Original upload date: January 31st, 2021 (automatically grabbed from title)
[0:00 - 0:07] What's up geology boi? So today we are going to be doing something that I have not done yet but I was
[0:07 - 0:19] then kind of wanting to do a little bit and that is how to make an instrumental and properly record
[0:19 - 0:37] vocals and for that instrumental. Now, I think I said this one, I'll be here. TylerNY
[0:37 - 1:07] Why? First I'll see if I can actually...shit. Alright. Now we're going to sit here and we're going to make a
[1:07 - 1:12] beat and we're going to record over it. Now, I'm not going to put this beat out, this is just strictly
[1:12 - 1:20] for you know teaching purposes only to teach that little punk ass TylerNY lesson.
[1:20 - 1:35] Now, let's get started on this.
[1:35 - 1:45] [Music]
[1:45 - 2:15] now I do kind of like that melody. That melody is pretty
[2:15 - 2:17] sick actually.
[2:17 - 2:29] Now, let's play the melody back.
[2:39 - 2:44] And I do apologize for not really live streaming much yesterday guys. It's just I was like super sick
[2:44 - 2:53] and I wanted to take a break and you know sleep, get some rest and I did record some stuff yesterday though.
[2:53 - 3:33] [Music]
[3:33 - 3:55] Alright, so let's try.
[3:55 - 5:07] [Music]
[5:07 - 5:17] Alright, so since that's not working, let's let's go for you know let's go for a drum loop because
[5:17 - 5:23] there was a cool ass drum loop in here that actually fit really well.
[5:23 - 7:03] [Music]
[7:03 - 7:11] because I am very familiar with this with this loop right here so this one will be easy to work with actually.
[7:11 - 8:01] [Music]
[8:01 - 8:11] Yeah, there we go.
[8:11 - 9:27] [Music]
[9:27 - 9:33] Now what I like to do is this.
[9:33 - 9:43] I like to do about three spaces on this and then let it run.
[9:43 - 9:51] Oh trust me, I can make my own beat. This is just for like an example.
[9:51 - 10:03] I'm literally just doing this for an example.
[10:03 - 10:17] [Music]
[10:17 - 10:29] Alright, so let's just say right here like let's just say right here is RB right.
[10:29 - 10:43] [Music]
[10:43 - 10:51] Now this is a beat that I've made before and it's super simple.
[10:51 - 10:55] Now let's say I want to take and switch it up entirely.
[10:55 - 11:01] What I'm going to do is I'm actually going to go in and I'm going to make this thing kick.
[11:01 - 11:12] Like I'm going to make this thing go off with one simple tool, Gross Beat.
[11:12 - 11:15] Let's see where's that, there we go.
[11:15 - 11:44] [Music]
[11:44 - 11:52] Alright, so I tell you what, we are going to make our own beat from the ground up real quick.
[11:52 - 11:56] But this time we're going to do it in a way that's actually really cool.
[11:56 - 12:06] Let's pause that, let's go in here.
[12:06 - 13:09] [Music]
[13:09 - 13:13] Now what I'm going to do is I'm going to do this all the way across.
[13:13 - 13:44] [Music]
[13:44 - 13:46] Now...
[13:46 - 13:58] [Music]
[13:58 - 14:02] Let's add in just a little bit of extra bass.
[14:02 - 15:17] [Music]
[15:17 - 15:32] Alright, now what we're going to do is we're going to add in some piano.
[15:32 - 15:38] Alright, I don't know what I'm going to add in. Let's see how the piano sounds first.
[15:38 - 15:44] [Music]
[15:44 - 16:13] Oh, there we go, got that piano.
[16:13 - 16:18] [Music]
[16:18 - 16:22] Now what I'm going to do is I'm going to add just a little bit of reverb on this.
[16:22 - 16:59] [Music]
[16:59 - 17:28] There we go.
[17:28 - 17:55] [Music]
[17:55 - 17:59] You know, let's see another mini.
[17:59 - 18:03] We've actually got to leave it over. Because that is a good one.
[18:03 - 18:09] [Music]
[18:09 - 18:11] Oh, there we go.
[18:11 - 18:49] [Music]
[18:49 - 18:51] Yeah, I know.
[18:51 - 18:55] Not for me much in the old school way, man. You know, layering everything in.
[18:55 - 18:59] I love the hard work that goes into it.
[18:59 - 20:28] [Music]
[20:28 - 20:30] There we go.
[20:30 - 20:55] [Music]
[20:55 - 20:59] Oh, there we go.
[20:59 - 21:22] [Music]
[21:22 - 21:27] Now what I like to do is I like to take the BPM down to about, say, 95.
[21:27 - 21:41] [Music]
[21:41 - 22:09] Whoa.
[22:09 - 22:12] Can you hear how I changed it up?
[22:12 - 22:24] [Music]
[22:24 - 22:28] Now, let's just say that that's our beat right there.
[22:28 - 22:40] [Music]
[22:40 - 23:00] Now what I'm going to do is I'm going to take, this is what I like to do, I like to take and export it. So let's go and just make it say, let's just go.
[23:00 - 23:10] Let's do a test beat.
[23:10 - 23:34] Now I'm going to render this down, then we're going to get into the whole recording process.
[23:34 - 23:56] Now, thankfully, I won't take that long to render down, at least I hope not, because it's just a simple beat. It's nothing major.
[23:56 - 24:16] Yeah, I know, like I said, this is just, you know, this is just an example to kind of teach people, like, how to actually go about the process of recording and making music.
[24:16 - 24:24] Like I said, this isn't a serious beat, this is just me for, you know, teaching purposes.
[24:24 - 24:46] For like those that do want to get into music, or people like Tyler and Y, who don't necessarily know how to, you know, record properly, Tyler, you know, this is just an example.
[24:46 - 25:01] Yeah, y'all do, but Tyler apparently doesn't say no, let me, let me actually abort this, I'm going to make it a little shorter.
[25:01 - 25:28] I was thinking about 25 seconds.
[25:28 - 25:37] But I rendered down because I won't take too long at all.
[25:37 - 25:42] Who cares, dude. I'm with a better label anyway, bro.
[25:42 - 26:11] Cuz dude, I'm signed under real ultimate power records, which K loans, and then I run my own label blood on fucking fallen angels records, bro so let him run his mouth I don't give a fuck.
[26:11 - 26:29] So, while that's, while that's doing that, I'm gonna grab some, I think, I'll be right back guys.
[26:30 - 27:55] Okay.
[27:55 - 28:08] So we're good.
[28:08 - 28:21] Check the shit.
[28:21 - 28:27] Actually, no, you know what, fuck it. Let's just use a beat I already fucking made.
[28:27 - 28:39] So let's say, just for a pure example, let's say I already rendered down a beat. So let's get rid of this on start over fresh.
[28:39 - 28:47] Now what I like to do is I like to use the Kenny P Vox template, which I absolutely love.
[28:47 - 29:08] Now what I'm going to do is I'm going to take, and I'm going to record using my personal headset does actually got a mic built in which I fucking love.
[29:08 - 29:22] As you guys know, it's actually got a headset built into it so what I'm going to do is this I'm going to take and pull up a beat that I've already made.
[29:22 - 29:41] I'm thinking I'll use in.
[29:41 - 30:10] Let's go creep show. Since that one's like a more darker Halloween-esque vibe it's more down my style.
[30:10 - 30:21] All right, so now let's go with a more toned out one.
[30:21 - 30:28] You know, let's go a little pizza beat.
[30:28 - 30:36] Because this one's fun to work with.
[30:36 - 31:01] All right, so it's going to track mode, audio track, beat track mode, audio track, main vocals, record.
[31:01 - 31:30] I'm so sick of the way everybody always wants to play these games every single day it's kind of like day.
[31:30 - 31:48] They got me running in to a grave I just don't know what to do anymore it's kind of like running around the circle again I just don't know what to do.
[31:48 - 32:14] Where do I go from here I'm seeing nothing but the tears and I just can't escape and where do I go and what do I do every time I look in the mirror all I see is the memory of you I'm so fucking scared.
[32:14 - 32:38] Why can't I escape any of this. I'm so fucking scared of what you might do. But the truth is I know you.
[32:38 - 32:59] I don't know what you're even doing here. Let's be clear you're not the thing that I need in my life every single night when I go to sleep I see these demons running around in my head.
[32:59 - 33:10] And I don't know if I can escape any of this.
[33:10 - 33:31] Alright so. Alright so let's say that that's our vocal track right there.
[33:31 - 33:39] And what I'm going to do is I'm actually going to cut it off right about there at the very tail end.
[33:40 - 33:43] And.
[33:44 - 34:51] Oh.
[34:51 - 35:21] All right, so what I'm going to do is I'm going to mute the video, and then I'm going to mute
[35:21 - 35:25] the beat, and then I'm going to render down the vocals first.
[35:25 - 35:44] Let's render that under the vocals, so the vocals won't take too long, that's all right.
[35:44 - 35:54] Yo, Mahoshi, what up?
[35:54 - 36:06] Yo, sinister, what's good?
[36:06 - 36:16] And trust me, it might sound robotic now, but you'll see, you'll catch on to the effects
[36:16 - 36:21] and how I do what I do.
[36:21 - 36:35] All right, now let's mute the vocals, and then render down the beat because I clipped
[36:35 - 36:42] it and yada, yada, yada, and yeah.
[36:42 - 36:54] Now let's render this down underneath the beat.
[36:54 - 37:14] No, no, no, no, no, it's not even a robotic style.
[37:14 - 37:20] I use more of like an auto-tune feature because my vocals fit that auto-tune-esque sound,
[37:20 - 37:23] that fits more by that little peep sound.
[37:23 - 37:29] I don't want to say T-Pain, but more like little peep meets almost like a corn kind
[37:29 - 37:32] of vibe.
[37:32 - 37:36] Yo, what up, man?
[37:36 - 38:06] All right, now what I'm going to do is I'm going to go in the new beat.
[38:06 - 38:15] Just for the fact that I don't-- no way, I don't have to listen to that frickin' feedback
[38:15 - 38:23] off the damn microphone.
[38:23 - 38:26] Fucking hate when I get feedback out of that shit.
[38:26 - 38:29] Oh, yeah, the piano works.
[38:29 - 38:30] We're good.
[38:30 - 38:35] All right, now what I'm going to do is I'm going to set these down.
[38:35 - 38:44] Now, you guys are about to see where the magic happens.
[38:44 - 38:49] You guys are about to see where-- remember, I'll even show you guys, I'll let you guys
[38:49 - 38:52] watch as I create this.
[38:52 - 38:56] Now what I'm going to do is this is the site I like to use, which is Soundtrap.
[38:56 - 39:04] Soundtrap is where I do all my mixing, my mastering, and stuff like that.
[39:04 - 39:06] So if you don't know Soundtrap, it's free to sign up.
[39:06 - 39:07] It's very, very good.
[39:07 - 39:19] I've been using Soundtrap for years now.
[39:19 - 39:34] So as you guys can tell, I was able to take one of my beats I made and run with it.
[39:34 - 39:40] So as you've got to wait for this to load up, it's going to slow the shit like always.
[39:40 - 39:49] All right, let's go, music.
[39:49 - 40:00] Let's go, import, choose files, beat, and evokes.
[40:00 - 40:05] Where's my vocals, there they are.
[40:05 - 40:07] Now let those two things render in.
[40:07 - 40:11] And then from there, the magic begins.
[40:11 - 40:15] All right, there's the beat.
[40:15 - 40:17] I hate when it does that.
[40:17 - 40:23] One of my vocals underneath the beat, not over top of it.
[40:23 - 40:24] Thank you.
[40:24 - 40:28] Now, what I'm going to do with the vocals is I'm going to go over here to this little
[40:28 - 40:35] circle right here that you all saw me click on, go over to voice, and then go down the
[40:35 - 41:04] wide route because that's like the one that tends to work the best.
[41:04 - 41:21] Yeah, do my vocals not rendered down or something, or are they there and just not showing up?
[41:21 - 41:49] And apparently they're not showing up with the actual fuck.
[41:49 - 42:01] All right, so let's just assume for a second that this is rendered.
[42:01 - 42:13] I'm just going to discard this and I'm going to show you what it would look like if I were
[42:13 - 42:23] to record, say, a normal song.
[42:23 - 42:43] Matter of fact, I'll actually use my version of Whisper by Evan Essens as an example.
[42:43 - 43:09] Now, like I said, I do all my recording in FL Studios when I do all that and then I go
[43:09 - 43:20] in here and I mix everything down and you guys are going to get to see a first-hand
[43:20 - 43:22] look at what I do.
[43:22 - 43:28] I actually tell the project super simple and it's not taking long to load because there's
[43:28 - 43:30] not that much to it.
[43:30 - 43:39] I try to keep it simple.
[43:39 - 43:42] Let's say right here is my beat.
[43:42 - 43:48] Now, I'm going to take this back to clean real quick just so you guys can hear the
[43:48 - 44:01] difference.
[44:01 - 44:14] Now, as you can tell, it's very overbearing, right?
[44:14 - 44:26] Now, as you can tell, it's very overbearing so what I'm going to do is I'm going to change
[44:26 - 44:27] that.
[44:27 - 44:56] I'm going to go in here, bring up wide wraps as to when I use for a lot of my vocal work.
[44:56 - 45:25] I'm going to go in here and I'm going to do a little bit of this.
[45:25 - 45:45] As you can see, it mellows it out, it actually mellows it out and it wells everything out.
[45:45 - 46:06] Over there, I'm just running it down.
[46:06 - 46:35] As you can tell, once I record in FL Studios, I do a proper mix.
[46:35 - 46:39] I render down the vocals then I render the beat down.
[46:39 - 46:45] I'll mute the beat then I'll render the vocals and then I'll do the same thing with the other.
[46:45 - 46:50] Once I render the vocals, I'll mute the vocals then render the beat and I take, run it through
[46:50 - 46:57] sound trap and go from there and mix it down and yeah.
[46:57 - 47:00] That's how I do my recording.
[47:00 - 47:04] Tyler, let this be a lesson to you, bro.
[47:04 - 47:07] Learn how to record, dude.
[47:07 - 47:09] Learn how to actually make good music.
[47:09 - 47:13] I've been doing this for years, bro.
[47:13 - 47:17] Almost a fucking decade I've been doing this.
[47:17 - 47:22] So come on, bro.
[47:22 - 47:29] Dude, have you heard as late as song?
[47:29 - 47:31] It's fucking trash, bro.
[47:31 - 47:33] Like it is seriously trash.
[47:33 - 47:35] It fucking sucks.
[47:35 - 47:38] Like his vocals were so low, you couldn't even understand them.
[47:38 - 47:42] Like for a pure example, I'm going to use this as an example.
[47:42 - 47:44] The one, my version was wrong.
[47:44 - 47:46] I'm going to use it as an example.
[47:46 - 47:54] His vocals were like this, like you can't even hear them.
[47:54 - 47:55] They were like that.
[47:55 - 48:11] But my vocals, clean, crisp, nice, solid, you can actually hear it.
[48:11 - 48:24] It's not way down here like this.
[48:24 - 48:28] My stomach's up here, his is down here, bro.
[48:28 - 48:46] Like you couldn't hear them, though my shit, you can hear what I got.
[48:46 - 48:50] So as you can tell, my stuff is way better than he's got.
[48:50 - 48:54] And besides, he's just doing it to try to fucking troll him and it's not working.
[48:54 - 48:59] So Tyler, let this be a lesson to you, bro.
[48:59 - 49:03] Get a proper setup like I have.
[49:03 - 49:15] Like dude, I have a professional mic, a pair of headphones, and FL studios.
[49:15 - 49:17] Learn how to mix and master, bro.
[49:17 - 49:21] You suck at this shit.
[49:21 - 49:24] You fucking suck, bro, and you think your shit's better?
[49:24 - 49:29] Bro, I've been doing this for a goddamn decade.
[49:29 - 49:32] Once you're better than me, then we'll fucking talk, bro.
[49:32 - 49:37] But until then, you have no right to even trash on my shit.
[49:37 - 49:39] Your stuff sucks.
[49:39 - 49:44] I make hits, you make bullshit.
[49:44 - 49:45] You're a fucking troll.
[49:45 - 49:49] And honestly, bro, you don't belong in the music world.
[49:49 - 49:50] You ain't made for this, bro.
[49:50 - 49:52] I am.
[49:52 - 49:54] You ain't.
[49:54 - 50:00] So take your ass back to class and learn how to do music properly, homie.
[50:00 - 50:02] Plain and simple, Tyler.
[50:02 - 50:09] Before you step to me, know what you're getting yourself into.
[50:09 - 50:13] Because I have a reason to, he'll-- I have a reason to.
[50:13 - 50:16] His shit actually sucks.
[50:16 - 50:20] I have a right to trash on his shit because he's doing it just to try to troll me.
[50:20 - 50:23] So yeah, I have a right to.
[50:23 - 50:32] So Tyler, fuck you, fuck your fake ass label, and fuck music fuck boy Marty.
Transcribed by lolcow.city as id '1960' on August 15th, 2024
