2017-2-10 Blackout show (Facebook)

[0:00 - 0:05] with the first ever performance on this profile
[0:05 - 0:16] If you guys have not heard already, I do do performances and live streams and what not.
[0:16 - 0:23] You can tell Rock and the crucifix gloves, they've got tears from the music video, these
[0:23 - 0:28] are actually from the music video of the dreamers. Shout out to crucifix for sending these my
[0:28 - 0:37] way man, these are awesome. But with that aside, you know, let's get this rocking, let's
[0:37 - 0:57] get this show started. And what sucks is that I tried to do a live stream video chat
[0:57 - 1:05] with my promoter Roseanne. That way she can promote it and actually see what's going
[1:05 - 1:16] on as I'm doing it. And so she can get you guys hyped. And so you guys know what's up.
[1:16 - 1:24] But without further ado, let's jump right into this, this first song is actually called
[1:24 - 1:40] Look At My Face by my good friend Krit the Quiz though. Oh I like that song man. Now
[1:40 - 1:49] are you guys ready for this? Hey y'all I need you to share this around like a motherfucker.
[1:49 - 1:59] Yeah on just one minute. This thing's freezing so hold on, I'll be right back. Oh it's like
[1:59 - 2:29] this one so hold on. Alright guys I'm back. Sorry I had to do something wrong. I'm going
[2:29 - 2:57] to work but what's good? Awesome. Keep that going. Alright let's do this. I get so angry
[2:57 - 3:03] I could kill a man. But I don't remember my place and still not staying. You help me
[3:03 - 3:09] piss me off and kick me down. I know it's only cause they think I'm gotta make it sound.
[3:09 - 3:31] But baby thanks y'all make me feel good y'all. Y'all make me feel really fine. Y'all buzz
[3:31 - 3:48] like a pillow. Y'all make me feel good y'all buzz like a pillow. Y'all buzz like a pillow.
[3:48 - 4:04] Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all
[4:04 - 4:23] buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like
[4:23 - 4:48] a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow.
[4:48 - 5:05] Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all
[5:05 - 5:21] buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like
[5:21 - 5:48] a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow. Y'all buzz like a pillow.
[5:48 - 6:11] All right, time to switch this up a bit, y'all.
[6:11 - 6:27] This next song is one of my personal favorites. I know it's one that you guys will definitely
[6:27 - 6:30] know. If you guys have seen the movie Queen of the Band, you guys will recognize this
[6:30 - 6:46] song. And yes, I got a lot of surprises for y'all coming up here real soon. This is For
[6:46 - 7:09] You. I'm on the bed. You see I'm falling in the bath of this. Crawling the memories
[7:09 - 7:24] of the past. At last I see you fainting. I can't see this. All else you will take my
[7:24 - 7:40] place. Even finding, always whining. Take my hand, I'll be alive. See I cannot be forsaken.
[7:40 - 7:52] Because I'm not deeply onto you. We are the ones you fear and hate. Thus we laugh from
[7:52 - 8:17] every bone. I'm on the bed. Why can't we feed together every sense? It takes so long taking
[8:17 - 8:33] off the mask. And I see you fainting. I can't see you. All else you will take my place.
[8:33 - 8:49] Even finding, always whining. Take my hand, I'll be alive. See I cannot be forsaken. Because
[8:49 - 9:11] I'm not deeply on you. We are the ones you fear and hate. Thus we laugh from every bone.
[9:11 - 9:25] See I cannot be forsaken. Because I'm not deeply on you. We are the ones you fear and
[9:25 - 9:49] hate. Thus we laugh from every bone. See I cannot be forsaken. Because I'm not deeply
[9:49 - 10:14] on you. Now you guys are in for a huge surprise on
[10:14 - 10:32] this one. This next song is actually for all you Naruto fans out there. This is actually
[10:32 - 10:43] one of my buddy's six seconds I worked on like a while back. This is Naru Flo. Oh, I
[10:43 - 11:03] love this song. Naru has never been better yet. You guys ready for this? Let's take
[11:03 - 11:27] yourself a notch. Come on. Oh yes, this is godly. So godly. Shout out to Matt. He put
[11:27 - 11:36] some of this stuff in the ring. Yes. CZBN, who am I? Give me all the pictures. I'm five
[11:36 - 11:40] with bones, heart and stones, face five, suicide. I'll stay a claim of some of the songs. I
[11:40 - 11:46] can't stop. I'll be gone in a yellow flash like Manado. I'll go harder than Hugo's fix.
[11:46 - 11:52] Spin grand fireballs, but you know this, you know this. It's 6-10, T-SPOILER NOT YOU.
[11:52 - 11:57] Bring your plans harder than the nine, that's a rock suit. Bro, I go dancing. You say good
[11:57 - 12:00] night, nigga. Going for my able spin like Crystal Ice. Remember, I think it, niggas,
[12:00 - 12:04] we were trying to knock you back. 'Cause I love you, but they don't let me see. Like
[12:04 - 12:08] what's under these kakas. These masks with proper abs. I'm making shit red. Six foots
[12:08 - 12:12] still watch me move, like some nine sticks. 'Cause I do it big as shouji, and I unground
[12:12 - 12:17] some rock meat. I let out my kaya potions, but you still knock me up. I've seen Janice
[12:17 - 12:28] style so I drive her first. Take her miles from niggas like Garret's first. Then I reffle
[12:28 - 12:34] out some fucking six-time piss-ass horse. Shit, I'm sharper than a blade 'cause I hit
[12:34 - 12:39] a misstormant. This is just fling when I dispatch this rap. They think they call me
[12:39 - 12:44] the sage or the six times, but six times a day. Leaving all my truck, launching niggas
[12:44 - 12:49] together to your fucking gents. You ready to get you getting me an ombre? So I drive
[12:49 - 12:53] to slay you and get paid. Ain't no way we be when they come back when they all dancing.
[12:53 - 12:57] My life, my family, my father, my dang, it's a tenner, it's a tenner, it's a tenner, it's a
[12:57 - 13:01] life of rock and roll. How the fuck you doing? A rope should know me who does not play to
[13:01 - 13:06] stay. Even a chance for the past five whole kagas, the mist of kage, the ride kage, the
[13:06 - 13:11] cuffs of kage. And remember, if I got you to stop me, the story, the story, that only
[13:11 - 13:15] it's gon' be glory, I'm known to hold you in that cockroach. The story, that's Eno,
[13:15 - 13:21] Chino, I ain't a hero, a French face, so rap, yours got all the chill. With my censure,
[13:21 - 13:26] can you either die or keep going to get your eye taken in like six, sweet and cheap? Yes,
[13:26 - 13:30] I need to stand proper, there's a glass of water, kind of ironic, 'cause I'm way quieter
[13:30 - 13:34] than dying, got my eyes to attach it. More muffin, pop the zoom, put your hands in guy,
[13:34 - 13:39] you really want me to watch what you find. I'll transform and make sure you see monsters
[13:39 - 13:43] or in more parts than they do, you just ain't even eyes. Me niggas niggas in the grass,
[13:43 - 13:48] I wrote you model, then I can buy from the shadows, a chicken model. Can't pick, got
[13:48 - 13:52] more forms of dent in it, more weapons ready, them motherfuckin' tent heads, be all that
[13:52 - 13:57] fools do, so I was ready to shoot you, you couldn't escape, with a substitute juke tip.
[13:57 - 14:01] Second tell, you're not ill, now I'm not sure, finger thick when me would break through,
[14:01 - 14:06] watch you sign, third stage, more forgot you turn, heat on, to nothing bitch, I'm the biggest
[14:06 - 14:10] creature that isn't down for someone, bitch, boy, see it's claiming that you're nicer,
[14:10 - 14:14] and you'll be way more dramatic than your writers, I'm stuck you in a dryer,
[14:14 - 14:19] all your moves corny, your yawning weight, girl, the boy is gonna cock a monster feed,
[14:19 - 14:23] can't be a mane, that's a lame, getting in that ass like a thousand years of painting,
[14:23 - 14:28] we ain't dealing, can't cock, we was born from the same thing, my chock broke in flames,
[14:28 - 14:31] like a rhombus, can't switch, can't go off the chain, just 'cause I couldn't watch
[14:31 - 14:33] ? I'm not that hang-bend, but I'm a bitch ?
[14:33 - 14:34] ? You can't put that to the things I love ?
[14:34 - 14:35] ? You're taking out, you're taking out ?
[14:35 - 14:37] ? Free to live, you're taking my life ?
[14:37 - 14:39] ? I'll be told when baby years wind up big ?
[14:39 - 14:41] ? I'm 'bout to let 'em out, out ?
[14:41 - 14:42] ? So I'm gonna get in my pants ?
[14:42 - 14:44] ? When I go, papa papa's dauphas ?
[14:44 - 14:45] ? All the things I don't stop ?
[14:45 - 14:47] ? I'm like, "Mofa, we need to get a keeper" ?
[14:47 - 14:48] ? People in the back, keeper ?
[14:48 - 14:49] ? This is the way that niggas stay ?
[14:49 - 14:51] ? Don't forget about it again ?
[14:51 - 15:01] ? He's right, you got nothing but his ex-sue ?
[15:01 - 15:04] ? I'm the core for this one nigga I know ?
[15:04 - 15:06] ? But you can't rule that pussy ?
[15:06 - 15:09] ? Got the bio ?
[15:09 - 15:11] ? A wise man once said that the attitude ?
[15:11 - 15:13] ? Detergents the latitude ?
[15:13 - 15:14] ? They're in this house, they're here by the time ?
[15:14 - 15:16] ? I'm in the attitude ?
[15:20 - 15:23] Now I'm about to switch it up for you guys
[15:23 - 15:27] with something huge that my promoter, Roseanne,
[15:27 - 15:30] here has heard before.
[15:30 - 15:34] Well, she's one of the few who has actually heard it
[15:34 - 15:37] and heard me perform this one, this next one, live.
[15:37 - 15:39] This is actually one of my own.
[15:39 - 15:42] (keyboard clacking)
[15:42 - 15:59] This next one is one of mine,
[15:59 - 16:03] it's actually called feeding on darkness.
[16:03 - 16:05] I don't get it, let me skip it, let's do this.
[16:08 - 16:10] (laughing)
[16:10 - 16:13] (keyboard clacking)
[16:13 - 16:16] (ominous music)
[16:16 - 16:28] ? You'll never want to stay ?
[16:28 - 16:33] ? You're gonna die for justice ?
[16:33 - 16:35] ? The darkness ?
[16:35 - 16:37] (gasping)
[16:37 - 16:42] (screaming)
[16:42 - 17:07] ? You're gonna die for justice ?
[17:07 - 17:09] (gasping)
[17:09 - 17:14] ? The truth is this is my result, yeah ?
[17:14 - 17:20] ? The truth of your news ?
[17:20 - 17:23] ? We've waited all night ?
[17:23 - 17:27] ? That's after all night ?
[17:27 - 17:30] ? We've waited all night ?
[17:30 - 17:34] ? Nobody from a bank doesn't know ?
[17:34 - 17:37] ? We see it every day in a file zone ?
[17:37 - 17:41] ? You'll never want to stay with them, find you ?
[17:41 - 17:44] ? My romantic world doesn't tie me ?
[17:44 - 17:47] ? You'll never want to know another life ?
[17:47 - 17:51] ? It's all the thing that you've done is all right ?
[17:51 - 17:54] ? You wanna see one day you'll come with me ?
[17:54 - 17:57] (gasping)
[17:57 - 18:02] ? The darkness ?
[18:02 - 18:04] (laughing)
[18:04 - 18:07] ? The darkness ?
[18:07 - 18:09] (laughing)
[18:09 - 18:17] ? Reach me down ?
[18:17 - 18:24] ? You've done my soul wrong ?
[18:24 - 18:28] ? See you now ?
[18:28 - 18:35] ? The beauty of the darkness now ?
[18:35 - 18:37] ? You'll know exactly how the darkness ?
[18:37 - 18:39] ? On your photo to the ground ?
[18:39 - 18:41] ? So many thousands ?
[18:41 - 18:44] ? I know it's about to get the darkness aside ?
[18:44 - 18:46] ? We can't have it on low ground ?
[18:46 - 18:49] ? We say it all day ?
[18:49 - 18:54] ? Look for it all day ?
[18:54 - 19:06] ? Darkness in me ?
[19:06 - 19:15] ? You're the darkness that we are the darkness ?
[19:15 - 19:20] ? It's just the darkness now we are the darkness ?
[19:20 - 19:22] ? The darkness ?
[19:22 - 19:24] (gasping)
[19:24 - 19:28] ? The beauty of the darkness now ?
[19:28 - 19:32] ? You're the beauty of the darkness now ?
[19:32 - 19:33] ? The darkness ?
[19:33 - 19:37] ? The beauty of the darkness now ?
[19:37 - 19:38] ? The darkness ?
[19:38 - 19:41] ? The beauty of the darkness now ?
[19:41 - 19:43] ? The darkness ?
[19:43 - 19:50] ? The beauty of the darkness now ?
[19:50 - 19:53] - And that was fitting on darkness, guys.
[19:54 - 19:56] You know, what up?
[19:56 - 20:00] Yo, Johnny Skits, what's up, dude?
[20:00 - 20:13] What is up, man?
[20:13 - 20:40] . (chuckles)
[20:40 - 20:42] Now, let's take this up a notch.
[20:42 - 20:45] Yeah, I know, right?
[20:45 - 20:47] Well, it's probably 'cause this camera,
[20:47 - 20:48] or not this camera,
[20:48 - 20:49] but this thing likes to mess up a lot,
[20:49 - 20:51] so that may be part of it.
[20:51 - 21:03] Yeah, I always say, I'm trying to think of the name of the song.
[21:03 - 21:05] I'm trying to think of the name of the song.
[21:05 - 22:02] I'm trying to think of the song.
[22:02 - 22:03] You guys ready for this?
[22:03 - 22:06] This is a surprise song that I was not planning on doing,
[22:06 - 22:10] but I figured I'd surprise you guys with it anyway.
[22:10 - 22:29] Well, hopefully it'll-- oh, I gotta wait for this to come back.
[22:29 - 22:48] This is "Chomp, Chomp, Chomp."
[22:48 - 22:51] I've been cursed.
[22:51 - 22:54] I've been crossed.
[22:54 - 22:58] I've been beaten by the ones that carry on.
[22:58 - 23:01] I've been cursed.
[23:01 - 23:05] I've been on the top.
[23:05 - 23:12] I've been shattered by the ones I thought I loved.
[23:12 - 23:21] You left me a black-up, tall, young, soy-born way full of rain to wash away.
[23:21 - 23:25] Wash away.
[23:25 - 23:30] We can't go on back to the scene of the crime where the dead can't speak.
[23:30 - 23:33] Give us love and not the standing back.
[23:33 - 23:43] Though you're left behind, there's a jog outside.
[23:43 - 23:56] I've been cast in the clouds, flying out of the clouds, worthy cross your bounds.
[23:56 - 24:09] You'll be sorry, baby, someday when you reach across the bed where my body's delayed.
[24:09 - 24:18] You left me a black-up, tall, young, soy-born way full of rain to wash away.
[24:18 - 24:22] Wash away.
[24:22 - 24:26] We can't go on back to the scene of the crime where the dead can't speak.
[24:26 - 24:30] Give us love and not the standing back.
[24:30 - 24:55] Though you're left behind, there's a jog outside.
[24:55 - 25:08] You left me a black-up, tall, young, soy-born way full of rain to wash away.
[25:08 - 25:12] Wash away.
[25:12 - 25:35] You left me a black-up, tall, young, soy-born way full of rain to wash away.
[25:35 - 25:44] Well, before we get into this next one, I need to make sure to charge on this again.
[25:44 - 25:55] Oh yeah, we're still good for quite some time.
[25:55 - 26:05] Now to kind of switch it up for you guys a bit, just to screw with you.
[26:05 - 26:09] I am actually going to be playing one of my new dubstep tracks.
[26:09 - 26:19] Well, it's not new, but it's one that I know a lot of people will like, so...
[26:19 - 26:21] Hopefully you guys enjoy this next track.
[26:21 - 26:26] This is actually one that a lot of people seem to like for some reason.
[26:26 - 26:44] Like, they keep asking me, they're like, "Dude, how is this track not going viral?"
[26:44 - 26:46] Where are you at?
[26:46 - 26:56] And keep in mind, you guys are one of the first few to actually hear this.
[26:56 - 27:00] This is "We Have Skrillex."
[27:00 - 27:03] So hopefully you guys enjoy this, man.
[27:03 - 27:10] And also, what are we doing with some freestyle performances, too?
[27:10 - 27:16] I don't care, you know, I don't care. And I'm, you know, a part of me wants to...
[27:16 - 27:20] And what I might do after this song, I might do a freestyle performance.
[27:20 - 27:25] Why should I not be allowed to do this?
[27:25 - 27:34] That's awesome, that's what's up.
[27:34 - 27:44] Yeah, this one's for your son.
[27:44 - 27:47] Oh, I love you. What are we talking about?
[27:47 - 27:52] Stop, sit, I'm dead, I'm dead, I'm dead.
[27:52 - 28:21] [music]
[28:21 - 28:30] Turn it down, turn it down.
[28:30 - 28:35] Turn it up for you guys.
[28:35 - 29:30] [music]
[29:30 - 29:43] I'm just wondering, can you guys hear that?
[29:43 - 29:45] Wait, yeah, you guys should be able to.
[29:45 - 29:56] I feel like I'm right next to the speaker here.
[29:56 - 30:02] And the next one we're playing after this is actually inspired by Lincoln Park.
[30:02 - 30:07] More specifically, their song on "Wretches and Kings."
[30:07 - 30:32] [music]
[30:32 - 30:40] And there you go, guys, that was "We Asked Skrillex." This next one is called "I Awesome."
[30:40 - 30:50] [music]
[30:50 - 30:57] You guys don't know whose voice that was in that track saying that that was actually Skrillex.
[30:57 - 31:07] That took part of the vocals from his documentary and just started running with it.
[31:07 - 31:13] This next one is called "Use That Power." It was inspired by Lincoln Park's "Wretches and Kings."
[31:13 - 31:17] So hopefully you guys enjoy this.
[31:17 - 31:24] I know quite a few people that do enjoy this, so hopefully you guys will too, if you don't even play.
[31:24 - 31:27] There we go.
[31:27 - 31:36] I hate it when I accidentally hit that power button or that pause button.
[31:36 - 31:59] I got a few songs that I'm going to be playing for you guys.
[31:59 - 32:14] A lot of guys said some right back when I once died out of it.
[32:14 - 32:34] [music]
[32:34 - 32:40] I don't know what you all think about this track, dude. For real, what do you guys think?
[32:40 - 32:53] I know Roseanne and her and some like this stuff, so I didn't know what y'all out there besides those two things.
[32:53 - 33:03] This is actually iced tea.
[33:03 - 33:17] Now I'll take a damn coffee right here just in case.
[33:17 - 33:21] It's funny, most people take a look at my iced tea and they think it's like beer or alcohol or something.
[33:21 - 33:27] It's like, "No, it's iced tea."
[33:27 - 33:39] I definitely drink stuff like that. I'll drink iced tea, water, coffee, energy drinks, sodas.
[33:39 - 33:50] Seriously, the last time I got drunk it was not fun. I was puked about an hour straight.
[33:50 - 33:57] That's why I avoid that stuff. I've seen what it's done to my dad.
[33:57 - 34:03] I try not to get too involved with alcohol if I can help it.
[34:03 - 34:13] We're just talking about it. That's just one thing, but like doing it, nah, man.
[34:13 - 34:45] [music]
[34:45 - 34:57] I'm also going to introduce to you guys a new experimental style that I've been working on that very few have actually heard.
[34:57 - 35:05] There is no real name for it yet, so if you guys come with a good name for it, let me know.
[35:05 - 35:14] [music]
[35:14 - 35:20] This is actually one of the sounds of not very many dubstep artists or any artist in general can pull,
[35:20 - 35:28] which is taking your chill wave pads and your dubstep drops and making them on point like this.
[35:28 - 35:35] It's pretty cool to be able to be one of the first to do that.
[35:35 - 35:54] [music]
[35:54 - 36:04] Oh, dang, that sucks. I don't blame you. That stuff does work. It really does work for two things.
[36:04 - 36:21] [music]
[36:21 - 36:27] You know, I think I will do a freestyle performance for you guys during this.
[36:27 - 36:32] Just to kind of show you guys what I can do freestyling around.
[36:32 - 36:38] Want to check some here? Oh, yeah, we're getting for a while, yeah.
[36:38 - 36:43] If you see me like leaning towards the screen and go like this and scroll down,
[36:43 - 36:49] it just shows I'm checking the battery card because this thing likes to lose power real quick.
[36:49 - 36:51] So, yeah.
[36:51 - 36:56] [music]
[36:56 - 37:01] That's actually a good idea, like, name-wise, yeah.
[37:01 - 37:07] But, like, I'm thinking, like, in terms of, like, styles.
[37:07 - 37:12] Like, you know, you got dubstep, you got different styles.
[37:12 - 37:17] Like, you got dubstep, you got rap step, chill step.
[37:17 - 37:20] Like, you got all that stuff.
[37:20 - 37:27] So, like, I'm, like, really kind of trying to come up with a name for, like, the genre itself.
[37:27 - 37:35] Because you got so many genres within the dubstep community.
[37:35 - 37:44] And after this one, I'll play another example for you so you guys can see what I'm aiming at with it.
[37:44 - 37:48] [music]
[37:48 - 37:56] You know, I'll just play my newest one, which is literally, like, the fourth installment of this series.
[37:56 - 38:01] Hopefully you can get a good idea of what I'm going for.
[38:01 - 38:17] [music]
[38:17 - 38:28] Okay, right now I have it as a temporary name-drift step, but that's just, like, temporary until I can find, like, you know, find a solid genre name for it.
[38:28 - 38:46] [music]
[38:46 - 38:57] You got that, you got, like, four of them here, like, this one's the more popular one, though, I think.
[38:57 - 39:02] Oh, wait, is this the right one?
[39:02 - 39:04] Oh, I know, man.
[39:04 - 39:15] This is actually the first one ever.
[39:15 - 39:21] Like, this is actually the first one I actually did that came out like this.
[39:21 - 40:12] [music]
[40:12 - 40:18] When I did you guys didn't know I also do classical type stuff, too, like this.
[40:18 - 40:37] Like, I do, like, a lot of classical violin type stuff as well, so let's see if I can find my best violin track here.
[40:37 - 40:42] There we go.
[40:42 - 40:44] Oh, and then that act.
[40:44 - 40:47] That's actually one of my piano with my violin.
[40:47 - 40:50] I'm looking for my straight up violin piece.
[40:50 - 40:52] Where's that?
[40:52 - 40:56] Here we go.
[40:56 - 41:00] I keep in mind I recorded this all by key.
[41:00 - 41:11] And I actually just happened to have the notes that I had written down as keys on a keyboard for this track.
[41:11 - 41:20] Like, all my, you know, classical compositions like this, you know, I do have written down.
[41:20 - 41:30] [music]
[41:30 - 41:53] I know, right? That's what I'm saying. A lot of dope stuff does sound close to techno sometimes. Like, it's like right in between.
[41:53 - 42:00] Keep in mind, no, I'm not a classical train. I just go by sound.
[42:00 - 42:19] [music]
[42:19 - 42:29] And this one in particular was actually done in FL Studio 12 using the software of violin.
[42:29 - 42:36] I just tweaked the sounds a bit and came out with this.
[42:36 - 42:45] [music]
[42:45 - 42:52] Right, I love the urban samurai track. That was like one of my more favorite ones to do.
[42:52 - 42:59] Like, I actually had a lot of fun with that.
[42:59 - 43:09] Like, that was definitely a fun track for me to do. Like, definitely.
[43:09 - 43:24] I definitely had a good time recording that one. That one is more of like, you know, one of my more favorite ones because it's mostly piano and I do play a lot of piano, keyboard, guitar, stuff like that.
[43:24 - 43:32] So, being able to step outside of my zone and do something like that, that was pretty fun. I enjoy that.
[43:32 - 43:41] And I might just pick that back up. Like, I'm thinking about doing another classical album here soon.
[43:41 - 43:49] I'm actually finishing the one that I'm working on now. I'm thinking about doing that as finishing up the one that I'm working on now.
[43:49 - 43:55] Which, I've got the name up here somewhere to find the track that I have it to.
[43:55 - 44:07] Yeah, I'm thinking about finishing up the Winsor and Change album, which is a classical one.
[44:07 - 44:36] Like, I may just go ahead and do that and pick that back up for me. I may just go ahead and pick that back up.
[44:36 - 44:48] Anyway, I think I should probably play that one next. I think I should probably play it over the same right next if I can find it in here.
[44:48 - 45:11] Which, I'm pretty sure it's in here if you have to find it.
[45:11 - 45:33] And there you go, that was actually my first ever violin piece. I was just going off the dome with that and I was honestly surprised it turned out like it did.
[45:33 - 46:02] Let's see the tracks.
[46:02 - 46:20] Alright, so it would probably be because I got like two different counts.
[46:20 - 46:28] Alright, so it would probably be in my shadow white one.
[46:28 - 46:38] Alright, I gotcha.
[46:38 - 46:54] Alright, you know what, hold up, hold up, alright, alright. You guys wanted me to do something crazy, alright? I gotcha.
[46:54 - 47:17] I've got two different guitars here. I've got one that is actually set up specifically for, I don't know if you listened to "Breaking Benjamin" at all, but it's actually specifically set up for their song "Cold".
[47:17 - 47:25] No, I didn't want "Breaking Benjamin" even though that is a good show.
[47:25 - 47:33] Alright, here we go.
[47:33 - 47:43] I can do too much of this guitar because of the back on it, like if you can't, it's kind of killing up a little bit so I gotta be super careful.
[47:43 - 47:56] Go ahead.
[47:56 - 48:25] Alright, you ready? Let's do this.
[48:25 - 49:32] Alright, let's do this.
[49:32 - 50:01] Alright, alright, alright, alright, alright, alright.
[50:01 - 50:59] Alright, let's do this.
[50:59 - 52:04] And I know, but that's just because I got this one loosened up for a bit more like a bass sound.
[52:04 - 52:31] And I got that one with, like you said, it does need tune.
[52:31 - 52:36] And like I said, I got that one loosened up for more of a bass type sound.
[52:36 - 52:42] And then I got this big ass one right here, which is a full size.
[52:42 - 52:50] But I don't know if you can tell or not, but this one was actually, given to me, it was made for opposite direction.
[52:50 - 53:01] So it kind of goes from high to low, which I don't mind.
[53:01 - 53:30] Nice. You need to take back up.
[53:30 - 53:34] I don't mind.
[53:34 - 53:59] And I know, but that's just because I got this one loosened up for a bit more like a bass sound.
[53:59 - 55:08] And I know, but that's just because I got this one loosened up for opposite direction.
[55:08 - 55:22] I know, right?
[55:22 - 56:40] And I know, but that's just because I got this one loosened up for opposite direction.
[56:40 - 57:06] Alright, not a problem.
[57:06 - 57:11] I'm just going to do like one last guitar track for you guys on here.
[57:11 - 57:13] And then I am cutting it myself.
[57:13 - 57:17] That way the sync can charge.
[57:18 - 57:45] Pick a sandwich like this, put in cheddar paste, put in fry pie, and you're going to turn it into three, but that wasn't that nice.
[57:45 - 61:07] Okay.
[61:07 - 61:11] And there you have it, guys.
[61:11 - 61:17] That will do it for the end of this live stream.
[61:17 - 61:24] I will have more coming soon, so be ready.
[61:24 - 61:28] You know, hopefully you guys enjoyed this.
[61:28 - 61:30] Shout out to everybody who did watch.
[61:30 - 61:33] You guys are amazing.
[61:33 - 61:39] So for now, that'll do it, and this has been Shadow Blade, and I will catch you guys later, man.
[61:39 - 61:40] Peace.