Original upload date: January 23rd, 2021 (automatically grabbed from title)
[0:00 - 0:26] What's up guys, it's your boy. If you want to know what I'm doing, I am currently downloading
[0:26 - 0:48] a free mini pack for this shit. Hey, have a Saturday man, yo Mac, what up? What's up?
[0:48 - 1:10] Yo, Mitch, what up, man? Not much is legit sitting here downloading a trap mini pack
[1:10 - 1:16] for an instrument I'm going to be working on. So it's a mini pack so that I can get
[1:16 - 1:31] some shit rolling. Hey Tonic, what up, dude? If that's even the real tonic. Hopefully it
[1:31 - 1:41] is though. But while we're waiting for that mini pack to download, let's get to rocking
[1:41 - 2:05] a few ideas. Alright, the books, those are going to take a little more time. Unfortunately
[2:05 - 2:14] now dude, today's not working properly. But it'll be available for everyone. There is
[2:14 - 2:19] no first come, first serve. Once it's out, it's out. You guys will be able to pick it
[2:19 - 2:37] up at your own discretion.
[2:37 - 3:02] There's a side room and what else did I need?
[3:02 - 3:27] There's a side room. There's a side room. There's a side room. There's a side room.
[3:27 - 3:55] Oh, that's right. That's nice. I like that. First here it is. I don't need that clap
[3:55 - 4:25] that's nice. That's nice. That's nice. That's nice. That's nice. That's nice. That's nice.
[4:25 - 4:55] Alright, we got a little on there with the audience, so. I'm going to do it. I'm going
[4:55 - 5:20] to do it. Yeah, that ain't the real tonic.
[5:20 - 5:49] Alright, let's do it. That's nice. That's nice. That's nice. That's nice. That's nice.
[5:49 - 6:19] Alright, now let's get rid of a few things here. Close a few things out. Because I keep
[6:19 - 6:48] forgetting that if I have to drop it, I'll slow it down. Oh yeah, there we go.
[6:48 - 7:17] There we go. That's nice. That's nice. That's nice. That's nice. That's nice. That's nice.
[7:17 - 7:41] That's nice. That's nice. That's nice. That's nice. That's nice. That's nice. That's nice.
[7:41 - 8:07] Alright, that's actually sounding really good.
[8:07 - 8:29] Let's throw a little bit of guitar in there.
[8:29 - 8:53] Alright, let's do it. That's nice. That's nice. That's nice. That's nice. That's nice.
[8:53 - 9:16] That's nice. That's nice. Ooh, that's sounding good.
[9:16 - 9:40] Yo, Kat, what's good? I do want to replace that though with the Ebau Slayer.
[9:40 - 9:52] Yeah, that dude's definitely a fake. Maud, you guys know what to do.
[9:52 - 10:20] Go ahead and tell me right now, dude, the real tonic would never talk shit like that,
[10:20 - 10:49] but I do want to replace that. Yeah, that's nice. That's nice. That's nice. That's nice.
[10:49 - 11:17] Alright, that's nice. That's nice. That's nice. That's nice. That's nice. That's nice.
[11:17 - 11:46] That's nice. That's nice. That's nice. That's nice. That's nice. That's nice. That's nice.
[11:46 - 12:10] Ooh, I like that one. That one sounds good. I'll talk to this. Hey, Cynthia, what up?
[12:10 - 12:50] ???
[12:50 - 12:55] Alright, so now that we got a basic idea here.
[12:55 - 12:59] Alright, now that we got a few ideas, let's go back in,
[12:59 - 13:04] and install that minipack.
[13:04 - 13:12] ???
[13:12 - 13:18] Job divisions for the drum minis, man, it's fucking sick.
[13:18 - 13:21] I've been working with visions with me packs for a while now.
[13:21 - 13:23] Like, I use them whenever I feel like, you know,
[13:23 - 13:27] I can't get anything.
[13:27 - 13:29] You know, so they're definitely very good guys, man.
[13:29 - 13:37] Job divisions for hooking me up with the minipack.
[13:37 - 13:49] That was always so fast, dudes.
[13:49 - 13:57] They really should extract and then put it in the...
[13:57 - 14:08] They don't know where I'm going to go.
[14:08 - 14:24] Yo, triple, what up, dude?
[14:24 - 14:27] Right, I will do that, man, for sure.
[14:27 - 14:29] I do plan on doing that eventually.
[14:29 - 14:34] I know I got a few covers that people are wanting me to do.
[14:34 - 14:51] And don't worry, I'll get to those.
[14:51 - 14:58] All right, let's go here, local disk, program files,
[14:58 - 15:25] image line, headlight studio.
[15:25 - 15:42] All right, let's look up kits, start on the minipack,
[15:42 - 15:48] and the kits and then we are good to go.
[15:48 - 15:50] All right, I got you.
[15:50 - 16:01] I got you, Tonic.
[16:01 - 16:08] You know I got you, bro.
[16:08 - 16:09] You sure about the Tonic?
[16:09 - 16:16] Because I swear the other day I saw one that looked like it may have been you.
[16:16 - 16:19] Yo, Kat, no worries.
[16:19 - 16:21] All right, it could have just been me.
[16:21 - 16:22] I don't know.
[16:22 - 16:23] Call me in sync.
[16:23 - 16:29] I'm like crazy, but...
[16:29 - 16:32] Okay, wait for this.
[16:32 - 16:38] And finally...
[16:38 - 16:44] All right, so we now have our Vision drone kit up in here.
[16:44 - 16:54] So let's do some damage.
[16:54 - 17:14] Going down packs.
[17:14 - 17:15] Oh, dude, he was cool.
[17:15 - 17:17] Nothing even hooked me up with fucking sound samples.
[17:17 - 17:19] That's fucking cool.
[17:19 - 17:21] Shout out to Visions, man.
[17:21 - 17:24] The dude just hooked me up straight up, man.
[17:24 - 17:27] Not only did he give me some fucking mitties to work with,
[17:27 - 17:30] but the dude also gave me some freaking sound samples too.
[17:30 - 17:36] That's dope.
[17:36 - 17:38] Oh, I can make something with that one.
[17:38 - 17:39] I like that.
[17:39 - 17:40] That's cool.
[17:40 - 17:42] Hold up, hold up.
[17:42 - 17:44] I'm going to throw this in here right quick.
[17:44 - 17:56] That is the way.
[17:56 - 17:57] Ah, dude.
[17:57 - 17:59] MP3 or WAV.
[17:59 - 18:11] Either WAV files or MP3 files.
[18:11 - 18:13] I like that creepy sound, dude.
[18:13 - 18:18] That's sick.
[18:18 - 18:20] I actually like this.
[18:20 - 18:29] That is crazy, but sick.
[18:29 - 18:40] Oh, hold up.
[18:40 - 18:44] I can make something with this.
[18:44 - 18:52] I'm starting to get some horrorcore vibes with this shit.
[18:52 - 18:53] I like this.
[18:53 - 19:00] I'm really starting to get some horrorcore vibes.
[19:00 - 19:02] Hell, I may just end up doing a horrorcore song
[19:02 - 19:05] because I haven't done any horrorcore songs in like a while
[19:05 - 19:23] since my song in Blood I Trust.
[19:23 - 19:24] Oh, hold up.
[19:24 - 19:25] I got to try that with this.
[19:25 - 19:31] Hold up.
[19:31 - 19:37] Nah, it doesn't work, fuck.
[19:37 - 19:39] Also, it would, but it doesn't.
[19:39 - 19:43] Damn.
[19:43 - 19:49] Damn, Eddie hooked me up with a fuck ton of 808s.
[19:49 - 19:52] Damn.
[19:52 - 19:53] What?
[19:53 - 19:55] Yeah.
[19:55 - 19:56] Yeah, bitch.
[19:56 - 19:58] Damn.
[19:58 - 19:59] I like that.
[19:59 - 20:01] I don't drop that bitch.
[20:01 - 20:13] Yeah, bro.
[20:13 - 20:15] Hold up.
[20:15 - 20:18] This motherfucker sampled some Michael Jackson shit.
[20:18 - 20:27] Oh, fuck yeah.
[20:27 - 20:37] Oh, that is sick.
[20:37 - 20:53] Oh, that is fucking wicked.
[20:53 - 20:56] I think I'm just gonna leave that first part like that.
[20:56 - 21:06] That is sick.
[21:06 - 21:28] Yo, that is wicked.
[21:28 - 21:45] All right, though.
[21:45 - 21:54] I want to try this on the real thing.
[21:54 - 21:58] That is eerie.
[21:58 - 22:02] Bro, that is weird.
[22:02 - 22:04] Oh my god, that is weird, dude.
[22:04 - 22:07] I like that.
[22:07 - 22:18] That is like legit the creepiest thing ever, right?
[22:18 - 22:21] Like, dude, this shit is weird, man.
[22:21 - 22:39] Like, listen to this shit, bro.
[22:39 - 22:59] Oh, that is weird.
[22:59 - 23:22] Yo, I just see the dark shit coming out now, man.
[23:22 - 23:51] I'm gonna get this eerie sound all the way to 100 right quick because we're not that far away.
[23:51 - 24:20] All right, now that I got the background music layered in.
[24:20 - 24:40] He's a fucking weirdo, man.
[24:40 - 24:51] I can't believe he's back.
[24:51 - 25:08] Tell me you got some waves in here, man.
[25:09 - 25:37] Oh, no, no, no, no, no, no, no.
[25:37 - 25:46] No, I didn't want that.
[25:46 - 25:58] I wanted to scroll through that.
[25:58 - 25:59] Oh, I like 70s.
[25:59 - 26:11] That Sony sounds really good, actually.
[26:11 - 26:40] I just went down with a class now because I do like that.
[26:41 - 27:05] I do not even need to change that way, I like it, but I think it needs to change now.
[27:05 - 27:29] Oh, God, it's gonna be one of those ones.
[27:29 - 27:58] Okay, I need to change your hands.
[27:58 - 28:26] Oh, God, it's gonna be one of those.
[28:26 - 28:49] All right, so now that we got our eerie sounds going, create a whole new pattern.
[28:49 - 28:53] Yo, Bob, what's up, man?
[28:53 - 28:57] Yo, dude, I'll send you my Discord. Yeah, just give me a minute here.
[28:57 - 29:08] Sorry, just whenever I get in the groove of doing an instrumental, it's kind of hard to get my attention to say the least, but yo, Bob,
[29:08 - 29:33] that is my personal Discord where you can hit me up, homie.
[29:34 - 31:58] Oh, God.
[31:58 - 32:02] Sounds good to me, man.
[32:02 - 32:30] I'll see what I can do.
[32:31 - 32:59] Oh, man.
[32:59 - 33:12] Oh, there we go.
[33:12 - 33:32] Bro, this is lit.
[33:32 - 34:01] I do need to change out that hi hat, though. I like that hi hat, but it's not what I'm looking for on this one.
[34:01 - 34:48] Oh, God.
[34:48 - 34:59] All right, I'm going to try and run the drum mitties running right quick and see how that sounds.
[34:59 - 35:09] Because I said I really like that one, but I'm just not feeling it. So let's go here and chew.
[35:09 - 35:18] Let's do this thing at one thirty. So let's do the one thirty to me.
[35:18 - 35:47] Let's do that eighty six.
[35:47 - 35:57] Oh, I'm liking that. Hold up.
[35:57 - 36:26] No.
[36:26 - 36:42] All right, so we've only got something here, for sure.
[36:42 - 36:51] Yo, Anthony, what up?
[36:51 - 37:09] I'm not on StreamYard, dude. I'm on StreamDirectly for YouTube, so I don't have a panel on YouTube.
[37:09 - 37:25] I might not make time yet, but just watch for it. I will be, motherfucker. Just wait.
[37:25 - 37:30] Just wait, man. I am going to be making money, ninja.
[37:30 - 37:57] Just wait, man.
[37:57 - 38:01] See, you all doubt me.
[38:01 - 38:13] Now, it's motherfuckers like you that doubt me that drive me to do what I do, man.
[38:13 - 38:42] All right, I'm really liking where this is going.
[38:42 - 39:11] Thank you.
[39:11 - 39:37] All right, so let's take a listen back. It doesn't hear how it sounds.
[39:37 - 40:06] Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
[40:06 - 40:35] All right, here we go. Now we got something here.
[40:35 - 41:00] Now we got something here, man.
[41:00 - 41:06] All right, I'm really liking that pause. That pause really sets it off, so hold on.
[41:06 - 41:22] I may just go in and redo this whole shebang here.
[41:22 - 41:34] Here we go.
[41:34 - 42:03] I'm really liking that pause, man. That pause is, ooh, that really gets the tone.
[42:03 - 42:32] All right, let's go.
[42:32 - 43:01] So what are you all thinking, man? What do you think about this creepy-ass beat?
[43:01 - 43:28] Ooh.
[43:28 - 43:37] I mean, I ain't selling it. I'll fucking spit on it, though, for sure.
[43:37 - 44:06] All right, let's go.
[44:06 - 44:11] All right, man, I know that yo, guys, get this fucking troll up out of here.
[44:11 - 44:17] I know that's a dig on my boy Devin, dude. You don't do that shit.
[44:17 - 44:21] Get the fuck out of here, man.
[44:21 - 44:29] Get out of here, Marty. We know it's you, pussy-ass.
[44:29 - 44:58] All right, what a lug out you.
[44:58 - 45:14] Let me get a pad set up on here right quick, and then I'll spit over it, for sure.
[45:14 - 45:19] I think I'll maybe do, like, a piano.
[45:19 - 45:42] Yeah, there we go.
[45:42 - 45:48] Ooh. Hold on, I think Fairy Goes might work on this.
[45:48 - 45:55] Because I remember I made that Fairy Goes based off of Lincoln Park.
[45:55 - 46:03] Let's see if I can find it.
[46:03 - 46:32] All right, let's go.
[46:32 - 46:39] All right, yeah, that's not working too well.
[46:39 - 47:06] What? We do have pads. Let's run a pad here.
[47:06 - 47:10] Ooh, there we go.
[47:10 - 47:26] That's what I'm looking for.
[47:26 - 47:32] Oh, yeah, and they're on. That is not working. So let's just get rid of that.
[47:32 - 47:37] Because it's already got nothing happening.
[47:37 - 47:52] Now what I'm going to do is I'm going to take away a little bit here.
[47:52 - 47:58] I'm going to throw in that.
[47:58 - 48:26] And then throw in this.
[48:26 - 48:37] This is time.
[48:37 - 48:39] You know what?
[48:39 - 48:55] Let me run you this beat now and I'll spit over it. Hold up.
[48:55 - 49:24] I'm going to do these out sporadically.
[49:24 - 49:53] Okay.
[49:53 - 50:01] Let it run through.
[50:01 - 50:06] Hey, Savage, what up?
[50:06 - 50:08] Dude, I took first, man.
[50:08 - 50:24] You're going to come that way.
[50:24 - 50:28] Oh, that is sick.
[50:28 - 50:57] Okay, I love it, I love it.
[50:57 - 51:16] God, it's that little pause right there that just, oh, I love it.
[51:16 - 51:41] I'm really starting to see that shit too.
[51:41 - 51:50] Yeah, exactly. I'm literally at this much more. I'm about to get rid of these guys, dude, for real.
[51:50 - 52:00] Like, I'm at that point.
[52:00 - 52:10] It's that freaking pause right there, that heartbeat pause that just, ooh.
[52:10 - 52:29] It's fucking dope, dude.
[52:29 - 52:44] Don't say today. You know what, man? You know what, Spaz? Keep running your mouth. Watch what happens.
[52:44 - 53:12] I said Spaz, keep running your mouth, dude. Watch what happens.
[53:12 - 53:22] Actually, no, it's actually from the from Michael Jackson's Thriller at the very end of the film. That's the Thriller.
[53:22 - 53:39] That's the Thriller laugh.
[53:39 - 53:46] Let this render down, and we are good.
[53:46 - 53:56] Yo, Evo, thanks, man. Evo Quinn, thank you, thank you, thank you. You're fucking dope.
[53:56 - 54:00] You know what, Spaz?
[54:00 - 54:22] I'm starting to say, man, you done fucked up, dude. These guys ain't trolling at all, man. The only troll I see here is you, man. So deuces.
[54:22 - 54:33] Yo, Ethan, what up, bro?
[54:33 - 54:48] Oh, God, RZA best. What up, you crazy-ass fuck, man? I ain't no goblin king, dude. Although you're tempting me to fucking make an album called that just to fuck around.
[54:48 - 54:59] Like, you are literally tempting me to make a freaking album called Goblin King, for real.
[54:59 - 55:15] Because every time you pop up in your news, like, what up, goblin king? What up, goblin king? It's like, fucking, I'll make an album called that. Fuck.
[55:15 - 55:23] Yeah, I know. Yo, Evo, I'm about to fucking mod your ass. You're cool as fuck.
[55:23 - 55:31] Oh, trust me, I'm waiting for this to render down, so we got this shit.
[55:31 - 55:47] All right, it is wreck time, boys. Let's go. I was going to start out the whole new session on this, and we are good to go.
[55:47 - 56:05] Now, this one, I am going to cut the lights out for just for the fact that it gives it that dark, eerie vibe.
[56:05 - 56:19] I'm going to turn it out the way, make the mic up a bit.
[56:20 - 56:48] Yeah, the current video lights have changed.
[56:48 - 57:04] All right, let's go here now.
[57:04 - 57:25] Well, the creekshow beat, and we're about to get it.
[57:25 - 57:54] Let's throw this in the track number three. Throw this in the track two.
[57:54 - 57:59] Oh, no, no, no, no.
[57:59 - 58:06] What the fuck? You didn't even pick it up. What the shit, dude?
[58:06 - 58:14] What the fuck is going on?
[58:14 - 58:23] Okay, I see what's going on here.
[58:23 - 58:52] I see what is going on here.
[58:52 - 59:18] All right, so hold on. I need to do some rearranging here with this, so hold on, guys.
[59:18 - 59:25] I hate rearranging shit.
[59:25 - 59:35] I forgot that the mic was directly plugged into the frickin' computer, otherwise it won't work.
[59:35 - 59:45] And it'll be a complete and utter dick.
[59:45 - 60:07] All right, now we're good to go.
[60:07 - 60:14] And, of course, give me a fucking dick. Hold on, guys, I have to restart it, though. Hold on.
[60:14 - 60:25] This is the shit that you deal with as an artist, though, man.
[60:25 - 60:29] You deal with shit not wanting to work out the time.
[60:29 - 60:50] And when it does work, it's very fucking rare. So let's pull that fill back up.
[60:50 - 61:19] Oh, shit, CIA, I don't desire. Yeah, thanks for the ad, CIA.
[61:19 - 61:45] Oh, damn, that's loud.
[61:45 - 61:53] Yeah, let's tone down that beat a little bit, because that is...
[61:53 - 61:59] That is insanely loud, dude.
[61:59 - 62:16] All right, we're good.
[62:16 - 62:24] Yo.
[62:24 - 62:27] Everybody running through the motherfucking dark.
[62:27 - 62:31] Can you hear the beating of your motherfucking heart? You're running through the dark.
[62:31 - 62:36] You can't even hide from the monsters lurking inside.
[62:36 - 62:45] You're running, running, running for your motherfucking lanterns like you're running out of time.
[62:45 - 62:56] All right, let's see what that went through.
[62:56 - 63:01] Oh, yeah, so I am going to need to completely redo this.
[63:01 - 63:07] Actually, no, I'll just do it over on Soundtrap. Fuck it.
[63:07 - 63:18] All right, so I moved up Soundtrap, and then we were going to get this shit rocking.
[63:18 - 63:23] It's actually really not that expensive, dude. The mic, I got gifted from a fan.
[63:23 - 63:30] The headphones, these are only like 100, and then the keyboard is like 79 on Amazon.
[63:30 - 63:36] So it really isn't all that expensive for the home studio setup.
[63:36 - 63:54] And obviously, I have those studios and shit that was free.
[63:54 - 63:58] Fuck you, Microsoft Edge.
[63:58 - 64:04] So, I mean, it wasn't really that expensive to set it up.
[64:04 - 64:14] I actually use, I initially, this is what I do is I'll go in, I'll record on FL Studios when it's not being a bitch.
[64:14 - 64:27] And then I'll take it, I'll run it through Soundtrap, but 99% of the time I use Soundtrap to record, mix, and render my stuff.
[64:27 - 64:33] Like I said, Cozy, it's not that much, like 100 bucks is not bad.
[64:33 - 64:41] At least I'm not paying like 1000.
[64:41 - 64:50] You gotta think about it that way too, at least I'm not paying like 1000 bucks.
[64:50 - 64:56] Yeah, I know, dude, I've used GarageBand before, man. I'll fuck with GarageBand.
[64:56 - 65:18] I'll fuck with that shit.
[65:18 - 65:38] Well, I mean, I prefer using FL Studios just for the fact that I have more freedom to create stuff.
[65:38 - 66:01] All right, here we go.
[66:01 - 66:26] Yeah, you're running from your motherfucking life in the dark, you hear no voice deep inside the fucking woods of the summit lake, you run, you try to hide, but you know that voice is getting closer every time you run and turn and try to fight.
[66:26 - 66:43] Next thing you know, it's dark and evil spirit taking over your mind, your body, your soul. You don't know what to do, you're so frozen dead cold, you're trapped in your own tracks and you don't know where to go, you don't know what to do.
[66:43 - 67:01] You're so frozen in time, you're standing at a tear cold face, bloody and blind, and you feel your heart race, wondering what's this thing gonna do to me, is it gonna tear out my heart, is it gonna kill me, I don't know what it wants.
[67:01 - 67:10] Next when you try to run, you hear a dark and evil laugh coming from a distance.
[67:10 - 67:30] And you're wondering why you're trapped in the dark place, how did you even get here, you try to run, you try to hide, screaming for your own life, you feel the heartbeat and the footsteps getting closer, you feel your heart race, you don't know what to do.
[67:30 - 67:47] All you know is that you're trapped in a very dark and evil world and you want to escape, how do you get out, how do you fight something from the paranormal, how do you fight a ghost, you don't, oh my god.
[67:47 - 68:10] You better run, you better die, cause the ghost of the evil one is getting close, you better run, you better have it before your life gets snatched, and you become the new dark and twisted guardian for a dark woodsy world, you wonder who is this girl.
[68:10 - 68:38] All you see is a dark and evil blank, sad, soulless eyes, bloody face, torn up dress, staring you deep in the eyes, telling you to take care and care for your life, it's not like you need it anyway, you're so damn scared that you try to cover your face with the hands but you realize this girl, it wants your soul,
[68:38 - 69:05] it wants to turn and torture you, twist you up on your deep inside, you try to run, you try to hide but in the end she will end up taking your life, I warned you when you ran into those woods, you shouldn't go there, it's nothing but dark and evil twisted demonic shit,
[69:05 - 69:22] but you didn't listen, now you're dead on the ground in the woods for that evil girl to be upon your soul, now the devil has taken control of your soul.
[69:22 - 69:48] Ha ha ha ha ha ha.
[69:48 - 70:10] Alright.
[70:10 - 70:18] Rex said you are knocked out.
[70:18 - 70:20] Not yet, dude.
[70:20 - 70:26] Oh, check in here in a minute.
[70:26 - 70:47] Wait is it on this quarter Facebook.
[70:47 - 70:55] Alright, so let's do this.
[70:55 - 71:04] It was on the screen on this one.
[71:04 - 71:33] I didn't know about getting smoother with that one cars. Yeah, I did catch that man for sure.
[71:33 - 71:42] No, no, no, no, no, no.
[71:42 - 72:11] No, no, no, no, no, no, no, no.
[72:11 - 72:39] No, no, no, no, no.
[72:39 - 72:51] I believe so but I'm not sure.
[72:51 - 73:05] I know. Dude, I noticed that too. I actually noticed that that's funny. Dude, I'm looking now. Bro, you are not wrong. That is fucking weird.
[73:05 - 73:18] What the fuck man. That is just straight weird. Y'all are perfect man I swear.
[73:18 - 73:31] Alright, so here's the raw version without any like real editing to it.
[73:31 - 73:49] Hell yeah, sounds good dude.
[73:49 - 74:07] Okay, so every time you turn and try to find it's dark in the spirit.
[74:07 - 74:22] He's on the man.
[74:22 - 74:27] Yo, so come on in your hands dog you're cool man you're cool.
[74:27 - 74:35] You're cool man you're cool.
[74:35 - 74:41] You're cool man you're cool man you're cool man you're cool man you're cool man you're cool man
[74:41 - 75:10] That is good shit dog.
[75:10 - 75:15] Yo, hold on, hold on, hold on.
[75:15 - 75:27] Yo I got played out back from the job.
[75:27 - 75:46] You know so every time you turn, try to find, you know it's dark in the spirit.
[75:46 - 76:02] You know, you know, you don't know what to do, you're so frozen cold, you're trapped in your road tracks, you don't know where to go, you know what to do, you're so frozen.
[76:02 - 76:30] You're not as dead.
[76:30 - 76:35] It's how did you really get here you try to run.
[76:35 - 76:38] Try to do it for you.
[76:38 - 76:47] You get in the process can also you feel your heart race. You don't know what to do.
[76:47 - 76:56] You know, is that you're trapped in a very talking evil world and you want to escape out to the head.
[76:56 - 77:01] Something don't know how to fight.
[77:01 - 77:25] He told you, Oh my God, you better run, you better die, cuz the evil one is getting close, you better run, you better have it for your life, kids, snacks, and you can't do talking twisted, corny and poor, but what's the world, you wonder who is this girl.
[77:25 - 77:31] Oh, you see, it's a talking evil, baby.
[77:31 - 78:00] It's not like you need it anyway, you're so damn scared that you try to come and go face to face with your young guys, this girl, it wants you so big, want to turn it towards you, twist your body deep inside you.
[78:00 - 78:11] You try to run, you try to hide, but in the end, she wouldn't end up taking your knife.
[78:11 - 78:33] I want you, when you ran into those words, you shouldn't go down the gates, nothing but talking, evil, twisted, lying, and shit, but you didn't listen, now you're dead on the ground in the woods for that evil girl to feast upon your soul.
[78:33 - 78:42] Now the demon has taken control of your soul.
[78:42 - 78:45] God, that's true, man.
[78:45 - 78:54] That is eerie, dude.
[78:54 - 79:11] That is fuhu.
[79:11 - 79:25] All right, so my brand new song, Ghost Girl, that you guys got to see me record is now done.
[79:25 - 79:31] All right, man, take it easy, savage, be safe, brother.
[79:31 - 79:43] But now that that stream is, or now that that is done, I will catch you guys in the next stream.
[79:43 - 79:47] And I'm about to bounce up off here, kick it with Devin and the homies.
[79:47 - 80:03] I also want to say I actually am looking for a street team, like people that are legitimate serious, that know how to keep their mouth quiet with certain things.
[80:03 - 80:08] No, not this album, it'll be on my next one, though.
[80:08 - 80:13] The album I'm working on now is just purely a rock album.
[80:13 - 80:30] There's only one song on there that is a hip hop song, and that's actually the AOK remix that I did to honor my mentor and brother, Koda Oda, who got me to where I'm at.
[80:30 - 80:43] And like I said, I am looking for a legit street team that can be on Discord, that can come up with ideas, that can do what they need to do to get shit popping, because I do want to do this full time.
[80:43 - 80:54] So if you are interested in being on the street team, hit me up on Discord, we'll talk, we'll give you a trial run, see how you do.
[80:54 - 81:03] And yeah, but with that being said, I will catch you guys later. Peace.
[81:04 - 81:05] Peace.
Transcribed by lolcow.city as id '2008' on August 15th, 2024
