2021-1-19 let the past stay in the past

[0:00 - 0:29] (Coughing)
[0:29 - 0:37] Alright, if y'all want to fucking bring this shit up, we're fucking talking about it since y'all don't fucking want to let shit go.
[0:37 - 0:42] I'll be straight up honest, I'm pissed the fuck off.
[0:52 - 1:03] It ain't time to try to destroy y'all. Look at the hell that's around y'all.
[1:04 - 1:27] Now we're gonna have a fucking talk here.
[1:30 - 1:40] Alright, first off, I did what I did for a reason to Tangerine last night. There's a reason I did what I fucking did.
[1:40 - 1:49] I explained it in the fucking video right after she fucking left and I explained what happened.
[1:54 - 2:05] It ain't time to try to destroy y'all. Look at the hell that's around y'all.
[2:05 - 2:19] You think that you sound better than you thought. Don't bow me in your reach and you'll rot down my day of training.
[2:22 - 2:25] Dude, that turned out so dope.
[2:42 - 2:58] Dude, that's saying perfectly, isn't it? Like I said, you know, last night, as you guys know, I went onto Marty's panel and I apologized to him.
[2:59 - 3:15] Which I did do, multiple times. I shouldn't have to fucking apologize after apologizing five times over. Five times.
[3:15 - 3:26] Including yesterday when I made that fucking video, telling him that I was done and I was throwing my hands off and walking away from the bullshit.
[3:27 - 3:32] Marty, I'm not apologizing to you anymore, man. I apologized a no.
[3:32 - 3:39] I apologized five times, nigga. Five times. I'm not doing it anymore.
[3:39 - 3:54] Like I told you, I'm not here to bash you or attack you. I'm throwing my hands off and I'm walking the fuck away.
[3:55 - 3:58] Hey, Kat.
[3:58 - 4:08] Now, for all y'all that were sitting there defending tangerine last night, y'all are fucking dumb for doing that.
[4:18 - 4:29] Y'all are dumb as fuck for defending something like tangerine earlier, just literally a little bit ago when I was recording a new song.
[4:37 - 4:50] Like, y'all don't understand. When she asked me to see things through her point of view, I saw things from her point of view. I saw them. But she refused to do the same in return.
[4:58 - 5:19] She refused to see things from my point of view. It's always, oh, but if you're not, you know, you quit justifying your actions and, oh, if you really believe that shit you're doing, then you're too far gone. Like, really, nigga? Really?
[5:20 - 5:35] Like, are you kidding me? Like, bro, I sit there and I see things from your point of view, but yeah, you don't want to return the favor and see things from my point of view on where I'm coming from. Are you fucking serious?
[5:41 - 5:58] And let me tell you right now, she basically defended Marty and basically showed her true colors last night and basically showed that she would rather side with Marty than to see my point of view and understand where I'm coming from.
[6:03 - 6:25] So for all y'all that are there defending her, by defending her, you're also defending Marty. Plain and simple. By defending Tangerine Cat, you're also defending Marty as well because she's defending him. And when you defend her, you defend him. Plain and simple.
[6:26 - 6:54] And plus, some of you guys were attacking friends of mine, like Jasmine, not to mention my boy, Devin, not only on Discord, but whenever Jasmine was in the chat on here, some of y'all motherfuckers were sitting there attacking her, which is why I yanked y'all's motherfucking wrenches.
[6:55 - 7:13] I'm tired of the fucking bullshit of people getting mad just because you ain't got a fucking wrench. Dude, a wrench is a fucking wrench. It's a fucking status. You can't let a status determine your fucking fate.
[7:13 - 7:38] But later on out, Ryan, we were actually together. We were actually a couple until she fucked up last night and decided to defend Marty with her fuck shit.
[7:38 - 7:59] Like, dude, I'm a fucking YouTuber. I create content for you guys to enjoy.
[8:00 - 8:28] Like, I'm not here to fucking play football.
[8:28 - 8:56] Play fucking Tiddlywinds bullshit.
[8:56 - 9:25] And that's that verse right there actually does speak to a lot of y'all motherfuckers. By following Marty, you're basically following your own demise.
[9:25 - 9:41] Like, literally, by following Marty, you're ultimately creating your own fucking demise. Literally. Y'all think this blackmail shit fazes me? Go ahead and release them. I don't give a fuck.
[9:41 - 10:00] That's not like my shit hasn't been put out there before, dude. Hell, ask Katrina. My photos have been put out there. Videos have been put out there. You really think new photos of me are gonna fucking phase me?
[10:00 - 10:24] Like, come on. Like, bro, I've had way fucking worse, dude. Way worse. Go ahead, put my address out there. It's been out there. You're just basically giving fans my address, so for all my fans that want my address, there it is.
[10:24 - 10:36] Write my address down. Send me some fan mail, dude. Thanks for the free promo. Like, for real, dawg.
[10:36 - 10:54] Like, for all my fans that want my address, here you go. That is legitimately my address. Like, that is legit my fucking address right there, so if y'all want to send me fan mail, I ain't even gotta put it in the chat. It's right there.
[10:54 - 11:20] Like, it's right the fuck there, dude. Like, having my address in my photos leak doesn't phase me. When I first started out, yeah, it fucked me up. It bothered me. But, like I said, I'm not changing who the fuck I am for nobody. I'm wising the fuck up.
[11:20 - 11:33] Yo, dude, post your, uh, link.
[11:33 - 11:58] But yeah, dude, but yeah, dude with the rent rent, send me your YouTube link, man. I'll check your stuff out and see what you got, homie.
[11:58 - 12:12] And, dude, I don't give a, here's my thing, bro. I don't give a fuck whether I got 15 viewers at a time. I don't give a fuck whether I got 30, 40, 100 viewers at a time. I don't give a fuck.
[12:12 - 12:28] You wanna know why? You wanna know why I don't give a fuck? Because at the end of the day, I'm still gonna do me. And I know damn well, somewhere down the line, those numbers are gonna shoot up.
[12:28 - 12:43] Like, y'all can have your opinions about me or whatever, but I'm here to stay fucking fast, bro.
[12:43 - 13:01] Like, for real. Go ahead, send the rope. I'll just send it right back to ya. Hell, actually, no, you know what? No, you know what? Go ahead and send the rope. You know what?
[13:01 - 13:17] We could actually use some rope around here. We could actually use that for tying shit down during real bad storms. So please, by all means, send the rope. Hell, I could use it to tie down my fucking GoPro camera rig.
[13:17 - 13:39] I could use it to fucking hold shit in place that needs to be held in place. So, go ahead and send it. Because we don't give a fuck. We laugh at you, trolls. We laugh at you.
[13:39 - 13:52] I laugh at you fucking idiots. Y'all are a bunch of pussies, man. Like, for real.
[13:52 - 14:04] Yo, tough to go. What's up, man? But yo, Kat, I actually do have a brand new song that I just recorded last stream that I want you to keep.
[14:05 - 14:30] Oh, dude, we have to, man. We have to, because the storms around here can get pretty bad. Especially during a windstorm. Yeah.
[14:30 - 14:35] Alright, I'm doing good. Yo, tough to go. I'm actually not done lying to you, bro.
[14:56 - 15:01] Yo, what's popping, man?
[15:01 - 15:11] Yo, tough to go. But yo, tough to go. Yeah, you're crazy. Yeah, yo, you're crazy. Yeah, yo, you're crazy.
[15:11 - 15:19] Yo, tough to go. Yeah, yo, you're crazy. Yeah, yo, you're crazy. Yeah, you're crazy.
[15:19 - 15:39] See that you're on the line. Yo! You try to bring us out now. Tell everyone to catch you.
[15:39 - 16:02] Alright, yeah, I do need to undo a few region modifies here.
[16:02 - 16:22] Make sure everything is on up.
[16:22 - 16:28] Well, what effect did I have?
[16:28 - 16:32] Redo just effect.
[16:32 - 16:35] Alright, there we go.
[16:36 - 16:41] And I'm trying to destroy you.
[16:41 - 16:47] Look at the hell that surrounds you.
[16:47 - 17:13] Yeah.
[17:13 - 17:42] Believe it or not, these are just all old boxes. This is mostly Christmas.
[17:42 - 17:54] Oh, no shit, dude, bro. I actually have FL Studios. I have pretty much everything I need, bro. Like, literally, I got FL Studios, I got Soundtrap.
[17:54 - 18:08] I'm good. Plus, dude, I have fucking Photoshop, After Effects, Adobe Premiere, I have fucking Krita for doing artwork, Commipo for doing manga.
[18:08 - 18:18] So, dude, I've got literally everything I need. I just need to get a newer computer so I can do more because this computer is legit old.
[18:18 - 18:30] Like, no cap, dude. Like, this shit's old. Matter of fact, let me show you the beat that I did. Matter of fact, yo, Ryan, or the dude with the wrench, let me actually show you, dog.
[18:30 - 18:37] Let me actually show you an instrumental I did last night on here live. Like, let me show you this instrumental.
[18:37 - 18:47] I actually have been working on some shit with this. I have been popping off a few ideas with this.
[18:47 - 19:16] So, I'm going to let this beat play through. I'm going to go down, grab something to drink. I'm going to grab that, yo.
[19:16 - 24:05] [music]
[24:05 - 24:23] [silence]
[24:23 - 24:49] What rubbermaid shit, bro? There are no fucking rubbermaid containers, dawg. Those are fucking plastic boxes with shoes, fucking paperwork, Christmas shit, Christmas shit, coin jar shit, so yeah.
[24:49 - 24:54] [silence]
[24:54 - 25:06] Like I said, dude, like, y'all said there's say that I'm not trying, but really, dude, here's one that let me teach y'all a little something about music production.
[25:06 - 25:16] [silence]
[25:16 - 25:22] And this is one thing that I see a lot of artists and a lot of producers do.
[25:22 - 25:37] And this isn't just coming from somebody that's done music for 11 years. This is coming from something that actually has studied how a lot of artists are. A lot of artists don't work their basics.
[25:37 - 25:43] [silence]
[25:43 - 25:52] Shit, everybody knows where I sleep all night. Straight up fucking ice coffee. This flavor is actually Reese's. Shot in Starbucks.
[25:52 - 26:04] But, you know, like I said, I'm not trying to, you know, explain how I'm a better artist because I know there's people out there that are better artists than me.
[26:04 - 26:18] And I'm fine with that, but a lot of artists don't work their basics. And that's just sad, like a lot of people don't, like a lot of people overdo sounds.
[26:18 - 26:25] Like if you take a listen to my work, I don't overdo shit. I don't put 50 million different sounds in.
[26:25 - 26:33] [silence]
[26:33 - 26:43] [music]
[26:43 - 26:52] Well, I take this for example. Here's an instrumental loop that I got from Sematics Instrumentals. Shout out to Sematics.
[26:52 - 26:59] [music]
[26:59 - 27:02] As you can tell, there's not much to it.
[27:02 - 27:31] [music]
[27:31 - 27:37] See, just something simple, something basic.
[27:37 - 27:43] [music]
[27:43 - 27:47] See, it sounds like there's a lot to it, but it's actually very basic.
[27:47 - 28:01] [music]
[28:01 - 28:23] Like there's not like 50 million, like, you know, there's not 50 million freaking instruments going on at one time. It's all just calm, clean, basic shit.
[28:23 - 28:32] And that's one thing that irritates me to know fucking that is when these artists come in and they throw all these different sounds and...
[28:32 - 28:37] [music]
[28:37 - 28:47] Like they throw in all these different sounds and thinking that it's gonna be hot, but really it ain't shit.
[28:47 - 30:24] [music]
[30:24 - 30:28] See, it's just super simple, you know?
[30:28 - 30:30] [music]
[30:30 - 30:34] How am I gonna even spit something over this? I don't know.
[30:34 - 31:28] [music]
[31:28 - 31:42] Now just to run the rest of this across and we are done.
[31:42 - 32:10] All right, now let's listen to this back here. Oh, damn.
[32:10 - 32:22] [music]
[32:22 - 32:26] Okay, so stop playing the damn hit.
[32:26 - 32:58] [music]
[32:58 - 33:10] Dude, where is it at?
[33:10 - 33:38] Stop playing the-- Okay, so anyway, what is the password again? Too much energy.
[33:38 - 33:44] Okay, but that's-- Oh, come. That mother of a guy possesses renegade eyes.
[33:44 - 34:02] [music]
[34:02 - 34:08] Oh, come.
[34:08 - 34:16] [music]
[34:16 - 34:20] That mother of a guy possesses renegade eyes.
[34:20 - 34:26] Oh, I ain't ignoring the trash.
[34:26 - 34:36] Oh, come. That mother of a guy possesses renegade eyes.
[34:36 - 34:38] What? I don't believe it.
[34:38 - 34:44] You see what I mean though? It's not too much overdoing it.
[34:44 - 34:57] No, I'm not overdoing it. It's just there within the mix.
[34:57 - 35:08] Now what I'm going to do is I'm going to take and I'm going to do that for each fill spot.
[35:08 - 35:33] You know, each blank spot where the beat cuts out, I'm going to throw it in.
[35:33 - 35:39] Perfect. All right, now let's take a listen back.
[35:39 - 35:56] What? What next? Oh, come. That mother of a guy possesses renegade eyes.
[35:56 - 36:13] What? Who the hell is Cunyster? I'm honestly not sure who that is.
[36:13 - 36:21] I honestly don't know who that is, so somebody can fill me in.
[36:21 - 36:31] [music]
[36:31 - 36:45] What? Oh, come. That mother of a guy possesses renegade eyes.
[36:45 - 36:53] Like I am deadass, who the hell is Cunyster or Cunystar?
[36:53 - 36:55] Like, I'm not sure who that is, to be honest with you.
[36:55 - 37:00] Like, you know this was, I just, I don't know who that is.
[37:00 - 37:05] Like, should I know who that is?
[37:05 - 37:09] And if so, like, how do I find him? How do I look him up?
[37:09 - 37:26] [music]
[37:26 - 37:38] Oh, Viaki. Yo, I got to throw the Viaki down in there. Hold up.
[37:38 - 38:03] Let's go, Viaki down.
[38:03 - 38:12] Let's go, Viaki down and shatting down.
[38:12 - 38:19] What? What next? Oh, come. That mother of a guy possesses renegade eyes.
[38:19 - 38:41] Oh, wow. Oh, yes.
[38:41 - 39:07] Yo, it's not overdoing it, it's just right there, like...
[39:07 - 39:22] Oh, come. That mother of a guy possesses renegade eyes.
[39:22 - 39:51] Yo, I might just spit something over there, for real.
[39:51 - 40:18] What? What next? Oh, come. That mother of a guy possesses renegade eyes.
[40:18 - 40:47] Oh, that sounds so good. That sounds so fucking good, man.
[40:47 - 40:55] [silence]
[40:55 - 41:03] I'm, like, legit about to download that.
[41:03 - 41:30] Okay, so I don't have anything named "Ranenian" locked away and tearing up. Alright, so...
[41:30 - 41:42] [silence]
[41:42 - 41:49] Alright, so while that's doing that, I'm going to save this.
[41:49 - 42:18] Yo, Blazin', didn't I mod you, bro? Oh, I guess not.
[42:18 - 42:36] [silence]
[42:36 - 42:48] Well, that's telling me I actually do have one other recording thing set up.
[42:48 - 43:00] You know what, I think for this one, I'm actually going to do an Eddie Rath song cover to drop.
[43:00 - 43:08] And I know y'all motherfuckers know who Eddie Rath is, and if you don't know, man, look him up.
[43:08 - 43:33] [silence]
[43:33 - 43:39] No, no, no. I'm actually going to be going in and doing a legit cover.
[43:39 - 44:08] [silence]
[44:08 - 44:12] So I need your metal.
[44:12 - 44:31] [silence]
[44:31 - 44:35] Alright, here we go.
[44:35 - 44:44] Like I said, not only do I do rock and metal, I also do crazy shit like this.
[44:44 - 44:58] So yeah, y'all are about to witness your boy ripping it up. I'm actually going to do one of my personal favorites.
[44:58 - 45:23] [silence]
[45:23 - 45:44] No, no, no. No, no, no. What's up?
[45:44 - 46:13] [silence]
[46:13 - 46:18] So I set two teams on a mission to watch catch five hits and pick stuff.
[46:18 - 46:23] I smell the fear in the chakra, but don't get scared now me running gotcha.
[46:23 - 46:29] All these dogs want a kid and each kid gets paid a price even that my brother likes.
[46:29 - 46:35] Why can't they pay each other leave? The sound goes down, they can know, huh?
[46:35 - 46:49] And when it's more time, when the enemy is running, when it's scared, when they see it, don't be rama, don't be rama, don't be rama, don't be rama, don't be rama, don't be rama, don't be rama.
[46:49 - 46:51] [silence]
[46:51 - 46:58] We are not similar, can't appeal your horses, can't deal the big forces.
[46:58 - 47:03] The honor war boat says you can't prevent it prepared for war at the same time.
[47:03 - 47:09] Yes, me the prince of the liquid element, a vice-size-size of the vice president.
[47:09 - 47:14] Not every hero can be rich, hotheads can't solve serums in this bitch.
[47:14 - 47:20] Land the ticks of the ninja, land the sickening, like really like the block you sickening.
[47:20 - 47:26] Hits me off and the water starts trickling down my thumbs and the heart starts quittling.
[47:26 - 47:31] Sacrifices myself for a protector on my shelf.
[47:31 - 47:37] So I said two teams ought to make shit, throw a pitch five hits and pick some.
[47:37 - 47:42] Smell the kid in the jacket, don't be scared of me running that shit.
[47:42 - 47:48] All these dogs want a kid and each kid gets paid a price even that my brother likes.
[47:48 - 47:55] like walking through the village of the leaf. The sound goes down the canoa, everyone is
[47:55 - 48:02] water on the enemies on the whiskey, when they say topirama, topirama, topirama, topirama,
[48:02 - 48:14] topirama, topirama, topirama, topirama, topirama, where do the bitches of the leaf? The sound
[48:14 - 48:21] goes down the canoa, everyone is water on the enemies on the whiskey, when they say topirama,
[48:21 - 48:34] topirama, topirama, topirama, topirama, topirama, topirama, where does that sound like? Can
[48:34 - 48:41] you feel the big forces, they are the world but sage came prepared to prepare for war
[48:41 - 48:58] at the same time. Alright make sure that one is mixing down. Dude I love the auto mix
[48:58 - 49:12] down on the fucking soundtrack dude, it's fucking dope. Why don't you let me jump right
[49:12 - 49:41] in. I'm going to get a little bit of a break. I'm going to get a little bit of a break.
[49:41 - 50:10] Let's go. Oh yes, it's godly, so godly. Shout out to Matt, we got something real. Yes,
[50:10 - 51:08] we got a little bit of a break, we got a little bit of a break, we got a little bit of a break,