work.
[58:22 - 58:30] So, explain to me again.
[58:30 - 58:36] It was, man. Last night was dope.
[58:36 - 58:38] I actually enjoyed last night.
[58:38 - 58:42] So, Forgotten Arrival.
[58:44 - 58:49] I should give a fuck about your opinion. Why, again?
[58:49 - 58:52] When I don't see you doing anything?
[58:52 - 58:56] Like, why should I give a fuck about what you say
[58:56 - 59:00] when clearly you're not doing anything? Clearly.
[59:00 - 59:08] So, tell me again why I should give a fuck about what you say?
[59:13 - 59:16] Because right now you're looking pretty fucking stupid.
[59:16 - 59:28] I agree, Mag. I agree, Mag. It's for real.
[59:28 - 59:31] Like...
[59:31 - 59:42] Right. That's because he knows I'm spitting the fucking truth.
[59:42 - 59:45] He knows I'm telling him how the fuck it really is.
[59:45 - 59:48] Kind of like the other day when I fucking went off on every fucking troll.
[59:48 - 59:53] And I know you saw that video, Mag. And if you didn't go back and watch this shit,
[59:53 - 59:56] I legit went off on every single troll, dude.
[59:56 - 60:01] Like, every single troll. Like, I fucking fought. I teed off on their asses.
[60:01 - 60:05] And believe what I say, I didn't fucking hold back either.
[60:05 - 60:07] Like, I teed the fuck off.
[60:07 - 60:13] And I told him how the fuck it really is.
[60:13 - 60:26] Matter of fact, here's the LP remix.
[60:26 - 60:29] I'll fucking play this shit for you while I go downstairs
[60:29 - 60:32] and fucking grab something to drink right quick.
[60:40 - 60:44] Okay, Sean, and here he is. This is new for y'all, so keep this shit.
[60:44 - 60:46] And chill in the kitchen.
[60:46 - 87:56] [music]
[87:56 - 87:59] And plug in this bad bitch.
[88:00 - 98:11] [music]
[98:11 - 98:20] And yes, I have listened to the years. I used to listen to those guys growing up as a kid. I haven't heard them in a while, though.
[98:20 - 98:25] I have not heard them in a fucking long-ass time, dude.
[98:25 - 98:28] Well, it has been a while.
[98:28 - 98:30] [music]
[98:30 - 98:35] Let's see if you can remember this one.
[98:35 - 104:14] [music]
[104:14 - 104:21] He really is, in matter of fact.
[104:21 - 104:24] [music]
[104:29 - 104:35] For anyone that hasn't heard of church before, let me introduce you.
[104:36 - 105:09] [music]
[105:09 - 105:12] I was on my fucking ring, dude.
[105:12 - 105:24] [music]
[105:24 - 105:27] Let's start off with something simple.
[105:27 - 105:36] [music]
[105:36 - 105:40] Let's start off with one of my personal favorites, "Ghost."
[105:40 - 120:00] [music]