2020-7-1 Cyraxx Official - Proof tht i dont steal beats and that i am on the rise

[0:00 - 0:15] What up y'all, it's your boy. Um, I'm back doing a lesson to actually prove a few things
[0:15 - 0:27] to some people. You know, there's been a lot of controversy. You know, I'm going around
[0:27 - 0:33] saying that, oh, he steals beats or, oh, your girl said you steal beats. You said you did
[0:33 - 0:40] this, blah, blah, blah. And truth is, I don't steal any of my shit. And the other, the one
[0:40 - 0:48] who's the main person doing this shit. Here's your proof right here, bitch. If I steal
[0:48 - 0:55] beats, why is it that I'm banging out hits like this right here? Let's take a listen
[0:55 - 1:23] to this for a second. Take a listen to this shit.
[1:23 - 1:38] You hear that? You know what that sounds like? That sounds like hard work to me. And you
[1:38 - 1:47] think that what I'm doing ain't getting me somewhere? Guess what? I'm sitting on a multi,
[1:47 - 1:53] on a potential multi-million dollar business, creating and selling my beats. And guess what?
[1:53 - 2:01] I've been getting linked up with actual shit, with actual fucking artists, like the legendary
[2:01 - 2:10] and the serious, which who I have right here on Facebook, like, as you guys see right there,
[2:10 - 2:21] and the serious right there, a legendary R&B artist, who actually fucks in my shit. And
[2:21 - 2:48] that ain't nothing. Let me show you something here. Let's go here to this. Oh, what's this?
[2:48 - 3:04] Can be serious on Instagram? And why is it that people like this man right here, legendary
[3:04 - 3:19] Jeff Hardy even fucks in my shit. The legend Jeff fucking Hardy fucks in my shit. So you
[3:19 - 3:25] want to talk about somebody that's not a business savvy bitch? Look at yourself. And as for
[3:25 - 3:32] the fucking Michael Tucker, dude, who I know ain't the real Michael Tucker, you're a fake
[3:32 - 3:41] ass. And another one you fake as fuck too. Can see I'm like, y'all I'm actually fucking
[3:41 - 3:51] business smart. Okay. See that whole entire time that I wasn't fucking doing a damn thing
[3:51 - 3:56] these last six months, I was actually building connections with people like MD serious and
[3:56 - 4:01] people like Jeff Hardy, who actually fucking my music, who fucking my craft, who enjoy
[4:01 - 4:11] what I do, who love seeing me progress. See, music isn't just about creating music all
[4:11 - 4:21] the fucking time, every single time. It's about relationships with artists and building
[4:21 - 4:28] contacts and a brand. Now y'all can sit there and try to steal my shit all you want. But
[4:28 - 4:34] guess what, motherfuckers? I can easily get y'all's asses on several copyright claims
[4:34 - 4:41] because guess what? I own the drift work beats brand. That is my fucking brand. I
[4:41 - 4:47] own that shit. I bought that shit flat out literally a couple days ago. I have full sole
[4:47 - 4:54] ownership of drift works beats. That is my company, my brand. Now for all y'all artists
[4:54 - 4:59] out there that actually do need some good ass fucking fire beats, be sure to check
[4:59 - 5:04] out the beat shop down below. And if y'all are fans, man, I actually do have my official
[5:04 - 5:16] merch shop up and running. Now you ain't another one, man. You fake as fuck, dog. And another
[5:16 - 5:41] one you stupid fake. You fake as fuck, nigga. Get up out of here with that shit. I'm like,
[5:41 - 5:48] y'all don't fucking realize, man. All y'all motherfucking trolls. Like y'all are dumb
[5:48 - 5:52] as fuck, honestly, man. Especially you, Heather. You want to sit there and say that I steal
[5:52 - 5:58] beats? Bitch, what do you call this? What do you call this shit right here? This is
[5:58 - 6:02] not a stolen beat. This is a made from the ground up. I'll even show you the fucking
[6:02 - 6:18] bones and the pattern of this shit. Look, right there is a fucking drone pattern. And
[6:18 - 6:23] then right below it in the court section is the fucking court progression. That's not
[6:23 - 6:30] fucking stolen. That's made from literally the ground up. Look, see, I'll even play
[6:30 - 7:00] just this back. Now, let's play the chords back. Now you
[7:00 - 7:28] put them together, you get this. That don't sound stolen to me. So try again, bitch. You
[7:28 - 7:46] ain't fooling nobody. Hell, I'll even show you what I use to make the fucking beat skip.
[7:46 - 7:50] Which is this right here. And here's the pattern that I use to make a fucking skip
[7:50 - 8:09] like that. It's called gross beat. So try again, bitch. And yeah, you're right. I actually
[8:09 - 8:14] am. I'm literally in the process of fucking editing this beat. I'm literally working
[8:14 - 8:29] on where I feel like it needs to fade out into the chords.
[8:29 - 8:58] My God, why don't we finish this beat up right quick?
[8:58 - 9:28] Okay. So. I'm going to do this. I'm going to do this. I'm going to do this. I'm going to
[9:28 - 9:44] do this. No, I don't mind. I don't mind seeing where I'm doing, but I'm actually using this
[9:44 - 10:06] to measure where I want my shit to be.
[10:06 - 10:36] Okay. So. I'm going to do this. I'm going to do this. I'm going to do this. I'm going to
[10:36 - 11:25] do this. I'm going to do this. I'm going to do this. I'm going to do this. I'm going to
[11:25 - 11:51] do this. I'm going to do this. Yeah, that way y'all can hear it.
[11:51 - 12:21] Okay. So. I'm going to do this. I'm going to do this. I'm going to do this. I'm going to
[12:21 - 16:41] do this. I'm going to do this. I'm going to do this. I'm going to do this. I'm going to
[16:41 - 16:47] do this. Y'all think I'm joking when I say that I'm sitting on a freaking multi-million
[16:47 - 17:05] dollar business? Here is the math problem plus what I put into it work-wise. What's
[17:05 - 17:16] that number right there at the bottom? What's that saying? Oh, yeah. 11.888,750. That's
[17:16 - 17:25] the thing. Another one. I'm just now building my brain back up. See? What you don't realize
[17:25 - 17:29] is that in the music industry, it ain't just about making music. It ain't just about making
[17:29 - 17:37] sales. It's about making connections, you fucking moron. It ain't about making fucking
[17:37 - 17:43] sales every day. It's about making connections with other people. It ain't about doing music
[17:43 - 17:50] all the time. See, if you do music all the time and you don't make connections, you're
[17:50 - 17:54] not going to get anywhere. When you start to make connections and you start to build
[17:54 - 18:00] relationships with artists and other producers and show that you start to build your brand.
[18:00 - 18:02] That's when you start to build your brand, which is what I've been doing these last
[18:02 - 18:11] six months is fucking taking, making these connections. I chose just now to put my plan
[18:11 - 18:17] into action because I am business smart. I've built my connections up over these last fucking
[18:17 - 18:25] six months because I know what the real artists out there are looking for. I know what they
[18:25 - 18:30] want. They want high-end beats for a real low price and you don't get much better than
[18:30 - 18:36] five dollars from a pack of 10 beats. You don't get that much better, if at all. And
[18:36 - 18:44] guess what? Lower prices bring in more sales and more sales bring in more profit and more
[18:44 - 18:52] profit leads to me being financially stable. Let's see what y'all gonna realize is at that
[18:52 - 18:59] low of a price, I'm going to gain fucking customers like fucking crazy. Why? Because
[18:59 - 19:07] I know what the artist is looking for. I know what they want. They want good beats
[19:07 - 19:16] at a real low price. Okay. And think about this. I sell a pack of 10 beats to 10 people
[19:16 - 19:22] a day every day. Think about this for a minute. Think about this. I sell a pack of 10 beats
[19:22 - 19:27] to 10 different people every day, right? They hear that shit. They buy it. They're
[19:27 - 19:31] going to want to go and tell their friends and that person's friends is going to tell
[19:31 - 19:37] more people, which in turn is going to bring in more customers. And in the long run, more
[19:37 - 19:44] customers ultimately means more business and more business means more money and more
[19:44 - 19:53] money means more profit and more profit means financial stability. So you see, I'm not as
[19:53 - 19:59] fucking dumb as y'all fucking think. I'm not stupid. I'm actually business smart.
[19:59 - 20:05] I have y'all fucking idiotic trolls that want to run your mouths. Because see, while y'all
[20:05 - 20:14] are sitting there running your mouths, I'm going to be sitting back well off. See, while
[20:14 - 20:19] I'm sitting here well off, y'all stupid motherfuckers are still going to be trolling, still be doing
[20:19 - 20:24] your dumb shit. But guess what? If y'all want to sit there and steal my shit, go ahead
[20:24 - 20:28] because guess what? I ain't letting y'all motherfucker stop me. And even if y'all
[20:28 - 20:34] do try to have my site shut down, my beat shop shut down or my production merch shop
[20:34 - 20:40] shut down, guess what? I can easily re-out this shit, you stupid fucks because I have
[20:40 - 20:45] everything I need to build the shit back up. So y'all may as well give the fuck up
[20:45 - 20:58] on trying to stop me because it's never going to fucking happen, bitch. So y'all want to
[20:58 - 21:05] sit there and talk shit? See, that's y'all's problem. You like to talk shit. I actually
[21:05 - 21:12] try to do shit, okay? Unlike y'all motherfuckers, I actually do something with my life. I'm
[21:12 - 21:17] actually trying to get somewhere with my shit. Unlike y'all stupid motherfuckers that
[21:17 - 21:22] want to run y'all's mouths. Y'all are dumb as fuck, that's why. While y'all are down
[21:22 - 21:28] here, I'm going to be up here. And guess what? If there ain't none of one of your motherfuckers
[21:28 - 21:32] that's ever going to stop me, bitch. But shout out to the real fucking music artists out
[21:32 - 21:36] there holding it down, like my boy Bradley, my boy Charles, my homie and brother Eric
[21:36 - 21:40] Scruggelow, every motherfucker that I fuck with that fucks with me, what up to all y'all
[21:40 - 21:46] crazy ass fucks? I fucking love y'all, man. Shout out to NBC's What's Up Girl? Fucking
[21:46 - 21:53] love your music, man. Keep on putting that shit out, fucking love it. But like I said
[21:53 - 21:57] to all the real fans, I do want to pick up some Driftworks Beats merch. The link to
[21:57 - 22:03] that and to all the artists out there that do want to pick up a pack of 10 beats for
[22:03 - 22:07] five bucks on my beat shop, the link is in the description so y'all can head over there.
[22:07 - 22:11] Check those out. I need to get back to work cause I got shit to do, y'all. I'll catch
[22:11 - 22:13] y'all later, man. Peace.
[22:13 - 22:19] [Music]