2020-12-5 The unwritten Rules Of music the artists Never follow these days and should

[0:00 - 0:11] Good morning guys. I'm here to prove a point and teach some of you a lesson that obviously
[0:11 - 0:20] have not learned that lesson. People such as Gigi Allen or Skull Kid. Now yes, there
[0:20 - 0:28] are some artists out there that will reveal how they do what they do, but not all. Most
[0:28 - 0:33] artists that you see nowadays, they don't show you how they get their sound, they just
[0:33 - 0:41] show you how to make the beat that they do. They don't show you how to get their sound.
[0:41 - 0:48] Prove me wrong. And you want to know why they don't show everything they do? Because
[0:48 - 0:54] they don't want mother fuckers coffee in their sound and making money off it because
[0:54 - 0:59] that's their sound. That's what makes them unique. Your sound is what defines you as
[0:59 - 1:10] an artist. And when someone comes along and steals your sound or your style, you know
[1:10 - 1:15] what's going to happen? They're going to make money off that. They're going to be
[1:15 - 1:25] making more money than you do or making money off what you're supposed to be doing. And
[1:25 - 1:31] the reason why I know this is because I am a victim of this. One of my friends in high
[1:31 - 1:40] school, or somebody who I thought was my friend back in high school, a couple years
[1:40 - 1:45] after I got out of high school I started to develop my sound and my style and I came
[1:45 - 1:50] up with a very unique style and sound that people really started to enjoy which is one
[1:50 - 1:59] of the sounds that led me to do what I'm doing now. But because he liked that sound
[1:59 - 2:05] so much even though I taught him how to create the basics of it, you know what he did? He
[2:05 - 2:15] went on to steal that sound and started making money off that. Which is why you never reveal
[2:15 - 2:25] your sound or how you do what you do. You know how they say a good magician never reveals
[2:25 - 2:36] his tricks? A good musician never reveals how he creates what he creates. That is a
[2:36 - 2:41] very important lesson. And for those of you out there that want to sit there and run
[2:41 - 2:48] your mouse, that's not for you to put out there. How I create my music, how I do what
[2:48 - 2:55] I do, that's none of your business. What is your business is what you do, how you do what
[2:55 - 3:02] you do. I'm going to quote Ryan Upchurch here for a minute because it's very true.
[3:02 - 3:10] Maybe if y'all stay in your own lane and worry about what you're doing instead of
[3:10 - 3:20] worrying about everybody else in the world, maybe, just maybe, you'll actually get somewhere.
[3:20 - 3:24] And seeing that's a lot of y'all's problems up on here is y'all like to put your noses
[3:24 - 3:30] in everyone else's business except stick into your own business. Y'all don't want
[3:30 - 3:37] to stick to your own business. So you'd rather run around, talk shit, put your noses
[3:37 - 3:42] in other people's business and put it in places where it doesn't fucking belong when
[3:42 - 3:50] really it needs to be, you need to keep your nose in your own business. How I make my music,
[3:50 - 3:59] ain't none of your business. What I do with my girl outside of YouTube, ain't none of
[3:59 - 4:10] y'all's business. What is your business is the content that I put out, or the music
[4:10 - 4:16] that I put out, or the video like this that I put out, or the once in a great blue moon
[4:16 - 4:21] last rooms that I put out, or if there's an update on the art shop or whatever. And
[4:21 - 4:27] I'll let y'all know that's y'all's business because I make it your business. How I make
[4:27 - 4:35] my music ain't y'all's business. So y'all motherfuckers that want to sit there and
[4:35 - 4:42] try to, you know, put out there how I supposedly make my music, first off y'all are dead ass
[4:42 - 4:50] wrong. Y'all are wrong as fuck on how I do my music. Especially with these classical
[4:50 - 4:55] renditions of songs that I did over the last couple days, y'all are dead ass wrong on
[4:55 - 5:10] how I did it. Second off, like, you know, you guys are just like, you're dumb for doing
[5:10 - 5:15] what you do. Trying to sit there and say, oh, this is how he does it. Not, not even
[5:15 - 5:23] bro. See, what y'all feel to realize is I'm actually naturally gifted when it comes to
[5:23 - 5:34] music. I always have been. And my first generation in my family for music, yes. Am I proud of
[5:34 - 5:40] that? A hundred percent. But what you guys fail to realize is not only do I know how
[5:40 - 5:52] to do these harsh vocals that people enjoy, but I'm also classically talented. I took
[5:52 - 6:02] no classes. I had to learn everything on my own. And the way I learned to do classical
[6:02 - 6:10] music isn't by note. It's by sound and what I hear. What I hear vocally and instrument
[6:10 - 6:19] wise, I am able to translate into perfect keys on a keyboard or on, you know, a computer
[6:19 - 6:24] keyboard or whatever it is, and whatever instrument or whatever tool it is that I'm using at
[6:24 - 6:33] the time to create the music. Like how many times will I have to go over this? Hell,
[6:33 - 6:39] a little fun known fact. So you're not from God smack. Doesn't know how to play notes
[6:39 - 6:49] at all. He does it how I do it. He plays it by sound. Most artists nowadays don't
[6:49 - 6:57] know notes. They don't know music theory. Yes, I studied just a little bit of music
[6:57 - 7:04] theory on my own, but not very much. But I know just enough to be able to actually to
[7:04 - 7:09] be able to know what I'm doing when it comes to picking up on sounds and how I translate
[7:09 - 7:19] that into what I do. So y'all motherfuckers, I think you got me figured out. I'm figured
[7:19 - 7:19] out.
[7:19 - 7:35] [inaudible]